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Liverpool (/ˈlɪvərpuːl/) is a city in Merseyside, England. A borough from 1207 and a city from 1880, in 2014 the city local government district had a population of 470,537[2] and the Liverpool/Birkenhead metropolitan area had a population of 2,241,000.[2]
Liverpool is in the south west of the historic county of Lancashire in North West England, on the eastern side of the Mersey Estuary. The town historically lay within the ancient Lancashire division of West Derby known as a "hundred".[5][6]
The urbanisation and expansion of the city were largely brought about by its advantageous location during the industrial revolution status that led to its growth as a major port, which included its participation in the Atlantic slave trade. Liverpool was the port of registry of the ocean liner RMS Titanic, and many other Cunard and White Star ocean liners such as the RMS Lusitania, Queen Mary, and Olympic. Liverpool's status as a port city has contributed to its diverse population, which, historically, was drawn from a wide range of peoples, cultures, and religions, particularly those from Ireland. The city is also home to the oldest Black African community in the country and the oldest Chinese community in Europe.
Natives of Liverpool are referred to as Liverpudlians (from a long-standing jocular alteration of 'Liverpool' to 'Liverpuddle') and colloquially as "Scousers", a reference to "scouse", a form of stew. The word "Scouse" has also become synonymous with the Liverpool accent and dialect.[7]
Tourism forms a significant part of the city's modern economy. The city celebrated its 800th anniversary in 2007, and it held the European Capital of Culture title together with Stavanger, Norway, in 2008.[8] Labelled the "World Capital City of Pop" by Guinness World Records, the popularity of The Beatles, and other groups from the Merseybeat era and later, contributes to Liverpool's status as a tourist destination.
Several areas of Liverpool city centre were granted World Heritage Site status by UNESCOin 2004. The Liverpool Maritime Mercantile Cityincludes the Pier Head, Albert Dock, and William Brown Street.[9] Liverpool is also the home of two Premier League football clubs, Liverpool and Everton. Matches between the two are known as the Merseyside derby. The world-famous Grand National also takes places annually at Aintree Racecourse on the outskirts of the city.
Early history
King John's letters patent of 1207 announced the foundation of the borough of Liverpool, but by the middle of the 16th century the population was still only around 500. The original street plan of Liverpool is said to have been designed by King John near the same time it was granted a royal charter, making it a borough. The original seven streets were laid out in an H shape: Bank Street (now Water Street), Castle Street, Chapel Street, Dale Street, Juggler Street (now High Street), Moor Street (now Tithebarn Street) and Whiteacre Street (now Old Hall Street).
In the 17th century there was slow progress in trade and population growth. Battles for the town were waged during the English Civil War, including an eighteen-day siege in 1644. In 1699 Liverpool was made a parish by Act of Parliament, that same year its first slave ship, Liverpool Merchant, set sail for Africa. As trade from the West Indies surpassed that of Ireland and Europe, and as the River Dee silted up, Liverpool began to grow. The first commercial wet dock was built in Liverpool in 1715.[10][11]Substantial profits from the slave trade helped the town to prosper and rapidly grow, although several prominent local men, including William Rathbone, William Roscoe and Edward Rushton, were at the forefront of the abolitionist movement.
In the early 19th century Liverpool played a major role in the Antarctic sealing industry, in recognition of which Liverpool Beach in the South Shetland Islands is named after the city.[12]
By the start of the 19th century, a large volume of trade was passing through Liverpool, and the construction of major buildings reflected this wealth. In 1830, Liverpool and Manchesterbecame the first cities to have an intercity rail link, through the Liverpool and Manchester Railway. The population continued to rise rapidly, especially during the 1840s when Irishmigrants began arriving by the hundreds of thousands as a result of the Great Famine. By 1851, approximately 25% of the city's population was Irish-born. During the late 19th and early 20th centuries, Liverpool was drawing immigrants from across Europe. This is evident from the diverse array of religious buildings located across the city, many of which are still in use today. The Deutsche Kirche Liverpool, Greek Orthodox Church of St Nicholas, Gustav Adolf Church and Princes Road Synagoguewere all established in the 1800s to serve Liverpool's growing German, Greek, Nordic and Jewish communities respectively. One of Liverpool's oldest surviving churches, St. Peter's Roman Catholic Church, served the Polish community in its final years as a place of worship.
Given the crucial place of both cotton and slavery in the city's economy, during the American Civil War Liverpool was, in the words of historian Sven Beckert, "the most pro-Confederate place in the world outside the Confederacy itself."
20th Century
Given the crucial place of both cotton and slavery in the city's economy, during the American Civil War Liverpool was, in the words of historian Sven Beckert, "the most pro-Confederate place in the world outside the Confederacy.
20th century
The Housing Act 1919 resulted in mass council housing building across Liverpool during the 1920s and 1930s. Thousands of families were rehoused from the inner-city to new suburban housing estates, based on the pretext that this would improve their standard of living, though this is largely subjective. A large number of private homes were also built during this era. The process continued after the Second World War, with many more new housing estates being built in suburban areas, while some of the older inner city areas were also redeveloped for new homes. The Great Depression of the early 1930s saw unemployment in the city peak at around 30%.
During the Second World War there were 80 air-raids on Merseyside, killing 2,500 people and causing damage to almost half the homes in the metropolitan area. Significant rebuilding followed the war, including massive housing estates and the Seaforth Dock, the largest dock project in Britain. Much of the immediate reconstruction of the city centre has been deeply unpopular, and was as flawed as much town planning renewal in the 1950s and 1960s – the portions of the city's heritage that survived German bombing could not withstand the efforts of urban renewal. Since 1952 Liverpool has been twinned with Cologne, Germany, a city which also experienced severe aerial bombing during the war.
Like most British cities and industrialised towns, Liverpool became home to a significant number of Commonwealth immigrants after World War II, mostly settling in older inner city areas such as Toxteth. However, a significant West Indian black community had existed in the city as long ago as the first two decades of the 20th century.
In the 1960s Liverpool was the centre of the "Merseybeat" sound which became synonymous with The Beatles and fellow Liverpudlian rock bands.
From the mid-1970s onwards Liverpool's docks and traditional manufacturing industries went into sharp decline. The advent of containerisation meant that the city's docks became largely obsolete. By the early 1980s unemployment rates in Liverpool were once again among the highest in the UK,[14] standing at 17% by January 1982 – although this was just over half of the level of unemployment that was affecting the city in an economic downturn 50 years previously.[15]
In recent years, Liverpool's economy has recovered and has experienced growth rates higher than the national average since the mid-nineties.
21st Century
To celebrate the Golden Jubilee of Elizabeth IIin 2002, the conservation charity Plantlifeorganised a competition to choose county flowers; the sea-holly was Liverpool's final choice.
Capitalising on the popularity of 1960s rock groups, such as The Beatles, as well as the city's world-class art galleries, museums and landmarks, tourism has also become a significant factor in Liverpool's economy.
In 2004, property developer Grosvenor started the Paradise Project, a £920 m development centred on Paradise Street, which involved the most significant changes to Liverpool's city centre since the post-war reconstruction. Renamed 'Liverpool ONE', the centre opened in May 2008.
In 2007, the city celebrated the 800th anniversary of the foundation of the borough of Liverpool, for which a number of events were planned. Liverpool is a joint European Capital of Culture for 2008. The main celebrations, in September 2008, included La Princesse, a large mechanical spider which is 20 metres high and weighs 37 tonnes, and represents the "eight legs" of Liverpool: honour, history, music, the Mersey, the ports, governance, sunshine and culture. La Princesse roamed the streets of the city during the festivities, and concluded by entering the Queensway Tunnel.
Spearheaded by the multi-billion-poundLiverpool ONE development, regeneration has continued on an unprecedented scale through to the start of the early 2010s in Liverpool. Some of the most significant regeneration projects to have taken place in the city include new buildings in the Commercial District, the King's Dock area, the Mann Island area, the Lime Street Gateway, the Baltic Triangle area, the RopeWalks area and the Edge Lane Gateway. All projects could however soon be eclipsed by the Liverpool Waters scheme which if built will cost in the region of £5.5billion and be one of the largest megaprojects in the UK's history. Liverpool Waters is a mixed use development which will contain one of Europe's largest skyscraper clusters. The project received outline planning permission in 2012, despite fierce opposition from the likes of UNESCO who claim it will have a damaging effect on Liverpool's World Heritage status.
On 9 June 2014, Prime Minister David Cameronlaunched the International Festival for Businessin Liverpool, the world's largest business event in 2014,[16] and the largest in the UK since the Festival of Britain in 1951.[17]
Second city of Empire
For periods during the 19th century the wealth of Liverpool exceeded that of London itself,[18]and Liverpool's Custom House was the single largest contributor to the British Exchequer.[19]Liverpool's status can be judged from the fact that it was the only British city ever to have its own Whitehall office.[20]
The first United States consul anywhere in the world, James Maury, was appointed to Liverpool in 1790, and remained in office for 39 years.
As early as 1851 the city was described as "the New York of Europe"[21] and its buildings, constructed on a heroic, even megalomaniacal, scale stand witness to the supreme confidence and ambition of the city at the turn of the 20th century.[22][editorializing]
Liverpool was also the site of the UK's first provincial airport, operating from 1930, and was the first UK airport to be renamed after an individual – John Lennon.[23]
Elgar's Pomp and Circumstance March No.1, often seen as Britain's Imperial anthem, was dedicated by the composer to the Liverpool Orchestral Society and had its premiere in the city in October 1901.
During the Second World War, the critical strategic importance of Liverpool was recognised by both Hitler and Churchill, with the city suffering a blitz second only to London's,[24] and the pivotal Battle of the Atlantic being planned, fought and won from Liverpool.[25]
St Mary Magdalene, Debenham, Suffolk
Debenham is unusual, because it is the largest settlement in East Anglia that the Victorian railways never reached. There was a plan during the 20th Century for trains to serve it, as we shall see. But Victorian industry never troubled it much, except for a brick factory, and because of this it has a quite different character to other Suffolk places of its size.
It is softer, more pastoral, with elegant little shops lining its high street.This isn't a place many people pass through, unless on the back road from Ipswich to Eye. It is more a place that tourists know to be beautiful, and local villages look to for amenities - the Co-op, the school, the sports centre. White's Suffolk Gazetteer of 1844 found about 3,500 people living in and around it, and I do not suppose that there are many more than this today.
St Mary Magdalene is a large, surprisingly urban church. But why not? For in larger places, it is the town that has become more urbanised, not the church. Most towns were once like this. It is set back on a rise above the old market place, although most people will approach it from the west, beside the little parish hall on the high street. Here, the first thing to admire is Suffolk's grandest galilee porch, with its former chapel above. These western porches are most unusual: there is a similar one at Bottisham in Cambridgeshire, and one on the round tower at Mutford. The western extension at Lakenheath was never a porch at all. So here is an experience to savour: you enter the church through a series of unfolding spaces, so that finally opening the double west doors into the nave comes as a surprise. You step out from beneath the recently restored tower. The porches and aisles clustering beneath it create the sense of a cruciform building, which of course it isn't. It is certainly a very old tower, though, with evidence of Norman and even Saxon work on the lower reaches. The upper decorated stage is 14th century, and looks rather unusual for Suffolk, the bell openings being so close to the battlements. This is because it had to be truncated after being struck by lightning in the 17th century. Perhaps its squatness is rather charming. The ring of 8 bells is considered one of the most mellow in the county, and the space beneath them, has several of those boards recording remarkable feats of bell-ringing.
You step into a big church made gorgeous by the brick patterning of the floor, the fruit of Debenham's one major 19th Century industry. Red and white bricks are laid in a diamond pattern, with small floral tiles in the points of the diamonds. It is surely one of the most beautiful church floors in Suffolk, and a sign that, although the inside of this building is almost entirely 19th Century in content and character, this interior is by no means an anonymous one. Grumpy old Cautley pottered about looking for medieval survivals, but this is an interior to enjoy as a whole; as with so many urban churches, the 19th century work contributes to a sense of continuity rather than disrupting it.
There are medieval survivals, as we shall see, but most eyes will be first caught by the striking memorial in the south aisle to John Simpson, who died in 1697. In some ways, this is an unusual date for a memorial of this kind. Here we have a kind of Baroque grandiloquence which will come to full flower for great landowners and heroes over the next half a century, and which will become increasingly secularised until we get the typically entirely pagan 'memorials' of the middle of the 18th Century onwards. But here, Simpson seems concerned to have left the parishioners a catechetical tool, a protestant equivalent of the glass, wall paintings and sculptures intended to reinforce Catholic orthodoxy in the years before the Reformation.
Two other former Debenham citizens lie in the chancel. Sir Charles Framlingham and his wife appear to have been woken suddenly from sleep, their eyes wide and staring, as if terror-struck. Her ruff is fabulous. Their recumbent effigies lie on a rather battered tombchest, its kneeling figures doubtless removed by enthusiastic parishioners of John Simpson's predecessors in the middle of the 17th Century, who misinterpreted them as Saints. What little coloured glass this big church has is up in the chancel, all of it fairly good. The Victorians placed triple lancets in the east, rather than the more familiar large-scale Perp revival, and this creates a sense of intimacy. The crucifixion in the east window is sombre and detailed, but best of all are the figures of St Columba and the Blessed Virgin at the Annunciation that remember the Dove family on the south side.
At the east end of the south aisle, the apparatus for a chantry altar is still in place, with a piscina, and the rood loft stairs opening off of it rather than in the nave or chancel. At the east end of the north aisle is a curiosity, a piscina made up of odds and ends rescued from elsewhere, including a fine 13th Century Bishop's head. The font is a rather battered late medieval example, with an elegant 17th Century cover. Above the chancel arch, the rood beam is still in place. Like so many survivors, its bulk must have made the 16th century reformers wary of removing it, lest the church fall down without it.
Just to the north of Debenham, the remarkable Mid-Suffolk Light Railway ran on its way from Haughley Junction to Laxfield (it was planned to reach Halesworth, but this never materialised). This early 20th Century enterprise was the setting for John Hadfield's novel Love on a Branch Line, and was still remembered fondly by older Suffolkers when I moved to the county forty years ago. At the time of the First World War, a spur was built from Kenton Junction to a field just north of Debenham. It was an expensive and hare-brained extension, for permission to carry passengers along this stretch was never obtained, and nor was the last stretch into Debenham itself ever built.
So, Debenham fended off the iron giants to the very last, and they will never come now. Use of the spur for goods traffic was discontinued after a few short years, and the rails were removed. The cost of this spur contributed ultimately to the Middy's demise. Although very little evidence of this company's railway survives today, there are substantial remains of a bridge and embankment of the Kenton-to-Debenham spur on the road to Aspall, about a mile north of the church. The traffic rushes by, but to clamber up on this overgrown ridge is to consort with ghosts.
This pair of towers (at 38 and 41 stories, the Bronx's tallest) was built to provide 871 units of affordable rental housing under the Mitchell-Lama program. Rudolph's design is reminiscent of his earlier Crawford Manor in New Haven: its futuristic-Brutalist appearance belies a fairly ordinary structure of concrete columns and slabs, with precast infill. The walls have Rudolph’s favored “corduroy” texture, which is detailed to imply continuous verticals, as if the huge oval “piers” are the structure and the other spaces are hung between them. In fact, the ovals are rather poorly-lit bedrooms, with closets shoved against the real columns, and the pre-fab corduroy surfaces are simply cladding. The project is thus a perfect “Duck” per Venturi and Scott Brown’s critique of Crawford: conveying the message “Super-Modern Building found here” displaces all other concerns. (The living rooms do take advantage of the kingly views, though.) The Baroque curviness is meant to evoke the geometry of the adjacent parkway, while staving off the client’s desire for a circular building.
The whole thing is an air-rights cap over the Mosholu rail yards; Rudolph had hoped to further cap the parking deck with a leafy trellis and townhouse-style units. Perhaps someone pointed out that two- and three-story buildings perched atop a three-story concrete cliff made for fairly unconvincing "townhouses." Nonetheless, the scheme's biggest failing (at a design level) is its insufficient urbanity; as with some other Mitchell-Lama projects, I suspect cost savings found in unconventional sites contributed to a long-term sense of (unpleasant) isolation. There is no walking route to, or into, the buildings that is not in some wise a slog. As well, today's residents are suffering from a major recent rent hike (after getting it partially reduced by the courts).
As landmarks, the buildings are another story - striking, visible for miles, with the rhythm of open and closed surfaces leading to fantastic sculptural effects in strong light. If they just plugged into something more convincing at ground level these might be thought of as classics.
Scan of Slide S4807 The White Glove by George Lambert:
LAMBERT, George
Russia 1873 – Australia 1930
Australia 1887-1900; England 1900-01; France 1901-02; England 1902-21; Australia from 1921
The white glove 1921
oil on canvas
106.0 (h) x 78.0 (w) cm
signed and dated 'G.W.LAMBERT/ 1921' lower right
Art Gallery of New South Wales, Sydney, purchased in 1922 Sydney photograph: Jenni Carter for AGNSW
VIEW: Article |
This is a lively bravura portrait of a modern Melbourne woman of fashion, style and elegance. It has an arresting vitality. Her belongings, a luscious blue stole, elegant feathered hat and jewelled ring, are as much the subject of this work as is Miss Collins herself, and contribute to it a sense of opulence. Her flamboyant pose, with her head slightly tilted back and poised to one side, and her arms caught in mid-action, matches her vivacious personality. Her eyes appear to be laughing in accord with her smile and she seems to be deliberately posing or hamming it up for the artist.
The subject, Miss Gladys Neville Collins, was the daughter of J.T. Collins, lawyer, Victorian State Parliamentary draughtsman, and trustee of the Public Library, Museums and National Gallery of Victoria. Lambert appears to have enjoyed painting her portrait and described her to Amy on 10 December 1921 as ‘a dear girl [who] sits for the fun of it and because her Dad thinks I am it’ (ML MSS 97/10, p.393).
Lambert portrayed the individual features of Miss Collins but, with her collaboration, he arranged them to denote a characteristic type. Miss Collins’s tilted head, her half-open mouth, half-closed eyes, and almost-bare right arm suggest an individual sensuality, but they also indicate a form of codified (sexual) behaviour. Lambert's portrait presents a witty version of the pose of Bernini’s Ecstasy of St Teresa 1645–52 (Cornaro Chapel, Santa Maria della Vittoria, Rome), an established expression of the ecstatic experience, and one which was subsequently taken up by photographers, film-makers and advertisers.
What is more, Lambert presented Miss Collins in a variation of the pose used by Joshua Reynolds in his portrait Sarah Siddons as the Tragic Muse 1784, which in 1921 (the year Lambert painted this portrait) the Duke of Westminster had controversially sold to The Huntington Library and Art Collection in California. By associating Miss Collins with this classic image of a leading actress, he hinted that she was playing a role in this portrait. It is also possible that Lambert knew Sargent’s Portrait of Ena Wertheimer: a vele gonfie of 1905 (Tate, London), a lively portrait of Ena wearing as a joke a black feathered hat and billowing cloak, painted essentially in black and white. It is similar to Lambert’s painting in its sense of extravagant posture and light-heartedness. If nothing else, both paintings are a reflection of the spirit of the times.
In this portrait Lambert used a limited range of colours to great effect: a dark Manet black and a Gainsborough blue, with the addition of purple in the jewel on a chain around her neck. Lambert paid close attention to the clothing, capturing an array of textures – the lustrous steel-blue silk of her stole, the fluffy white fur collar, the white leather gloves, the transparent black lace sleeve and the black velvet of the hat wreathed with white ostrich plumes.
Lambert painted the portrait with broad brushstrokes, and spontaneously, as a kind of ‘performance in paint’. When exhibited, it stood out from the prevalent brown tonalist portraiture painted at this time by other Australian artists, such as John Longstaff and W.B. McInnes. (W.B. McInnes’s much more restrained Portrait of Miss Collins was awarded the Archibald Prize for 1924 at the Art Gallery of New South Wales).
Lambert’s tour de force was purchased for 600 guineas by the Art Gallery of New South Wales when it was shown at the New South Wales Society of Artists exhibition in 1922; at that time the highest price paid by a public gallery for a portrait by an Australian artist.
Bournemouth contributed a bus to the Bus and Coach Council campaign against deregulation with one of the undertakings unusual Marshall bodied Leyland Olympians, a type that remained unique to the South West based fleet.
Rather than repaint the bus into the BCC beige based livery, Bournemouth's yellow fleet livery was retained. It will also be noted that the red bands are thinner and less diagonal than on other fleet repaints and the four passengers, or the 'Performing Seals' as they were more commonly known have taken on a more upright, anorexic, appearance.
Sherwood Equal Rights Historic District is a national historic district located at Sherwood in Cayuga County, New York. The district consists of 29 properties containing 27 contributing primary buildings, one contributing site (cemetery), three contributing carriage houses and one non-contributing building in the historic core of the hamlet of Sherwood. It encompasses the entire hamlet and includes several commercial / civic structures at the intersection of New York State Route 34B and Sherwod Road. Most of the houses are one or two stories, of heavy timber frame construction and built between the 1820s and about 1910. Located within the district are the separately listed Howland Cobblestone Store and Slocum and Hannah Howland House. The structures commemorate the historical Quaker community's dedication to abolition, women's rights, and education.
Architectural style:
Federal, Greek Revival
Governing body:
Private
MPS:
Freedom Trail, Abolitionism, and African American Life in Central New York MPS
NRHP Reference#:
08000096
Sherwood Equal Rights Historic District
U.S. National Register of Historic Places
U.S. Historic District
Contributed to the MattePaint.com Challenge utilizing Michaela Maria Wartbichler base 3D render and painting using the passes. This was a fun challenge to really push the details and realism of this environment. Thank you Michaela and to the MattePaint Community for everything.
Copyright © Ian V / 2020
A nice colourful photo of a wooden cabin, contributed by Albert van Gent.
All my photos can be used for free and with no copyright restrictions :) for new photos frequently you can follow me
One of the most characteristic and poorly-understood features of the Mysteries is the naked lion-headed figure often found in Mithraic temples, named by the modern scholars with descriptive terms such as leontocephaline (lion-headed) or leontocephalus (lion-head). He is entwined by a serpent (or two serpents, like a caduceus), with the snake’s head often resting on the lion’s head. The lion’s mouth is often open, giving a horrifying impression. He is usually represented as having four wings, two keys (sometimes a single key), and a scepter in his hand. Sometimes the figure is standing on a globe inscribed with a diagonal cross. In the figure shown here, the four wings carry the symbols of the four seasons, and a thunderbolt is engraved on the breast. At the base of the statue are the hammer and tongs of Vulcan, the cock, and the wand of Mercury. A variation the same figure, but with a human head instead of the lion-mask, is also found, but is rare..Although animal-headed figures are prevalent in contemporary Egyptian and Gnostic mythological representations, an exact parallel to the Mithraic leontocephaline figure has not been found.[47] The name of the figure has been deciphered from dedicatory inscriptions to be Arimanius, a Latinized form of the name Ahriman – a demonic figure in the Zoroastrian pantheon. Arimanius is known from inscriptions to have been a god in the Mithraic cult as seen, for example, in images from the Corpus Inscriptionum et Monumentorum Religionis Mithriacae (CIMRM) such as 222 from Ostia, 369 from Rome, and 1773 and 1775 from Pannonia.Some scholars identify the lion-man as Aion, or Zurvan, or Cronus, or Chronos, while others assert that it is a version of the Zoroastrian Ahriman.[There is also speculation that the figure is the Gnostic demiurge, (Ariel) Ialdabaoth.[51] Although the exact identity of the lion-headed figure is debated by scholars, it is largely agreed that the god is associated with time and seasonal change.] An occultist, D. J. Cooper, speculates to the contrary that the lion-headed figure is not a god, but rather represents the spiritual state achieved in Mithraism's "adept" level, the Leo (lion) degree.
