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“Eu amo que todos possam amar e ter coragem de fazer qualquer coisa na vida.”

 

Esse é um dos ensinamentos que o incrível Doguê Kocou Edgar Doh compartilhou com a #Solare em Lomé, no Togo. Com uma visão incrível sobre a arte, o artista nos encantou com a visão que tem do mundo e das pessoas, demonstrando como é profunda sua admiração pela complexidade humana.

 

Sua arte tão única nos inspirou a produzir um documentário contando um pouco da história, do processo criativo e dos detalhes que tornam suas criações tão interessantes, e que representam seu povo com tanto amor.

 

Confira o documentário produzido pela #Solare e conheça um pouco mais desse universo tão rico!

Roaming lofts / February first Thursday / 619 Western Ave studios.

 

Pioneer Square / Seattle / 02-03-11.

“Eu amo que todos possam amar e ter coragem de fazer qualquer coisa na vida.”

 

Esse é um dos ensinamentos que o incrível Doguê Kocou Edgar Doh compartilhou com a #Solare em Lomé, no Togo. Com uma visão incrível sobre a arte, o artista nos encantou com a visão que tem do mundo e das pessoas, demonstrando como é profunda sua admiração pela complexidade humana.

 

Sua arte tão única nos inspirou a produzir um documentário contando um pouco da história, do processo criativo e dos detalhes que tornam suas criações tão interessantes, e que representam seu povo com tanto amor.

 

Confira o documentário produzido pela #Solare e conheça um pouco mais desse universo tão rico!

Hey Flickr fam!

  

I'm thrilled to share the culmination of my Plasticity CAD learning journey – the final renders of the Apple iWatch Ultra 2! 🍎⌚

  

Having dabbled in Fusion 360 and predominantly worked in Blender's polygonal modeling, Plasticity opened up a world of simplicity and ease for me. Crafting a high-quality model with stunning chamfers, fillets, and surface continuity was a breeze, a task that would take hours of topology work elsewhere.

  

Here's a sneak peek into my workflow:

  

Plasticity Modeling: Started by loading reference images from the Apple website into Plasticity, creating the basic shape, and layering details from inside to out. A several of hours later, I had a near-complete model.

  

Blender & KeyShot Magic: Exported the model to Blender as an OBJ, then bridged it to Keyshot for the CMF process. Surprisingly, minimal issues with normals or topology emerged, allowing for a smooth transition.

  

Detailing & Materials: Split surfaces for specific CMF details like the orange ring and watch screen. Applied emissive labels, glass materials, and even crafted a custom sensor image for the bottom using Photoshop.

  

Band Deformation Challenge: Noticed band positioning issues, exported to Blender, and attempted deformation. Realized topology adjustments were needed, played around with Plasticity's export options, and found the sweet spot using ngons with higher polygon count.

  

Precision in Keyshot: Brought the bands back into Keyshot, linked up materials, ensuring the mesh and topology looked fantastic. Imported a custom environment from Visune, dropped in a tabletop, and started crafting camera angles.

  

The Final Renders: After some meticulous adjustments, voila! Beautiful, high-detail images of the Apple iWatch Ultra 2 in Orange Ocean Pantone.

  

Now, I'm curious: What's your workflow to achieve that perfect final render? Share your tips and tricks!

  

#PlasticityCAD #KeyshotRender #DesignJourney #AppleiWatchSeries9 #CMFDesign #ProductVisualization #CreativeProcess #plasticity #apple #keyshot #blender

Hey Flickr fam!

  

I'm thrilled to share the culmination of my Plasticity CAD learning journey – the final renders of the Apple iWatch Ultra 2! 🍎⌚

  

Having dabbled in Fusion 360 and predominantly worked in Blender's polygonal modeling, Plasticity opened up a world of simplicity and ease for me. Crafting a high-quality model with stunning chamfers, fillets, and surface continuity was a breeze, a task that would take hours of topology work elsewhere.

  

Here's a sneak peek into my workflow:

  

Plasticity Modeling: Started by loading reference images from the Apple website into Plasticity, creating the basic shape, and layering details from inside to out. A several of hours later, I had a near-complete model.

  

Blender & KeyShot Magic: Exported the model to Blender as an OBJ, then bridged it to Keyshot for the CMF process. Surprisingly, minimal issues with normals or topology emerged, allowing for a smooth transition.

