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RB: Within the Golden Hour/Medusa/Flight Pattern
The Royal Ballet presents a new triple bill, featuring a world premiere by Sidi Larbi Cherkaoui and revivals of works by Christopher Wheeldon and Crystal Pite at The Royal Opera House, Covent Garden, 8-21 May 2019.
Within the Golden Hour
Choreography; Christopher Wheeldon
Music: Ezio Bosso and Antonio Vivaldi
Costume designer: Jasper Conran
Lighting designer: Peter Mumford
Dancers: Beatriz Stix-Brunell, Lauren Cuthbertson, Sarah Lamb, Vadim Muntagirov, Ryoichi Hirano, Alexander Campbell
Medusa
Choreography: Sidi Larbi Cherkaoui
Music: Henry Purcell
Electronic music: Olga Wojciechowska
Costume director: Olivia Pomp
Lighting designer: Adam Silverman
Set concept and design: Sidi Larbi Cherkaoui and ROH Production
Associate choreographer: Jason Kittelberger
Dancers:
Medusa: Natalia Osipova
Athena: Olivia Cowley
Perseus: Matthew Ball
Poseidon: Ryoichi Hirano
Flight Pattern
Choreography: Crystal Pite
Music: Henryk Mikołaj Górecki
Set designer: Jay Gower Taylor
Costume designer: Nancy Bryant
Lighting designer: Tom Visser
Dancers: Kristen McNally, Marcelino Sambé & Artists of The Royal Ballet
photo - © Foteini Christofilopoulou | All rights reserved | For all usage/licensing enquiries please contact www.foteini.com
By kind permission of the Royal Opera House
RB: Within the Golden Hour/Medusa/Flight Pattern
The Royal Ballet presents a new triple bill, featuring a world premiere by Sidi Larbi Cherkaoui and revivals of works by Christopher Wheeldon and Crystal Pite at The Royal Opera House, Covent Garden, 8-21 May 2019.
Within the Golden Hour
Choreography; Christopher Wheeldon
Music: Ezio Bosso and Antonio Vivaldi
Costume designer: Jasper Conran
Lighting designer: Peter Mumford
Dancers: Beatriz Stix-Brunell, Lauren Cuthbertson, Sarah Lamb, Vadim Muntagirov, Ryoichi Hirano, Alexander Campbell
Medusa
Choreography: Sidi Larbi Cherkaoui
Music: Henry Purcell
Electronic music: Olga Wojciechowska
Costume director: Olivia Pomp
Lighting designer: Adam Silverman
Set concept and design: Sidi Larbi Cherkaoui and ROH Production
Associate choreographer: Jason Kittelberger
Dancers:
Medusa: Natalia Osipova
Athena: Olivia Cowley
Perseus: Matthew Ball
Poseidon: Ryoichi Hirano
Flight Pattern
Choreography: Crystal Pite
Music: Henryk Mikołaj Górecki
Set designer: Jay Gower Taylor
Costume designer: Nancy Bryant
Lighting designer: Tom Visser
Dancers: Kristen McNally, Marcelino Sambé & Artists of The Royal Ballet
photo - © Foteini Christofilopoulou | All rights reserved | For all usage/licensing enquiries please contact www.foteini.com
By kind permission of the Royal Opera House
This costume designer is beyond hip, I mean - ombre rain boots? And can we talk about that bag?
Sundance: Best of Bags found here and more on Sundance StreetStyle here.
Photo copyright 2011 Jerri Howell - All Rights Reserved.
New Movement Collective: Collapse, A Period Drama
New Movement Collective (NMC) premieres their new work 'Collapse - a period drama' at the Royal Festival Hall, Southbank Centre. 30 July-6 August 2016.
Choreography, concept + performance: New Movement Collective
Sculpture, design + film: Scanlab Projects
Composer + cello: Oliver Coates
Lighting design: Zeynep Kepekli
Performers: Clemmie Sveaas, Patricia Okenwa, Alexander Whitley, Jonathan Goddard, Joe Walkling, Renaud Wiser
photo - © Foteini Christofilopoulou | All rights reserved | For all usage/licensing enquiries please contact www.foteini.com
New Movement Collective: Collapse, A Period Drama
New Movement Collective (NMC) premieres their new work 'Collapse - a period drama' at the Royal Festival Hall, Southbank Centre. 30 July-6 August 2016.
Choreography, concept + performance: New Movement Collective
Sculpture, design + film: Scanlab Projects
Composer + cello: Oliver Coates
Lighting design: Zeynep Kepekli
Performers: Clemmie Sveaas, Patricia Okenwa, Alexander Whitley, Jonathan Goddard, Joe Walkling, Renaud Wiser
photo - © Foteini Christofilopoulou | All rights reserved | For all usage/licensing enquiries please contact www.foteini.com
RB: Within the Golden Hour/Medusa/Flight Pattern
The Royal Ballet presents a new triple bill, featuring a world premiere by Sidi Larbi Cherkaoui and revivals of works by Christopher Wheeldon and Crystal Pite at The Royal Opera House, Covent Garden, 8-21 May 2019.