Mithraism, also known as the Mithraic mysteries, was a mystery religion centred around the god Mithras that was practised in the Roman Empire from about the 1st to the 4th century. The religion was inspired by Persian worship of the god Mithra (proto-Indo-Iranian Mitra), though the Greek Mithras was linked to a new and distinctive imagery, and the level of continuity between Persian and Greco-Roman practice is debated.[1] The mysteries were popular in the Roman military.Worshippers of Mithras had a complex system of seven grades of initiation and communal ritual meals. Initiates called themselves syndexioi, those “united by the handshake”.[3] They met in underground temples, called mithraea, which survive in large numbers. The cult appears to have had its centre in Rome.Numerous archaeological finds, including meeting places, monuments and artifacts, have contributed to modern knowledge about Mithraism throughout the Roman Empire. The iconic scenes of Mithras show him being born from a rock, slaughtering a bull, and sharing a banquet with the god Sol (the Sun). About 420 sites have yielded materials related to the cult. Among the items found are about 1000 inscriptions, 700 examples of the bull-killing scene (tauroctony), and about 400 other monuments.[6] It has been estimated that there would have been at least 680 mithraea in Rome. No written narratives or theology from the religion survive; limited information can be derived from the inscriptions and brief or passing references in Greek and Latin literature. Interpretation of the physical evidence remains problematic and contested.The Romans regarded the mysteries as having Persian or Zoroastrian sources. Since the early 1970s the dominant scholarship has noted dissimilarities between Persian Mithra-worship and the Roman Mithraic mysteries. In this context, Mithraism has sometimes been viewed as a rival of early Christianity with similarities such as liberator-saviour, hierarchy of adepts (bishops, presbyters, deacons), communal meal and a hard struggle of Good and Evil (bull-killing/crucifixion).The name Mithras (Latin, equivalent to Greek "Μίθρας",is a form of Mithra, the name of an Old Persian god – a relationship understood by Mithraic scholars since the days of Franz Cumont. An early example of the Greek form of the name is in a 4th century BCE work by Xenophon, the Cyropaedia, which is a biography of the Persian king Cyrus the Great.The exact form of a Latin or classical Greek word varies due to the grammatical process of declension. There is archeological evidence that in Latin worshippers wrote the nominative form of the god’s name as "Mithras". However, in Porphyry’s Greek text De Abstinentia («Περὶ ἀποχῆς ἐμψύχων»), there is a reference to the now-lost histories of the Mithraic mysteries by Euboulus and Pallas, the wording of which suggests that these authors treated the name "Mithra" as an indeclinable foreign word.Related deity-names in other languages include.Sanskrit Mitra (मित्रः), the name of a god praised in the Rig Veda. In Sanskrit, "mitra" means "friend" or "friendship".the form mi-it-ra-, found in an inscribed peace treaty between the Hittites and the kingdom of Mitanni, from about 1400 BCE.Iranian "Mithra" and Sanskrit "Mitra" are believed to come from an Indo-Iranian word mitra meaning contract / agreement / covenant.Modern historians have different conceptions about whether these names refer to the same god or not. John R. Hinnells has written of Mitra / Mithra / Mithras as a single deity worshipped in several different religions.On the other hand, David Ulansey considers the bull-slaying Mithras to be a new god who began to be worshipped in the 1st Century BCE, and to whom an old name was applied.Mary Boyce, a researcher of ancient Iranian religions, writes that even though Roman Empire Mithraism seems to have had less Iranian content than historians used to think, none the less “as the name Mithras alone shows, this content was of some importance.”.Mithra was the god of light, purity, goodness, truth and occupied an important place in the faith of the ancient India-European peoples.There are various opinions on the spread of the Mithra (or Mithras, Mitra) cult, but the most reliable one is the first written protocol about the Mithraic cult from 14th century BC.In the treaty text signed between the powerful kingdom of Mitanni (Mitanni was situated in the North of Armenian Plateau) of king Shativaza (unknown-1350 BC), and the Hittite king of Suppiluliuma (1380-1346 BC) we can see the name of Mithra. So the Mithraic cult was mentioned in Persian cuneiform inscriptions and in the Indian Vedic texts since the fourth century BC.As a result of the religious revolution of Ardashir II, the Sassanid King of Persia in 395 AD, the cults of Mithra and Anahita, the Iranian goddess, were imported to Persia and combined with Zoroastrianism. In the first century BC the cult of Mithra penetrated into Rome, and in the third century AD this religion had become international and spread from India to the Black Sea, from the Balkans to Britain and Spain. Now there are more than four hundred Mithraic temple ruins throughout the Europe.So at first, in fourth century BC this cult spread from the Armenian Plateau to South Persia and India and in first century BC to North-West Europe. The Mysteries of Mithras.....The upper grades, known as the “Participants,” were: 4th . Lion, of the element of FireI died as a mineral and became a vegetable, I passed away as vegetation and became animal. Leaving the animal state I became man. Why should I fear? When was I less through death? I shall once more die: from manhood, to soar with angels: and I must pass beyond angelhood—all perish but God. When I have given up my angel self, I shall be what no mind has conceived.—Jalaluddin Rum.Perhaps it was fitting to begin the following article on the Mithraic Mysteries on the day of the recent Winter Solstice. According to tradition, the god Mithras was born of (“sprang from”) the rock on the shortest day of the year, his birthday celebration occurring on December 25, marking the return of Sol Invictus, the Unconquered Sun.Prior to the vision of Roman Emperor Constantine later establishing Christianity as state religion, a fraternity centered upon the Rites of Mithras once captivated the Western world. Originating in India and later spreading to Persia, Mithraism moved across Europe along with the sprawl of the late Roman Empire.Plutarch, in his Life of Pompey credits the introduction of Mithraism in Rome to pirates arriving from Cilicia, an ancient region south of the Tarsus Mountains in southeast Asia Minor along the Mediterranean Sea.The Indo-Persian myth describing Ahura-Mazda’s battle of Light against Darkness casts Mithras as an associate of the Sun.As the tale begins, Mithras captures the wild bull, the first creation of Ahura-Mazda, and confines it within a cave. The bull escapes, and the Sun sends his messenger the Raven to look for it. Mithras is also sent by Ahura-Mazda and with the help of his dog, he recaptures the beast. He drags it back to the cave and straddles it, cutting the bull’s throat. From the resulting issue of blood springs corn, wheat, and other forms of life. In retaliation, Ahriman, the Chief of Darkness, orders his minions, the ant, snake, and scorpion, to drink up the miraculous fluid, but to no avail: it spreads all over the world giving it life. In a gesture of acknowledgement, the Sun kneels before Mithras offering a crown to seal a covenant with him. The two part ways after a sacramental meal.As we shall see, the reenactment of the myth in the rites of initiation involved passing through seven grades that correspond to seven planets. The worship of Mithras at this time required the construction of a Mithraea, a temple in the form of an underground vault or “cave.” The temple interior consisted of a torch-lit hall with side benches culminating in a central sculpted image of Mithras. Adorned with a Phrygian (“Persian”) cap, he is depicted holding a bull by the nostrils from behind in the act of stabbing it in the neck with a dagger. His image is often accompanied by two torchbearers, possibly representing the Sun and the Moon: Cautes, with upraised torch, and Cautopates, with torch pointed earthward. The ceiling of the sanctuary was painted to resemble the starry “cave” of the night sky. Franz Cumont has mapped the dispersion of various Mithraea across Europe and Asia Minor. The number of them, and of other related Mithraic artifacts is astounding, and indeed, many temples remain intact to this day.
Roman Mithraism appropriated and adapted occult knowledge from the Pythagorean Mysteries, through the astronomical revelations of Hipparchus and the later speculations of the Stoics.Accordingly, Mithraic scholar David Ulansey feels that The Rites of Mithra may be explained by examining the astral religion of the Hellenistic period. The position of the images depicted in the sanctuary suggest that they are directly related to constellations observable at that time: the bull to Taurus, scorpion to Scorpio, snake to Hydra, raven to Corvus, dog to Canus minor, lion to Leo major.Ulansey connects Mithras with the Greek god Perseus of the constellation just above Taurus, who was also known as “the Persian.” Perseus was popularly worshipped in Cilicia, home to the pirates described by Plutarch. In myth, Perseus kills the Gorgon and similarly, as we have seen, Mithras kills the bull. The astral adaptation is a metaphor for the precession of the equinoxes signaling the end of the Age of Taurus, and the beginning of the Age of Aries. Mithras is seen as a diety with the power to move the universe on its cosmic axis, one who controls Fate. Identification with such a God through ritual would seem to confer similar gifts upon the initiate, bestowing the promise of everlasting life.8)One writer has labeled Mithraism “the Alchemy of the Roman World.”
However, initiation into the Mysteries of Mithras in a Roman Mithraea involved austerities and hardships that would make the most rugged Freemason of today blanch.10) The candidate entered the ritual space blindfolded and naked. An oath of secrecy was obtained. Ordeals by fire, by branding upon the forehead, scourging, striking with the leg of a bull, as well as the laying on of hands, pouring on of water, and the bestowing of a solar crown upon the head are reported. Masks and costumes representing key figures found in the myth were worn by participants who had previously achieved the various grades in the hierarchy of the Rite.The “grades” accompanying initiation correspond to the principal participants and their activity found within the myth.The lower grades, known collectively as “Servitors” were in ascending order: 1st. Raven, of the element of Air, is under the sign of Mercury messenger of the gods. Symbols of this degree include the raven, cup, and caduceus of Mercury. 2nd. Bride(groom?), of the element of Water, is under the sign of Venus. Fragments suggest that symbols of this degree included a lamp and a crown. The joining of hands was part of this grade, hence the allusion to a “wedding ceremony.” 3rd. Soldier, of the element of Earth, is under the sign of Mars. Symbols are the soldier’s pouch worn over his shoulder, a helmet, and a lance.The upper grades, known as the “Participants,” were: 4th . Lion, of the element of Fire, under the sign of Jupiter. Symbols of this degree include a fire shovel, a sistrum, and thunderbolts. 5th. Persian, of the element of Water, under the sign of the Moon. Symbols include a hooked knife, a scythe or plow, and the moon and a star. 6th. Courier of the Sun, of the element of Fire, under the sign of the Sun. Symbols are a torch, crown, and a whip (to drive his chariot across the sky). 7th. Father (Pater) under the sign of Saturn. Symbols include a ring or dish, a staff, the Phrygian cap, and a sickle. The holder of this highest rank dressed like Mithras himself. During initiations and other regular ritual activity including sacramental meals, the holders of the various grades were regarded as the earthly representatives of celestial, archetypal participants in the myth.Were the Rites of Mithras “co-alchemic?” Not in the Roman rite, which was most popular among men in the military. At its peak, it was a warrior’s religion. However, evidence suggests that there were fraternal relationships with women from the Cybele-cult, who possibly shared the taurobolium—a “baptism” in bull’s blood, with initiates of Mithraism. This point is controversial, and it is not clear how it may have been performed in a typically small Mithraea.A final sculptural image of Mithras depicts him as the Aeonic Mithras, the Mithraic Cronus, representative of Boundless Time.According to Armenian ancient beliefs, 365 saints are living in the heart of the Sun and each of them is the owner of one day of the year, appointed in order to prevent evil.It is said that within the salty sea (Lake of the Van), there was a rock, and when heaven was darkened the light fell on the rock and shortly after was born Mithra, almost naked but with a Phrygian hat on his head, and torch in his left hand, and it illuminated the world. By killing the bull, Mithra was creating the world from its parts.Strabo chronicled that during the ruling of Achaemenid Empire the Armenian Satrap donated 20,000 horses to the annual Mithra celebration. The observations dedicated to Mithra were celebrated by Armenians in the Month of Areg, which coincided with Iranian month of Mithra. The Armenian seventh month is named Mehekan and each month’s eighth day was called Mithra.Mithra, the god of light, kindness and contracts was indeed born from the very rock—this characteristic is affirmed either by archaeological finds or by the Geghard temple in Armenia, which is carved into the rocky landscape.In 1953-54 during research in Eskikale (Turkey) a tunnel was unearthed which reached depths of 160 meters (525 feet) consisting of a long mountain slope ending with two circular rooms. It is similar to the tunnel at Bagaritch in Upper Armenia with the temple complex dedicated to Mithra.From the mythological point of view, tunnels are the place of birth of Mithra as it said “the beam, separated from the star, penetrates into the depths of the tunnel, giving birth to Mithra, from where he ascended to heaven.” The carved temple of Geghard has also been seen as the birthplace of Mithra during the pre-Christian period.In Vedic texts Mithra is the god who protected the Sun and is always mentioned with Varuna.In Indian sources Mithra is the god of love, light, tenderness and sun shine. The closeness and affection of Mithra and Varuna is inseparable and stable. Varuna is the god of heaven and night. Mithra is the god of light, sunshine and day. These gods of night and day are fellows in cult rituals. Varuna is also the god of waters and seas , and is the husband of Varun, god of wine.Vedic texts are notable for the main ritual of the Mithraic cult, such as sacrificing a bull, which penetrated to Europe. One of the noblest gods is Soma (in Avesta, the primary collection of religious texts of Zoroastrianism, he is instead named Haoma). Soma is the god of invincible power, the god who cures all the diseases. It is Soma who gave life, wealth, and wish fulfillment.In Sanskrit, the name Soma is used for the Moon. They are the same only by name, however, as all the characteristics of the Moon are attributed to a goddess of plants. So, they believed the moon presided over healing plants and thus sacrificed oblations and offerings in worship rituals.Also Soma is the name of a sacred plant. From the leaf of this plant was made a strong alcoholic beverage loved by the gods, and which was dedicated to the gods. During rituals, priests drank this beverage in order to come close to and join with the gods. Soma was the life deity and life essence, and even though the gods received their eternity from this beverage, mortal men could attain temporary ‘eternity’ by drinking the beverage too, allegorically meaning the joining with the God and Essence.According to legend a riot arose between the gods. The god Shiva got involved in the formidable fighting and in one stoke divided god Soma in two, which demonstrates the tradition of sacred bull killing.In other versions the gods decided to kill Soma. The god Wayuu ordered the execution and asked help from Mithra-Varuna. Mithra refused to help and said, “I wish love, boon and affection to everybody.” At the end Mithra agreed to participate in ritual killing in order to benefit from the sacrifice. After the killing they crushed Soma between two stones. It was Mithra’s responsibility to spill on the ground the part of his Soma juice from which would germinate the plants and the animals.In pictures and sculptures of the bull sacrifice ritual, Mithra is often seen turning his face and eyes away, indicating the rejection or distaste of this action. But the bull is the source of life, and the ritual is necessary.“A Being with lion’s head, and eagles wings, and brute’s feet, and human body, enwrapped with a serpent, standing on a globe and holding the keys of life and death in its two hands….The Autozoon, or Living Creature in itself the summation of all forms of life, including man.”14)“It was this God, that the adepts of the mysteries placed at the head of the celestial hierarchy, and considered the first Principal.”15) Surrounded by the signs of the zodiac, he is the winged, invincible Soul emerging from the Cosmic Egg, coiled in the form of the rising serpent representing the manifestation of matter out of the central mystery of Eternity.The fraternal Mithraic Rites fulfill the function of a Mystery School designed to join the temporal nature of the initiate with the Eternal Reality of Spiritual Truth. Establishing a Golden Chain linking Heaven and Earth through the intermediary of human experience, the follower of Mithras walks a path mirroring that of the stars moving through the Universe, and beyond, into a timeless realm that truly, no mind may conceive.Mithraism.......Lion-headed figure... He will say: 'Where ... ?One of the most characteristic and poorly-understood features of the Mysteries is the naked lion-headed figure often found in Mithraic temples, named by the modern scholars with descriptive terms such as leontocephaline (lion-headed) or leontocephalus (lion-head). He is entwined by a serpent (or two serpents, like a caduceus), with the snake’s head often resting on the lion’s head. The lion’s mouth is often open, giving a horrifying impression. He is usually represented as having four wings, two keys (sometimes a single key), and a scepter in his hand. Sometimes the figure is standing on a globe inscribed with a diagonal cross. In the figure shown here, the four wings carry the symbols of the four seasons, and a thunderbolt is engraved on the breast. At the base of the statue are the hammer and tongs of Vulcan, the cock, and the wand of Mercury. A variation the same figure, but with a human head instead of the lion-mask, is also found, but is rare.Although animal-headed figures are prevalent in contemporary Egyptian and Gnostic mythological representations, an exact parallel to the Mithraic leontocephaline figure has not been found.The name of the figure has been deciphered from dedicatory inscriptions to be Arimanius, a Latinized form of the name Ahriman – a demonic figure in the Zoroastrian pantheon. Arimanius is known from inscriptions to have been a god in the Mithraic cult as seen, for example, in images from the Corpus Inscriptionum et Monumentorum Religionis Mithriacae (CIMRM) such as 222 from Ostia, 369 from Rome, and 1773 and 1775 from Pannonia.Some scholars identify the lion-man as Aion, or Zurvan, or Cronus, or Chronos, while others assert that it is a version of the Zoroastrian Ahriman.There is also speculation that the figure is the Gnostic demiurge, (Ariel) Ialdabaoth.[51] Although the exact identity of the lion-headed figure is debated by scholars, it is largely agreed that the god is associated with time and seasonal change.[52] An occultist, D. J. Cooper, speculates to the contrary that the lion-headed figure is not a god, but rather represents the spiritual state achieved in Mithraism's "adept" level, the Leo (lion) degree. According to M. J. Vermaseren, the Mithraic New Year and the birthday of Mithras was on December 25.[54][55] However, Beck disagrees strongly.[56] Clauss states: "the Mithraic Mysteries had no public ceremonies of its own. The festival of Natalis Invicti, held on 25 December, was a general festival of the Sun, and by no means specific to the Mysteries of Mithras."Mithraic initiates were required to swear an oath of secrecy and dedication,[58] and some grade rituals involved the recital of a catechism, wherein the initiate was asked a series of questions pertaining to the initiation symbolism and had to reply with specific answers. An example of such a catechism, apparently pertaining to the Leo grade, was discovered in a fragmentary Egyptian papyrus (P.Berolinensis 21196), He will say: 'Where ... ?... he is/(you are?) there (then/thereupon?) at a loss?' Say: ... Say: 'Night'. He will say: 'Where ... ?' ... Say: 'All things ...' (He will say): '... you are called ... ?' Say: 'Because of the summery ...' ... having become ... he/it has the fiery ... (He will say): '... did you receive/inherit?' Say: 'In a pit'. He will say: 'Where is your ...?... (Say): '...(in the...) Leonteion.' He will say: 'Will you gird?' The (heavenly?) ...(Say): '... death'. He will say: 'Why, having girded yourself, ...?' '... this (has?) four tassels. Very sharp and ... '... much'. He will say: ...? (Say: '... because of/through?) hot and cold'. He will say: ...? (Say): '... red ... linen'. He will say: 'Why?' Say: '... red border; the linen, however, ...' (He will say): '... has been wrapped?' Say: 'The savior's ...' He will say: 'Who is the father?' Say: 'The one who (begets?) everything ...' (He will say): '('How ?)... did you become a Leo?' Say: 'By the ... of the father'. ... Say: 'Drink and food'. He will say '...Almost no Mithraic scripture or first-hand account of its highly secret rituals survives;[29] with the exception of the aforementioned oath and catechism, and the document known as the Mithras Liturgy, from 4th century Egypt, whose status as a Mithraist text has been questioned by scholars including Franz Cumont.[60][61] The walls of Mithraea were commonly whitewashed, and where this survives it tends to carry extensive repositories of graffiti; and these, together with inscriptions on Mithraic monuments, form the main source for Mithraic texts.Nevertheless, it is clear from the archeology of numerous Mithraea that most rituals were associated with feasting – as eating utensils and food residues are almost invariably found. These tend to include both animal bones and also very large quantities of fruit residues.[63] The presence of large amounts of cherry-stones in particular would tend to confirm mid-summer (late June, early July) as a season especially associated with Mithraic festivities. The Virunum album, in the form of an inscribed bronze plaque, records a Mithraic festival of commemoration as taking place on 26 June 184. Beck argues that religious celebrations on this date are indicative of special significance being given to the Summer solstice; but this time of the year coincides with ancient recognition of the solar maximum at midsummer, whilst iconographically identical holidays such as Litha, St John's Eve, and Jāņi are observed also.For their feasts, Mithraic initiates reclined on stone benches arranged along the longer sides of the Mithraeum – typically there might be room for 15 to 30 diners, but very rarely many more than 40 men.[64] Counterpart dining rooms, or triclinia, were to be found above ground in the precincts of almost any temple or religious sanctuary in the Roman empire, and such rooms were commonly used for their regular feasts by Roman 'clubs', or collegia. Mithraic feasts probably performed a very similar function for Mithraists as the collegia did for those entitled to join them; indeed, since qualification for Roman collegia tended to be restricted to particular families, localities or traditional trades, Mithraism may have functioned in part as providing clubs for the unclubbed.[65] However, the size of the Mithraeum is not necessarily an indication of the size of the congregation.Each Mithraeum had several altars at the further end, underneath the representation of the tauroctony, and also commonly contained considerable numbers of subsidiary altars, both in the main Mithraeum chamber and in the ante-chamber or narthex. These altars, which are of the standard Roman pattern, each carry a named dedicatory inscription from a particular initiate, who dedicated the altar to Mithras "in fulfillment of his vow", in gratitude for favours received. Burned residues of animal entrails are commonly found on the main altars indicating regular sacrificial use. However, Mithraea do not commonly appear to have been provided with facilities for ritual slaughter of sacrificial animals (a highly specialised function in Roman religion), and it may be presumed that a Mithraeum would have made arrangements for this service to be provided for them in co-operation with the professional victimarius[68] of the civic cult. Prayers were addressed to the Sun three times a day, and Sunday was especially sacred.It is doubtful whether Mithraism had a monolithic and internally consistent doctrine.It may have varied from location to location.However, the iconography is relatively coherent.[38] It had no predominant sanctuary or cultic centre; and, although each Mithraeum had its own officers and functionaries, there was no central supervisory authority. In some Mithraea, such as that at Dura Europos, wall paintings depict prophets carrying scrolls,[72] but no named Mithraic sages are known, nor does any reference give the title of any Mithraic scripture or teaching. It is known that intitates could transfer with their grades from one Mithraeum to another.HomeThe Red Cap of Liberty is also known as the Phrygian Cap, Mithraic Cap, sacrificial Cap, mitre and in French as the bonnet de laLiberté or bonnet rouge. It symbolizes the sacred acts of Initiation, Sacrifice, Liberty, Revolution, Enlightenment, and Brotherhood...It has been worn by various Abrahamic priesthoods over the last few thousand years and also newly emancipated slaves since the time of Ancient Rome. The red cap not only an ancient symbol, it is one of the oldest magical talismans that is still in use to this very day by various religions, secret societies, and governments all around the world.British Alchemist and Rosicrucian, Hargrave Jennings had written, "The Phrygian Cap, the classic Mithraic Cap, sacrificial Cap, and mitre all derive from one common ancestor." He continues, The whole is a sign of “initiation,” and of baptism of a peculiar kind. The Phrygian cap, ever after this first inauguration, has stood as the sign of the “Enlightened.” The heroic figures in most Gnostic Gems, which we give in our illustrations, have caps of this kind.""Mithras, God of the Sunset, low on the Western main. Thou descending immortal, immortal to rise again! Now when the watch is ended, now when the wine is drawn, Mithras, also a soldier, keep us pure till the dawn!”~From Song to Mithras, Rudyard Kipling."The significance of Mithraism as the first historical, pan-Eurasian religion has never been fully appreciated by European scholarship, which persistently has tried to draw an Iron Curtain between the East and West. In various forms, however, Mithraism has left an indelible and defining mark on the religious history of that vast continent. Christianity was at the same time the greatest benefactor as well as the most destructive scourge of Mithraic tradition. While destroying or vandalizing the material cultural remains of that once great religion, early Christians also copied and co-opted its outward forms in many details, building upon its successes and learning from its limitations. Indeed, both literally and figuratively, Christianity was built upon Mithraic foundations.2Such dependence was a great liability to a Church claiming a new and original dispensation, and every effort was made to suppress the commonalities. For the most part, this meant emphasizing the more obvious (and superficial) mythological and dogmatic differences, but this was hardly enough to demonstrate an essential practical difference between the visionary Eucharistic practices of the two competing Mystery Religions. In fact, the shared gnosis seemed to validate the syncretism and co-option that had so obviously occurred—even in the outward expressions—of the old and new “official” religions of the Empire. For the ancients, such a situation was the norm; that the unitive experiences elicited by the various Mysteries all demonstrated an essential and universal identification not only between the rites of particular gods and goddesses, but also between deities and the celebrant, and between the celebrant and the co-creative Cosmos as a whole.
Given such an underlying assumption of gnosis as a kind of basic and defining experience at the esoteric core of all the Mysteries, dogmatic and doctrinal differences were only of marginal concern and interest, and crass literal interpretations were easily abandoned in favor of a mythological richness infused and sacralized by a common gnosis.Mithraism, as we have shown, was a key and formative element in the radical syncretism that characterized much of Classical spirituality. Considered in these terms, it is important to note that Christianity came to stand in polar opposition to this synthesizing and comparatively tolerant attitude toward other religions. In fact, it is justifiable to consider the Christian claim, that of being the sole source of Salvation, as the only truly original and distinguishing characteristic of the new religion—this along with its insistence on the literal historical veracity of its Savior and His miracles. While Imperial Rome was singularly influential in popularizing and codifying both religions, we must recognize a common ecstatic and communal thread in them that starts in the earliest strata of Indo-European traditions and extends even into the present—intact in its esoteric, entheogenic essence.At the very root of the Mithraic Mysteries lay esoteric mythological, astrological, and pharmacological lore that was not easily to be suppressed, let alone destroyed. The long and almost unbelievably complex history of Mithraism in Eurasia had inseparably woven its mythopoeia into the very fabric of religious-intellectual, artistic, and literary culture throughout the Persian and Classical worlds. As Mithraism faded as a world religion, its venerable esoteric cannon became a river, fed by streams of derivative and original gnostic tradition. It is quite clearly this ancient torrent that sustained and characterized the post-Christian Hermetic and literary undercurrent, erupting throughout history in the various popular gnostic revivals, which were, repeatedly (and often violently), suppressed by the Church Triumphant, which opposed personal mysticism and insisted on imposing itself politically as the essential mediator with the deity.Surviving into modern times, and deriving from uncertain and legendary sources, Freemasonry3 is the most notable of the secret societies that have perpetuated the pre-Christian Mysteries. Although it is true that over the centuries the Masons have been accused of all manner of conspiratorial and diabolical activity (as has been the case with other ‘secret’ societies throughout history), this has been done with largely circumstantial evidence, partial understanding and paranoid zealotry. There can be no doubt, however, that Masonic lodges were indeed hotbeds of pro-revolutionary sentiment and the philosophies of the Enlightenment that opposed the feudal “Ancién Regime” with a “New World Order.”4 This new philosophy, in turn, was illuminated and inspired by the Classical Revival that had first found popular expression during the Renaissance. There can also be no doubt that Masonic membership was often made up of the social and intellectual elite who were the driving force behind the Revolutions that established the political reality of a new social paradigm—a paradigm that is at least as defining a characteristic of ‘modernity’ as the Industrial Revolution.Claiming to be the inheritors and preservers of ancient mysteries via direct lines of descent going back at least the time of the Knights Templar, Masonic symbolism does seem to betray a cohesive and accurate synopsis of the ancient Mysteries. Iconographic items such as the Sun, the all-seeing disembodied eye, the ouroboros, the sacred evergreen, and, most importantly for us, the red Phrygian cap atop a spear or Sword of the Accord are all elements well known to the ancient religions, possessing profound meanings to those initiates who learned of their true significance and interconnection.While most of these symbols are common to alchemical and Masonic imagery, the origins of the so-called ‘liberty pole’ and ‘liberty cap’ are less familiar. It goes without saying, however, that all elements are to be understood as cryptic references that simultaneously conceal and reveal arcane mysteries. The fundamental innovation promulgated in the revolutionary ideal is the dependence upon a kind of Natural Law—as well as the necessary and ongoing revelation of the natural, inalienable and sacred rights of citizens—as the nourishing and necessary spirit upon which a republican democracy might stand. Similarly, Thomas Jefferson appealed to the need for ‘eternal vigilance’ on the part of citizens in maintaining such a government.
While the American Revolution unfolded a world removed from the entrenched monarchies of Europe, the philosophical and political culture in which its revolutionary ideas fermented was fundamentally Continental. Encouraged by the American success, a democratic fervor set Europe—and especially France—ablaze with a call for an inevitable and radical reappraisal of basic political and social suppositions.The uncanny
correspondence between Mithraic, Alchemic, and revolutionary esoteric symbolism is clearly displayed in the various illuminated versions of the Declaration of the Rights of Man (Déclaration des droits de l’homme).
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1501 contributes to the morning fog.
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GOD Bless America by Celine Dion
YouTube Name: miraclesongs
www.youtube.com/watch?v=2bkc5IQeg78
Published 7/3/16
A “SPECIAL THANK YOU” to all who contributed towards this video!
PHOTOGRAPHY AND VIDEOS LISTED IN ORDER OF APPEARANCE:
Carmen Ortiz
VIDEO of the United States of America Flag flapping in the wind.
Tony Joyce
Flickr Name: T0nyJ0yce
On a Mission
Official U.S. Navy Page
Flickr Name: Official U.S. Navy Imagery
USS Carl Vinson conducts a burial at sea.
Marines
Flickr Name: United States Marine Corps Official Page
Rifle Salute
Marines
Flickr Name: United States Marine Corps Official Page
Long Live Liberty
DVIDSHUB
Flickr Name: DVIDSHUB
US Coast Guard families and service members march in New York City's Veterans Day Parade
Matt Tolliver – Coast Guard [His wife, Jenni Tolliver, is by his side. Jenni is my niece.]
Harry Miller
Flickr Name: HarryMiller002
Autumn in the valley... Winter in the mountains
Anthony Quintano
Inside the September 11th Memorial in New York City
Kyle Brown
Fllckr Name: k.w.b.
Remember - An American flag is placed at the National September 11 Memorial in New York City, Jan 2015.
Anthony Quintano
Tribute in Light memorial next to the new One World Trade (2012)
The New York City Skyline on September 11, 2012
DVIDSHUB
Flickr Name: DVIDSHUB
Fleet Week Embarkment NYC
Jorge Elías
Flickr Name: leoncillo sabino
Lady Liberty
Anthony Quintano
The Statue Of Liberty and the New York City skyline 2014
Jonathan Parker
Flickr Name: jp_42
Blue Angels -Shot at the Chicago Air and Water show...