  

Detailing & Materials: Split surfaces for specific CMF details like the orange ring and watch screen. Applied emissive labels, glass materials, and even crafted a custom sensor image for the bottom using Photoshop.

  

Band Deformation Challenge: Noticed band positioning issues, exported to Blender, and attempted deformation. Realized topology adjustments were needed, played around with Plasticity's export options, and found the sweet spot using ngons with higher polygon count.

  

Precision in Keyshot: Brought the bands back into Keyshot, linked up materials, ensuring the mesh and topology looked fantastic. Imported a custom environment from Visune, dropped in a tabletop, and started crafting camera angles.

  

The Final Renders: After some meticulous adjustments, voila! Beautiful, high-detail images of the Apple iWatch Ultra 2 in Orange Ocean Pantone.

  

Now, I'm curious: What's your workflow to achieve that perfect final render? Share your tips and tricks!

  

#PlasticityCAD #KeyshotRender #DesignJourney #AppleiWatchSeries9 #CMFDesign #ProductVisualization #CreativeProcess #plasticity #apple #keyshot #blender

Here's "phase 2" of my collaboration with John Fogarty from NJ. John began these pieces with painted abstract forms, and I added the Splotch Forms, which would later become "Splotch Monsters".

via All Travel Vibes ♪ © "Enjoy! With the Best Pictures goo.gl/hNg5ak All Travel Vibes is an online travel and photography magazine. Our goal is to inspire your next adventure while sharing your last one with the world. And You can Get Ebook For Free "Travel Deeply Do It Cheaply" ; Best ebook For Travelers & Adventurers 100% Free . now goo.gl/wnNvgp ."

Fantastic photo by @annamcnaughty

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#paradises #discoverearth #doingwhatilove #yogafitness #travelbreak #travelnow #creativeprocess #travelfrance #lifeistravel #travelinsta #soultravel #travelstagram #lifeisajoke #adventureculture #earthofficial #goodkarma #travelwell #adventurebuddies #traveldiaries #paradisegarage #livethelife #travellernottourist #travelfashion #gritandvirtue #familyaffair Enjoy! With the Best Pictures goo.gl/hNg5ak All Travel Vibes is an online travel and photography magazine. Our goal is to inspire your next adventure while sharing your last one with the world. And You can Get Ebook “Travel Deeply Do It Cheaply” ; Best ebook For Travelers & Adventurers Download it now -> ift.tt/2zNEfe7 or you don’t have money for traveling !!! download this ebook “Smart Ways to Make Money” get to it now! -> ift.tt/2xk33sc If You Want to Be Rich and make money. be pleased .. have a good time.

Hey Flickr fam!

  

I'm thrilled to share the culmination of my Plasticity CAD learning journey – the final renders of the Apple iWatch Ultra 2! 🍎⌚

  

Having dabbled in Fusion 360 and predominantly worked in Blender's polygonal modeling, Plasticity opened up a world of simplicity and ease for me. Crafting a high-quality model with stunning chamfers, fillets, and surface continuity was a breeze, a task that would take hours of topology work elsewhere.

  

Here's a sneak peek into my workflow:

  

Plasticity Modeling: Started by loading reference images from the Apple website into Plasticity, creating the basic shape, and layering details from inside to out. A several of hours later, I had a near-complete model.

  

Blender & KeyShot Magic: Exported the model to Blender as an OBJ, then bridged it to Keyshot for the CMF process. Surprisingly, minimal issues with normals or topology emerged, allowing for a smooth transition.

  

Detailing & Materials: Split surfaces for specific CMF details like the orange ring and watch screen. Applied emissive labels, glass materials, and even crafted a custom sensor image for the bottom using Photoshop.

  

Band Deformation Challenge: Noticed band positioning issues, exported to Blender, and attempted deformation. Realized topology adjustments were needed, played around with Plasticity's export options, and found the sweet spot using ngons with higher polygon count.

  

Precision in Keyshot: Brought the bands back into Keyshot, linked up materials, ensuring the mesh and topology looked fantastic. Imported a custom environment from Visune, dropped in a tabletop, and started crafting camera angles.

  

The Final Renders: After some meticulous adjustments, voila! Beautiful, high-detail images of the Apple iWatch Ultra 2 in Orange Ocean Pantone.

  

Now, I'm curious: What's your workflow to achieve that perfect final render? Share your tips and tricks!

