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Documentation of the creative development process of Inter.Fear, a physical theatre/dance collaboration between Athena Mazarakis (Johannesburg) and Hansel Nezza of Marabula (Barcelona-Berlin) with Interactive Media by Tegan Bristow (Wits Digital Arts, Johannesburg). Due to open at the National Arts Festival, Grahamstown: 6-8 July 2012
Friday 22 June 2012:
The dancer's first encounter with the table at the Brixton Recreation Centre, Johannesburg, South Africa.
Documentation of the creative development process of Inter.Fear, a physical theatre/dance collaboration between Athena Mazarakis (Johannesburg) and Hansel Nezza of Marabula (Barcelona-Berlin) with Interactive Media by Tegan Bristow (Wits Digital Arts, Johannesburg). Due to open at the National Arts Festival, Grahamstown: 6-8 July 2012
Friday 22 June 2012:
The dancer's first encounter with the table at the Brixton Recreation Centre, Johannesburg, South Africa.
Hello all!
It's been a hectic time at work, but I couldn't resist diving into the Christmas Ornament Design Challenge. 🎁 This project pushed me to explore materials and workflows I don't use often, and boy, was it a blast!
I opted for a handmade Christmas gnome ornament using cotton balls and felt sheets. Here's a quick rundown of my creative process:
Geometry Crafting with Plasticity: Swiftly drafted the overall geometry using Plasticity, making use of lofts for the hat and basic sphere shapes. Fast and efficient!
Blender Cleanup and Cablerator Magic: Imported the geometry into Blender to refine the mesh and crafted the lanyard using the Cablerator add-on – a real time-saver.
Keyshot Material Magic: Used the felt material from the library as a base and customized the color map in Photoshop for the nose and hat. Experimented with fuzz material for the head and top ball, but the real magic came with a scattering medium and Cloud VDB for the cloudy cotton ball look.
Snowflake Accents: Designed snowflakes as labels for the hats, adding a displacement map with a 9px blur for sharp edges.
Background Magic: Incorporated a cozy Christmas living room backdrop, adjusted exposure and color temperature for contrast, and threw it into the render cycle.
Finishing Touches in Photoshop: Rendered the alpha separately, reintroduced the background, and dove into Photoshop magic. Added vignette, color grading, contrast adjustments, and texture boosting for that perfect festive touch.
Running into obstacles is part of the journey, and one challenge was nailing the Fuzz material to pure white. Got pretty close, but some Photoshop finesse helped achieve the desired look.
Hope you all enjoyed the Christmas Ornament Challenge as much as I did! 🎅✨ Share your thoughts and experiences below – let's spread the holiday creative vibes! 🌈🔔
#ChristmasChallenge #DesignJourney #CreativeProcess #KeyshotMagic #PhotoshopWizardry #HolidaySpirit
Here's "phase 2" of my collaboration with Cat Gilbert from NYC. Cat began these pieces with loosely drawn flower forms, and I added the Splotch Forms, which would later become "Splotch Monsters".
You can find a large number of full-resolution photos under a Creative Commons license on my official website: nenadstojkovicart.com/albums
Here's "phase 2" of my collaboration with John Fogarty from NJ. John began these pieces with painted abstract forms, and I added the Splotch Forms, which would later become "Splotch Monsters".
Documentation of the creative development process of Inter.Fear, a physical theatre/dance collaboration between Athena Mazarakis (Johannesburg) and Hansel Nezza of Marabula (Barcelona-Berlin) with Interactive Media by Tegan Bristow (Wits Digital Arts, Johannesburg). Due to open at the National Arts Festival, Grahamstown: 6-8 July 2012
Friday 22 June 2012:
The dancer's first encounter with the table at the Brixton Recreation Centre, Johannesburg, South Africa.
Questi giorni nel mio sketchbook...
cristinaswatercolors.blogspot.com/2011/04/these-days-in-m...
... I let me go, trying not to worry about the result, to see what can come out.
... mi lascio andare, cercando di non preoccuparmi del risultato, per vedere che cosa ne può venir fuori.
Production Assistant, Mmakgosi Kgabi. Documentation of the creative development process of Inter.Fear, a physical theatre/dance collaboration between Athena Mazarakis (Johannesburg) and Hansel Nezza of Marabula (Barcelona-Berlin) with Interactive Media by Tegan Bristow (Wits Digital Arts, Johannesburg). Due to open at the National Arts Festival, Grahamstown: 6-8 July 2012
Friday 22 June 2012:
The dancer's first encounter with the table at the Brixton Recreation Centre, Johannesburg, South Africa.
This man was visiting the grave of someone; I didn't want to trouble him. But the gravesite is next to a large pond and seemed quite peaceful.
NBD New Member Introductions: Tenga's Studio, based out of Santa Rosa, provides pre-press print production and is owned and operated by a husband and wife team, Mark and Laura Tenga.
Tenga Studios website: www.tengasstudio.com
Brandt Hoekenga, Creative Guy, and Blythe Carrillo, Marketing Curator, at TIV walked through two rebrand projects from beginning to end with similar goals but very different approaches:
• The Santa Rosa Violence Prevention Partnership #PARTERSHIPUPSR
• Presidio Social Club.
Website: www.thepartnershipsr.org
Facebook: www.facebook.com/PartnerUpSR
Website: www.presidiosocialclub.com
Facebook: www.facebook.com/pages/Presidio-Social-Club/31139309562?f...
Website: create-tiv.com
Facebook: www.facebook.com/create.tiv?fref=ts
Meetup: www.meetup.com/North-Bay-Designers-Meetup/
Facebook: www.facebook.com/groups/northbaydesign/
href="https://www.facebook.com/create.tiv?fref=ts" rel="nofollow">www.facebook.com/create.tiv?fref=ts
NBD Meetup: www.meetup.com/North-Bay-Designers-Meetup/
NBD Facebook: www.facebook.com/groups/northbaydesign/
032415 Tale of Two Rebrands by tiv HERO 2749
I made a pillow for my cats recyclins some old damask and other materials.
My cats sleep on damask :)
madamerenard.blogspot.it/2014/10/my-cats-sleep-on-damask....
Documentation of the creative development process of Inter.Fear, a physical theatre/dance collaboration between Athena Mazarakis (Johannesburg) and Hansel Nezza of Marabula (Barcelona-Berlin) with Interactive Media by Tegan Bristow (Wits Digital Arts, Johannesburg). Due to open at the National Arts Festival, Grahamstown: 6-8 July 2012
Friday 22 June 2012:
The dancer's first encounter with the table at the Brixton Recreation Centre, Johannesburg, South Africa.
Documentation of the creative development process of Inter.Fear, a physical theatre/dance collaboration between Athena Mazarakis (Johannesburg) and Hansel Nezza of Marabula (Barcelona-Berlin) with Interactive Media by Tegan Bristow (Wits Digital Arts, Johannesburg). Due to open at the National Arts Festival, Grahamstown: 6-8 July 2012
Friday 22 June 2012:
The dancer's first encounter with the table at the Brixton Recreation Centre, Johannesburg, South Africa.
Documentation of the creative development process of Inter.Fear, a physical theatre/dance collaboration between Athena Mazarakis (Johannesburg) and Hansel Nezza of Marabula (Barcelona-Berlin) with Interactive Media by Tegan Bristow (Wits Digital Arts, Johannesburg). Due to open at the National Arts Festival, Grahamstown: 6-8 July 2012
Friday 22 June 2012:
The dancer's first encounter with the table at the Brixton Recreation Centre, Johannesburg, South Africa.