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I just attended an event with many creative people. I did nothing more than copy the design. But I have given myself permission to fail. To learn from this and to not always have to take the best picture, create the prettiest craft, do anything. Just be ok with what I do accomplish.
CREATIVE AGENCY - OUR WORKS
As business consultants, we comprehensively understand and identify your business communication and marketing requirements, and provide enterprise services that effectively bridge these gaps to derive maximum benefits.
CNC routed, spindle moulded, hand-finished awards, in sapele hardwood. Each gold plated plaque bears an acid-etched Creative Circle logo at its centre, with sand-blasted textures and text.
When placed end to end the 19 awards create a full circle.
It is a beautiful wedding. Light washes over the altar in spectacular cracked and tinted hues through the stained glass windows above. The mood is tense, then suddenly, the congregation turns to watch as the bride, an immaculate white Macbook paces down the isle to her groom to be, a black ink pen. Up at the altar LOCKSIN performs the ceremony and finely weds illustration and computer graphics. Creative Tempest hopes you enjoy our first female artist of the week and her amazing work. Find ou
It is a beautiful wedding. Light washes over the altar in spectacular cracked and tinted hues through the stained glass windows above. The mood is tense, then suddenly, the congregation turns to watch as the bride, an immaculate white Macbook paces down the isle to her groom to be, a black ink pen. Up at the altar LOCKSIN performs the ceremony and finely weds illustration and computer graphics. Creative Tempest hopes you enjoy our first female artist of the week and her amazing work. Find out more at www.creativetempest.com
Otras fotos de la Conferencia de Jimmy Wales para Creative Commons Guatemala.
Fotografía bajo licencia CC-By.
Javier Aroche / javieraroche.com
CNC routed, spindle moulded, hand-finished awards, in sapele hardwood. Each gold plated plaque bears an acid-etched Creative Circle logo at its centre, with sand-blasted textures and text.
When placed end to end the 19 awards create a full circle.
Adam McGinnis —creative director for Flying Dog Brewing of Frederick, Maryland— holds a cask-conditioned stout, on the Roof Deck bar, of...
Baltimore, Maryland, USA.
7 September 2012.
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▶ Mr. McGinnis is holding a pour from a firkin (10.8 U.S.-gallon cask) of the brewery's Pearl Necklace Stout.
☞ The stout is brewed with Perle hops and, yes, actual Rappahannock oysters harvested in Virginia. 5.5% abv; 35 IBUs.
☞ A portion of proceeds from sale of the beer —cask,keg, or bottle, wherever it is sold— benefit the Chesapeake Bay Oyster Recovery Fund.
☞ Flying Dog serves cask ales during every Baltimore Orioles Friday home game, both at the centerfield Roof Deck Bar and at Section 23, on the lower concourse.
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▶ It was a hot afternoon: note the bag of ice cooling the cask. Not so hot were the Orioles. They lost to the visiting New York Yankees, 3-4.
▶ More photos: here.
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▶ Photo by Yours For Good Fermentables.com.
▶ For a larger image, type 'L' (without the quotation marks).
— Follow on Facebook: YoursForGoodFermentables.
— Follow on Instagram: @tcizauskas.
▶ Commercial use requires explicit permission, as per Creative Commons.
Illustrations for an article I wrote about illustrative Lettering for Creative Sessions: vector.tutsplus.com/articles/theory/finding-your-hand-dra...
Augus Creative Mornings with Lindsay Kinkade & Jim McPherson
Theme: Urbanism
#phxcm #phxdc #creativemornings #designterritory #aiga #aigaaz
Lindsay Kinkade @lindsaykinkade
Lindsay Kinkade is the founder of Design RePublic Studio, a firm focused on designing the future of cities through public engagement and innovative policy. She is a community-based designer, public artist, and documentary journalist. Her design practice is based on the co-creation model, which brings her into the world outside the studio to lead design workshops with clients and their communities.
A former visual journalist at The Boston Globe, she brings an ethical framework and research rigor to every project. Her public artwork has been shown locally in Providence, New York, and Phoenix.
Lindsay works in the downtown community collaboratively re-imagining the possible futures in the city destined to reinvent itself–Phoenix, Arizona. In gallery spaces, parks, libraries, shops, and on the street, she facilitates brainstorming and visualization in participatory processes. In particular, her work is focused on transportation and arts initiatives.
Jim McPherson @jimmcp
Public affairs executive with a proven ability in public relations, government relations, marketing communications, web and social media implementation, writing/editing, strategic planning, and staff management. Skillful developer of integrated plans to introduce and promote organizations' initiatives to external and internal constituencies that continually surpass expectations. In-depth campaign experience from conception to implementation through team development and leadership skills. Adept at working with budget limitations, deadlines, and high-pressure situations.
Specialties:Public Relations, Government Relations, Marketing Communications, Web/Social Media Implementation, Writing/Editing, Strategic Planning, Staff Management
Lindsay is a graduate of UNC Chapel Hill's journalism undergraduate program and the Rhode Island School of Design's graduate program in graphic design. She is an adjunct faculty member at the Rhode Island School of Design.
Specialties: Graphic design, art direction, digital photography, illustration, information graphics, public policy, social engagement
Believed to be in Public Domain From Library of Congress, Prints and Photographs Collections. More on copyright: What does "no known restrictions" mean?
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For information from Creative Commons on proper licensing for images believed to already be in the public domain please-- click here. By using this image from this site, you are acknowledging that you have read all the information in this description and accept responsibility for any use by you or your representatives. You are accepting responsibility for conducting any additional due diligence that may be necessary to ensure your proper use of this image.
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Public Domain. Suggested credit: Library of Congress via pingnews. Additional information from source:
TITLE: Supreme Court Room in the Capitol
CALL NUMBER: STEREO U.S. GEOG FILE - Washington, D.C.--Capitol --Interior--Supreme Court [item] [P&P]
REPRODUCTION NUMBER: LC-USZ62-60910 (b&w film copy neg. of half stereo)
No known restrictions on publication.
SUMMARY: People standing awaiting entrance of Justices.
MEDIUM: 1 photographic print on stereo card : stereograph.
CREATED/PUBLISHED: c1904.
NOTES:
Stereo copyrighted by Underwood & Underwood.
This record contains unverified, old data from caption card.
Caption card tracings: Photog. I.; DC, Wash.--US Cap. int.--Supreme Ct.; Shelf.
REPOSITORY: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA
DIGITAL ID: (digital file from b&w film copy neg.) cph 3b08624 hdl.loc.gov/loc.pnp/cph.3b08624
CARD #: 2005683575
A designed publication that documents the creative process of a year long design project centering on the idea of developing emotion as a communicative medium.
This book follows the development of the project from initial brainstorming stage right till the final execution of different experimental approaches.
374 pages, laser-prints on off white munken print cream paper, perfect bind.
Virgin Australia uses teen's Flickr photo for commercial use?
ap.google.com/article/ALeqM5hY4qGm1zcwVgM74krLbd4eMB3Shg
By the, way this logo I've faked here is called parody, an area of copyright law that covers my mock of their logo.
Now, when I'm creating a parody, do I retain full copyright? Dang.
I've blogged this at Typophile.
This is print I made for my "creative print" assignment. The assignment was to make a print using any method we would like, the only rules were to do research on different printing processes and use one (or several) to make a print using some form of photo paper.
I chose to combine two negative into one image. The image on the top was flipped to work better with the composition of the lower image. After I had a print I was happy with I used a little Farmers Reducer to brighten some of the sea foam then sepia toned the print.