  

#PlasticityCAD #KeyshotRender #DesignJourney #AppleiWatchSeries9 #CMFDesign #ProductVisualization #CreativeProcess #plasticity #apple #keyshot #blender

Documentation of the creative development process of Inter.Fear, a physical theatre/dance collaboration between Athena Mazarakis (Johannesburg) and Hansel Nezza of Marabula (Barcelona-Berlin) with Interactive Media by Tegan Bristow (Wits Digital Arts, Johannesburg). Due to open at the National Arts Festival, Grahamstown: 6-8 July 2012

 

Friday 22 June 2012:

The dancer's first encounter with the table at the Brixton Recreation Centre, Johannesburg, South Africa.

“Eu amo que todos possam amar e ter coragem de fazer qualquer coisa na vida.”

 

Esse é um dos ensinamentos que o incrível Doguê Kocou Edgar Doh compartilhou com a #Solare em Lomé, no Togo. Com uma visão incrível sobre a arte, o artista nos encantou com a visão que tem do mundo e das pessoas, demonstrando como é profunda sua admiração pela complexidade humana.

 

Sua arte tão única nos inspirou a produzir um documentário contando um pouco da história, do processo criativo e dos detalhes que tornam suas criações tão interessantes, e que representam seu povo com tanto amor.

 

Confira o documentário produzido pela #Solare e conheça um pouco mais desse universo tão rico!

via Instagram ift.tt/1CeCMLS Meu Robô Mol.e-Q! Um módulo eletrônico auxiliar para identificar ingredientes e ferramentas para auxiliar chefs em cozinhas da nova gastronomia molecular. Ele foi criado sucatas durante a segunda tarde do workshop Laboratório Criativo com Priscila Borges e O Silva. #semanapensamentocriativo #toyart #creativeprocess

Blythe Carrillo, Brandt Hoekenga from tiv, and Nate Bauer from Already Set up, at the front of a house full of the North Bay's most talented creative professionals offered an engaging evening of lively, convivial, and creative conversation.

 

Brandt Hoekenga, Creative Guy, and Blythe Carrillo, Marketing Curator, at TIV walked through two rebrand projects from beginning to end with similar goals but very different approaches:

• The Santa Rosa Violence Prevention Partnership, ‪#‎PARTERSHIPUPSR‬

• Presidio Social Club.

 

Website: www.thepartnershipsr.org

Facebook: www.facebook.com/PartnerUpSR

 

Website: www.presidiosocialclub.com

Facebook: www.facebook.com/pages/Presidio-Social-Club/31139309562?f...

 

Website: create-tiv.com

Facebook: www.facebook.com/create.tiv?fref=ts

 

Meetup: www.meetup.com/North-Bay-Designers-Meetup/

Facebook: www.facebook.com/groups/northbaydesign/

 

Already Set Up website: www.facebook.com/alreadysetup?pnref=lhc

Already Set Up Facebook: www.facebook.com/alreadysetup?pnref=lhc

  

032415 Tale of Two Rebrands by tiv HERO 2722

Documentation of the creative development process of Inter.Fear, a physical theatre/dance collaboration between Athena Mazarakis (Johannesburg) and Hansel Nezza of Marabula (Barcelona-Berlin) with Interactive Media by Tegan Bristow (Wits Digital Arts, Johannesburg). Due to open at the National Arts Festival, Grahamstown: 6-8 July 2012

 

Friday 22 June 2012:

The dancer's first encounter with the table at the Brixton Recreation Centre, Johannesburg, South Africa.

“Eu amo que todos possam amar e ter coragem de fazer qualquer coisa na vida.”

 

Esse é um dos ensinamentos que o incrível Doguê Kocou Edgar Doh compartilhou com a #Solare em Lomé, no Togo. Com uma visão incrível sobre a arte, o artista nos encantou com a visão que tem do mundo e das pessoas, demonstrando como é profunda sua admiração pela complexidade humana.

 

Sua arte tão única nos inspirou a produzir um documentário contando um pouco da história, do processo criativo e dos detalhes que tornam suas criações tão interessantes, e que representam seu povo com tanto amor.

 

Confira o documentário produzido pela #Solare e conheça um pouco mais desse universo tão rico!

Processo criativo do artista André Minei para o projeto O Desencanto

 

Florianópolis, 2021.

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