Within the Golden Hour
Choreography; Christopher Wheeldon
Music: Ezio Bosso and Antonio Vivaldi
Costume designer: Jasper Conran
Lighting designer: Peter Mumford
Dancers: Beatriz Stix-Brunell, Lauren Cuthbertson, Sarah Lamb, Vadim Muntagirov, Ryoichi Hirano, Alexander Campbell
Medusa
Choreography: Sidi Larbi Cherkaoui
Music: Henry Purcell
Electronic music: Olga Wojciechowska
Costume director: Olivia Pomp
Lighting designer: Adam Silverman
Set concept and design: Sidi Larbi Cherkaoui and ROH Production
Associate choreographer: Jason Kittelberger
Dancers:
Medusa: Natalia Osipova
Athena: Olivia Cowley
Perseus: Matthew Ball
Poseidon: Ryoichi Hirano
Flight Pattern
Choreography: Crystal Pite
Music: Henryk Mikołaj Górecki
Set designer: Jay Gower Taylor
Costume designer: Nancy Bryant
Lighting designer: Tom Visser
Dancers: Kristen McNally, Marcelino Sambé & Artists of The Royal Ballet
photo - © Foteini Christofilopoulou | All rights reserved | For all usage/licensing enquiries please contact www.foteini.com
By kind permission of the Royal Opera House
Hairstylist: Ignazio Muñoz
Makeup: Javier de la Rosa
Costumedesigner: Alejandro Matta
Asistente de fotografia: David Oseguera
One word describes her work and life in general and it is chiaroscuro. She is costume designer and loves painting alot.
During our brief conversation and photo session she received phone call and it was really interesting when she tried to explain
what was going on. Very interesting person indeed.
Don't know if you noticed but name Ivana is common in my country.
This picture is number #5 in my 100 strangers project. Find out more about the project and see pictures taken by other photographers
The costume design is for the celebrated Russian ballerina Anna Pavlova (1881–1931) in the production of Oriental Fanstasy (also called Ballet Hindu), which opened in London in October 1913, and was performed later that same month in Boston. The original drawing by Leon Bakst is in the Isabella Stewart Gardner Museum in Boston and was purchased by Mrs. Gardner in 1914. Inspired by Indian art, Anna Pavlova went on to perform many ballets during the 1920s that were based on Indian themes, including “Ajanta Frescoes,” “Radha,” “Krishna,” and “Hindu Wedding.”
“Pablo Picasso's first collaboration with the Ballets Russes was Parade. In a letter sent to a friend, Jean Cocteau the librettist said "Picasso amazes me every day, to live near him is a lesson in nobility and hard work". Picasso's studio in Rome had a little crate that held the model of "Parade" with its trees and houses, and on a table were the painted characters: the Chinaman, Managers, American girl, and horse. Cocteau described his friend's unusual artistic process: "A badly drawn figure of Picasso is the result of endless well-drawn figures he erases, corrects, covers over, and which serves him as a foundation. In opposition to all schools he seems to end his work with a sketch." The audiences were amazed by the first ballet to have cubist costumes, sets, and choreography.
“After World War I, Picasso made a number of important relationships with figures associated with Serge Diaghilev's Ballets Russes. In the summer of 1918, Picasso married Olga Khokhlova, a ballerina with the troupe, for whom Picasso was designing the ballet, Parade, in Rome; and they spent their honeymoon in the villa near Biarritz of the glamorous Chilean art patron Eugenia Errázuriz. During the same period that Picasso collaborated with Diaghilev’s troup, he and Igor Stravinsky collaborated on Pulcinella in 1920.” [Wikipedia]
The ballet “Parade” was a bit of surrealism written by Jean Cocteau for Diaghilev’s Ballets Russes. It premiered on May 18, 1917 at the Theatre du Chatelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Leonide Massine and music by Erik Satie. The ballet was the first collaboration between Picasso and Satie and the first time either of them had worked on a ballet. Many costumes were made of cardboard, limiting the performers’ movements. Jean Cocteau went out of his way to create a scandal comparable to Igor Stravinsky’s “Rite of Spring” which had shaken the Paris elite a few years earlier. He added foghorns, typewriters and other noisemakers in the score, and he brought common street entertainments to the stage. Audiences hated it while critics loved it.
“The premiere of the ballet resulted in a number of scandals, including a classical music riot. According to the painter Gabriel Fournier, one of the most memorable scandals was an altercation between Cocteau, Satie, and music critic Jean Poueigh, who gave Parade an unfavorable review. Satie had written a postcard to the critic which read, "Monsieur et cher ami - vous êtes un cul, un cul sans musique! Signé Erik Satie" ("Sir and dear friend - you are an arse, an arse without music! Signed, Erik Satie."). The critic sued Satie, and at the trial Cocteau was arrested and beaten by police for repeatedly yelling "arse" in the courtroom. Satie was given a sentence of eight days in jail.” [Music in the 20th Century by William Austin. New York: W.W. Norton, 1966]
If you want a better look at the fantastic costumes and the ballet itself, check out the following:
She’s my two Maine granddaughter’s friend. When Nina and Tori were little ones, Lauren used to babysit them. This is a very, very tight crop from the original image.