Dick Rochester
Flickr Name: Let Ideas Compete
June Commuter -Looks of bicycle commuters in Boulder, Colorado in the summer.
Matt Tolliver – Coast Guard [photo provided by Matt Tolliver]
Kevin Dooley
Ocean foam
arbyreed
Flag Day
DVIDSHUB
Flickr Name: DVIDSHUB
Operation Damayan -Marines and U.S. Army Soldiers load supplies onto an MV-22 Osprey.
Matt Tolliver – Coast Guard [photo provided by Matt Tolliver]
James Wood
Flickr Name: BANAMINE
Barbaro's Mom. Photo by David Stephenson.
DVIDSHUB
Flickr Name: DVIDSHUB
USS John C. Stennis homecoming .
DVIDSHUB
Flickr Name: DVIDSHUB
Albany Ga., Marine Corps Band plays NY High School, Oct 19.
DVIDSHUB
Flickr Name: DVIDSHUB
57th Presidential Inaugural Parade practice.
MarineCorps NewYork
Flickr Name: NYCMarines
Marines have landed, Fleet Week New York 2011
DVIDSHUB
Flickr Name: DVIDSHUB
Final homecoming flights for 4th SBCT bring home 600 troops, brigade leadership
DVIDSHUB
Flickr Name: DVIDSHUB
USS Kearsarge - Sailors and Marines display the national ensign in honor of Independence Day aboard the amphibious assault ship USS Kearsarge (LHD 3).
DVIDSHUB
Flickr Name: DVIDSHUB
The Sky’s the Limit during 99th RSC Annual Training
Ron Doke
IN MEMORY 2016
DVIDSHUB
Flickr Name: DVIDSHUB
Silent Drill Platoon & Blue Angels 'Fat Albert'
DVIDSHUB
Flickr Name: DVIDSHUB
Coast Guard Station Charlevoix
Matt Tolliver – Coast Guard. Photo provided by Matt Tolliver.
Marines
Flickr Name: United States Marine Corps Official Page
Into the Dark
Carmen Ortiz
Flickr Name: Baking is my Zen
BLUE ANGELS perform at the Bethpage Air Show at Jones Beach State Park – 5/25/14
Images by John 'K'
Teamwork
The Blue Angels doing what they do best on display - extremely close formation team flying. Taken during the 2011 NAS Lemoore Central Valley Air Show, celebrating 100 years of US Naval aviation.
arbyreed
Big Rock Candy Mountain - Near Marysvale on highway 89 in Piute County, Utah.
Michael Janke (from Minnesota)
Flickr Name: @Michael
Prairie - MInnesota
Matt Tolliver – Coast Guard. Photo provided by Matt Tolliver.
arbyreed
Sea Foam - Wave at high tide -- Dog Beach in Huntington Beach, CA
arbyreed
Memorial Day 2016 -Mount Timpanogos in the background. Utah County, Utah.
Official U.S. Navy Page
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USS Freedom deploys.
DVIDSHUB
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Homecoming for USS McInerney
DVIDSHUB
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VMFA-115 deploys to Western Pacific.
Tony Joyce
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Close Flier
arbyreed
Big Rock Candy Mountain -
Dick Rochester
Flickr Name: Let Ideas Compete
Prairie Road -On the west side of Coot Lake in Boulder, Colorado.
Matt Tolliver – Coast Guard. Photo provided by Matt Tolliver.
RosyPics
Atlantic Ocean June 2016
DVIDSHUB
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Man’s best friend helps NC Guardsman with PTSD
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Air Force K-9 unit trains with 42nd CAB aviatiors.
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Regional Command (SouthWest) 9/11 Ceremony
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Naval Base Ventura County, Point Mugu wildfires
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USS Harry S. Truman conducts flight operations.
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Marching to honor
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Starting the new year off right
Carmen Ortiz
VIDEO of The United States of America Flag flapping in the wind.
Matt Tolliver – Coast Guard. [Matt is on right] Photo provided by Matt Tolliver.
Matt Tolliver [left]and the 44th President of the United States, Barack Obama, [center].
Ron Doke
July 4 – red, white and blue fireworks
RON DOKE
July 4 - fireworks
Virginia Department of Transportation
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Purple Heart
Carmen Ortiz
Flickr Name: Baking is my Zen
[VIDEO] Blue Angels - Beth Page Air Show 5-25-14
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JBPHH service members pay tribute to 9/11 victims
Marines
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Once A Marine...Always A Marine
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Air, Land, Sea
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U.S.A., U.S.A., U.S.A!
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Altus wrangles first day of AMC Rodeo competition
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Hanging Out
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Sailor stands watch on the flight deck of USS Arlington.
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Clear for Takeoff
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Burial at sea ceremony
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USS Moniotor Sailors are interred at Arlington.
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U.S. Sailors and Marines onboard USS Ashland man the rails of the ship as they come into port in Sattahip, Thailand.
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Ohana Hug
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A Golden Homecoming
Margie O'Hara
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Happy 4th of July - nice long weekend on the lake.
Dave Jacquin
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Front Porch
Carmen Ortiz
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The national flag of the United States of America.
Carmen Ortiz
Flickr Name: Baking is my Zen
Happy 4th of July Weekend
Carmen Ortiz
VIDEO of The national flag of The United States of America by Carmen Ortiz.
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Other Military Music Videos by Carmen Ortiz
Star Spangled Banner by Whitney Houston
YouTube Name: miraclesongs
www.youtube.com/watch?v=DCcPnjwL4xY
Published on Jul 1, 2014
GOD Bless the USA by Lee Greenwood
YouTube Name: bakingismyzen
www.youtube.com/watch?v=J_ruJBtX_FQ
Published on Jul 3, 2013
Unlike the Arctic, which at its center is an ocean, Antarctica is a landmass that is surrounded by the Southern Ocean. A permanent, massive ice sheet on Antarctica covers 98% of the continent and is containing the major freshwater reserves of the globe. Moving permanently towards the coasts, these ice masses, when gliding over the continental shelf, form huge flat areas of continental shelf ice, of which enormous icebergs can calve into the sea. Outside the shelf ice (fresh water ice), each southern winter an extensive ring of sea ice (salt water ice) is building and surrounding Antarctica. On the picture a mixture of small ice pieces originating both from shelf as well as sea ice is melting and drifting into the sea. If climate change is escalating and more of Antarctica's ice sheet is melting it would contribute to major sea level rise.
For any form of publication, please include the link to this page: www.grida.no/resources/3233
This photo has been graciously provided to be used in the GRID-Arendal resources library by: Peter Prokosch
The Devaraja market in Mysore was built during the reign of Chamaraja Wodeyar IX (1868 – 1894). It is said that there was at this place a small weekly market which may have been as old as the origin of the city itself.
Mysore, officially renamed as Mysuru, is the third most populous city in the state of Karnataka, India. Located at the base of the Chamundi Hills about 146 km southwest of the state capital Bangalore, it is spread across an area of 128.42 km2. According to the provisional results of the 2011 national census of India, the population is 887,446. Mysore City Corporation is responsible for the civic administration of the city, which is also the headquarters of the Mysore district and the Mysore division.
Mysore served as the capital city of Kingdom of Mysore for nearly six centuries, from 1399 until 1947. The Kingdom was ruled by the Wodeyar dynasty, except for a brief period in the late 18th century when Hyder Ali and Tipu Sultan were in power. Patrons of art and culture, the Wodeyars contributed significantly to the cultural growth of the city. The cultural ambience and achievements of Mysore earned it the sobriquet Cultural capital of Karnataka.
Mysore is noted for its palaces, including the Mysore Palace, and for the festivities that take place during the Dasara festival when the city receives a large number of tourists. It lends its name to the Mysore style of painting, the sweet dish Mysore Pak, the Mysore Peta (a traditional silk turban) and the garment known as the Mysore silk saree. Tourism is the major industry, while information technology has emerged as a major employer alongside the traditional industries. Mysore depends on rail and bus transport for inter-city connections. The city was the location of the first private radio station in India. Mysore houses Mysore University, which has produced several notable authors, particularly in the field of Kannada literature. Cricket is the most popular sport in the city.
ETYMOLOGY
The name Mysore is an anglicised version of Mahishūru, which means the abode of Mahisha in the local Kannada language. Though in Sanskrit Mahisha means buffalo, here Mahisha refers to Mahishasura, a mythological demon who could assume the form of both human and buffalo. According to Hindu mythology, the area was ruled by the demon Mahishasura. The demon was killed by the Goddess Chamundeshwari, whose temple is situated atop the Chamundi Hills. Mahishūru later became Mahisūru (a name which, even now, the royal family uses) and finally came to be called Maisūru, its present name in the Kannada language.
In December 2005, the Government of Karnataka announced its intention to change the English name of the city to Mysuru. This was approved by the Government of India, but as of 2011 the formalities necessary to incorporate the name change were yet to be completed. The central government approved this request in October 2014 and Mysore was renamed (along with other 12 cities) to "Mysuru" on November 1, 2014.
HISTORY
The site where Mysore Palace now stands was occupied by a village named Puragere at the beginning of the 16th century. The Mahishūru Fort was constructed in 1524 by Chamaraja Wodeyar III (1513–1553), who passed on the dominion of Puragere to his son Chamaraja Wodeyar IV (1572–1576). Since the 16th century, the name of Mahishūru has commonly been used to denote the city. The Mysore Kingdom, governed by the Wodeyar family, initially served as a vassal state of the Vijayanagara Empire. With the decline of the Vijayanagara Empire after the Battle of Talikota in 1565, the Mysore Kingdom gradually achieved independence, and by the time of King Narasaraja Wodeyar (1637) it had become a sovereign state. Seringapatam (modern-day Srirangapatna), near Mysore, was the capital of the kingdom from 1610. The 17th century saw a steady expansion of its territory and, under Narasaraja Wodeyar I and Chikka Devaraja Wodeyar, the kingdom annexed large expanses of what is now southern Karnataka and parts of Tamil Nadu, to become a powerful state in the southern Deccan.
The kingdom reached the height of its military power and dominion in the latter half of the 18th century under the de facto rulers Hyder Ali and his son Tipu Sultan. The latter demolished parts of Mysore to remove legacies of the Wodeyar dynasty. During this time, Mysore kingdom came into conflict with the Marathas, the British and the Nizam of Golconda, leading to the four Anglo-Mysore wars, success in the first two of which was followed by defeat in the third and fourth. After Tipu Sultan's death in the Fourth Anglo-Mysore War in 1799, the capital of the kingdom was moved back to Mysore from Seringapatam, and the kingdom was distributed by the British to their allies of the Fourth Mysore war. The landlocked interior of the previous Mysore Kingdom was turned into a princely state under the suzerainty of the British Crown. The former Wodeyar rulers were reinstated as puppet monarchs, now styled Maharajas. The British administration was assisted locally by Diwan (chief minister) Purnaiah. Purnaiah is credited with improving Mysore's public works. Mysore lost its status as the administrative centre of the kingdom in 1831, when the British commissioner moved the capital to Bangalore.:251 It regained that status in 1881 and remained the capital of the Princely State of Mysore within the British Indian Empire until India became independent in 1947.
The Mysore municipality was established in 1888 and the city was divided into eight wards.:283 In 1897 an outbreak of bubonic plague killed nearly half of the population of the city. With the establishment of the City Improvement Trust Board (CITB) in 1903, Mysore became one of the first cities in Asia to undertake planned development of the city. Public demonstrations and meetings were held there during the Quit India movement and other phases of the Indian independence movement.
After Indian independence, Mysore city remained as part of the Mysore State, now known as Karnataka. Jayachamarajendra Wodeyar, then king of Mysore, was allowed to retain his titles and was nominated as the Rajapramukh (appointed governor) of the state. He died in September 1974 and was cremated in Mysore city. Over the years, Mysore became well known as a centre for tourism; the city remained largely peaceful, except for occasional riots related to the Kaveri river water dispute. Among the events that took place in Mysore and made national headlines were a fire at a television studio that claimed 62 lives in 1989, and the sudden deaths of many animals at the Mysore Zoo.
GEOGRAPHY
Mysore is located at 12.30°N 74.65°E and has an average altitude of 770 metres. It is spread across an area of 128.42 km2 at the base of the Chamundi Hills in the southern region of Karnataka. Mysore is the southern-most city of Karnataka, and is a neighbouring city of the states of Kerala and Tamil Nadu in the south, flanked by the state cities Mercara, Chamarajanagara, and Mandya. People in and around Mysore extensively use Kannada as medium of language. Mysore has several lakes, such as the Kukkarahalli, the Karanji, and the Lingambudhi lakes. In 2001, total land area usage in Mysore city was 39.9% residential, 16.1% roads, 13.74% parks and open spaces, 13.48% industrial, 8.96% public property, 3.02% commercial, 2.27% agriculture and 2.02 water. The city is located between two rivers: the Kaveri River that flows through the north of the city and the Kabini River, a tributary of the Kaveri, that lies to the south.
CLIMATE
Mysore has a tropical savanna climate designated Aw under the Köppen climate classification. The main seasons are summer from March to June, the monsoon season from July to November and winter from December to February. The highest temperature recorded in Mysore was 39.4 °C on 4 April 1914, and the lowest was 7.7 °C on 16 January 2012. The city's average annual rainfall is 804.2 mm.
ADMINISTRATION AND UTILITIES
The civic administration of the city is managed by the Mysore City Corporation, which was established as a municipality in 1888 and converted into a corporation in 1977. Overseeing engineering works, health, sanitation, water supply, administration and taxation, the corporation is headed by a mayor, who is assisted by commissioners and council members. The city is divided into 65 wards and the council members (also known as corporators) are elected by the citizens of Mysore every five years. The council members in turn elect the mayor. The annual budget of the Corporation for the year 2011–2012 was ₹426.96 crore (US$63.45 million). Among 63 cities covered under the Jawaharlal Nehru National Urban Renewal Mission, Mysore City Corporation was adjudged the second best city municipal corporation and was given the "Nagara Ratna" award in 2011.
Urban growth and expansion is managed by the Mysore Urban Development Authority (MUDA), which is headed by a commissioner. Its activities include developing new layouts and roads, town planning and land acquisition. One of the major projects undertaken by MUDA is the creation of an Outer Ring Road to ease traffic congestion. Citizens of Mysore have criticised MUDA for its inability to prevent land mafias and ensure lawful distribution of housing lands among city residents. The Chamundeshwari Electricity Supply Corporation is responsible for electric supply to the city.
Drinking water for Mysore is sourced from the Kaveri and Kabini rivers. The city got its first piped water supply when the Belagola project was commissioned in 1896. As of 2011, Mysore gets 42.5 million gallons water per day. Mysore sometimes faces water crises, mainly during the summer months (March–June) and in years of low rainfall. The city has had an underground drainage system since 1904. The entire sewage from the city drains into four valleys: Kesare, Malalavadi, Dalavai and Belavatha. In an exercise carried out by the Urban Development Ministry under the national urban sanitation policy, Mysore was rated the second cleanest city in India in 2010 and the cleanest in Karnataka.
The citizens of Mysore elect four representatives to the Legislative assembly of Karnataka through the constituencies of Chamaraja, Krishnaraja, Narasimharaja and Chamundeshwari. Mysore city, being part of the larger Mysore Lok Sabha constituency, also elects one member to the Lok Sabha, the lower house of the Indian Parliament. The politics in the city is dominated by three political parties: the Indian National Congress (INC), the Bharatiya Janata Party (BJP), and the Janata Dal (Secular) (JDS).
DEMOGRAPHICS
According to the provisional results of the 2011 census of India, Mysore had a population of 887,446, consisting of 443,813 males and 443,633 females, making it the third most populous city in Karnataka. The gender ratio of the city is 1000 females to every 1000 males and the population density is 6,910.5 per square kilometre. According to the census of 2001, 76.8% of thepopulatiion are Hindus, 19% are Muslims, 2.8% are Christians, and the remainder belong to other religions. The population exceeded 100,000 in the census of 1931 and grew by 20.5 per cent in the decade 1991–2001. As of 2011, the literacy rate of the city is 86.84 per cent, which is higher than the state's average of 75.6 per cent. Kannada is the most widely spoken language in the city. Approximately 19% of the population live below the poverty line, and 9% live in slums. According to the 2001 census, 35.75% of the population in the urban areas of Karnataka are workers, but only 33.3% of the population of Mysore are. Members of Scheduled Castes and Scheduled tribes constitute 15.1% of the population. According to the National Crime Records Bureau of India, the number of cognisable crime incidents reported in Mysore during 2010 was 3,407 (second in the state, after Bangalore's 32,188), increasing from 3,183 incidents reported in 2009.
The residents of the city are known as Mysoreans in English and Mysoorinavaru in Kannada. The dispute between Karnataka and Tamil Nadu over the sharing of Kaveri river water often leads to minor altercations and demonstrations in the city. Growth in the information technology industry in Mysore has led to a change in the city's demographic profile; likely strains on the infrastructure and haphazard growth of the city resulting from the demographic change have been a cause of concern for some of its citizens.
ECONOMY
Tourism is the major industry in Mysore. The city attracted about 3.15 million tourists in 2010. Mysore has traditionally been home to industries such as weaving, sandalwood carving, bronze work and the production of lime and salt. The planned industrial growth of the city and the state was first envisaged at the Mysore economic conference in 1911. This led to the establishment of industries such as the Mysore Sandalwood Oil Factory in 1917 and the Sri Krishnarajendra Mills in 1920.
For the industrial development of the city, the Karnataka Industrial Areas Development Board (KIADB) has established four industrial areas in and around Mysore, in the Belagola, Belawadi, Hebbal and Hootagalli areas. One of the major industrial in the proximity of Mysore is Nanjangud which will be Satellite town to Mysore. Nanjangud industrial area hosts a number of Big industries like Reid and Taylor, Jubiliant, TVS, Asian Paints. Nanjangud Industrial area also boasts being 2nd highest VAT / Sales Tax payer which is about 400+ crores after Peenya which is in state capital Bangalore.
Mysore also hosts many central government organisations like CFTRI, DFRL, CIPET, RPM ( Rare Material Project ), RBI Note printing Press and RBI Paper Printing Press.
The growth of the information technology industry in the first decade of the 21st century has resulted in the city emerging as the second largest software exporter in Karnataka, next to Bangalore. The city contributed Rs. 1363 crore (US$275 million) to Karnataka's IT exports.
Mysore is slowly becoming a consumer city with a very big outside population working with the industries and IT hubs.[citation needed] New housing layouts are appearing every month and the number of supermarkets and other shopping facilities is increasing very fast.
EDUCATION
Before the advent of the European system of education in Mysore, agraharas (Brahmin quarters) provided Vedic education to Hindus, and madrassas provided schooling for Muslims. Modern education began in Mysore when a free English school was established in 1833. Maharaja College was founded in 1864. A high school exclusively for girls was established in 1881 and later converted into the Maharani's Women's College. The Industrial School, the first institute for technical education in the city, was established in 1892; this was followed by the Chamarajendra Technical Institute in 1913. While the modern system of education was making inroads, colleges such as the Mysore Sanskrit college, established in 1876, continued to provide Vedic education. Vivekananda Institute, Mysore is an international organisation giving training to Indians and foreigners in development management.
The education system was enhanced by the establishment of the University of Mysore in 1916, making it the first outside the British administration in India. Other important institutes are CFTRI, MYRA School of Business (founded in 2011) and Mysore Medical College.
CULTURE
Referred to as the cultural capital of South Karnataka, Mysore is well known for the festivities that take place during the period of Dasara, the state festival of Karnataka. The Dasara festivities, which are celebrated over a ten-day period, were first introduced by King Raja Wodeyar I in 1610. On the ninth day of Dasara, called Mahanavami, the royal sword is worshipped and is taken on a procession of decorated elephants, camels and horses. On the tenth day, called Vijayadashami, the traditional Dasara procession (locally known as Jumboo Savari) is held on the streets of Mysore which usually falls in the month of September or October.. the Idol of the Goddess Chamundeshwari is placed on a golden mantapa on the back of a decorated elephant and taken on a procession, accompanied by tabla, dance groups, music bands, decorated elephants, horses and camels. The procession starts from the Mysore Palace and culminates at a place called Bannimantapa, where the banni tree (Prosopis spicigera) is worshipped. The Dasara festivities culminate on the night of Vijayadashami with a torchlight parade, known locally as Panjina Kavayatthu.
Mysore is called the City of Palaces because of several ornate examples in the city. Among the most notable are Amba Vilas, popularly known as Mysore Palace; Jaganmohana Palace, which also serves as an art gallery; Rajendra Vilas, also known as the summer palace; Lalitha Mahal, which has been converted into a hotel; and Jayalakshmi Vilas. The main palace of Mysore was burned down in 1897, and the present-day structure was built on the same site. Amba Vilas palace exhibits an Indo-Saracenic style of architecture on the outside, but a distinctly Hoysala style in the interior. Even though the Government of Karnataka maintains the Mysore palace, a small portion has been allocated for the erstwhile Royal family to live in. The Jayalakshmi Vilas Mansion was constructed by Sri Chamaraja Wodeyar for his daughter Jayalakshammanni. It is now a museum dedicated to folk culture and artefacts of the royal family.
The Mysore painting style is an offshoot of the Vijayanagar school of painting, and King Raja Wodeyar (1578–1617 CE) is credited with having been its patron. The distinctive feature of these paintings is the gesso work, to which gold foil is applied. Mysore is known for rosewood inlay work; around 4,000 craftsmen were estimated to be involved in this art in 2002. The city lends its name to the Mysore silk saree, a women's garment made with pure silk and gold zari (thread). Mysore Peta, the traditional indigenous turban worn by the erstwhile rulers of Mysore, is worn by men in some traditional ceremonies. A notable local dessert that traces its history to the kitchen in the Mysore palace is Mysore pak.
Mysore is the location of the International Ganjifa Research Centre, which researches the ancient card game Ganjifa and the art associated with it. The Chamarajendra Academy of Visual Arts (CAVA) offers education in visual art forms such as painting, graphics, sculpture, applied art, photography, photojournalism and art history. The Rangayana repertory company performs plays and offers certificate courses in subjects related to theatre. Kannada writers Kuvempu, Gopalakrishna Adiga and U. R. Ananthamurthy were educated in Mysore and served as professors at the Mysore University. R. K. Narayan, a popular English-language novelist and creator of the fictional town of Malgudi, and his cartoonist brother R. K. Laxman spent much of their life in Mysore.
TRANSPORT
ROAD
Mysore is connected by National Highway NH-212 to the state border town of Gundlupet, where the road forks into the states of Kerala and Tamil Nadu. State Highway 17, which connects Mysore to Bangalore, was upgraded to a four-lane highway in 2006, reducing travel time between the two cities. A project was planned in 1994 to construct a new expressway to connect Bangalore and Mysore. After numerous legal hurdles, it remains unfinished as of 2012. State Highways 33 and 88 which connect Mysore to H D Kote and Madikeri respectively. The Karnataka State Road Transport Corporation (KSRTC) and other private agencies operate buses both within the city and between cities. A new division of KSRTC called Mysore City Transport Corporation (MCTC) has been proposed. Within the city, buses are cheap and popular means of transport, auto-rickshaws are also available and tongas (horse-drawn carriages) are popular with tourists. Mysore also has a 42.5-kilometre long ring road that is being upgraded to six lanes by the MUDA.
RAIL
Mysore railway station has three lines, connecting it to Bangalore, Hassan and Chamarajanagar. The first railway line established in the city was the Bangalore–Mysore Junction metre gauge line, which was commissioned in 1882. All railway lines that serve the city are single track at some points and the rest of the stretch is double track, impeding faster connections to the city. All trains that connect to Mysore are operated by South Western Railway Zone, Hubli of Indian Railways. The fastest train to serve the city is the Shatabdi Express.
AIR
Following three decades of dormancy, Mysore Airport was modernised in the mid-2000s, reopening to scheduled passenger service in October 2010. However, airlines have had difficulty maintaining service to the airport. As of August 2016, the airport is without commercial service.
MEDIA
Newspaper publishing in Mysore started in 1859 when Bhashyam Bhashyacharya began publishing a weekly newspaper in Kannada called the Mysooru Vrittanta Bodhini, the first of a number of weekly newspapers published in the following three decades. A well-known Mysore publisher during Wodeyar rule was M. Venkatakrishnaiah, known as the father of Kannada journalism, who started several news magazines. Many local newspapers are published in Mysore and carry news mostly related to the city and its surroundings, and national and regional dailies in English and Kannada are available, as in the other parts of the state. Sudharma, the only Indian daily newspaper in Sanskrit, is published in Mysore.
Mysore was the location of the first private radio broadcasting station in India when Akashavani (voice from the sky) was established in the city on 10 September 1935 by M.V. Gopalaswamy, a professor of psychology, at his house in the Vontikoppal area of Mysore, using a 50-watt transmitter. The station was taken over by the princely state of Mysore in 1941 and was moved to Bangalore in 1955. In 1957, Akashvani was chosen as the official name of All India Radio (AIR), the radio broadcaster of the Government of India. The AIR station at Mysore broadcasts an FM radio channel at 100.6 MHz, and Gyan Vani broadcasts on 105.2. BIG FM and Red FM are the two private FM channels operating in the city.
Mysore started receiving television broadcasts in the early 1980s, when Doordarshan (public service broadcaster of the Indian government) started broadcasting its national channel all over India. This was the only channel available to Mysoreans until Star TV started satellite channels in 1991. Direct-to-home channels are now available in Mysore.
SPORTS
The Wodeyar kings of Mysore were patrons of games and sports. King Krishnaraja Wodeyar III had a passion for indoor games. He invented new board games and popularised the ganjifa card game. Malla-yuddha (traditional wrestling) has a history in Mysore dating back to the 16th century. The wrestling competition held in Mysore during the Dasara celebrations attracts wrestlers from all over India. An annual sports meeting is organised there during the Dasara season too.
In 1997 Mysore and Bangalore co-hosted the city's biggest sports event ever, the National Games of India. Mysore was the venue for six sports: archery, gymnastics, equestrianism, handball, table tennis and wrestling. Cricket is by far the most popular sport in Mysore. The city has four established cricket grounds, but is yet to host an international cricket match. Javagal Srinath, who represented India for several years as its frontline fast bowler, comes from Mysore. Other prominent sportsmen from the city are Prahlad Srinath, who has represented India in Davis Cup tennis tournaments; Reeth Abraham, a national champion in the heptathlon and a long jump record holder; Sagar Kashyap, the youngest Indian to officiate at the Wimbledon Championships; and Rahul Ganapathy, a national amateur golf champion. The Mysore race course hosts a racing season each year from August through October. India's first youth hostel was formed in the Maharaja's College Hostel in 1949.
TOURISM
Mysore is a major tourist destination in its own right and serves as a base for other tourist attractions in the vicinity. The city receives large number of tourists during the 10-day Dasara festival. One of the most visited monuments in India, the Amba Vilas Palace, or Mysore Palace, is the centre of the Dasara festivities. The Jaganmohana Palace, The Sand Sculpture Museum the Jayalakshmi Vilas and the Lalitha Mahal are other palaces in the city. Chamundeshwari Temple, atop the Chamundi Hills, and St. Philomena's Church, Wesley's Cathedral are notable religious places in Mysore.
