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Quest'opera di Lorenzo Furlanetto è distribuita con Licenza Creative Commons Attribuzione - Non commerciale - Non opere derivate 4.0 Internazionale. Based on a work at https://www.flickr.com/photos/furlanetto_lollo/.
After 9.30pm... empty seats on rides for little ones... they've all gone home to sleep. I'm sure I would have had nightmares with a green monster like that looking at me while I whirl round on a gentle ride. Sponge Bob was on the other side!
Model: Sharmayn
MUA: Sharmayn
Photographer: Qsimple
Location: Dordtrecht
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.
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This photograph is available to use under the Creative Commons licensing. It is available for non-commercial use as long as proper attribution is given.
This work is licensed under a <a href="http://creativecommons.org/licenses/by-nc-sa/3.0/" rel="nofollow">Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License</a>.
<b>You are free:</b>
to Share — to copy, distribute and transmit the work
to Remix — to adapt the work
<b>But Under the following conditions:</b>
<b>Attribution</b> — You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work).
<b>Noncommercial</b> — You may not use this work for commercial purposes.
<b>Share Alike</b> — If you alter, transform, or build upon this work, you may distribute the resulting work only under the same or similar license to this one.
In loving memory of Robert Tait Little who died Sept 19th 1907 aged 85 years.
Also of Jane, wife of the above, who died July 26th 1917 aged 78 years. At rest.
In 1871 Robert Tait Little walked from Scotland to Exmoor, herding the first Scottish Blackface sheep down the droving roads on foot. He remained here with his wife Jane, and their children Robert, John, Ellen and Thomas.
St Luke's Church, Simonsbath.
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.
You are free:
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to Remix — to adapt the work
But Under the following conditions:
Attribution — You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work).
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Angel Rivas Photographics eC (electronic Catalogue) by Angel Rivas Photographics is licensed under a Creative Commons Reconocimiento-CompartirIgual 3.0 Unported License.Creado a partir de la obra en www.flickr.com.
More of my textures and frames in www.texturepalace.com
Free to use under creative commons attribution licence. If you blog an image or use it in any other way, leave the URL in the comments. If you use one of my images in your art, I'd appreciate it if you give credit, link back & show your result (small please) in the comments.
plus.google.com/+Texturepalace/posts
www.facebook.com/texturepalace
Also, every view, comment, fave, invitation and/or adding to a gallery is much appreciated :)) !!
More of my textures and frames in www.texturepalace.com
Free to use under creative commons attribution licence. If you blog an image or use it in any other way, leave the URL in the comments. If you use one of my images in your art, I'd appreciate it if you give credit, link back & show your result (small please) in the comments.
plus.google.com/+Texturepalace/posts
www.facebook.com/texturepalace
Also, every view, comment, fave, invitation and/or adding to a gallery is much appreciated :)) !!
Believed to be in Public Domain From Library of Congress, Prints and Photographs Collections. More on copyright: What does "no known restrictions" mean?
______________________
For information from Creative Commons on proper licensing for images believed to already be in the public domain please-- click here. By using this image from this site, you are acknowledging that you have read all the information in this description and accept responsibility for any use by you or your representatives. You are accepting responsibility for conducting any additional due diligence that may be necessary to ensure your proper use of this image.
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Public Domain. Suggested credit: Library of Congress via pingnews. Additional information from source:
TITLE: Frank Tengle, cotton sharecropper. Hale County, Alabama
CALL NUMBER: LC-USF342- 008155-A [P&P]
REPRODUCTION NUMBER: LC-USF342-T01-008155-A (b&w film dup. neg.)
MEDIUM: 1 negative : nitrate ; 8 x 10 inches or smaller.
CREATED/PUBLISHED: [1935 or 1936]
CREATOR:
Evans, Walker, 1903-1975, photographer.
NOTES:
Title and other information from caption card.
LOT 1604 (Location of corresponding print.)
Use electronic surrogate.
Transfer; United States. Office of War Information. Overseas Picture Division. Washington Division; 1944.
TOPICS:
Frank Tengle--Alabama
SUBJECTS:
United States--Alabama--Hale County.
FORMAT:
Nitrate negatives.
PART OF: Farm Security Administration - Office of War Information Photograph Collection
REPOSITORY: Library of Congress Prints and Photographs Division Washington, DC 20540 USA
DIGITAL ID: (intermediary roll film) fsa 8c52262
CARD #: fsa1998020965/PP
This photograph is available to use under the Creative Commons licensing. It is available for non-commercial use as long as proper attribution is given.
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.
You are free:
to Share — to copy, distribute and transmit the work
to Remix — to adapt the work
But Under the following conditions:
Attribution — You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work).
Noncommercial — You may not use this work for commercial purposes.
Share Alike — If you alter, transform, or build upon this work, you may distribute the resulting work only under the same or similar license to this one.
Primaveras | Dezembro – Diálogos sobre Ativismo, Democracia e Sustentabilidade.
O encontro ocorreu na Matilha Cultural, em São Paulo, e foi organizado pela Escola de Ativismo, o Instituto Democracia e Sustentabilidade, a Matilha Cultural e as revistas Outras Palavras e Página22. Com cobertura da Pós TV (postv.org)
+: bit.ly/eprimaveras
VÃdeo do encontro:
www.ustream.tv/recorded/27673676
© Fora do Eixo
CC: BY-SA
Believed to be in Public Domain From Library of Congress, Prints and Photographs Collections. More on copyright: What does "no known restrictions" mean?
______________________
For information from Creative Commons on proper licensing for images believed to already be in the public domain please-- click here. By using this image from this site, you are acknowledging that you have read all the information in this description and accept responsibility for any use by you or your representatives. You are accepting responsibility for conducting any additional due diligence that may be necessary to ensure your proper use of this image.
________________
Public Domain. Suggested credit: Bain/Library of Congress via pingnews. Additional information from source:
TITLE: Lenin
CALL NUMBER: LC-B2- 5834-15[P&P]
REPRODUCTION NUMBER: LC-DIG-ggbain-34971 (digital file from original negative)
No known restrictions on publication.
MEDIUM: 1 negative : glass ; 5 x 7 in. or smaller.
CREATED/PUBLISHED: [no date recorded on caption card]
NOTES:
Title from unverified data provided by the Bain News Service on the negatives or caption cards.
Forms part of: George Grantham Bain Collection (Library of Congress).
Temp. note: Batch seven loaded.
FORMAT:
Glass negatives.
REPOSITORY: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA
DIGITAL ID: (digital file from original neg.) ggbain 34971 hdl.loc.gov/loc.pnp/ggbain.34971
CARD #: ggb2006010384
If you would like to use this image to illustrate your blog or website, you are very welcome - however, you must include a photocredit with a working link to my website. Not doing both of these will mean you are using this photo illegally.
Photo by Chris Boland / www.chrisboland.com
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.
You are free:
to Share — to copy, distribute and transmit the work
to Remix — to adapt the work
But Under the following conditions:
Attribution — You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work).
Noncommercial — You may not use this work for commercial purposes.
Share Alike — If you alter, transform, or build upon this work, you may distribute the resulting work only under the same or similar license to this one.