Based on the prologue to “The Thousand and One Nights,” the ballet Scheherazade premiered in Paris on June 10, 1910, at the Theatre National de l’Opera. Rimsky-Korsakov composed the music, Michel Fokine did the choreography and Leon Bakst was the stage and costume designer.
The story is about the Sultan of ancient Persia and his harem. Ida Rubinstein played the Sultan’s favorite wife Zobeide and Vaslav Nijinsky was the Golden Slave for the premiere. The Sultan suspects that Zobeide is unfaithful so he pretends to go on a hunting trip with his brother. Upon their departure, the concubines bribe the Chief Eunuch to free the slaves, which ignites an orgy. Zobeide chooses the Golden Slave with whom she falls into a passionate embrace. The Sultan returns unexpectedly and is enraged at the betrayal. He orders that all be killed. Zobeide begs the Sultan’s forgiveness but, when it seems futile, she stabs herself and falls to his feet.
Available on Youtube is a great performance of Scheherazade by the Kirov Ballet in 2007 with principal dancers Yulia Makhalina as Zobeide and Igor Kolb as the Golden Slave.
Part 1: www.youtube.com/watch?v=jUXSL81owSg
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Photo shot by Davmotophoto of my Julia cosplay from Cowboy Bebop. July 2007. Costume design by Annissë.
A story of five otherworldly creatures, who sneaked into our world and tried to blend in human's daily routine ...poorly.
Photographer and art director: Andrew Kovalev ckovalev.com
Masks: Ilya Varegin, Svetlana Vorontsova
Shoes & accessories: Drasvi Venn
Props: Elena Agafonova, Alexey Chugunny
Engineering Director: Timur Ivanov
Producer: Anna Bednieri
BTS-videographer: Elina Wexler
Model: Evgeni Zamyatin
With help of Elena Tash
A very special thanks to Elena Agafonova for her amazing Z1121 space (Зелёный Цех 1121)
Special thanks to SBF Moscow/Broncolor Russia/Sinar Swiss for technical support
Impeccable film development and scanning services: DPArtphoto lab
An almee is a female slave or concubine in a harem. A leading feature in the appearance of Ballets Russes are the gorgeous color combinations of Leon Bakst, whose work was the sensation of art galleries and a dominant influence in the fashion world. He was the most distinguished artist in line and color that the theater had at the time. The beauty of Diaghilev's company springs from the costumes and scenery that Bakst designed for it. "Color should afford a joy for the eye." - Bakst
Based on the prologue to “The Thousand and One Nights,” the ballet Scheherazade premiered in Paris on June 10, 1910, at the Theatre National de l’Opera. Rimsky-Korsakov composed the music, Michel Fokine did the choreography and Leon Bakst was the stage and costume designer.
The story is about the Sultan of ancient Persia and his harem. Ida Rubinstein played the Sultan’s favorite wife Zobeide and Vaslav Nijinsky was the Golden Slave for the premiere. The Sultan suspects that Zobeide is unfaithful so he pretends to go on a hunting trip with his brother. Upon their departure, the concubines bribe the Chief Eunuch to free the slaves, which ignites an orgy. Zobeide chooses the Golden Slave with whom she falls into a passionate embrace. The Sultan returns unexpectedly and is enraged at the betrayal. He orders that all be killed. Zobeide begs the Sultan’s forgiveness but, when it seems futile, she stabs herself and falls to his feet.
Available on Youtube is a great performance of Scheherazade by the Kirov Ballet in 2007 with principal dancers Yulia Makhalina as Zobeide and Igor Kolb as the Golden Slave.
Part 1: www.youtube.com/watch?v=jUXSL81owSg
An almee is a female slave or concubine in a harem.
Based on the prologue to “The Thousand and One Nights,” the ballet Scheherazade premiered in Paris on June 10, 1910, at the Theatre National de l’Opera. Rimsky-Korsakov composed the music, Michel Fokine did the choreography and Leon Bakst was the stage and costume designer.
The story is about the Sultan of ancient Persia and his harem. Ida Rubinstein played the Sultan’s favorite wife Zobeide and Vaslav Nijinsky was the Golden Slave for the premiere. The Sultan suspects that Zobeide is unfaithful so he pretends to go on a hunting trip with his brother. Upon their departure, the concubines bribe the Chief Eunuch to free the slaves, which ignites an orgy. Zobeide chooses the Golden Slave with whom she falls into a passionate embrace. The Sultan returns unexpectedly and is enraged at the betrayal. He orders that all be killed. Zobeide begs the Sultan’s forgiveness but, when it seems futile, she stabs herself and falls to his feet.
Available on Youtube is a great performance of Scheherazade by the Kirov Ballet in 2007 with principal dancers Yulia Makhalina as Zobeide and Igor Kolb as the Golden Slave.
Part 1: www.youtube.com/watch?v=jUXSL81owSg