The Mysore Zoo, established in 1892, the Karanji and Kukkarahalli lakes are popular recreational destinations. Mysore has the Regional Museum of Natural History, the Folk Lore Museum, the Railway Museum and the Oriental Research Institute. The city is a centre for yoga-related health tourism that attracts domestic and foreign visitors, particularly those who, for years, came to study with the late ashtanga yoga guru K. Pattabhi Jois.
A short distance from Mysore city is the Krishnarajasagar Dam and the adjoining Brindavan Gardens, where a musical fountain show is held every evening. Places of historic importance close to Mysore are Srirangapatna, Somanathapura and Talakad. B R Hills, Himavad Gopalaswamy Betta hill and the hill stations of Ooty, Sultan Bathery and Madikeri are close to Mysore. Popular destinations for wildlife enthusiasts near Mysore include the Nagarhole National Park, the wildlife sanctuaries at Melkote and B R Hills and the bird sanctuaries at Ranganathittu and Kokrebellur. Bandipur National Park and Mudumalai National Park, which are sanctuaries for gaur, chital, elephants, tigers, Indian leopards and other threatened species, lie between 64 and 97 km to the south. Other tourist spots near Mysore include the religious locations of Nanjanagud and Bylakuppe and the waterfalls at Shivanasamudra.
SISTER CITIES
Mysore is currently twinned with Cincinnati.
WIKIPEDIA
Erected in 1857-58, this Greek Revival courthouse was designed by Henry Searle. The building is a contributing property to the Canandaigua Historic District, which was placed on the National Register of Historic Places in 1984. It replaced the county's previous 1812-24 courthouse, which is now the Canandaigua City Hall.
This structure is noteworthy as the site of the 1873 trial of United States v. Susan B. Anthony in which the women's rights activist Susan B. Anthony was prosecuted for voting in the presidential election of 1872. Though the alleged "crime" took place in Anthony's home precinct in Rochester, the trial was relocated to nearby Ontario County.
Canandaigua, New York is a charming Finger Lakes town located on the north end of the lake that shares its name. The village is located in the southeast of the Rochester Metropolitan Area.
Puri is a city and a Municipality of Odisha. It is the district headquarters of Puri district, Odisha, eastern India. It is situated on the Bay of Bengal, 60 kilometres south of the state capital of Bhubaneswar. It is also known as Jagannath Puri after the 12th-century Jagannath Temple located in the city. It is one of the original Char Dham pilgrimage sites for Indian Hindus.
Puri was known by several names from the ancient times to the present, and locally called as Badadeula. Puri and the Jagannath Temple were invaded 18 times by Hindu and Muslim rulers, starting from the 4th century to the start of the 19th century with the objective of looting the treasures of the temple. Odisha, including Puri and its temple, were under the British Raj from 1803 till India attained independence in August 1947. Even though princely states do not exist in independent India, the heirs of the Gajapati Dynasty of Khurda still perform the ritual duties of the temple. The temple town has many Hindu religious maths or monasteries.
The economy of Puri town is dependent on the religious importance of the Jagannath Temple to the extent of nearly 80%. The festivals which contribute to the economy are the 24 held every year in the temple complex, including 13 major festivals; Ratha Yatra and its related festivals are the most important which are attended by millions of people every year. Sand art and applique art are some of the important crafts of the city. Puri is one of the 12 heritage cities chosen by the Government of India for holistic development.
GEOGRAPHY AND CLIMATE
GEOGRAPHY
Puri, located on the east coast of India on the Bay of Bengal, is in the center of the district of the same name. It is delimited by the Bay of Bengal on the south east, the Mauza Sipaurubilla on the west, Mauz Gopinathpur in the north and Mauza Balukhand in the east. It is within the 67 kilometres coastal stretch of sandy beaches that extends between Chilika Lake and the south of Puri city. However, the administrative jurisdiction of the Puri Municipality extends over an area of 16.3268 square kilometres spread over 30 wards, which includes a shore line of 5 kilometres.
Puri is in the coastal delta of the Mahanadi River on the shores of the Bay of Bengal. In the ancient days it was near to Sisupalgarh (Ashokan Tosali) when the land was drained by a tributary of the River Bhargavi, a branch of the Mahanadi River, which underwent a meandering course creating many arteries altering the estuary, and formed many sand hills. These sand hills could not be "cut through" by the streams. Because of the sand hills, the Bhargavi River flowing to the south of Puri, moved away towards the Chilika Lake. This shift also resulted in the creation of two lagoons known as Sar and Samang on the eastern and northern parts of Puri respectively. Sar lagoon has a length of 8.0 km in an east-west direction and has a width of 3.2 km in north-south direction. The river estuary has a shallow depth of 1.5 m only and the process of siltation is continuing. According to a 15th-century chronicle the stream that flowed at the base of the Blue Mountain or Neelachal was used as the foundation or high plinth of the present temple which was then known as Purushottama, the Supreme Being. A 16th century chronicle attributes filling up of the bed of the river which flowed through the present Grand Road, during the reign of King Narasimha II (1278–1308).
CLIMATE
According to the Köppen and Geiger the climate of Puri is classified Aw. The city has moderate and tropical climate. Humidity is fairly high throughout the year. The temperature during summer touches a maximum of 36 °C and during winter it is 17 °C. The average annual rainfall is 1,337 millimetres and the average annual temperature is 26.9 °C.
HISTORY
NAMES IN HISTORY
Puri, the holy land of Lord Jaganath, also known popularly as Badadeula in local usage, has many ancient names in the Hindu scriptures such as the Rigveda, Matsya purana, Brahma Purana, Narada Purana, Padma Purana, Skanda Purana, Kapila samhita and Niladrimahodaya. In the Rigveda, in particular, it is mentioned as a place called Purushamandama-grama meaning the place where the Creator deity of the world – Supreme Divinity deified on altar or mandapa was venerated near the coast and prayers offered with vedic hymns. Over time the name got changed to Purushottama Puri and further shortened to Puri and the Purusha became Jagannatha. Close to this place sages like Bhrigu, Atri and Markandeya had their hermitage. Its name is mentioned, conforming to the deity worshipped, as Srikshetra, Purusottama Dhāma, Purusottama Kshetra, Purusottama Puri and Jagannath Puri. Puri is however, a common usage now. It is also known the geographical features of its siting as Shankhakshetra (layout of the town is in the form of a conch shell.), Neelāchala ("blue mountain" a terminology used to name very large sand lagoon over which the temple was built but this name is not in vogue), Neelāchalakshetra, Neelādri, The word 'Puri' in Sanskrit means "town", or 'city' and is cognate with polis in Greek.
Another ancient name is Charita as identified by Cunningham which was later spelled as Che-li-ta-lo by Chinese traveller Hiuen Tsang.When the present temple was built by the Ganga king Chodangadev in the 11th and 12th centuries it was called Purushottamkshetra. However, the Moghuls, the Marathas and early British rulers called it Purushottama-chhatar or just Chhatar. In Akbar's Ain-i-Akbari and subsequent Muslim historical records it was known as Purushottama. In the Sanskrit drama authored by Murari Mishra in the 8th century it is referred as Purushottama only. It was only after twelfth century Puri came to be known by the shortened form of Jagannatha Puri, named after the deity or in a short form as Puri. In some records pertaining to the British rule, the word 'Jagannath' was used for Puri. It is the only shrine in India, where Radha, along with Lakshmi, Saraswati, Durga, Bhudevi, Sati, Parvati, and Shakti abodes with Krishna, also known as Jagannath.
ANCIENT PERIOD
According to the chronicle Madala Panji, in 318 the priests and servitors of the temple spirited away the idols to escape the wrath of the Rashtrakuta King Rakatavahu. The temple's ancient historical records also finds mention in the Brahma Purana and Skanda Purana as having been built by the king Indradyumna of Ujjayani.
According to W.J. Wilkinson, in Puri, Buddhism was once a well established practice but later Buddhists were persecuted and Brahmanism became the order of the religious practice in the town; the Buddha deity in now worshipped by the Hindus as Jagannatha. It is also said that some relics of Buddha were placed inside the idol of Jagannath which the Brahmins claimed were the bones of Krishna. Even during Ashoka’s reign in 240 BC Odisha was a Buddhist center and that a tribe known as Lohabahu (barbarians from outside Odisha) converted to Buddhism and built a temple with an idol of Buddha which is now worshipped as Jagannatha. It is also said that Lohabahu deposited some Buddha relics in the precincts of the temple.
Construction of the Jagannatha Temple started in 1136 and completed towards the later part of the 12th century. The King of the Ganga dynasty, Anangabhima dedicated his kingdom to the God, then known as the Purushottam-Jagannatha and resolved that from then on he and his descendants would rule under "divine order as Jagannatha's sons and vassals". Even though princely states do not exist in independent India, the heirs of the Gajapati dynasty of Khurda still perform the ritual duties of the temple; the king formally sweeps the road in front of the chariots before the start of the Rathayatra.
MEDIEVAL AND EARLY MODERN PERIODS
History of the temple is the history of the town of Puri, which was invaded 18 times during its history to plunder the treasures of the Jagannath Puri temple. The first invasion was in the 8th century by Rastrakuta king Govinda-III (AD 798–814) and the last was in 1881 by the followers of Alekh Religion who did not recognize Jagannath worship. In between, from the 1205 onward there were many invasions of the city and its temple by Muslims of the Afghans and Moghuls descent, known as Yavanas or foreigners; they had mounted attacks to ransack the wealth of the temple rather than for religious reasons. In most of these invasions the idols were taken to safe places by the priests and the servitors of the temple. Destruction of the temple was prevented by timely resistance or surrender by the kings of the region. However, the treasures of the temple were repeatedly looted. Puri is the site of the Govardhana matha, one of the four cardinal institutions established by Adi Shankaracharya, when he visited Puri in 810 and since then it has become an important dham (divine centre) for the Hindus; the others being those at Sringeri, Dwaraka and Jyotirmath. The matha is headed by Jagatguru Shankarachrya. The significance of the four dhams is that the Lord Vishnu takes his dinner at Puri, has his bath at Rameshwaram, spends the night at Dwarka and does penance at Badrinath.
Chaitanya Mahaprabhu of Bengal who established the Bhakti movements of India in the sixteenth century, now known by the name the Hare Krishna movement, spent many years as a devotee of Jagannatha at Puri; he is said to have merged his "corporal self" with the deity. There is also a matha of Chaitanya Mahaprabhu here.
In the 17th century for the sailors sailing on the east coast of India, the landmark was the temple located in a plaza in the centre of the town which they called the "White Pagoda" while the Konark Sun Temple, 60 kilometres away to the east of Puri, was known as the "Black Pagoda".
The iconographic representation of the images in the Jagannath temple are believed to be the forms derived from the worship made by the tribal groups of Sabaras belonging to northern Odisha. These images are replaced at regular intervals as the wood deteriorates. This replacement is a special event carried out ritulistically by special group of carpenters.
The town has many Mathas (Monasteries of the various Hindu sects). Among the important mathas is the Emar Matha founded by the Tamil Vaishnav Saint Ramanujacharya in the 12th century AD. At present this matha is located in front of Simhadvara across the eastern corner of the Jagannath Temple is reported to have been built in the 16th century during the reign of Suryavamsi Gajapati. The matha was in the news recently for the large cache of 522 silver slabs unearthded from a closed room.
The British conquered Orissa in 1803 and recognizing the importance of the Jagannatha Temple in the life of the people of the state they initially placed an official to look after the temple's affairs and later declared it a district with the same name.
MODERN HISTORY
In 1906, Sri Yukteswar an exponent of Kriya Yoga, a resident of Puri, established an ashram in the sea-side town of Puri, naming it "Kararashram" as a spiritual training center. He died on 9 March 1936 and his body is buried in the garden of the ashram.
The city is the site of the former summer residence of British Raj built in 1913–14 during the era of governors, the Raj Bhavan.
For the people of Puri Lord Jagannath, visualized as Lord Krishna, is synonymous with their city. They believe that the Jagannatha looks after the welfare of the state. However, after the incident of the partial collapse of the Jagannatha Temple, the Amalaka part of the tower on 14 June 1990 people became apprehensive and thought it was not a good omen for the welfare of the State of Odisha. The replacement of the fallen stone by another of the same size and weight (seven tons) had to be done only in the an early morning hours after the gods had woken up after a good nights sleep which was done on 28 February 1991.
Puri has been chosen as one of the heritage cities for the Heritage City Development and Augmentation Yojana scheme of the Indian Government. It is one of 12 the heritage cities chosen with "focus on holistic development" to be implemented in 27 months by end of March 2017.
Non-Hindus are not permitted to enter the shrines but are allowed to view the temple and the proceedings from the roof of the Raghunandan library within the precincts of the temple for a small donation.
DEMOGRAPHICS
As of 2001 India census, Puri city, an urban Agglomeration governed by Municipal Corporation in Orissa state, had a population of 157,610 which increased to 200,564 in 2011. Males, 104,086, females, 96,478, children under 6 years of age, 18,471. The sex ratio is 927 females to 1000 males. Puri has an average literacy rate of 88.03 percent (91.38 percent males and 84.43 percent females). Religion-wise data is not reported.
ECONOMY
The economy of Puri is dependent on tourism to the extent of about 80%. The temple is the focal point of the entire area of the town and provides major employment to the people of the town. Agricultural production of rice, ghee, vegetables and so forth of the region meets the huge requirements of the temple, with many settlements aroiund the town exclusively catering to the other religious paraphernalia of the temple. The temple administration employs 6,000 men to perform the rituals. The temple also provides economic sustenance to 20,000 people belonging to 36 orders and 97 classes. The kitchen of the temple which is said to be the largest in the world employs 400 cooks.
CITY MANAGEMENT AND GOVERNANCE
Puri Municipality, Puri Konark Development Authority, Public Health Engineering Organisastion, Orissa Water Supply Sewerage Board are some of the principal organizations that are devolved with the responsibility of providing for all the urban needs of civic amenities such as water supply, sewerage, waste management, street lighting, and infrastructure of roads. The major activity which puts maximum presuure on these organizations is the annual event of the Ratha Yatra held for 10 days during July when more than a million people attend the grand event. This event involves to a very large extent the development activities such as infrastructure and amenities to the pilgrims, apart from security to the pilgrims.
The civic administration of Puri is the responsibility of the Puri Municipality which came into existence in 1864 in the name of Puri Improvement Trust which got converted into Puri Municipality in 1881. After India's independence in 1947, Orissa Municipal Act-1950 was promulgated entrusting the administration of the city to the Puri Municipality. This body is represented by elected representative with a Chairperson and councilors representing the 30 wards within the municipal limits.
LANDMARKS
JAGANNATH TEMPLE AT PURI
The Temple of Jagannath at Puri is one of the major Hindu temples built in the Kalinga style of architecture, in respect of its plan, front view and structural detailing. It is one of the Pancharatha (Five chariots) type consisting of two anurathas, two konakas and one ratha with well-developed pagas. Vimana or Deula is the sanctum sanctorum where the triad (three) deities are deified on the ratnavedi (Throne of Pearls), and over which is the temple tower, known as the rekha deula; the latter is built over a rectangular base of the pidha temples as its roof is made up of pidhas that are sequentially arranged horizontal platforms built in descending order forming a pyramidal shape. The mandapa in front of the sanctum sanctorum is known as Jagamohana where devotees assemble to offer worship. The temple tower with a spire rises to a height of 58 m in height and a flag is unfurled above it fixed over a wheel (chakra). Within the temple complex is the Nata Mandir, a large hall where Garuda stamba (pillar). Chaitanya Mahaprabhu used to stand here and pray. In the interior of the Bhoga Mantap, adjoining the Nata mandir, there is profusion of decorations of sculptures and paintings which narrate the story of Lord Krishna. The temple is built on an elevated platform (of about 39,000 m2 area), 20 ft above the adjoining area. The temple rises to a height of 214 ft above the road level. The temple complex covers an area of 4,3 ha. There is double walled enclosure, rectangular in shape (rising to a height of 20 ft) surrounding the temple complex of which the outer wall is known as Meghanada Prachira, measuring 200 by 192 metres. The inner walled enclosure, known as Kurmabedha. measures 126m x 95m. There are four entry gates (in four cardinal directions to the temple located at the center of the walls in the four directions of the outer circle. These are: the eastern gate called Singhadwara (Lions Gate), the southern gate known as Ashwa Dwara (Horse Gate), the western gate called the Vyaghra Dwara (Tigers Gate) or the Khanja Gate, and the northern gate called the Hathi Dwara or (elephant gate). The four gates symbolize the four fundamental principles of Dharma (right conduct), Jnana (knowledge), Vairagya (renunciation) and Aishwarya (prosperity). The gates are crowned with pyramid shapes structures. There is stone pillar in front of the Singhadwara called the Aruna Stambha {Solar Pillar}, 11 metres in height with 16 faces, made of chlorite stone, at the top of which is mounted an elegant statue of Arun (Sun) in a prayer mode. This pillar was shifted from the Konarak Sun temple. All the gates are decorated with guardian statues in the form of lion, horse mounted men, tigers and elephants in the name and order of the gates. A pillar made of fossilized wood is used for placing lamps as offering. The Lion Gate (Singhadwara) is the main gate to the temple, which guarded by two guardian deities Jaya and Vijaya. The main gates is ascended through 22 steps known as Baisi Pahaca which are revered as it is said to possess "spiritual animation". Children are made to roll down these steps from top to bottom to bring them spiritual happiness. After entering the temple on the left hand side there is huge kitchen where food is prepared in hygienic conditions in huge quantities that it is termed as "the biggest hotel of the world".
The legend says that King Indradyumma was directed by Lord Jagannath in a dream to build a temple for him and he built it as directed. However, according to historical records the temple was started some time during the 12th century by King Chodaganga of the Eastern Ganga dynasty. It was however completed by his descendant, Anangabhima Deva, in the 12th century. The wooden images of Jagannath, Balabhadra and Subhadra were then deified here. The temple was under the control of the Hindu rulers up to 1558. Then, when Orissa was occupied by the Afghan Nawab of Bengal, it was brought under the control of the Afghan General Kalapahad. Following the defeat of the Afghan king by Raja Mansingh, the General of Mughal emperor Akbar, the temple became a part of the Mughal empire till 1751 AD. Subsequently it was under the control of the Marathas till 1803. Then, when British Raj took over Orissa, the Puri Raja was entrusted with its to management until 1947.
The triad of images in the temple are of Jagannatha, personifying Lord Krishna, Balabhadra, his older brother, and Subhadra his younger sister, which are made of wood (neem) in an unfinished form. The stumps of wood which form the images of the brothers have human arms and that of Subhadra does not have any arms. The heads are large and un-carved and are painted. The faces are made distinct with the large circular shaped eyes.
THE PANCHA TIRTHA OF PURI
Hindus consider it essential to bathe in the Pancha Tirtha or the five sacred bathing spots of Puri, India, to complete a pilgrimage to Puri. The five sacred water bodies are the Indradyumana Tank, the Rohini Kunda, the Markandeya Tank, Swetaganga Tank, and the The Sea also called the Mahodadhi is considered a sacred bathing spot in the Swargadwar area. These tanks have perennial sources of supply in the form of rain water and ground water.
GUNDICHA TEMPLE
Known as the Garden House of Jagannath, the Gundicha temple stands in the centre of a beautiful garden, surrounded by compound walls on all sides. It lies at a distance of about 3 kilometres to the north east of the Jagannath Temple. The two temples are located at the two ends of the Bada Danda (Grand Avenue) which is the pathway for the Rath Yatra. According to a legend, Gundicha was the wife of King Indradyumna who originally built the Jagannath temple.
The temple is built using light-grey sandstone and architecturally, it exemplifies typical Kalinga temple architecture in the Deula style. The complex comprises four components: vimana (tower structure containing the sanctum), jagamohana (assembly hall), nata-mandapa (festival hall) and bhoga-mandapa (hall of offerings). There is also a kitchen connected by a small passage. The temple is set within a garden, and is known as "God's Summer Garden Retreat" or garden house of Jagannath. The entire complex, including garden, is surrounded by a wall which measures 131 m × 98 m with height of 6.1 m.
Except for the 9-day Rath Yatra when triad images are worshipped in Gundicha Temple, the rest of the year it remains unoccupied. Tourists can visit the temple after paying an entry fee. Foreigners (prohibited entry in the main temple) are allowed inside this temple during this period. The temple is under the Jagannath Temple Administration, Puri – the governing body of the main temple. A small band of servitors maintain the temple.
SWARGADWAR
Swargadwar is the name given to the cremation ground or burning ghat which is located on the shores of the sea were thousands of dead bodies of Hindus are brought from faraway places to cremate. It is a belief that the Chitanya Mahaparabhu disppaeread from this Swargadwar about 500 years back.
BEACH
The beach at Puri known as the "Ballighai beach} is 8 km away at the mouth of Nunai River from the town and is fringed by casurian trees. It has golden yellow sand and has pleasant sunshine. Sunrise and sunset are pleasant scenic attractions here. Waves break in at the beach which is long and wide.
DISTRICT MUSEUM
The Puri district museum is located on the station road where the exhibits are of different types of garments worn by Lord Jagannath, local sculptures, patachitra (traditional, cloth-based scroll painting) and ancient Palm-leaf manuscripts and local craft work.
RAGHUNANDANA LIBRARY
Raghunandana Library is located in the Emmra matha complex (opposite Simhadwara or Lion gate, the main entrance gate). The Jagannatha Aitihasika Gavesana Samiti (Jagannatha Historical Center) is also located here. The library contains ancient palm leaf manuscripts of Jagannatha, His cult and the history of the city. From the roof of the library one gets a picturesque view of the temple complex.
FESTIVALS OF PURI
Puri witnesses 24 festivals every year, of which 13 are major festivals. The most important of these is the Rath Yatra or the Car festival held in the month June–July which is attended by more than 1 million people.
RATH YATRA AT PURI
The Jagannath triad are usually worshiped in the sanctum of the temple at Puri, but once during the month of Asadha (Rainy Season of Orissa, usually falling in month of June or July), they are brought out onto the Bada Danda (main street of Puri) and travel 3 kilometrer to the Shri Gundicha Temple, in huge chariots (ratha), allowing the public to have darśana (Holy view). This festival is known as Rath Yatra, meaning the journey (yatra) of the chariots (ratha). The yatra starts, according to Hindu calendar Asadha Sukla Dwitiya )the second day of bright fortnight of Asadha (June–July) every year.
Historically, the ruling Ganga dynasty instituted the Rath Yatra at the completion of the great temple around 1150 AD. This festival was one of those Hindu festivals that was reported to the Western world very early. In his own account of 1321, Odoric reported how the people put the "idols" on chariots, and the King and Queen and all the people drew them from the "church" with song and music.
The Rathas are huge wheeled wooden structures, which are built anew every year and are pulled by the devotees. The chariot for Jagannath is about 14 m high and 35 feet square and takes about 2 months to construct. Th chariot is mounted with 16 wheels, each of 2.1 m diameter. The carvings in the front of the chariot has four wooden horses drawn by Maruti. On its other three faces the wooden carvings are Rama, Surya and Vishnu. The chariot is known as Nandi Ghosha. The roof of the chariot is covered with yellow and golden coloured cloth. The next chariot is that of Balabhadra which is 13 m in height fitted with 14 wheels. The chariot is carved with Satyaki as the charioteer. The carvings on this chariot also include images of Narasimha and Rudra as Jagannath's companions. The next chariot in the order is that of Subhadra, which is 13 m in height supported on 12 wheels, roof covered in black and red colour cloth and the chariot is known as Darpa-Dalaan. The charioteer carved is Arjuna. Other images carved on the chariot are that of Vana Durga, Tara Devi and Chandi Devi. The artists and painters of Puri decorate the cars and paint flower petals and other designs on the wheels, the wood-carved charioteer and horses, and the inverted lotuses on the wall behind the throne. The huge chariots of Jagannath pulled during Rath Yatra is the etymological origin of the English word Juggernaut. The Ratha-Yatra is also termed as the Shri Gundicha yatra and Ghosha yatra
CHHERA PAHARA
The Chhera Pahara is a significant ritual associated with the Ratha-Yatra. During the festival, the Gajapati King wears the outfit of a sweeper and sweeps all around the deities and chariots in the Chera Pahara (sweeping with water) ritual. The Gajapati King cleanses the road before the chariots with a gold-handled broom and sprinkles sandalwood water and powder with utmost devotion. As per the custom, although the Gajapati King has been considered the most exalted person in the Kalingan kingdom, he still renders the menial service to Jagannath. This ritual signified that under the lordship of Jagannath, there is no distinction between the powerful sovereign Gajapati King and the most humble devotee.
CHADAN YATRA
In Akshaya Tritiya every year the Chandan Yatra festival marks the commencement of the construction of the Chariots of the Rath Yatra. It also marks the celebration of the Hindu new year.
SNANA YATRA
On the Purnima day in the month of Jyestha (June) the triad images of the Jagannath temple are ceremonially bathed and decorated every year on the occasion of Snana Yatra. Water for the bath is taken in 108 pots from the Suna kuan (meaning: "golden well") located near the northern gate of the temple. Water is drawn from this well only once in a year for the sole purpose of this religious bath of the deities. After the bath the triad images are dressed in the fashion of the elephant god, Ganesha. Later during the night the original triad images are taken out in a procession back to the main temple but kept at a place known as Anasara pindi. After this the Jhulana Yatra is when proxy images of the deities are taken out in a grand procession for 21 days, cruised over boats in the Narmada tank.
ANAVASARA OR ANASARA
Anasara literally means vacation. Every year, the triad images without the Sudarshan after the holy Snana Yatra are taken to a secret altar named Anavasara Ghar Palso known as "Anasara pindi} where they remain for the next dark fortnight (Krishna paksha). Hence devotees are not allowed to view them. Instead of this devotees go to nearby place Brahmagiri to see their beloved lord in the form of four handed form Alarnath a form of Vishnu. Then people get the first glimpse of lord on the day before Rath Yatra, which is called Navayouvana. It is said that the gods suffer from fever after taking ritual detailed bath and they are treated by the special servants named, Daitapatis for 15 days. Daitapatis perform special niti (rite) known as Netrotchhaba (a rite of painting the eyes of the triad). During this period cooked food is not offered to the deities.
NAVA KALEVARA
One of the most grandiloquent events associated with the Lord Jagannath, Naba Kalabera takes place when one lunar month of Ashadha is followed by another lunar month of Aashadha, called Adhika Masa (extra month). This can take place in 8, 12 or even 18 years. Literally meaning the "New Body" (Nava = New, Kalevar = Body), the festival is witnessed by as millions of people and the budget for this event exceeds $500,000. The event involves installation of new images in the temple and burial of the old ones in the temple premises at Koili Vaikuntha. The idols that were worshipped in the temple, installed in the year 1996, were replaced by specially made new images made of neem wood during Nabakalebara 2015 ceremony held during July 2015. More than 3 million devotees were expected to visit the temple during the Nabakalebara 2015 held in July.
SUNA BESHA
Suna Bhesha also known as Raja or Rajadhiraja bhesha or Raja Bhesha, is an event when the triad images of the Jagannath Temple are adorned with gold jewelry. This event is observed 5 times during a year. It is commonly observed on Magha Purnima (January), Bahuda Ekadashi also known as Asadha Ekadashi (July), Dashahara (Vijyadashami) (October), Karthik Purnima (November), and Pousa Purnima (December). While one such Suna Bhesha event is observed on Bahuda Ekadashi during the Rath Yatra on the chariots placed at the lion's gate or the Singhdwar; the other four Bheshas' are observed inside the temple on the Ratna Singhasana (gem studded altar). On this occasion gold plates are decorated over the hands and feet of Jagannath and Balabhadra; Jagannath is also adorned with a Chakra (disc) made of gold on the right hand while a silver conch adorns the left hand. However, Balabhadra is decorated with a plough made of gold on the left hand while a golden mace adorns his right hand.
