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"And she gave away the secrets of her past
And said, "I've lost control again"
And a voice that told her when and where to act
She said, "I've lost control again"
And she turned around and me and took me by the hand
And said, "I've lost control again"
How I'll never know just why or understand
She said, "I've lost control again"
And she expressed herself in many different ways
Until she lost control again
And walked upon the edge of no escape
And laughed, "I've lost control"
(Joy Division - She lost control )
DO NOT SELL MY SHOTS!
Not as fine art prints, displates, tea cups or undergarments.
You WILL get a copyright strike on the item and you WILL get your entire store removed!
It has happened before.
Just don't do it.
Highres, non-watermarked shots are provided for people who prefer image quality, not for you to make a profit.
If you share please credit and link.
Iv passed this Tower a few times without even knowing it was there as it has always been dark when iv passed it....
Control Booth looking over the Turbine Hall. Much to my surprise, it was shut do completely....it was lit up and humming a year ago.
Dragon Age: Inquisition
• WBG for custom resolution
• HattiWatti's Cinematic Tools for free camera, FOV, DOF, Tonemap, fog, hide HUD and Resolution Scale 2
• ReShade
Keeping the bush down, clearing all the dead debrea so future fires don;t move so fast. Plus some trees there seed need heat to crack there husky shell.
Olympus OM-1, Zuiko Auto-Macro 50mm f2, Kentmere PAN 100 developed in Super Prodol, Epson GT-X830. 1/125, f/5.6.
Chipmunks are adorable little critters in their natural environments. They are curious and very active.
In the yard, they are a different matter. They eat the strawberries and other berries. They burrow along the foundations and chew wooden areas. They dig up flowers and flower bulbs.
Chipmunks rarely come to our yard, now that Annie is in control of all small rodents.
Textures from Jai Johnson and one of mine.
Leyland Tiger Cub PSUC 1 / 1T. - Alexander B45F
New to Thomas Bros . ( Port Talbot ) Ltd during July-1962 . Coming to this Operator , when the NBC placed Thomas Bros , under South Wales Transport ‘s control .
Near Tonmawr , South Wales .
Thursday 02nd-September-1971 .
I originally thought of "cropping" this shot , to bring the Bus closer . But on reflection , I present it as I took it !
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These images were captured in an abandoned power plant in Italy. There is not much left of the plant which once generated up to 80 megawatts. However, the control room and a cooling tower are still in place.
More images at
BLE 904 leads a northbound empty ore train past an old searchlight signal as it heads for Minntac to be loaded with engineer Rengo at the controls.
I don't know their profession, pest control is just my wild guess...
Hard work is performed in the control room in an amazing abandoned steelworks in Austria. The place has thousands of interesting things to photograph. Maybe the most dirty place I have visited so far, but i enjoyed every second of being there.
Austrian Urbex weekend tour with:
bRokEnCHaRacTer and
More shots from this place here: uexplorer.wordpress.com/2012/08/26/steelworks-at/
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Mind Control.
Perceptions de circulation sans pouls facultés vitalité,
вибрации звуковых пробудившиеся телесной ум конфликты,
in phantasmatis enim obscurum est miraculum in vigiliis, infundat,
naturalezza guarda emozioni enormi bobine,
θέσεις μέχρι τώρα απελπιστικά χρόνια λουσμένο,
taka leynd samsetningar vön fáfræði læknis,
知的な印象崇高ファンタジア恐れ,
kleinigkeit geliefert schlaganfall beschleunigt halluzinationen pyramiden komfort,
deceiving bombastic languages doctor's emerging steadily,
voldoende brandende salon dromen onuitsprekelijke aanwezigheid reisde,
armonie musicali insondabile ammuffito eccelle simmetria,
visions célestes exquis translucide arcs en ciel d'albâtre gloire,
συνεγκαταστάσεις αρχιτεκτονικές άμεση πληρότητα καταπίνονται ολόκληρα,
amaranthine öldurnar gróskumikill beitargróðri kemur,
delirium auream circa portas paradisi seraphim mitis,
рапид причвршћивање инструменти пројекције погледах одмах,
sentrale begrensninger vilje høye huler strålende lys,
assurance needles deep thou now doest what thy commands!
Steve.D.Hammond.
Animated collage, for this week's Kollage Kit's theme.
I used a starter created for me by Josephina54.
One thing that can damage your photography is burning your flame of inspiration at too high temperature. I experience this from time to time and usually it's the case of not letting go of my original vision. I might, for example, have a picture that is 'ok' but not quite there and I insist on editing on it too long in hope for salvation – only to find out after couple of days that I'm actually fed up with the picture and it's not serving my photographic pleasure at all anymore. Usually this results a drop of inspiration for couple of days as I get a feeling that I cannot get anything done. I used to suffer this kind of drops more often before I understood that it is actually the same flame of inspiration that can make my photography 'fly in the zone' and also 'crash it into to ground' – and what actually happens depends on how high temperature I let the flame burn. Controlling my expectations and learning to let go have definitely been educational experience to me and nowadays I feel that it's usually more productive to move on the next idea than try to edit things beyond what is reasonable.
I feel that similar kind of stuff can be projected to the camera setup your using. When you are getting great results the setup is also great and inspiring. But when things don't go as you've planned, the grass starts to look more green on the other side of the fence. It's very humane feeling, but as you already know, often a wrong projection. So the question is, does the high quality equipment such as Sony & Zeiss stuff change this cognitive behavior in some way. Based on my experience over the few months, I would say that while it has become a lot harder to blame my tools, I'm still experiencing same kind of highs and lows as I've always have – not a big surprise really since one cannot really buy mental things like inspiration and passion. But using high quality tools have definitely given me certain kind of mental reference points which makes it easier to orientate myself in my own cognitive sceneries. For example, I don't have to worry about the gear or daydream about it, which clears space for other kind of thoughts and targets in healthy way. 'Having it all here' helps me to concentrate on photography itself rather than the tools themselves, and I feel this raises a new kind inspiration in me. Of course one can be disappointed with any gear, even the Zeiss Otus lenses, if one has unrealistic expectations and projections, but so far I have to say that using this setup is more liberating than it is driving my inner expectations. It's all about the flame and controlling it.
Days of Zeiss: www.daysofzeiss.com