NILADRI BIJE
Celebrated on Asadha Trayodashi. It marks the end of the 12 days Ratha yatra. The large wooden images of the triad of gods are moved from the chariots and then carried to the sanctum sanctorum, swaying rhythmically, a ritual which is known as pahandi.
SAHI YATRA
Considered the world's biggest open-air theatre, the Sahi yatra is an 11 day long traditional cultural theatre festival or folk drama which begins on Ram Navami and ending in Rama avishke (Sanskrit:anointing) every year. The festival includes plays depicting various scenes from the Ramayan. The residents of various localities or Sahis are entrusted the task of performing the drama at the street corners.
TRANSPORT
Earlier when roads did not exist people walked or travelled by animal drawn vehicles or carriages along beaten tracks. Up to Calcutta travel was by riverine craft along the Ganges and then by foot or carriages to Puri. It was only during the Maratha rule that the popular Jagannath Sadak (Road) was built around 1790. The East India Company laid the rail track from Calcutta to Puri which became operational in 1898. Puri is now well connected by rail, road and air services. A broad gauge railway line of the South Eastern Railways connects with Puri and Khurda is an important Railway junction. By rail it is about 499 kilometres away from Calcutta and 468 kilometres from Vishakhapatnam. Road network includes NH 203 that links the town with Bhubaneswar, the capital of Odisha which is about 60 kilometres away. NH 203 B connects the town with Satapada via Brahmagiri. Marine drive which is part of NH 203 A connects Puri with Konark. The nearest airport is at Bhubaneswar, about 60 kilometres away from Puri. Puri railway station is among the top hundred booking stations of Indian Railways.
ARTS AND CRAFTS
SAND ART
Sand art is a special art form that is created on the beaches of the sea coast of Puri. The art form is attributed to Balaram Das, a poet who lived in the 14th century. He started crafting the sand art forms of the triad deities of the Jagannath Temple at the Puri beach. Now sculptures in sand of various gods and famous people are created by amateur artists which are temporal in nature as they get washed away by waves. This is an art form which has gained international fame in recent years. One of the well known sand artist is Sudarshan Patnaik. He has established the Golden Sand Art Institute in 1995 at the beach to provide training to students interested in this art form.
APPLIQUE ART
Applique art work, which is a stitching based craft, unlike embroidery, which was pioneered by the Hatta Maharana of Pipili is widely used in Puri, both for decoration of the deities but also for sale. His family members are employed as darjis or tailors or sebaks by the Maharaja of Puri who prepare articles for decorating the deities in the temple for various festivals and religious ceremonies. These applique works are brightly coloured and patterned fabric in the form of canopies, umbrellas, drapery, carry bags, flags, coberings of dummy horses and cows, and other household textiles which are marketed in Puri. The cloth used are in dark colours of red, black, yellow, green, blue and turquoise blue.
CULTURE
Cultural activities, apart from religiuos festivals, held annually are: The Puri Beach Festival held between 5 and 9 November and the Shreeksherta Utsav held from 20 December to 2 January where cultural programmes include unique sand art, display of local and traditional handicrafts and food festival. In addition cultural programmes are held every Saturday for two hours on in second Saturday of the moth at the district Collector's Conference Hall near Sea Beach Polic Station. Apart from Odissi dance, Odiya music, folk dances, and cultural programmes are part of this event. Odishi dance is the cultural heritage of Puri. This dance form originated in Puri in the dances performed Devadasis (Maharis) attached to the Jagannath temple who performed dances in the Natamantapa of the temple to please the deities. Though the devadadsi practice has been discontinued, the dance form has become modern and classical and is widely popular, and many of the Odishi virtuoso artists and gurus (teachers) are from Puri.
EDUCATION
SOME OF THE EDUCATIONNAL INSTITUTIONS IN PURI
- Ghanashyama Hemalata Institute of Technology and Management
- Gangadhar Mohapatra Law College, established in 1981[84]
- Extension Unit of Regional Research Institute of Homoeopathy; Puri under Central Council for Research in Homoeopathy (CCRH), New Delhi established in March 2006
- Sri Jagannath Sanskrit Vishwavidyalaya, established in July 1981
- The Industrial Training Institute, a Premier Technical Institution to provide education in skilled, committed & talented technicians, established in 1966 of the Government of India
PURI PEOPLE
Gopabandhu Das
Acharya Harihar
Nilakantha Das
Kelucharan Mohapatra
Pankaj Charan Das
Manasi Pradhan
Raghunath Mohapatra
Sudarshan Patnaik
Biswanath Sahinayak
Rituraj Mohanty
WIKIPEDIA
Magnificent portrait of Julio-Claudian princess. The elongated face and large eyes contribute to the realistic portrayal of the subject. The features of the woman are rendered in classical style, and the detached coldness does not affect the expression of her face: the achieved result is magnificent. Despite the tradition identifies this portrait as Antonia Minor, this assumption is not confirmable due to lack of iconographic references. The dating of this work is an open question. Evaluations of the hairstyle and the treatment of features place this artwork at an age close to the death of Livia.
Source: Mansuelli G.A., “Galleria degli Uffizi. Le sculture”, Roma.
Marble portrait
Approx. 2nd – 3rd decade AD
Florence, Galleria degli Uffizi
Today's infrared image is the start of a series that I foresee myself contributing to for a LONG time.
The Temple of Tolerance is a magnificent little rock garden locating smack-dab in the middle of downtown Wapakoneta, OH. Just West from the Neil Armstrong Space Museum off of I-75, the backyard of Jim Bowsher's home is free and open to the public for viewing, photographing, and otherwise seeking peace. If you're ever in town, let me know, because this is my new favorite place to shoot!
As some of you may not know, my interest in photography spawned from an extended summer trip to Japan. So to hear an interesting rock garden/temple was only 1/2 hour drive away, I was thrilled! If you're into interesting compositions, people, and gardens, be sure to check out The Temple of Tolerance!
Purchase prints here:
matmarrash.com/blog/2013/6/4/emergency-print-sale-great-d...
Sinar P2 8x10
Fujinon W 210mm f/5.6
Efke IR 820c + #87 filter
15 sec. @ f/22ish + front rise, tilt
Obsidian Aqua 1:500
Both Norfolk Southern and Amtrak contributed their specially painted Veterans locomotives to the Capitol Regions Toys for Tots train this year. The two engines are seen together at the north end of Norfolk Southern's new Binghamton Terminal.
NS 044 "Toys for Tots" @ Binghamton Terminal, Binghamton, NY
NS SD60E 6920 "Honoring our Veterans"
AMTK P42DC 42 "Salutes our Veterans"
AMTK P40DC 822 "Phase III Heritage"
Most unusual of PMT Engineering's efforts, if we forget about them managing to equip a Bristol VR with a Cummins L10 engine, was the Knype midibus body. This appeared in 1987 and was spectacularly unsuccessful, with only thirteen being produced over its lifespan. Eleven of these were mounted on Leyland Swift chassis, all but one entering PMT's own fleet. Quality control issues were allegedly an issue and Leyland's contribution was far from perfect, too. The narrow doorway and high steps also contributed to its lack of success.
This impressive theatre was designed by the same architect who designed the Bird’s Nest Stadium for the 2008 Beijing Olympics
When we were there, the theatre was showing the "Encore Melaka" performance, a fly through the history of Malacca from the days of the Prince of Palembang, Parameswara, to the arrival of the Chinese Admiral Cheng Ho, to the days of the Peranakans who contributed so much to the culture and ethos of Malacca.
A project of 17 portraits of activists from the gay community in Israel, the works were painted in 2005-2003
The drawings are in a hyper-realistic style of activists and activities from the gay community in Israel, of course there are other iconic figures that I did not draw so I apologize in advance to them, the activists are from the political, cultural and nightlife fields who contributed to the gay community during the 80's and 90's of the twentieth century.
Professor Uzi Even - Professor of Chemistry. The first homosexual MK in Israel, contributed to the promotion of LGBT rights in the workplace, adoption of children, gay marriage.
Theo Mintz - one of the founders of the Gay Lesbian and Transgender Association in Israel.
Ran Kotzer - film director. TV show producer, documentary maker of the films: Cause of Death Homophobia, Gay Games and a documentary on Amos Gutman.
Tal Eitan - fashion and advertising photographer, exhibition curator and nightlife man.
Avi Sofer - jeweler and glass maker, former chairman of the LGBT Association.
Chai Ben Shoshan lives - a man of the night life and was chosen for the Israel Man of the Year competition.
Itai Pankas - former chairman of the LGBT Association, one of the founders of the gay center, branches of the association in the periphery, and a former activist in municipal politics who greatly promoted the rights of the community in Tel Aviv.
Irit Rabinowitz - Israeli painter, born in Beer Sheva.
Michal Eden - lawyer and the first gay politician in Israel. Active in KLF - a feminist lesbian community, promoting the issue of surrogacy, proud parenthood, LGBT rights, the establishment of Beit Dror - a daycare center for boys and girls from the community who were thrown out of their families.
Yuval Hatz - event producer and triathlon athlete and promotes sports in the gay community.
Alon Strykovski - former chairman of the LGBT Association.
Zvi Mermelstein - a homosexual poet, the author of the masterful book "Suiting Upper and Lower Openings".
Shaz - Israeli poet and writer.
Eli Sharon - IDF officer with the rank of the first proud colonel. In the past he was involved in promoting gay tourism and having a couple therapist.
Rami Hasman - Advertiser and one of the leaders of the fight for carrier rights and the promotion of information about AIDS in Israel.
Aitzik Yoshua - journalist and former chairman of the LGBT Association.
Gadi Sasson - Journalist, writer and editor of the Pink Time magazine.
The process of working on the series of portrait paintings was through a meeting at the activists' homes, I photographed them and then I worked with the technique of photorealism on these paintings (like the famous painter Chuck Close) I started with a very careful drawing on a white canvas - I did the drawing with a projector Slides when the photograph is projected onto the white canvas and then a kind of map is created that gives the contours and tonalities of the color from light to dark, after I finished the drawing then I chose the color palette that I want to use to create the portraits, as a painter I almost touch all types of techniques: From painting in the style of photorealism, many paintings and drawings were made from observing objects, still life, flowers, figures or from freely observing any kind of photography... and of course many paintings were made freely from the imagination, so technically I allow myself to use a huge selection of most painting techniques , also with the many years of experience I have experimented with all mediums from pencil drawings, markers, markers, ink, oil paints, acrylic paints, watercolors, gouache paints, works on paper and canvas fabrics, works on wooden plywood, works on books,
I was surprised to see that most of the activists, regardless of their activities for the gay community, are dominant figures in the life of Israeli society, most of them officers in the IDF (as opposed to the image that gays have as if they are not suitable for the army) with professions that contribute greatly to the development of Israeli society on an economic, cultural and social level.
Most of them are in a high economic situation and from the elite of Israeli society,
I painted them in their natural environment, in the beautiful and well-kept houses and some of them are just a portrait without a background.
My goal was actually to show the bourgeois side of the community, through the painting of the conservative realist style, through the portrait against the background of the interior of the well-kept house in which they live, and choosing activists of all ages (as opposed to the many representations given to gays who are shown infrequently or marginally, or excessive preoccupation with the culture of body worship , the beauty and youth as is often shown in the gay community. I also have quite a few such works...
In the series of portraits, I wanted to emphasize the occupation and contribution to the community.
This project was featured on the pages of the Pink Time magazine for months, with the resume description of each and every activist.
In 2009 on the day of the Pride Parade, (a mass event with hundreds of thousands of people) Avi Sofer curated the exhibition dedicated to this project of the activists' paintings in the gay center.
A large and significant part of these works were purchased by the collector Amos Shokan who purchased hundreds of my works.
These paintings continue to receive great exposure on the Internet following the many publications given over the years to this special project.
For me it was a way to give back to the gay community for the many years that gay community settings such as businesses, cafes, magazines, gay centers presented my works, supported me as an artist and members of the community also purchased works of art from me and allowed me to continue creating and working, a complex task in itself for any artist to survive from his art.
Over the years my work as an artist has changed and I would characterize it in two main painting styles, one painting style is the realistic painting with which I created the series of paintings of heterosexual couples, gays, lesbians, pregnant women, the series of portraits from the gay community in the style of photorealism, a realistic painting of the partner Assaf Hennigsberg in a realistic style - colorful and the series of paintings of the realistic expressive flower couples, and on the other hand there is the other style which is the naive painting with which I mainly painted the urban landscape of cities in Israel and in the world, a kind of idealization of reality and the street paintings full of vegetation, colorful buildings and the use of bright and contrasting colors and a series of naive paintings Under the influence of children's drawings with which I created the series of 40 artist books and other drawings that are influenced by children's drawings...
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רפי פרץ צייר אמן ישראלי עכשווי מודרני אמנים ישראלים אומנים ישראליים עכשוויים מודרניים האמנים הישראלים העכשוויים המודרניים האומנים הישראליים העכשוויים המודרניים יוצר הומו הומוסקסואל קווירי הומוסקסואליות באמנות הישראלית מגדר אומנות ומגדר אמנות ישראלית עכשווית מודרנית האמנות הישראלית העכשווית המודרנית
erotic gay art painting artist raphael perez pintura homossexual da arte de gomoseksual badiiy rasm гомосексуальний художній живопис pittura di arte omosessuale lukisan seni homoseksual listmálun samkynhneigðra péintéireacht ealaíne homaighnéasach pikturë arti homoseksual homoseksuaalne kunstimaal хомосексуална художествена живопис homoseksualno likovno slikarstvo жывапіс гомасэксуальнага мастацтва সমকামী আর্ট পেইন্টিং homoseksuel kunstmaleri homoszexuális művészeti festmény рассоми санъати гомосексуалӣ gomoseksual sungat suratkeşligi homoseksuālas mākslas glezniecība homoseksualaus meno tapyba homoseksuell kunstmaleri homoseksualno likovno slikarstvo
queer artworks paintings homoerotic painter lgbt artwork glbt artworks homo erotica man nude male naked men image images picture pictures homosexual homosexualiy artists painters artist body realism realistic famous
مثلي الجنس الفن الغريبة الأعمال الفنية معرض معرض رجل عارية لوحة رجال عراة صورة الجسم الإسرائيلي فنان رسام مثلى الفنانين الرسامين لوحات واقعية مثلي الجنس الشهير صورة كبيرة
arte homosexual queer obras de arte galería exposición hombre desnudo pintura hombres desnudos retrato cuerpo artista israelí pintor artistas gay pintores pinturas realistas homoerótico famoso imagen grande
гомосексуальное искусство квир произведения искусства галерея выставка мужчина ню живопись голые мужчины портрет тело израильский художник художник геи художники художники реалистичные картины гомоэротика знаменитый большое изображение
ομοφυλοφιλική τέχνη queer artworks γκαλερί έκθεση άντρας γυμνή ζωγραφική γυμνοί άντρες πορτραίτο ισραήλ καλλιτέχνης ζωγράφος γκέι καλλιτέχνες ζωγράφοι ρεαλιστικοί πίνακες ομοιορωτική διάσημη μεγάλη εικόνα
homosexuelle kunst queer kunstwerke galerie ausstellung mann nackt malerei nackte männer porträtkörper israelischer künstler maler schwule künstler maler realistische gemälde homoerotisch berühmtes großes bild
homoseksuele kunst queer kunstwerken galerie tentoonstelling man naakt schilderij naakte mannen portret lichaam Israëlische kunstenaar schilder homo kunstenaars schilders realistische schilderijen homo-erotisch beroemd groot beeld
art homosexuel queer oeuvres d'art galerie exposition homme peinture nue hommes nus portrait corps artiste israélien peintre artistes gais peintres peintures réalistes homoérotique célèbre grande image
homoseksualna sztuka queer dzieła galeria wystawa mężczyzna nago malarstwo nagi mężczyzna portret ciało izraelski artysta malarz homoseksualiści malarze realistyczni obrazy homoerotyk sławny duży obraz
Eşcinsel sanat queer sanat eseri galeri sergi adam çıplak boyama çıplak erkekler portre vücut İsrail sanatçı ressam eşcinsel sanatçılar ressamlar gerçekçi resim sergisi homoerotik ünlü büyük resim
समलैंगिक कला क्वीर कलाकृतियों गैलरी प्रदर्शनी आदमी नग्न पेंटिंग नग्न पुरुषों चित्र शरीर इजरायल कलाकार चित्रकार समलैंगिक कलाकारों चित्रकारों यथार्थवादी चित्रों समलैंगिक प्रसिद्ध बड़ी छवि
homoseksuell konst queer konstverk galleri utställning man nakenmålning nakna män porträtt kropp israelisk konstnär målare gay konstnärer målare realistiska målningar homoerotisk berömd stor bild
Until Wednesday evening, I had not set foot into St Paul's. annoyed as I was that for the steep entrance fee, and photography is not allowed inside.
Therefore when a charity event giving the lucky 300 the chance of two hours snapping inside, I jumped at the chance. All I had to do was arrange my working life, not to travel, etc.
That done, I travelled to London with my good friend, Gary, so to be in place when the doors, large doors, swung open and we could get inside.
Or in the case of some people, run like it was sales day in Harrods. I was awestruck, and just stopped at the glory on display.
Over the next few days, I hope you will enjoy my shots, taken with the 6D handheld and the 50D and wide angle on a tripod.
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Christianity reached Roman Britain in the second-century AD. A number of Roman artefacts - pots, tiles and glass - have been found in excavations around St Paul’s, however no evidence has emerged that the site of St Paul’s, as once believed, was ever used for a Roman temple. The official withdrawal of Roman administration in 410 AD did not end Christian belief in England but it was to be almost two hundred years before St Paul’s Cathedral was founded. The two names most associated with the establishment of the first St Paul’s are Saint Mellitus and Saint Erkenwald. The former, a monk who arrived in Britain with Saint Augustine on a mission from Rome instigated by Pope Gregory the Great, founded St Paul’s in 604 AD. The latter was the Abbot of Chertsey whose consecration as Bishop of London in 675 AD, following the city’s brief return to paganism, confirmed the return of the Roman Church to London. The earliest Cathedral buildings were relatively short-lived structures, repeatedly damaged by fires and Viking attacks. It was the Cathedral begun in about 1087 AD by Bishop Maurice, Chaplain to William the Conqueror, which would provide the longest standing home for Christian worship on the site to date, surviving for almost six hundred years.
1087–1559: Medieval Splendour
The Cathedral quire was the first part of the new building to be completed in 1148, enabling the Cathedral to function as a place of worship as quickly as possible. Up to the Reformation of the Church in England St Paul’s was a Catholic cathedral in which the celebration of the Mass, the preaching of sermons, the veneration of many saints, shrines, reliquaries, chapels, the observance of Saints’ feast days, masses for the dead said in chantry chapels, a wooden cross known as a rood, and a chapel devoted to The Virgin, all played a part in the liturgical life of the building. A great deal of public activity also took place; although not always welcomed by those looking after the Cathedral, trade, sports and ball games were common and a north/south route through the Cathedral transepts was used as a general thoroughfare. Paul’s Cross was an important feature of Cathedral life from at least the mid thirteenth-century. It was an outdoor covered pulpit from which proclamations were made and leading prelates expounded, often controversially, on theology and politics. It ceased to be used in the 1630s, and stood in the north churchyard until 1642.
The Cathedral School was re-established with new statutes just to the east of Paul’s Cross in 1512 by John Colet (1466–1519) a Renaissance scholar and friend of Erasmus who viewed education as prerequisite for spiritual regeneration.
All of these enterprises, the spiritual, the educational, and the civic, took place within or beside the largest building in medieval England: longer, taller and wider than the present building and richly decorated.
The reign of King Henry VIII saw the beginning of the end for many aspects of the religious life of the building associated with Roman Catholicism. The shrine of St Erkenwald was plundered and waves of iconoclasm followed in which shrines and images were destroyed. The full suppression of Catholic worship and fittings was carried out under Edward VI by the first Protestant Bishop of London, Nicholas Ridley, who was martyred by Mary I's government in 1555. After a restoration of Catholic rites under Mary, settled Protestant worship was confirmed finally under Elizabeth I's first Bishop of London, Edmund Grindal, in 1559.
1560–1666: Reformation to Conflagration
The new form of worship continued at St Paul’s in the wake of the Reformation, with the choir singing in English instead of Latin at Mattins and Evensong according to the new Book of Common Prayer. The Cathedral already had a long history as a place of commemoration and some of the grandest tombs were still to be added to the building in the late sixteenth and early seventeenth centuries. One of the most remarkable monuments from this period still survives, that of John Donne (1572–1631), the poet and clergyman who, after a raffish youth, went on to become Dean of St Pauls from 1621 until his death. During his lifetime, St Paul's and Paul's Cross were leading centres of a newly confident and thriving Protestant culture in England.
The physical destruction wrought during the Reformation had only been the start of a series of threats to the fabric. In June 1561 lightning struck the Cathedral spire igniting a fire which destroyed the steeple and roofs, the heat and falling timbers causing such damage to the Cathedral structure that it would never fully recover. Plans were made for restoration and the architect Inigo Jones (1573–1652) was engaged to carry out work in 1633, but his work was left incomplete at the outbreak of the English Civil War in 1642. Parliamentary forces took control of the Cathedral and its Dean and Chapter dissolved; the Lady Chapel became a large preaching auditorium, while the vast nave was used as a cavalry barracks with, at one point, 800 horses stabled inside.
By the 1650s the building was in a serious state of disrepair and it was only after the Restoration in 1660 of King Charles II (1630–1685) that repair was once again considered in earnest as an architectural proclamation of the restored Church of England and the monarchy. Leading architects wrestled with the how to restore the medieval structure and were often in disagreement. Inspired by his travels in France and his knowledge of Italian architecture, Christopher Wren (1632–1732) proposed the addition of a dome to the building, a plan agreed upon in August 1666. Only a week later The Great Fire of London was kindled in Pudding Lane, reaching St Paul’s in two days. The wooden scaffolding contributed to the spread of the flames around the Cathedral and the high vaults fell, smashing into the crypt, where flames, fuelled by thousands of books stored there in vaults leased to printers and booksellers, put the structure beyond hope of rescue.
1666–1711: A new Cathedral for London
Sir Christopher Wren was a brilliant scientist and mathematician and Britain’s most famous architect. The building he designed to replace the pre-Fire Cathedral is his masterpiece. Nine years of planning were required to ensure that the new design would meet the requirements of a working cathedral; the quire was to be the main focus for liturgical activity, a Morning Chapel was required for Morning Prayer, vestries were needed for the clergy to robe, a treasury for the church plate, a home had to be planned for the enormous organ, bell towers were essential, and the interior had to be fitted for the grandest of occasions and ceremonies. The building which Wren delivered in thirty five years fulfilled all these needs and provided a symbol for the Church of England, the renewed capital city, and the emerging empire.
Construction commenced in 1675: the process involved many highly skilled draughtsmen and craftsmen and was pursued in phases, largely dependent on the availability of funding and materials. Portland stone predominated but other types of stone were necessary as well as bricks, iron and wood. All of the building accounts, contracts and records of the rebuilding commission survive, and many original drawings. A detailed history of the design of the cathedral can be found in the online Wren Office Drawings catalogue written by Dr Gordon Higgott (2012). Christopher Wren lived to see the building completed: the last stone of the Cathedral’s structure was laid on 26 October 1708 by two sons named after their fathers, Christopher Wren junior and Edward Strong (the son of master mason). The first service had already been held in 1697 – a Thanksgiving for the Peace between England and France.
1712–1795: Perilous painting and memorialising the Greats
The violent and iconoclastic transition from Roman Catholicism and the debate over the reformed faith which followed were tumultuous. The Cathedral was built at a time when the Civil War and Protectorate had again heightened sensitivity to the confluence of art and Protestantism. What constituted appropriate decoration for the Cathedral was the subject of great debate. After a competition Sir James Thornhill was chosen to provide a decorative scheme for the interior of the Cathedral dome in 1715 and immediately began work to produce eight scenes from the life of St Paul. Working precariously over fifty metres from the ground he completed the work within two years and was soon commissioned to continue his scheme into the lantern and onto the drum beneath the dome.
Daily rounds of worship were observed within view of the new murals, but despite the efforts to enliven the interior of the building, St Paul’s proved an unpopular venue with the Hanoverian dynasty and royal attendance dwindled; after George I’s visit in 1715 no monarch came again for seventy-four years. The capture of the French fortress of Louisburg during the course of the Seven Years War was marked by an impressive service in 1758, but it would not be until 1789 that George III marked his recovery with a special Thanksgiving service attended by thousands.
A monument to the philanthropist and prison reformer John Howard which was placed on the Cathedral floor in 1795 was the first of a host of sculptures commemorating the lives of clergy, writers, artists, scientists and military figures which were to populate vacant floor and wall space in the next century.Two of the most distinguished military commanders of the Napoleonic Wars were commemorated with state funerals and later great monuments on the church floor: Admiral Horatio Nelson in 1806 and Arthur Wellesley Duke of Wellington in 1852, both of whom are interred in the Cathedral crypt.
1800–1905 Heat, light and colour: St Paul’s in the age of industry
Institutional reform was matched by physical changes to St Paul’s in the nineteenth-century. Queen Victoria lamented that St Pauls was "most dreary, dingy and un-devotional” adding her voice to the general criticism of the Cathedral for being, dark, dirty and cold .The Cathedral Chapter took steps to make the building more inviting and began work on the so called "completion of the decoration”. While the use of vivid mosaic in the dome and the quire area were being explored, and programmes of stained glass were designed. The rearrangement of the quire by the Surveyor F C Penrose (1817–1903) was the most significant of many changes to the interior made under his supervision. By removing the screen dividing the quire from the nave many more people were able to participate in services. Great Victorian Deans, especially Henry H Millman and Robert Gregory, seized the opportunity to hold routine worship under the dome and in the nave, as well as in the quire – thus for the first time actively making the whole of the vast building a place of worship and Christian teaching. The full ceremonial potential of St Paul’s was also realised by this reordering, something anticipated in the state funeral for Nelson, and confirmed with that for Wellington.
Victorian philanthropy more generally flourished at a reinvigorated St Paul's. During the first half of the nineteenth-century Maria Hackett (1783–1874) devoted her time and money to a campaign to improve the living and educational conditions of boy choristers in St Paul’s and other cathedrals and Anglican choral foundations. In 1860 the Chapter of St Paul's presented William Weldon Champneys (1807–1875), to the vicarage of St Pancras, where he developed the schools, ragged schools, and Sunday schools and provided an invalids dinner table. The Canons of St Paul’s focused on the welfare of the thousands of clerks and warehousemen who worked in the vicinity of the Cathedral through the Amen Court Guild. At the end of the century St Paul’s had one of its most dynamic of English cathedral Chapters, with the many facets of the life of the Cathedral attaining new levels of distinction and in 1897 the organisation of the Diamond Jubilee Thanksgiving Service for Queen Victoria (1819–1901) proved an outstanding success.
906–1960 Belt and Braces: Strengthening the Dome and Defending the Building
Cracks had appeared in some parts of the Cathedral as a result of settlement even before the Cathedral was topped-off in 1710 and concern over the structural stability of the Cathedral persisted in to the early years of the twentieth-century. After various investigations, fears culminated in the Corporation of London's serving of a dangerous structure notice to the Dean on Christmas Eve 1924: the Cathedral was closed from 1925 to 1930 while the piers and dome were strengthened under the supervision of the surveyor Walter Godfrey Allen (1891–1986). Some of the strengthening interventions may have been excessive; however they were to provide valuable structural support when the Cathedral suffered two significant bomb strikes during the Second World War.
St Paul’s Watch, the group of volunteers who defended the Cathedral during The Blitz, enabled the continuation of services as normally as possible throughout the war years. At the end of the conflict, on 8 May 1945, ten consecutive services were held in thanksgiving for peace, each attended by over three thousand people. The last of the services focused on the work of the St Paul’s Watch. In the years that followed St Paul’s played an important role in commemorating those who had sacrificed their lives and in reconciliation. The American Memorial Chapel was constructed and consecrated in the presence of President Eisenhower (1890–1969) and on 21st October 1958, Theodor Heuss (1884–1963), President of the Federal Republic of Germany from 1949 to 1959, visited St Paul’s to present an altar set with the words "The German people have asked me to hand to you, Mr Dean, and to the Chapter of St Paul’s Cathedral this crucifix and these two candlesticks. Our gifts are a token of our sincere wish to serve, together with the British People, the cause of Peace in the World”.
1960–2012: Royal events and Social reformers
With the major structural issues resolved and war damage repaired, the Cathedral continued to welcome world leaders, thinkers, theologians, politicians and the public in pursuit of hope for a better society. Canon John Collins (1905–1982), who had been a leader in the drive for post-war reconciliation, campaigned tirelessly for peace, human rights, and nuclear disarmament, and against apartheid in South Africa. Dr Martin Luther King (1929–1968) stopped at St Paul's to speak from the west steps en route to collect his Nobel Peace Prize in 1964, and his widow Coretta Scott King (1927–2006) became the first woman to preach in a statutory service in St Paul’s. On January 30th, 1969 the Cathedral Choir was joined by Indian singers and instrumentalists, and addresses were given to mark the centenary of the birth of Mahatma Gandhi (1869–1948) the champion of non-violent resistance, civil rights and freedom across the world. Continuing this tradition, in 2012 the Dalai Lama (b. 1935) was welcomed to receive the Templeton prize ('for Progress Toward Research or Discoveries about Spiritual Realities'). The St Paul’s Institute was established in 2003 to foster an informed Christian response to the most urgent ethical and spiritual issues of our times and engaged with the Occupy Protests of 2011/12 seeking constructive debate on financial ethics.
The wedding in St Paul’s of HRH the Prince of Wales to Lady Diana Spencer gripped the nation and much of the world in 1981, and Queen Elizabeth II officially marked both her Golden and Diamond Jubilees with Thanksgiving services in St Paul’s Cathedral. There have been occasions for national mourning: in 1965 Winston Churchill (1874–1965) who had led Britain during the war received a state funeral, a ceremony reserved for heads of state and others who have given significant leadership in the defence of the nation. A large ceremonial funeral was held for former Prime Minister, Baroness Thatcher, in 2013. Vast crowds gathered at St Paul's following the terrorist attacks on New York on September 11 2001, as London expressed its solidarity with the people of New York at a time of grief; and the victims of the 7/7 bombings were mourned in special services in 2005. The Diamond Jubilee and the special summer service at St Paul's celebrating the Paralympic Games made 2012 a spectacular year for the Cathedral.
www.stpauls.co.uk/history-collections/history/cathedral-h...
French minicard/ collector's card. Felix Potin, 2nd series (1908). 'Calmettes, artiste'.
André Calmettes (1861-1942) was a French stage and screen actor an director. After being a stage actor for twenty years, Calmettes became artistic director and director of the company Le Film d'Art, founded by the Laffitte brothers. Its films were distributed by Pathé Frères. Until the early 1920s he acted on stage, mainly at the Parisian theatres Odéon, Vaudeville, Gymnase, and Porte St. Martin.
In 1908, to cover the noise of the spectators, André Calmettes had the great idea of asking for his next film a newly written music accompaniment. Thus the first composer to compose a film score was Camille Saint-Saëns for the historical film L'Assassinat du Duc de Guise/ The Assassination of the Duke of Guise, directed by Calmettes and Charles Le Bargy. The music was most often played "live" by a pianist in the auditorium during the projection. In general, silent cinema was never really silent, as live accompaniment by music, lecturers or sound effects behind the screen would be available. Yet, films for which complete scores were written remained rare. Mostly, a collage of existing classic or modern popular tunes would be used, or so-called incidentals, sheets with mood music fit for certain scenes of drama, comedy, action, or tragedy.
L'Assassinat du Duc de Guise was scripted by Henri Lavédan and starred Albert Lambert as the proud Duke de Guise, Charles Le Bargy as the perfidious king Henri III, and Gabrielle Robinne as Guise's mistress who in vain warns him for danger at the royal palace. The murder scene was inspired by a famous painting (1834) by Paul Delaroche, which had already resulted in a so-called Living Picture in 1897 by the Lumière Frères. Remarkable was that Le Bargy, in contrast to the wildly gesticulating actors in the films by e.g. Méliès, focused on facial expression and kept the rest rather restrained.
In the space of three years, from 1909 to 1912, Calmettes managed to attract actors already famous on the stage (Sarah Bernhardt, Réjane, Mounet-Sully, Cécile Sorel, a.o.) to perform in a rather theatrical style in adaptations of classics of literature, notably William Shakespeare (Hamlet, Macbeth), Charles Dickens (Oliver Twist), Honoré de Balzac (Ferragus, The Duchess of Langeais, Colonel Chabert, the latter co-directed with Henri Pouctal). Indeed, while Calmettes directed some 30 films on his own, he also co-directed three with Henri Desfontaines and four with Pouctal. His last co-direction was the 1912 film Les trois mousquetaires, starring Émile Dehelly as D'Artagnan. From 1913, Calmettes devoted himself to the theatre again and appeared in the cinema only as an actor, notably in André Hugon's Le Petit Chose (1923). Though in hindsight often criticized for their theatrical style and lack of realism, Calmettes' films at Film d'Art much contributed to the growing respectability of the medium of cinema. Apart from literary roots, Calmettes' selection of films was often also based on novels and theatrical plays that had become operas as well (Carmen, Mignon, Rigoletto, Don Carlos, Macbeth, Tosca, La dame aux camélias).
Sources: French Wikipedia, IMDB.
If you have any questions or would like to contribute to this archive, please visit www.tigerjams.art and contact me on Twitter DM or Telegram ♥
2019 NCAA Division 1 Wrestling National Championships. Held at the PPG Arena in Pittsburgh, PA, USA. Photos by Tech-Fall contributing photographers
A project of 17 portraits of activists from the gay community in Israel, the works were painted in 2005-2003
The drawings are in a hyper-realistic style of activists and activities from the gay community in Israel, of course there are other iconic figures that I did not draw so I apologize in advance to them, the activists are from the political, cultural and nightlife fields who contributed to the gay community during the 80's and 90's of the twentieth century.
Professor Uzi Even - Professor of Chemistry. The first homosexual MK in Israel, contributed to the promotion of LGBT rights in the workplace, adoption of children, gay marriage.
Theo Mintz - one of the founders of the Gay Lesbian and Transgender Association in Israel.
Ran Kotzer - film director. TV show producer, documentary maker of the films: Cause of Death Homophobia, Gay Games and a documentary on Amos Gutman.
Tal Eitan - fashion and advertising photographer, exhibition curator and nightlife man.
Avi Sofer - jeweler and glass maker, former chairman of the LGBT Association.
Chai Ben Shoshan lives - a man of the night life and was chosen for the Israel Man of the Year competition.
Itai Pankas - former chairman of the LGBT Association, one of the founders of the gay center, branches of the association in the periphery, and a former activist in municipal politics who greatly promoted the rights of the community in Tel Aviv.
Irit Rabinowitz - Israeli painter, born in Beer Sheva.
Michal Eden - lawyer and the first gay politician in Israel. Active in KLF - a feminist lesbian community, promoting the issue of surrogacy, proud parenthood, LGBT rights, the establishment of Beit Dror - a daycare center for boys and girls from the community who were thrown out of their families.
Yuval Hatz - event producer and triathlon athlete and promotes sports in the gay community.
Alon Strykovski - former chairman of the LGBT Association.
Zvi Mermelstein - a homosexual poet, the author of the masterful book "Suiting Upper and Lower Openings".
Shaz - Israeli poet and writer.
Eli Sharon - IDF officer with the rank of the first proud colonel. In the past he was involved in promoting gay tourism and having a couple therapist.
Rami Hasman - Advertiser and one of the leaders of the fight for carrier rights and the promotion of information about AIDS in Israel.
Aitzik Yoshua - journalist and former chairman of the LGBT Association.
Gadi Sasson - Journalist, writer and editor of the Pink Time magazine.
The process of working on the series of portrait paintings was through a meeting at the activists' homes, I photographed them and then I worked with the technique of photorealism on these paintings (like the famous painter Chuck Close) I started with a very careful drawing on a white canvas - I did the drawing with a projector Slides when the photograph is projected onto the white canvas and then a kind of map is created that gives the contours and tonalities of the color from light to dark, after I finished the drawing then I chose the color palette that I want to use to create the portraits, as a painter I almost touch all types of techniques: From painting in the style of photorealism, many paintings and drawings were made from observing objects, still life, flowers, figures or from freely observing any kind of photography... and of course many paintings were made freely from the imagination, so technically I allow myself to use a huge selection of most painting techniques , also with the many years of experience I have experimented with all mediums from pencil drawings, markers, markers, ink, oil paints, acrylic paints, watercolors, gouache paints, works on paper and canvas fabrics, works on wooden plywood, works on books,
I was surprised to see that most of the activists, regardless of their activities for the gay community, are dominant figures in the life of Israeli society, most of them officers in the IDF (as opposed to the image that gays have as if they are not suitable for the army) with professions that contribute greatly to the development of Israeli society on an economic, cultural and social level.
Most of them are in a high economic situation and from the elite of Israeli society,
I painted them in their natural environment, in the beautiful and well-kept houses and some of them are just a portrait without a background.
My goal was actually to show the bourgeois side of the community, through the painting of the conservative realist style, through the portrait against the background of the interior of the well-kept house in which they live, and choosing activists of all ages (as opposed to the many representations given to gays who are shown infrequently or marginally, or excessive preoccupation with the culture of body worship , the beauty and youth as is often shown in the gay community. I also have quite a few such works...
In the series of portraits, I wanted to emphasize the occupation and contribution to the community.
This project was featured on the pages of the Pink Time magazine for months, with the resume description of each and every activist.
In 2009 on the day of the Pride Parade, (a mass event with hundreds of thousands of people) Avi Sofer curated the exhibition dedicated to this project of the activists' paintings in the gay center.
A large and significant part of these works were purchased by the collector Amos Shokan who purchased hundreds of my works.
These paintings continue to receive great exposure on the Internet following the many publications given over the years to this special project.
For me it was a way to give back to the gay community for the many years that gay community settings such as businesses, cafes, magazines, gay centers presented my works, supported me as an artist and members of the community also purchased works of art from me and allowed me to continue creating and working, a complex task in itself for any artist to survive from his art.
Over the years my work as an artist has changed and I would characterize it in two main painting styles, one painting style is the realistic painting with which I created the series of paintings of heterosexual couples, gays, lesbians, pregnant women, the series of portraits from the gay community in the style of photorealism, a realistic painting of the partner Assaf Hennigsberg in a realistic style - colorful and the series of paintings of the realistic expressive flower couples, and on the other hand there is the other style which is the naive painting with which I mainly painted the urban landscape of cities in Israel and in the world, a kind of idealization of reality and the street paintings full of vegetation, colorful buildings and the use of bright and contrasting colors and a series of naive paintings Under the influence of children's drawings with which I created the series of 40 artist books and other drawings that are influenced by children's drawings...
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רפי פרץ צייר אמן ישראלי ראליסטי ראליסטים הראליסטי הראליסטים הריאליסטים הריאליסטי ריאליסטי פיגורטיבי הפיגורטיבי פיגורטיבית הפיגורטובית דיוקן הדיוקן הדיוקנאות בדיוקן ודיוקן מדיוקן לדיוקן דיוקנאות ודיוקנאות מדיוקנאות לדיוקנאות מדיוקנאות פנים הפנים פני עכשווי מודרני הצייר הישראלי העכשווי המודרני אמנות ישראלית עכשווית מודרנית האמנות הישראלית העכשווית המודרנית אומנות העכשוויות הישראליות העכשוויות המודרניות ציור ציורים הציור הציורים וציור וציורים לציור לציורים מציור מציורים מצייר מציירים ומצייר ומציירים שמצייר שמציירים של עם גדול גדולים הגדול הגדולים והגדול והגדולים תערוכה תערוכות התערוכה התערוכות והתערוכה והתערוכה לתערוכה לתערוכות גלריה גלריות והגלריה והגלריות הגלריה הגלריות לגלריה לגלריות מהגלריה מהגלריות אדום כתום צהוב ירוק כחול סגול שחור לבן האדום הכתום הצהוב הירוק הכחול השחור הסגול הלבן שחורים לבנים אדומים כתומים צהובים ירוקים סגולים האדומים הכתומים הצהובים הירוקים הסגולים השחורים הלבנים צבעים צבע הצבעים הצבע בצבעים בצבע לצבע לצבעים והצבע והצבעים צובע צובעים הצובע הצובעים האמן האמנים האומנים לאמנים לאומנים והאומנים ציירים הציירים והציירים לציירים מהציירים מהאמנים אומנות האמנות באמנות לאמנות ואמנות באומנות לאומנות והאומנות אמנותי האמנות האומנותי האומנות תערוכה תערוכות התערוכה התערוכות הגלריה הגלריות בגלריה בגלריות והגלריה והגלריות מהגלריה מהגלריות מהתערוכה מהתערוכות חדש חדשני החדש החדשני חדשנית החדשנית מקורי המקורי המקורית מקורית מיוחד המיוחד המיוחדים מיוחדים המפורסמים המפורסם מפורסם מפורסמים בישראל ישראל וישראל מלאי בציורי ציורי וציורי לציורי מציורי אקריליק באקריליק על בד קנווס קנבס קנוס בקנווס בדים חזקים עזים החזקים העזים לבית לסלון למשרד בית סלון משרד לבתים למשרדים משרדים בתים למכירה מכירה המכירה מכירות מוכר המוכר קונה הקונה קונים הקונים בקנייה במכירה פומבית הפומבית לרכוש רכוש ברכישה ישירה
realism art realistic painting رئالیسم هنر نقاشی واقعی Realismus Kunst realistische Malerei realisme art realistische schilderkunst realismo da arte da pintura realista 现实主义艺术的现实主义绘画 رئالیسم هنر نقاشی واقعی Realismus Kunst realistische Malerei realisme art realistische schilderkunst
raphael perez rafi peretz israeli painter artist painters artists artwork artworks fine art colorful colorist colorfull israel picture pictures image flickr flickriver hive mind interesting tagged bizmakebiz photos images large big size painting paintings beautiful amazing famous realism realistic portrait portraits face figurative faces
LENS TEST: Asahi Opt. Cp. Super-Takumar 150mm f4 (Early Model - Versiono II).
One more foundling. Actually I was after one of the same early type of the previous I reviewed and sold last week. But it is OK: this will contribute to completing my personal survey of all the models of this series.
Again, the barrel shows some wear due to a sloppy handling by previous users. But you really have to run them over with a tank to compromise Takumar series seriously. The first two lenses had some light fungus, which cleaned away smoothly (probably also thanks to the fact that they were not multi-coated).
As mentioned for the previous model, this unusual focal length series was produced in a modest number of copies between 1965 and 1967 and it can be considered a sort of collectible; just like the 120mm f2.8. This appears to be 'version II" of the early type. You can clearly verify that from the engraved 43741 factory number inscribed under the manual/auto switch tab. The previous 'early type' instead had no numbers and it is said to have 5 lenses in 4 groups against 5 to 5 as this one (unfortunately I forgot to check that before selling the other model). The extra half-stop between f=5.6 and f=4 of the previous version is gone - it will reappear in the SMC version. Light seal on the back is said to be screwed instead of glued (couldn't check it on the other one). No 'LENS MADE IN JAPAN' engraved on the back of the black barrel, above the aperture ring, and 'AUTO' instead of 'A' as indication on the manual/auto switch. Others specs should be similar to the reviewed one: six blades; min. focus distance of +/- 180 cm.
Same solid build quality and feel, with a long silky focus movement and quite sharp and vivid already from f4. The bokeh, not as creamy as for the 85mm, is IMO extremely pleasant, with evanescent lines and small cat-eyes popping up from time to time; very fit for lines and shapes background patterns or also for portraits. Just a touch of bluish CA on contacts with whites. Classic natural color canvas, with relatively good colors and a slightly blu cast. Not sure if it was because of the light/weather or the hour of the test (or predominant colors of the location), but the impression is that this second 'improved' version needed less attention to WB/highlight-shadows/color tuning as the other one. Shots are almost straight out of camera.
WEST ARICHAT, was founded in 1863 - it is a community in Nova Scotia, Canada which was once called Little Arichat and before that Acadiaville. It contributed to the seafaring history of the island through its ship-building, coastal trading, and local sea captains. West Arichat was a mission of Arichat. It became a parish in 1862. The Immaculate Conception church burnt in and was rebuilt in the 1970s. West Arichat is located on Isle Madame 3 miles west of Arichat. This location was likely the site of the Little Arichat Way Office. The population in 1881 was 1,586, in 1911 was 1,004. In 1956 it was 441.
The WEST ARICHAT Postal Way Office was established in 1867 - it was upgraded to a Post Office - 1 November 1874.
- sent from - / WEST • ARICHAT / OC 25 / 81 / N.S / - split ring cancel - this split ring hammer is not listed in the Proof Book.
- with fancy cork cancel - the intaglio "EM" is an example of the hand made cork obliterator of Postmaster Emile Mouchet containing his initials.
- via - / ARICHAT / OC 2? / 81 / N.S. / - split ring transit backstamp
Canada Post Card was addressed to:
Messr's Seeton & Mitchell / Halifax / Nova Scotia
They were wholesale grocers / Canadian Grocer Agent
39 Upper Water
Message on postcard reads - West Arichat - 25th October 1881 - Gentlemen - Please send me by next steamer 4 barrels corn meal - 6 bags of rice - 1 barrel oat meal. Yours respectively - Emile Mouchete
EM - Emile Mouchete was Postmaster at West Arichat from - 1 July 1872 to 1 July 1873 and from 1 October 1874 to 16 November 1889.
Emile Mouchet prospered in his adopted community of West Arichat. After he left teaching, he opened a general store and Post Office in West Arichat. Before Emile’s death in 1889, he sold the house to master mariner Capt. Abraham LeBlanc, a friend and neighbour, on condition that his widow could continue living there. Jane Mouchet then lived as a lodger in the house that had once belonged to her husband. she ran the store for a year, and served as postmistress until 20 July 1897. Capt Abraham LeBlanc was Postmaster at West Arichat from - 1 October 1897 to 18 October 1912.
CANCELLATION "E.M." (WEST ARICHAT N.S.) By W. M. C. WILLCOCK (599) Some few years ago I was interested in collecting early Canadian cancellations on stamps. and of the many varieties to be found, the one classified as Post Office or Postmaster's Initials was particularly intriguing. Many of these markings appear in "Jarretts," and I was fortunate enough to get together an album page of this classification, and often wondered where and how they originated. Little recorded information is to be found, but the above illustration of a postcard clears up one of these cancels it shows a most attractive marking, dated 23rd August, 1880, generally referred to as the " signet ring," which may have left other collectors wondering. Cancellations of this sort often originate at some of the smallest and most out of the way Post offices, and this is no exception. The Postmaster at West Arichat evidently decided to use a more attractive device for cancelling mail instead of the usual well named "killer" supplied for general use in Post Offices at that date. Arichat, well known to collectors of squared circle postmarks, is located on an island, which enjoys the name of " Madame," off the coast of Cape Breton in Nova Scotia. West Arichat, doubtless of less importance, is listed as a "Way Office" in 1875, and from 1876 to 1888, the last date of which I have the names of postmasters, Mr. Emile Mouchet is listed as the Postmaster. The name brings to mind a rather appropriate French idiom - "Il ne se mouche pas du pied," i.e., "He thinks a lot of himself," an idiosyncrasy for which no doubt collectors are appreciative today. On looking at the other side of the postcard, I find it is an order for goods addressed to Messrs Black Bros. & Co. of Halifax, and it is signed by Mr. Emile Mouchet himself. From the varied items mentioned, Mr. Mouchet evidently owned the local general store, besides being the Postmaster. - this article was written in August 1958 for "MAPLE LEAVES Official Journal of THE CANADIAN PHILATELIC SOCIETY OF GREAT BRITAIN" Page - 120 / 121 - LINK - www.canadianpsgb.org.uk/mpl/mpl-1958-08-v007n05-w055.pdf
Camera Model Name: Canon EOS 5D Mark II
Lens: EF 16-35mm f/2.8L II USM
Tv (Shutter Speed): 1/30
Av (Aperture Value): 8.0
WB (White Balance): 3000K
ISO Speed: 6400
Focal Length: 35.0 mm
Developed from: Single RAW shot.
|| My Website and Blog: A Gallery of Dreams.||
My assignment had certain set perimeters that demanded out of box thinking, creative use of light and light temperature, no use of Photoshop or any other such software except for the very basic brightening/contrast adjustment ONLY. The main problem was that I was suffering from a severe creative block and had no clue what to do and how to go about it. Having wasted almost the entire week, found only 24 hours remaining before delivering results. Indoor shooting involving setting up props and technicalities were never my kind of thing. However, desperate situations calls for desperate measures. Suddenly struck by an idea, turned my bedroom into a temporary studio.
Though the basic idea was simple which required a totally dark room, dark background, specific kind of light and a leaf, the execution proved to be a different matter all together. The main challenge was to contain light spill and prevent shake as tripod was totally out of question considering the shooting angle. Finding the right leaf, which was just the right shape and contained correct amount of pigment was not easy either. Who knew something so simple would have me struggling for almost four l-o-n-g hours! Either the light was not to my liking, or the details were not satisfactory, or the light warmth...
In the end after being physically and mentally drained, gave up.
So, what happened when put the finished result on the table? Mercifully they liked it!
Note: Was quite adamant not to boost up the ISO but any fidgeting with the shutter speed and aperture were fetching less desirable results. Thankfully noise suppression was not required considering the fact that we weren't opting for very large prints.
Also Nat Geo contributing photo editor Jim Richardson assures that shooting at ISO 6400 might make most photographers cringe but if the situation demands it's perfectly acceptable and so is use of noise reduction software (please convey this to the rule makers in NGM Richard, if we did the same it would be unacceptable).
To see larger version click on Fleur, Papillon et Insectes.
At our show last weekend, we had an unplanned extra section. One club member covered it with blue baseplates and asked others to bring in any ships they had. I felt obliged to participate.
(hint, I didn't build the big ships)
Maker: Edward Steichen (1879-1973)
Born: Luxembourg
Active: USA
Medium: photogravure
Size: 8.5" x 6.5"
Location: USA
Object No. 2015.101
Shelf: A-9
Publication: Camera Work 9, 1905
Camera Work, The Complete Illustrations 1903-1917, Taschen, 1997 pg 205
Camera Work, A Pictorial Guide, Dover, 1978, pg
Robert Doty, Photography as a Fine Art, George Eastman House, Rochester, 1960, pg 22
Anne McCauley, Clarence H. White and his World, Princeton University Art Museum, Princeton, 2018, pg 75
Other Collections:
Notes: Clarence Hudson White (April 8, 1871 – July 7, 1925) was an American photographer, teacher and a founding member of the Photo-Secession movement. He grew up in small towns in Ohio, where his primary influences were his family and the social life of rural America. After visiting the World's Columbian Exposition in Chicago in 1893, he took up photography. Although he was completely self-taught in the medium, within a few years he was internationally known for his pictorial photographs that captured the spirit and sentimentality of America in the early twentieth century. As he became well known for his images, White was sought out by other photographers who often traveled to Ohio to learn from him. He became friends with Alfred Stieglitz and helped advance the cause of photography as a true art form. In 1906 White and his family moved to New York City in order to be closer to Stieglitz and his circle and to further promote his own work. While there he became interested in teaching photography and in 1914 he established the Clarence H. White School of Photography, the first educational institution in America to teach photography as art. Due to the demands of his teaching duties, his own photography declined and White produced little new work during the last decade of his life. In 1925 he suffered a heart attack and died while teaching students in Mexico City.
Edward Steichen is one of the greatest photographers of the 20th century. Born in Luxemburg in 1879, his parents emigrated to the USA when he was three.He led several lives: in the late 19th century, he worked with Alfred Stieglitz and contributed to the establishment of photography as an art medium. In the early 1900s, he went to France and became the official photographer of sculptor Auguste Rodin; he then took some of the world's most iconic photographs (Rodin's Balzac - Rodin & Le Penseur - The Thinker). He was back in France in 1917 as the US Army head of photography. Back in the States he shot what is considered the first fashion photograph of art history and went on to become one of the leading fashion photographers of his time. From 1947 to 1962, he was the head of the photography department at the MOMA in New York. He died in 1973, aged 93
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
A few Items were needed from my local Sainsbury’s Supermarket this morning .
I was bored whilst queuing at the Check Out , hence the picture !
Friday morning 11th-February-2022.
Building history
Until 1918, the sprawling castle complex in the heart of Vienna was the political center of the monarchy; today it fulfills the same function for democratic Austria. Where once Emperor Joseph II designed his revolutionary reform program, where events of the Congress of Vienna took place (the "Vienna Congress danced") and where Emperor Franz Joseph granted audience, the President of the Republic resides. Numerous cultural institutions - from the Austrian National Library to the Spanish Riding School - are also housed in the asymmetrical building complex with its 19 courtyards and 18 wings, which has grown over the centuries.
In the Silver chamber document splendid dining services, up to 30-meter-long centerpieces and exquisite table linen the impressive splendor of the imperial table culture. A complex picture of Empress Elisabeth opens up to the visitors in the Sisi Museum. Numerous, partly very personal exhibits provide exciting insights into the official and the private world of the monarch. Visiting the imperial apartments, the visitors gain an insight into the lifeworld of Austria's most famous ruling couple. The 24 working, living and reception rooms of Emperor Franz Joseph and his wife Sisi are for the most part historically authentically furnished and, in their comparatively modest appearance, are a striking contrast to the lush splendor of the summer residence Schönbrunn.
For more than 600 years, the Vienna Hofburg had been the residence of the Austrian sovereign princes and developed into a center of European history that had evolved over the centuries, to which the constant expansion of the Habsburg city residence also contributed. From here, the Habsburgs ruled since the 13th century, first as Austrian rulers, from 1452 as elected emperor of the Holy Roman Empire and finally from 1806 as Austrian emperors until the end of the monarchy in 1918.
Starting from a medieval, fortified castle of the 13th century, each emperor extended the residence by building a new wing or tract. The extensive asymmetric complex, which stretches over 240,000 m2, consists of 18 wings, 19 courtyards and 2,600 rooms, in which around 5,000 people still live and work today.
The oldest part of the Hofburg is the Alte Burg (Old Castle), which has been called the Swiss Wing since the 18th century after the Swiss Guard, who served here as the castle guard. The medieval castle complex is preserved in its core to this day, only the four corner towers, the largest part of the moat and the drawbridge had to give way to the changes over time. In the middle of the 16th century, the facade was renewed in the style of the Renaissance.
1552 arose the by Pietro Ferabosco designed Swiss gate, one of the few Renaissance monuments in Vienna. In this tract is the Treasury, where the insignia of the Holy Roman Empire as well as those of the Austrian Empire are kept. In the castle chapel, built in 1449, the Vienna Boys' Choir still sings at the Sunday mass.
1559 was begun with the construction of the stable castle as a new residence. The stables of the famous Lipizzaner horses have been here since the 18th century. Every day (except Mondays) they do their morning training or demonstrations in the opposite Winter riding school.
Opposite the Swiss Wing, the Amalienburg was built as a freestanding building in the 16th century. It owes its name to the Empress Wilhelmine Amalie, for whom here after the death of her husband Emperor Joseph I, a corresponding widow's apartment was established. Most recently Empress Elisabeth lived in this part of the Hofburg, whose apartments can be visited today.
In the 17th century, Emperor Leopold I had the Swiss Wing linked to the Amalienburg. The newly created and named after the emperor early Baroque Leopoldinian tract was built in 1668-1680 and inhabited in the 18th century by Maria Theresa. After her death, the premises were used until the end of the monarchy as splendid state rooms. Since 1946 here is the official residence of the Austrian Federal President.
In one part of the Hofburg, the Hofweinkeller (Imperial wine cellar) was located in the basement on three underground floors. After the end of the monarchy, the wine stocks stored there were auctioned off and a plaster model depot was set up, in which the models of the fountains and monuments of the Ring Road buildings are kept.
In the 18th century, the Hofburg was under Emperor Charles VI expanded by sumptuous Baroque buildings designed and begun by Court architect Joseph Bernhard Fischer von Erlach. In 1723, after the death of the architect, his son Johann Emanuel Fischer von Erlach took over the construction management.
1723-1735, the National Library was built as a Court library for the precious book inventory of the Habsburgs. With its impressive Baroque interior, the State Hall is one of the most beautiful library halls in the world.
After the dissolution of the Holy Roman Empire of the German Nation in 1806, the chancellery and representation rooms have been converted into living quarters for the now Austrian imperial family. From the middle of the 19th century, Emperor Franz Joseph resided here.
The sculptures on the portals are by Lorenzo Mattielli, circa 1730, depicting the deeds of Hercules. In the middle section is the Emperor's Gate, which forms the entrance to the imperial apartments. On the edge of the roof rises the imposing escutcheon of Emperor Charles VI with the double-headed eagle, which among other things carries the Austrian Bindenschild ("gules a fess argent", with the Austrian colors red-white-red) and is superelevated by the imperial crown.
With the death of Johann Bernhard Fischer von Erlach another architect of the Austrian Baroque, Lukas von Hildebrandt, saw his chance. While Fischer's son was to realize his father's plans, Hildebrandt was able to begin planning activities at the Reichskanzleitrakt (Imperial Chancellery Wing), where the Chancery of the Holy Roman Empire was initially housed. At the request of the emperor, after all, Johann Emanuel Fischer von Erlach finally finished the wing in 1730.
In 1735, Johann Emanuel Fischer von Erlach also completed the Winter Riding School, in which the Spanish Riding School shows are still held today. Subsequently, the Redoutensäle (Redoute ballrooms) were built, in which large receptions, balls and other festivities took place and which today serve as a convention center.
The sumptuous ceremonial hall, in which also many of the imperial family celebrations have been celebrated and in which many of the famous Viennese balls take place, was built by Ludwig Montoyer at the beginning of the 19th century.
Only at the end of the 19th century, when the Old Burgtheater was demolished, completed Ferdinand Kirschner after plans by Fischer von Erlach the Michaelertrakt (St. Michael Wing), with its curved facade and its fifty-meter-high dome shaping the appearance of the inner city side of the Hofburg until today.
At the beginning of the 20th century, shortly before the end of the monarchy, the most imposing part of the Hofburg, the Neue Hofburg (New Hofburg Castle), was finally completed as part of the "Kaiserforum" planned by Gottfried Semper and Karl Hasenauer. Today, it houses a part of the Austrian National Library and its various collections, as well as those of various museums.
Baugeschichte
Bis 1918 war die weitläufige Burganlage im Herzen Wiens das politische Zentrum der Monarchie, heute erfüllt sie dieselbe Funktion für das demokratische Österreich. Wo einst Kaiser Joseph II. sein revolutionäres Reformprogramm entwarf, wo Veranstaltungen des Wiener Kongresses stattfanden (der „Wiener Kongress tanzte“) und wo Kaiser Franz Joseph Audienz gewährte, residiert nun der Bundespräsident der Republik. Auch zahlreiche kulturelle Institutionen - von der Österreichischen Nationalbibliothek bis zur Spanischen Hofreitschule - sind in dem über Jahrhunderte gewachsenen asymmetrischen Gebäudekomplex mit seinen 19 Höfen und 18 Trakten untergebracht.
In der Silberkammer dokumentieren prachtvolle Speiseservice, bis zu 30 Meter lange Tafelaufsätze und exquisite Tischwäsche die beeindruckende Pracht der kaiserlichen Tafelkultur. Ein vielschichtiges Bild der Kaiserin Elisabeth erschließt sich im Sisi Museum den BesucherInnen. Zahlreiche, teils sehr persönliche Exponate ermöglichen spannende Einblicke in die offizielle und in die private Welt der Monarchin. Mit der Besichtigung der Kaiserappartements gewinnen die BesucherInnen einen Einblick in die Lebenswelt von Österreichs berühmtesten Herrscherpaars. Die 24 Arbeits-, Wohn- und Empfangsräume von Kaiser Franz Joseph und seiner Gemahlin Sisi sind zum Großteil historisch-authentisch ausgestattet und bilden in ihrer vergleichsweise bescheiden anmutenden Ausstattung einen merkbaren Kontrast zum üppigen Prunk der Sommerresidenz Schönbrunn.
Die Wiener Hofburg war über 600 Jahre lang Residenz der österreichischen Landesfürsten und entwickelte sich zu einem im Laufe von Jahrhunderten gewachsenen Zentrum der europäischen Geschichte, zu dem auch der ständige Ausbau der habsburgischen Stadtresidenz beitrug. Von hier aus regierten die Habsburger seit dem 13. Jahrhundert, zunächst als österreichische Landesherren, ab 1452 als gewählte Kaiser des Heiligen Römischen Reiches und schließlich ab 1806 als österreichische Kaiser bis zum Ende der Monarchie 1918.
Ausgehend von einer mittelalterlichen, befestigten Burganlage des 13. Jahrhunderts erweiterte jeder Kaiser die Residenz, indem er einen neuen Trakt oder Flügel errichten ließ. Der ausgedehnte asymmetrische Komplex, der sich über 240.000 m2 erstreckt, besteht aus 18 Trakten, 19 Höfen und 2.600 Räumen, in denen bis heute rund 5.000 Menschen wohnen und arbeiten.
Der älteste Teil der Hofburg ist die Alte Burg, die seit dem 18. Jahrhundert nach der Schweizergarde, die hier als Burgwache diente, Schweizertrakt genannt wird. Die mittelalterliche Burganlage ist in ihrem Kern bis heute erhalten, nur die vier Ecktürme, der größte Teil des Burggrabens und die Zugbrücke mussten im Laufe der Zeit den Neuerungen weichen. Mitte des 16. Jahrhunderts wurde die Fassade im Stil der Renaissance erneuert.
1552 entstand das von Pietro Ferabosco gestaltete Schweizertor, eines der wenigen Renaissancedenkmäler in Wien. In diesem Trakt befindet sich die Schatzkammer, in der die Insignien des Heiligen Römischen Reiches sowie jene des österreichischen Kaisertums aufbewahrt werden. In der 1449 errichteten Burgkapelle singen bis zum heutigen Tag die Wiener Sängerknaben bei der Sonntagsmesse.
1559 wurde mit dem Bau der Stallburg als neue Residenz begonnen. Seit dem 18. Jahrhundert befinden sich hier die Stallungen der berühmten Lipizzaner, die täglich (außer Montag) in der gegenüberliegenden Winterreitschule ihr Morgentraining oder ihre Vorführungen absolvieren.
Gegenüber dem Schweizertrakt wurde im 16. Jahrhundert die Amalienburg als freistehendes Gebäude errichtet. Sie verdankt ihren Namen der Kaiserin Wilhelmine Amalie, für die hier nach dem Tod ihres Gemahls Kaiser Joseph I. ein entsprechendes Witwenappartement eingerichtet wurde. Zuletzt bewohnte Kaiserin Elisabeth diesen Teil der Hofburg, deren Appartements heute besichtigt werden können.
Im 17. Jahrhundert ließ Kaiser Leopold I. den Schweizertrakt mit der Amalienburg verbinden. Der neu entstandene und nach dem Kaiser benannte frühbarocke Leopoldinische Trakt wurde 1668-1680 errichtet und im 18. Jahrhundert von Maria Theresia bewohnt. Nach ihrem Tod wurden die Räumlichkeiten bis zum Ende der Monarchie als prunkvolle Repräsentationsräume verwendet. Seit 1946 befindet sich hier der Amtssitz des österreichischen Bundespräsidenten.
In einem Teil der Hofburg war im Kellergeschoß auf drei unterirdischen Stockwerken der Hofweinkeller untergebracht. Nach dem Ende der Monarchie wurden die dort gelagerten Weinbestände versteigert und ein Gipsmodelldepot eingerichtet, in dem die Modelle der Brunnen und Denkmälern der Ringstraßenbauten aufbewahrt werden.
Im 18. Jahrhundert wurde die Hofburg unter Kaiser Karl VI. durch prunkvolle Barockbauten erweitert, die vom Hofarchitekten Joseph Bernhard Fischer von Erlach geplant und begonnen wurden. 1723, nach dem Tod des Architekten, übernahm dessen Sohn Johann Emanuel Fischer von Erlach die Bauleitung.
1723-1735 wurde die Nationalbibliothek als Hofbibliothek für den kostbaren Bücherbestand der Habsburger gebaut. Der Prunksaal gehört mit seinem beeindruckenden barocken Interieur zu den schönsten Bibliothekssälen der Welt.
Nach der Auflösung des Heiligen Römischen Reiches deutscher Nation im Jahre 1806 wurden die Kanzlei- und Repräsentationsräume
in Wohnräume für die nunmehrige österreichisch kaiserliche Familie umgewandelt. Ab der Mitte des 19. Jahrhunderts residierte hier schließlich Kaiser Franz Joseph.
Die Skulpturen an den Portalen stammen von Lorenzo Mattielli, um 1730, und stellen die Taten des Herkules dar. Im Mitteltrakt befindet sich das Kaisertor, das den Zugang zu den Kaiserappartements bildet. Am Dachrand erhebt sich der imposante Wappenschild des Kaisers Karl VI. mit dem Doppeladler, der unter anderem den österreichischen Bindenschild (mit den österreichischen Farben rot-weiß-rot) trägt und von der Reichskrone überhöht ist.
Mit dem Tod Johann Bernhard Fischers von Erlach sah auch ein anderer Architekt des österreichischen Barock, Lukas von Hildebrandt, seine Chance gekommen. Während Fischers Sohn die Pläne seines Vaters verwirklichen sollte, konnte Hildebrandt planerische Tätigkeiten am Reichskanzleitrakt, in dem zunächst die Kanzlei des Heiligen Römischen Reiches untergebracht war, beginnen. Auf Wunsch des Kaisersvollendete schließlich doch Johann Emanuel Fischer von Erlach 1730 den Trakt.
1735 vollendete Johann Emanuel Fischer von Erlach auch die Winterreitschule, in der bis heute die Vorführungen der Spanischen Reitschule stattfinden. Daran anschließend wurden die Redoutensäle errichtet, in denen große Empfänge, Bälle und andere Festlichkeiten stattfanden und die heute als Kongresszentrum dienen.
Der prunkvolle Zeremoniensaal, in dem ebenfalls viele Feste des Kaiserhauses gefeiert wurden und in dem bis heute viele der berühmten Wiener Bälle stattfinden, wurden von Ludwig Montoyer zu Beginn des 19. Jahrhunderts errichtet.
Erst Ende des 19. Jahrhunderts, als das Alte Burgtheater abgetragen wurde, vollendete Ferdinand Kirschner nach Plänen Fischers von Erlach den Michaelertrakt, der mit seiner geschwungenen Fassade und seiner fünfzig Meter hohen Kuppel das Erscheinungsbild der Innenstadtseite der Hofburg bis heute prägt.
Am Beginn des 20. Jahrhunderts, kurz vor Ende der Monarchie, wurde schließlich der imposanteste Teil der Hofburg, die Neue Hofburg, als Teil des von Gottfried Semper und Karl Hasenauer geplanten "Kaiserforums" fertiggestellt. Heute sind hier ein Teil der Österreichischen Nationalbibliothek und deren verschiedene Sammlungen und wie auch die von verschiedenen Museen untergebracht.
Contributed by Stephen Smith
dhb
More here: www.dcr.virginia.gov/state-parks/staunton-river#general_i...
Corymbia ficifolia or the red flowering gum (previously known as Eucalyptus ficifolia) is a commonly planted ornamental tree in the broader eucalyptus family. (wikipedia). My own observation is that the tree is relatively uncommon in New Zealand
With thanks to all who contributed to the discussion below and assisted with the identification of the tree. Special thanks to Plantaholic Sheila and Tony Rodd.
Elvet Bridge is a medieval masonry arch bridge across the River Wear in the city of Durham, in County Durham, England. It links the peninsula in central Durham and the Elvet area of the city, and is a Grade I listed building.
Building
Building of the bridge began in AD 1160 in the time of Bishop Hugh de Puiset (1153–95) De Puiset, also known as "Bishop Pudsey" was a powerful Prince Bishop who instigated a significant amount of building work in northern England. A key reason for building the bridge was the urban development taking place in what was the then Elvet borough. The bridge took many years to complete: in 1225 and 1228 indulgences were still being granted to people who contributed to "the building of the new bridge at Elvet". Of the current arches only one is late 12th century; the remainder are 13th century.
Elvet bridge was not Durham's first bridge over the Wear. The Foedarium of Durham Cathedral Priory, compiled early in the 15th century, records:
Bishop Hugo built the bridge of Elvit, called the New Bridge to distinguish it from the other bridge, already built, which is called the Old Bridge.
The bridge has 10 visible arches, but there is some dispute over how many arches exist in total. The early 16th-century antiquary John Leland believed there were 14 arches,[5] but this has never been proven. The river flows through four full arches – the remaining are dry or partly so. The early 19th-century antiquary Robert Surtees wrote that there were 10 arches,[5] and this number has been verified. Others may be hidden beneath the street on the Elvet side or beneath Souter Peth.
Subsequent history
The bridge was repaired extensively in the time of Bishop Foxe between 1495 and 1501, and again in 1601. A flood in 1771 badly damaged the bridge and the three central arches were renewed. The bridge was 15 feet (4.6 m) wide until 1804–05, when it was widened by 18 feet (5.5 m) on its upstream (northern) side.
In the Middle Ages Elvet Bridge was guarded by a gate and towers, and there was a number of buildings on the bridge. They included a chapel at either end: St James' at the western end and St Andrew's on a pier at the eastern end. St Andrew's may have been the larger of the two, as an inventory compiled in 1549 in the Edwardine Reformation measured the lead on their roofs as 36 square yards (30 m2) at St James' but 88 square yards (74 m2) at St Andrew's. St James' chapel was replaced with a House of Correction (prison) in 1632. In the 18th century the House of Correction and many buildings at the north end of the bridge were demolished.
The chapel on the eastern, Elvet, side of the bridge has partially survived and is particularly visible from the riverbanks to the south. A number of buildings incorporate part of the bridge, and 18 Elvet Bridge is also Grade I listed as a result.
The bridge is reputed to be the narrowest row-through bridge in Europe.
Durham is a cathedral city and civil parish in the county of Durham, England. It is the county town and contains the headquarters of Durham County Council, the unitary authority which governs the district of County Durham. It had a population of 48,069 at the 2011 Census.
The city was built on a meander of the River Wear, which surrounds the centre on three sides and creates a narrow neck on the fourth. The surrounding land is hilly, except along the Wear's floodplain to the north and southeast.
Durham was founded in 995 by Anglo-Saxon monks seeking a place safe from Viking raids to house the relics of St Cuthbert. The church the monks built lasted only a century, as it was replaced by the present Durham Cathedral after the Norman Conquest; together with Durham Castle it is a UNESCO World Heritage Site. From the 1070s until 1836 the city was part of the County Palatine of Durham, a semi-independent jurisdiction ruled by the prince bishops of Durham which acted as a geopolitical buffer between the kingdoms of England and Scotland. In 1346, the Battle of Neville's Cross was fought half a mile west of the city, resulting in an English victory. In 1650, the cathedral was used to house Scottish prisoners after their defeat at the Battle of Dunbar. During the Industrial Revolution, the Durham coalfield was heavily exploited, with dozens of collieries operating around the city and in nearby villages. Although these coal pits have now closed, the annual Durham Miners' Gala continues and is a major event for the city and region. Historically, Durham was also known for the manufacture of hosiery, carpets, and mustard.
The city is the home of Durham University, which was founded in 1832 and therefore has a claim to be the third-oldest university in England. The university is a significant employer in the region, alongside the local council and national government at the land registry and passport office. The University Hospital of North Durham and HM Prison Durham are also located close to the city centre. The city also has significant tourism and hospitality sectors.
Toponymy
The name "Durham" comes from the Brythonic element dun, signifying a hill fort and related to -ton, and the Old Norse holme, which translates to island. The Lord Bishop of Durham takes a Latin variation of the city's name in his official signature, which is signed "N. Dunelm". Some attribute the city's name to the legend of the Dun Cow and the milkmaid who in legend guided the monks of Lindisfarne carrying the body of Saint Cuthbert to the site of the present city in 995 AD. Dun Cow Lane is said to be one of the first streets in Durham, being directly to the east of Durham Cathedral and taking its name from a depiction of the city's founding etched in masonry on the south side of the cathedral. The city has been known by a number of names throughout history. The original Nordic Dun Holm was changed to Duresme by the Normans and was known in Latin as Dunelm. The modern form Durham came into use later in the city's history. The north-eastern historian Robert Surtees chronicled the name changes in his History and Antiquities of the County Palatine of Durham but states that it is an "impossibility" to tell when the city's modern name came into being.
Durham is likely to be Gaer Weir in Armes Prydein, derived from Brittonic cajr meaning "an enclosed, defensible site" (cf. Carlisle; Welsh caer) and the river-name Wear.
History
Early history
Archeological evidence suggests a history of settlement in the area since roughly 2000 BC. The present city can clearly be traced back to AD 995, when a group of monks from Lindisfarne chose the strategic high peninsula as a place to settle with the body of Saint Cuthbert, that had previously lain in Chester-le-Street, founding a church there.
City origins, the Dun Cow story
Local legend states that the city was founded in A.D. 995 by divine intervention. The 12th-century chronicler Symeon of Durham recounts that after wandering in the north, Saint Cuthbert's bier miraculously came to a halt at the hill of Warden Law and, despite the effort of the congregation, would not move. Aldhun, Bishop of Chester-le-Street and leader of the order, decreed a holy fast of three days, accompanied by prayers to the saint. During the fast, Saint Cuthbert appeared to a certain monk named Eadmer, with instructions that the coffin should be taken to Dun Holm. After Eadmer's revelation, Aldhun found that he was able to move the bier, but did not know where Dun Holm was.
The legend of the Dun Cow, which is first documented in The Rites of Durham, an anonymous account about Durham Cathedral, published in 1593, builds on Symeon's account. According to this legend, by chance later that day, the monks came across a milkmaid at Mount Joy (southeast of present-day Durham). She stated that she was seeking her lost dun cow, which she had last seen at Dun Holm. The monks, realising that this was a sign from the saint, followed her. They settled at a wooded "hill-island" – a high wooded rock surrounded on three sides by the River Wear. There they erected a shelter for the relics, on the spot where Durham Cathedral would later stand. Symeon states that a modest wooden building erected there shortly thereafter was the first building in the city. Bishop Aldhun subsequently had a stone church built, which was dedicated in September 998. This no longer remains, having been supplanted by the Norman structure.
The legend is interpreted by a Victorian relief stone carving on the north face of the cathedral and, more recently, by the bronze sculpture 'Durham Cow' (1997, Andrew Burton), which reclines by the River Wear in view of the cathedral.
Medieval era
During the medieval period the city gained spiritual prominence as the final resting place of Saint Cuthbert and Saint Bede the Venerable. The shrine of Saint Cuthbert, situated behind the High Altar of Durham Cathedral, was the most important religious site in England until the martyrdom of St Thomas Becket at Canterbury in 1170.
Saint Cuthbert became famous for two reasons. Firstly, the miraculous healing powers he had displayed in life continued after his death, with many stories of those visiting the saint's shrine being cured of all manner of diseases. This led to him being known as the "wonder worker of England". Secondly, after the first translation of his relics in 698 AD, his body was found to be incorruptible. Apart from a brief translation back to Holy Island during the Norman Invasion the saint's relics have remained enshrined to the present day. Saint Bede's bones are also entombed in the cathedral, and these also drew medieval pilgrims to the city.
Durham's geographical position has always given it an important place in the defence of England against the Scots. The city played an important part in the defence of the north, and Durham Castle is the only Norman castle keep never to have suffered a breach. In 1314, the Bishopric of Durham paid the Scots a 'large sum of money' not to burn Durham. The Battle of Neville's Cross took place around half a mile west of the city on 17 October 1346 between the English and Scots and was a disastrous loss for the Scots.
The city suffered from plague outbreaks in 1544, 1589 and 1598.
Bishops of Durham
Owing to the divine providence evidenced in the city's legendary founding, the Bishop of Durham has always enjoyed the formal title "Bishop by Divine Providence" as opposed to other bishops, who are "Bishop by Divine Permission". However, as the north-east of England lay so far from Westminster, the bishops of Durham enjoyed extraordinary powers such as the ability to hold their own parliament, raise their own armies, appoint their own sheriffs and Justices, administer their own laws, levy taxes and customs duties, create fairs and markets, issue charters, salvage shipwrecks, collect revenue from mines, administer the forests and mint their own coins. So far-reaching were the bishop's powers that the steward of Bishop Antony Bek commented in 1299 AD: "There are two kings in England, namely the Lord King of England, wearing a crown in sign of his regality and the Lord Bishop of Durham wearing a mitre in place of a crown, in sign of his regality in the diocese of Durham". All this activity was administered from the castle and buildings surrounding the Palace Green. Many of the original buildings associated with these functions of the county palatine survive on the peninsula that constitutes the ancient city.
From 1071 to 1836 the bishops of Durham ruled the county palatine of Durham. Although the term "prince bishop" has been used as a helpful tool in the understanding the functions of the bishops of Durham in this era, it is not a title they would have recognised. The last bishop to rule the palatinate, Bishop William Van Mildert, is credited with the foundation of Durham University in 1832. Henry VIII curtailed some of the bishop's powers and, in 1538, ordered the destruction of the shrine of Saint Cuthbert.
A UNESCO site describes the role of the bishops in the "buffer state between England and Scotland":
From 1075, the Bishop of Durham became a Prince-Bishop, with the right to raise an army, mint his own coins, and levy taxes. As long as he remained loyal to the king of England, he could govern as a virtually autonomous ruler, reaping the revenue from his territory, but also remaining mindful of his role of protecting England’s northern frontier.
Legal system
The bishops had their own court system, including most notably the Court of Chancery of the County Palatine of Durham and Sadberge. The county also had its own attorney general, whose authority to bring an indictment for criminal matters was tested by central government in the case of R v Mary Ann Cotton (1873). Certain courts and judicial posts for the county were abolished by the Supreme Court of Judicature Act 1873. Section 2 of the Durham (County Palatine) Act 1836 and section 41 of the Courts Act 1971 abolished others.
Civil War and Cromwell (1640 to 1660)
The city remained loyal to King Charles I in the English Civil War – from 1642 to the execution of the king in 1649. Charles I came to Durham three times during his reign of 1625–1649. Firstly, he came in 1633 to the cathedral for a majestic service in which he was entertained by the Chapter and Bishop at great expense. He returned during preparations for the First Bishops' War (1639). His final visit to the city came towards the end of the civil war; he escaped from the city as Oliver Cromwell's forces got closer. Local legend stated that he escaped down the Bailey and through Old Elvet. Another local legend has it that Cromwell stayed in a room in the present Royal County Hotel on Old Elvet during the civil war. The room is reputed to be haunted by his ghost. Durham suffered greatly during the civil war (1642–1651) and Commonwealth (1649–1660). This was not due to direct assault by Cromwell or his allies, but to the abolition of the Church of England and the closure of religious institutions pertaining to it. The city has always relied upon the Dean and Chapter and cathedral as an economic force.
The castle suffered considerable damage and dilapidation during the Commonwealth due to the abolition of the office of bishop (whose residence it was). Cromwell confiscated the castle and sold it to the Lord Mayor of London shortly after taking it from the bishop. A similar fate befell the cathedral, it being closed in 1650 and used to incarcerate 3,000 Scottish prisoners, who were marched south after the Battle of Dunbar. Graffiti left by them can still be seen today etched into the interior stone.
At the Restoration in 1660, John Cosin (a former canon) was appointed bishop (in office: 1660–1672) and set about a major restoration project. This included the commissioning of the famous elaborate woodwork in the cathedral choir, the font cover and the Black Staircase in the castle. Bishop Cosin's successor Bishop Lord Nathaniel Crewe (in office: 1674–1721) carried out other renovations both to the city and to the cathedral.
18th century
In the 18th century a plan to turn Durham into a seaport through the digging of a canal north to join the River Team, a tributary of the River Tyne near Gateshead, was proposed by John Smeaton. Nothing came of the plan, but the statue of Neptune in the Market Place was a constant reminder of Durham's maritime possibilities.
The thought of ships docking at the Sands or Millburngate remained fresh in the minds of Durham merchants. In 1758, a new proposal hoped to make the Wear navigable from Durham to Sunderland by altering the river's course, but the increasing size of ships made this impractical. Moreover, Sunderland had grown as the north east's main port and centre for shipping.
In 1787 Durham infirmary was founded.
The 18th century also saw the rise of the trade-union movement in the city.
19th century
The Municipal Corporations Act 1835 gave governing power of the town to an elected body. All other aspects of the Bishop's temporal powers were abolished by the Durham (County Palatine) Act 1836 and returned to the Crown.
The Representation of the People Act 2000 and is regarded as the second most senior bishop and fourth most senior clergyman in the Church of England. The Court of Claims of 1953 granted the traditional right of the bishop to accompany the sovereign at the coronation, reflecting his seniority.
The first census, conducted in 1801, states that Durham City had a population of 7,100. The Industrial Revolution mostly passed the city by. However, the city was well known for carpet making and weaving. Although most of the mediaeval weavers who thrived in the city had left by the 19th century, the city was the home of Hugh MacKay Carpets’ factory, which produced the famous brands of axminster and tufted carpets until the factory went into administration in April 2005. Other important industries were the manufacture of mustard and coal extraction.
The Industrial Revolution also placed the city at the heart of the coalfields, the county's main industry until the 1970s. Practically every village around the city had a coal mine and, although these have since disappeared as part of the regional decline in heavy industry, the traditions, heritage and community spirit are still evident.
The 19th century also saw the founding of Durham University thanks to the benevolence of Bishop William Van Mildert and the Chapter in 1832. Durham Castle became the first college (University College, Durham) and the bishop moved to Auckland Castle as his only residence in the county. Bishop Hatfield's Hall (later Hatfield College, Durham) was added in 1846 specifically for the sons of poorer families, the Principal inaugurating a system new to English university life of advance fees to cover accommodation and communal dining.
The first Durham Miners' Gala was attended by 5,000 miners in 1871 in Wharton Park, and remains the largest socialist trade union event in the world.
20th century
Early in the 20th century coal became depleted, with a particularly important seam worked out in 1927, and in the following Great Depression Durham was among those towns that suffered exceptionally severe hardship. However, the university expanded greatly. St John's College and St Cuthbert's Society were founded on the Bailey, completing the series of colleges in that area of the city. From the early 1950s to early 1970s the university expanded to the south of the city centre. Trevelyan, Van Mildert, Collingwood, and Grey colleges were established, and new buildings for St Aidan's and St Mary's colleges for women, formerly housed on the Bailey, were created. The final 20th century collegiate addition came from the merger of the independent nineteenth-century colleges of the Venerable Bede and St Hild, which joined the university in 1979 as the College of St Hild and St Bede. The 1960s and 70s also saw building on New Elvet. Dunelm House for the use of the students' union was built first, followed by Elvet Riverside, containing lecture theatres and staff offices. To the southeast of the city centre sports facilities were built at Maiden Castle, adjacent to the Iron Age fort of the same name, and the Mountjoy site was developed, starting in 1924, eventually containing the university library, administrative buildings, and facilities for the Faculty of Science.
Durham was not bombed during World War II, though one raid on the night of 30 May 1942 did give rise to the local legend of 'St Cuthbert's Mist'. This states that the Luftwaffe attempted to target Durham, but was thwarted when Cuthbert created a mist that covered both the castle and cathedral, sparing them from bombing. The exact events of the night are disputed by contemporary eyewitnesses. The event continues to be referenced within the city, including inspiring the artwork 'Fogscape #03238' at Durham Lumiere 2015.
'Durham Castle and Cathedral' was named a UNESCO World Heritage Site in 1986. Among the reasons given for the decision were 'Durham Cathedral [being] the largest and most perfect monument of "Norman" style architecture in England', and the cathedral's vaulting being an early and experimental model of the gothic style. Other important UNESCO sites near Durham include Auckland Castle, North of England Lead Mining Museum and Beamish Museum.
Historical
The historic city centre of Durham has changed little over 200 years. It is made up of the peninsula containing the cathedral, palace green, former administrative buildings for the palatine and Durham Castle. This was a strategic defensive decision by the city's founders and gives the cathedral a striking position. So much so that Symeon of Durham stated:
To see Durham is to see the English Sion and by doing so one may save oneself a trip to Jerusalem.
Sir Walter Scott was so inspired by the view of the cathedral from South Street that he wrote "Harold the Dauntless", a poem about Saxons and Vikings set in County Durham and published on 30 January 1817. The following lines from the poem are carved into a stone tablet on Prebends Bridge:
Grey towers of Durham
Yet well I love thy mixed and massive piles
Half church of God, half castle 'gainst the Scot
And long to roam those venerable aisles
With records stored of deeds long since forgot.
The old commercial section of the city encompasses the peninsula on three sides, following the River Wear. The peninsula was historically surrounded by the castle wall extending from the castle keep and broken by two gatehouses to the north and west of the enclosure. After extensive remodelling and "much beautification" by the Victorians the walls were removed with the exception of the gatehouse which is still standing on the Bailey.
The medieval city was made up of the cathedral, castle and administrative buildings on the peninsula. The outlying areas were known as the townships and owned by the bishop, the most famous of these being Gilesgate (which still contains the mediaeval St Giles Church), Claypath and Elvet.
The outlying commercial section of the city, especially around the North Road area, saw much change in the 1960s during a redevelopment spearheaded by Durham City Council; however, much of the original mediaeval street plan remains intact in the area close to the cathedral and market place. Most of the mediaeval buildings in the commercial area of the city have disappeared apart from the House of Correction and the Chapel of Saint Andrew, both under Elvet Bridge. Georgian buildings can still be found on the Bailey and Old Elvet most of which make up the colleges of Durham University.
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The four intact StuG III photos were kindly contributed by David Šolc. The location is Kardašova Řečice in southern Bohemia, which Soviet forces reached on 9 May 1945. Only a few tell-tale components remain on each fender & right upper superstructure to indicate it was fitted with Alkett’s 1945-era factory-standard Schürzen. This StuG is very grimy & weathered, disguising any markings it may have carried. Note on the engine deck rear there are 2 mid-version upper Schürzen painted with 2 distinct camo schemes, apparently salvaged from other StuGs. Kamen Nevenkin’s book Fire Brigades has information which helps establish this StuG as most likely being 1 of 31 issued to II./Pz.Rgt.2 on 6 March 1945, which were then handed over to 25.Pz.Div. on 23 March. This Division engaged the Red Army near Vienna from 9 April. The book doesn’t mention some elements of 25.Pz.Div retreated into southern Bohemia, in Czechoslovakia. The Jindřichův Hradec “611” wreck is evidence of this.
The red dots on the WIP map on the right plot the documented general areas attributed to StuG III photos displaying evidence of 1945 pattern Alkett Schürzen, such as the examples on the left. Note all these locations are thus far limited to combat areas dating between February & May 1945. Earliest dots so far are: near Cedynia (Zehden) dated 22-25 Feb 1945 (Axel Urbanke Endkampfe); and Gościęcin (Kostenthal), taken by the Red Army on 15 March 1945. The StuGIII/StuH 42 pictured in both these locations fit a January 1945 delivery time frame.
This montage was originally posted on 15 April 2023. The last edit to the map was on 28 April 2023.
This montage is also posted here:
www.tapatalk.com/groups/archive1944to1945/viewtopic.php?p...
en.wikipedia.org/wiki/Bossanova_(Pixies_album)
AllMusic Review by Heather Phares
When Bossanova arrived in 1990, it reflected the exhaustion the Pixies felt after Doolittle's enormous success: For the first time, the band seems to be running out of ideas. Tellingly, Kim Deal contributes no songs, having formed the Breeders to give her work an outlet; that summer, their debut Pod won a warmer response than Bossanova received.
Arguably the Pixies' weakest album -- though Francis has said it's his favorite -- most of it finds the band in fine form. Gil Norton's spacious, reverb-heavy production makes the Pixies sound like a Martian bar band, which fits the cover of the Surftones' "Cecilia Ann" and the glorious, shimmering closer "Havalina" perfectly. On the theremin-driven "Velouria," science fiction imagery displaces Francis' penchant for fetishistic lyrics; next to the token kinky song "Down to the Well"'s tired sound, it's a refreshing change.
The similarly cryptic "All Over the World" and alien abduction tale "The Happening" add to the sci-fi feel. Quirky pop songs like "Allison," a tribute to jazz cool-cat Mose Allison, and "Dig for Fire," Francis' self-professed Talking Heads homage, heighten Bossanova's playful, slightly off-kilter vibe, but rockers like "Hang Wire" and "Blown Away," fall flat. However, "Rock Music" is one of the group's most fiery outbursts, and "Is She Weird"'s chugging grind and sexy, funny lyrics make it a classic Pixies song.
The band was so consistently amazing on their previous albums that when they released a slightly weaker one, critics and fans alike judged them too harshly. But on Bossanova's strongest moments, the Pixies explored their softer side and found different uses for their extreme dynamics. Like a straight-A student who suddenly receives a B+, Bossanova might have been a disappointment initially, but its (small) failings emphasize the strengths of the rest of the Pixies' work.
It has been fab doing one-a-week over the past months. Whatever else, we will always connect it as a positive thing during difficult times. Thanks to Mike for all the work he has put into it and to everyone who contributed. Farewell 1-a-W, we will miss you!
You Can Call Me Owl, is inspired by Birmingham’s significant contribution to the development of the once familiar telephone box. In 1921, the first UK standard telephone kiosk, the ‘K1’, was introduced; adapted from a public kiosk pioneered in Birmingham. This owl is based on Sir Giles Gilbert Scott’s iconic, red ‘K6’ telephone box, of which, there were once nearly 70,000 across Britain!
Artist: Stephen McKay
Stephen McKay is a Liverpool-based artist, who likes to work in public and uses large studio spaces, where passers-by can watch him create his very public artworks!
A qualified development chemist, Stephen enjoys experimenting with new materials and decorating techniques. He devised a method for his partner, Janet Fishwick, to paint over 4,000 individual pearl buttons onto her ‘Pearly Mandeville’ for the 2012 Wild in Art Olympic Mascot Trail.
Sponsor: Brindley Place
Auction Price: £12,000
The Big Hoot captured the imagination of everyone in Birmingham and beyond, with hundreds of thousands of people taking to the streets with their Big Hoot Trail maps to explore the colourful invasion of individually designed owls. Taking in the city’s 10 districts, tourists and residents alike enjoyed their owl adventure, discovering and celebrating the extraordinary creativity produced by many of Birmingham’s artistic community and over 25,000 young people.
The Big Hoot owls went under the hammer on 15 October 2015 at The Big Hoot auction sponsored by Vodafone and we are thrilled to have smashed our target by raising the incredible sum of £508,035!
The money raised from the auction will support Birmingham Children’s Hospital Charity’s £3.65m Star Appeal. This appeal will enable us to create a first of its kind, a Rare Diseases Centre in the UK specifically for children. It will provide co-ordinated care, treatment, support and most importantly hope to children and families living with a rare or undiagnosed condition.
In addition the auction raised £15,000 for G’owl’d by Temper with proceeds going to Edward’s Trust, and £7,800 for Fleet and Free with proceeds going to Birchfield Harriers.
So thank you - we simply couldn’t have done it without you.
Artists have played a major role in The Big Hoot, creating almost 100 owl sculptures. We would like to thank all the artists for their incredible creativity and hard work.
Professional artists from Birmingham, the wider Midlands region and further afield have created extraordinary giant owls that are all unique in style and character and represent the city’s creativity, history and heritage, music, fashion, architecture and attractions.
Birmingham is home to a wealth of artistic and creative individuals and communities and many award-winning and nationally and internationally acclaimed artists. We are delighted with the response from Birmingham’s creative community and are thrilled to work in collaboration with them to transform the streets, squares and parks of the city.
For five months artists have been creating owls in their studios, at home and in The Big Hoot Artists’ Studio at the Custard Factory in Digbeth. Their inspiring and innovative designs have been realised in genres including graffiti, illustration, fine art, graphics, typography, mosaic and new media. They have worked with both community groups and with corporates to realise ideas and create their stunning designs.
The Big Hoot not only provides a high quality and ambitious free public event for families but also supports the creativity of artists and celebrates talent and diversity. The Big Hoot has provided an inspiring relationship between the city and the arts.
The artists have also reached out to communities enabling more people to participate in the arts, to experience working with professional artists and to be inspiring and inspired. From the north to the south of the city residents groups, youth groups and older peoples’ groups have been collaborating with artists to generate ideas, design and create owls for The Big Hoot.
Creativity is everywhere but the opportunity to participate is not. A range of activities have been programmed within Birmingham’s diverse communities and people from the age of 3 – 97 and from wards within the city boundaries have contributed to The Big Hoot and helped make the event extraordinary. Our projects have seen artists working with hundreds of residents and community members including children in looked after care, older peoples’ clubs, young people and residents organisations to design and decorate the owls displayed as part of the 10 week public event.
Yellowstone National Park (Arapaho: Henihco'oo or Héetíhco'oo) is a national park located primarily in the U.S. state of Wyoming, although it also extends into Montana and Idaho. It was established by the U.S. Congress and signed into law by President Ulysses S. Grant on March 1, 1872. Yellowstone, widely held to be the first national park in the world, is known for its wildlife and its many geothermal features, especially Old Faithful Geyser, one of the most popular features in the park. It has many types of ecosystems, but the subalpine forest is most abundant. It is part of the South Central Rockies forests ecoregion.
Yellowstone National Park spans an area of 3,468.4 square miles (8,983 km2), comprising lakes, canyons, rivers and mountain ranges. Yellowstone Lake is one of the largest high-altitude lakes in North America and is centered over the Yellowstone Caldera, the largest supervolcano on the continent. The caldera is considered an active volcano. It has erupted with tremendous force several times in the last two million years. Half of the world's geothermal features are in Yellowstone, fueled by this ongoing volcanism. Lava flows and rocks from volcanic eruptions cover most of the land area of Yellowstone. The park is the centerpiece of the Greater Yellowstone Ecosystem, the largest remaining nearly-intact ecosystem in the Earth's northern temperate zone.
Hundreds of species of mammals, birds, fish and reptiles have been documented, including several that are either endangered or threatened. The vast forests and grasslands also include unique species of plants. Yellowstone Park is the largest and most famous megafauna location in the Continental United States. Grizzly bears, wolves, and free-ranging herds of bison and elk live in the park. The Yellowstone Park bison herd is the oldest and largest public bison herd in the United States. Forest fires occur in the park each year; in the large forest fires of 1988, nearly one third of the park was burnt. Yellowstone has numerous recreational opportunities, including hiking, camping, boating, fishing and sightseeing. Paved roads provide close access to the major geothermal areas as well as some of the lakes and waterfalls. During the winter, visitors often access the park by way of guided tours that use either snow coaches or snowmobiles.
The park is located at the headwaters of the Yellowstone River, from which it takes its historical name. Near the end of the 18th century, French trappers named the river "Roche Jaune", which is probably a translation of the Hidatsa name "Mi tsi a-da-zi" (Rock Yellow River). Later, American trappers rendered the French name in English as "Yellow Stone". Although it is commonly believed that the river was named for the yellow rocks seen in the Grand Canyon of the Yellowstone, the Native American name source is not clear.
The first detailed expedition to the Yellowstone area was the Cook–Folsom–Peterson Expedition of 1869, which consisted of three privately funded explorers. The Folsom party followed the Yellowstone River to Yellowstone Lake. The members of the Folsom party kept a journal and based on the information it reported, a party of Montana residents organized the Washburn-Langford-Doane Expedition in 1870. It was headed by the surveyor-general of Montana Henry Washburn, and included Nathaniel P. Langford (who later became known as "National Park" Langford) and a U.S. Army detachment commanded by Lt. Gustavus Doane.
The expedition spent about a month exploring the region, collecting specimens and naming sites of interest. A Montana writer and lawyer named Cornelius Hedges, who had been a member of the Washburn expedition, proposed that the region should be set aside and protected as a national park; he wrote a number of detailed articles about his observations for the Helena Herald newspaper between 1870 and 1871. Hedges essentially restated comments made in October 1865 by acting Montana Territorial Governor Thomas Francis Meagher, who had previously commented that the region should be protected. Others made similar suggestions. In an 1871 letter from Jay Cooke to Ferdinand V. Hayden, Cooke wrote that his friend, Congressman William D. Kelley had also suggested "Congress pass a bill reserving the Great Geyser Basin as a public park forever".
By 1915, 1,000 automobiles per year were entering the park, resulting in conflicts with horses and horse-drawn transportation. Horse travel on roads was eventually prohibited.
The Civilian Conservation Corps (CCC), a New Deal relief agency for young men, played a major role between 1933 and 1942 in developing Yellowstone facilities. CCC projects included reforestation, campground development of many of the park's trails and campgrounds, trail construction, fire hazard reduction, and fire-fighting work. The CCC built the majority of the early visitor centers, campgrounds and the current system of park roads.
During World War II, tourist travel fell sharply, staffing was cut, and many facilities fell into disrepair. By the 1950s, visitation increased tremendously in Yellowstone and other national parks. To accommodate the increased visitation, park officials implemented Mission 66, an effort to modernize and expand park service facilities. Planned to be completed by 1966, in honor of the 50th anniversary of the founding of the National Park Service, Mission 66 construction diverged from the traditional log cabin style with design features of a modern style. During the late 1980s, most construction styles in Yellowstone reverted to the more traditional designs. After the enormous forest fires of 1988 damaged much of Grant Village, structures there were rebuilt in the traditional style. The visitor center at Canyon Village, which opened in 2006, incorporates a more traditional design as well.
A large arch made of irregular-shaped natural stone over a road
The 1959 Hebgen Lake earthquake just west of Yellowstone at Hebgen Lake damaged roads and some structures in the park. In the northwest section of the park, new geysers were found, and many existing hot springs became turbid. It was the most powerful earthquake to hit the region in recorded history.
In 1963, after several years of public controversy regarding the forced reduction of the elk population in Yellowstone, United States Secretary of the Interior Stewart Udall appointed an advisory board to collect scientific data to inform future wildlife management of the national parks. In a paper known as the Leopold Report, the committee observed that culling programs at other national parks had been ineffective, and recommended management of Yellowstone's elk population.
The wildfires during the summer of 1988 were the largest in the history of the park. Approximately 793,880 acres (321,272 ha; 1,240 sq mi) or 36% of the parkland was impacted by the fires, leading to a systematic re-evaluation of fire management policies. The fire season of 1988 was considered normal until a combination of drought and heat by mid-July contributed to an extreme fire danger. On "Black Saturday", August 20, 1988, strong winds expanded the fires rapidly, and more than 150,000 acres (61,000 ha; 230 sq mi) burned.
The expansive cultural history of the park has been documented by the 1,000 archeological sites that have been discovered. The park has 1,106 historic structures and features, and of these Obsidian Cliff and five buildings have been designated National Historic Landmarks. Yellowstone was designated an International Biosphere Reserve on October 26, 1976, and a UN World Heritage Site on September 8, 1978. The park was placed on the List of World Heritage in Danger from 1995 to 2003 due to the effects of tourism, infection of wildlife, and issues with invasive species. In 2010, Yellowstone National Park was honored with its own quarter under the America the Beautiful Quarters Program.
Heritage and Research Center
The Heritage and Research Center is located at Gardiner, Montana, near the north entrance to the park. The center is home to the Yellowstone National Park's museum collection, archives, research library, historian, archeology lab, and herbarium. The Yellowstone National Park Archives maintain collections of historical records of Yellowstone and the National Park Service. The collection includes the administrative records of Yellowstone, as well as resource management records, records from major projects, and donated manuscripts and personal papers. The archives are affiliated with the National Archives and Records Administration.
Approximately 96 percent of the land area of Yellowstone National Park is located within the state of Wyoming. Another three percent is within Montana, with the remaining one percent in Idaho. The park is 63 miles (101 km) north to south, and 54 miles (87 km) west to east by air. Yellowstone is 2,219,789 acres (898,317 ha; 3,468.420 sq mi) in area, larger than the states of Rhode Island or Delaware. Rivers and lakes cover five percent of the land area, with the largest water body being Yellowstone Lake at 87,040 acres (35,220 ha; 136.00 sq mi). Yellowstone Lake is up to 400 feet (120 m) deep and has 110 miles (180 km) of shoreline. At an elevation of 7,733 feet (2,357 m) above sea level, Yellowstone Lake is the largest high altitude lake in North America. Forests comprise 80 percent of the land area of the park; most of the rest is grassland.
The Continental Divide of North America runs diagonally through the southwestern part of the park. The divide is a topographic feature that separates Pacific Ocean and Atlantic Ocean water drainages. About one third of the park lies on the west side of the divide. The origins of the Yellowstone and Snake Rivers are near each other but on opposite sides of the divide. As a result, the waters of the Snake River flow to the Pacific Ocean, while those of the Yellowstone find their way to the Atlantic Ocean via the Gulf of Mexico.
The park sits on the Yellowstone Plateau, at an average elevation of 8,000 feet (2,400 m) above sea level. The plateau is bounded on nearly all sides by mountain ranges of the Middle Rocky Mountains, which range from 9,000 to 11,000 feet (2,700 to 3,400 m) in elevation. The highest point in the park is atop Eagle Peak (11,358 feet or 3,462 metres) and the lowest is along Reese Creek (5,282 feet or 1,610 metres). Nearby mountain ranges include the Gallatin Range to the northwest, the Beartooth Mountains in the north, the Absaroka Range to the east, and the Teton Range and the Madison Range to the southwest and west. The most prominent summit on the Yellowstone Plateau is Mount Washburn at 10,243 feet (3,122 m).
Yellowstone National Park has one of the world's largest petrified forests, trees which were long ago buried by ash and soil and transformed from wood to mineral materials. This ash and other volcanic debris, are believed to have come from the park area itself. This is largely due to the fact that Yellowstone is actually a massive caldera of a supervolcano. There are 290 waterfalls of at least 15 feet (4.6 m) in the park, the highest being the Lower Falls of the Yellowstone River at 308 feet (94 m).
Three deep canyons are located in the park, cut through the volcanic tuff of the Yellowstone Plateau by rivers over the last 640,000 years. The Lewis River flows through Lewis Canyon in the south, and the Yellowstone River has carved two colorful canyons, the Grand Canyon of the Yellowstone and the Black Canyon of the Yellowstone in its journey north.
Yellowstone is at the northeastern end of the Snake River Plain, a great U-shaped arc through the mountains that extends from Boise, Idaho some 400 miles (640 km) to the west. This feature traces the route of the North American Plate over the last 17 million years as it was transported by plate tectonics across a stationary mantle hotspot. The landscape of present-day Yellowstone National Park is the most recent manifestation of this hotspot below the crust of the Earth.
The Yellowstone Caldera is the largest volcanic system in North America. It has been termed a "supervolcano" because the caldera was formed by exceptionally large explosive eruptions. The magma chamber that lies under Yellowstone is estimated to be a single connected chamber, about 37 miles (60 km) long, 18 miles (29 km) wide, and 3 to 7 miles (5 to 12 km) deep. The current caldera was created by a cataclysmic eruption that occurred 640,000 years ago, which released more than 240 cubic miles (1,000 km³) of ash, rock and pyroclastic materials. This eruption was more than 1,000 times larger than the 1980 eruption of Mount St. Helens. It produced a caldera nearly five eighths of a mile (1 km) deep and 45 by 28 miles (72 by 45 km) in area and deposited the Lava Creek Tuff, a welded tuff geologic formation. The most violent known eruption, which occurred 2.1 million years ago, ejected 588 cubic miles (2,450 km³) of volcanic material and created the rock formation known as the Huckleberry Ridge Tuff and created the Island Park Caldera. A smaller eruption ejected 67 cubic miles (280 km³) of material 1.3 million years ago, forming the Henry's Fork Caldera and depositing the Mesa Falls Tuff.
Each of the three climactic eruptions released vast amounts of ash that blanketed much of central North America, falling many hundreds of miles away. The amount of ash and gases released into the atmosphere probably caused significant impacts to world weather patterns and led to the extinction of some species, primarily in North America.
Wooden walkways allow visitors to closely approach the Grand Prismatic Spring.
A subsequent caldera-forming eruption occurred about 160,000 years ago. It formed the relatively small caldera that contains the West Thumb of Yellowstone Lake. Since the last supereruption, a series of smaller eruptive cycles between 640,000 and 70,000 years ago, has nearly filled in the Yellowstone Caldera with >80 different eruptions of rhyolitic lavas such as those that can be seen at Obsidian Cliffs and basaltic lavas which can be viewed at Sheepeater Cliff. Lava strata are most easily seen at the Grand Canyon of the Yellowstone, where the Yellowstone River continues to carve into the ancient lava flows. The canyon is a classic V-shaped valley, indicative of river-type erosion rather than erosion caused by glaciation.
Each eruption is part of an eruptive cycle that climaxes with the partial collapse of the roof of the volcano's partially emptied magma chamber. This creates a collapsed depression, called a caldera, and releases vast amounts of volcanic material, usually through fissures that ring the caldera. The time between the last three cataclysmic eruptions in the Yellowstone area has ranged from 600,000 to 800,000 years, but the small number of such climactic eruptions cannot be used to make an accurate prediction for future volcanic events.
The most famous geyser in the park, and perhaps the world, is Old Faithful Geyser, located in Upper Geyser Basin. Castle Geyser, Lion Geyser and Beehive Geyser are in the same basin. The park contains the largest active geyser in the world—Steamboat Geyser in the Norris Geyser Basin. A study that was completed in 2011 found that at least 1283 geysers have erupted in Yellowstone. Of these, an average of 465 are active in a given year. Yellowstone contains at least 10,000 geothermal features altogether. Half the geothermal features and two-thirds of the world's geysers are concentrated in Yellowstone.
In May 2001, the U.S. Geological Survey, Yellowstone National Park, and the University of Utah created the Yellowstone Volcano Observatory (YVO), a partnership for long-term monitoring of the geological processes of the Yellowstone Plateau volcanic field, for disseminating information concerning the potential hazards of this geologically active region.
In 2003, changes at the Norris Geyser Basin resulted in the temporary closure of some trails in the basin. New fumaroles were observed, and several geysers showed enhanced activity and increasing water temperatures. Several geysers became so hot that they were transformed into purely steaming features; the water had become superheated and they could no longer erupt normally. This coincided with the release of reports of a multiple year United States Geological Survey research project which mapped the bottom of Yellowstone Lake and identified a structural dome that had uplifted at some time in the past. Research indicated that these uplifts posed no immediate threat of a volcanic eruption, since they may have developed long ago, and there had been no temperature increase found near the uplifts. On March 10, 2004, a biologist discovered 5 dead bison which apparently had inhaled toxic geothermal gases trapped in the Norris Geyser Basin by a seasonal atmospheric inversion. This was closely followed by an upsurge of earthquake activity in April 2004. In 2006, it was reported that the Mallard Lake Dome and the Sour Creek Dome— areas that have long been known to show significant changes in their ground movement— had risen at a rate of 1.5 to 2.4 inches (3.8 to 6.1 cm) per year from mid–2004 through 2006. As of late 2007, the uplift has continued at a reduced rate. These events inspired a great deal of media attention and speculation about the geologic future of the region. Experts responded to the conjecture by informing the public that there was no increased risk of a volcanic eruption in the near future. However, these changes demonstrate the dynamic nature of the Yellowstone hydrothermal system.
Yellowstone experiences thousands of small earthquakes every year, virtually all of which are undetectable to people. There have been six earthquakes with at least magnitude 6 or greater in historical times, including a 7.5‑magnitude quake that struck just outside the northwest boundary of the park in 1959. This quake triggered a huge landslide, which caused a partial dam collapse on Hebgen Lake; immediately downstream, the sediment from the landslide dammed the river and created a new lake, known as Earthquake Lake. Twenty-eight people were killed, and property damage was extensive in the immediate region. The earthquake caused some geysers in the northwestern section of the park to erupt, large cracks in the ground formed and emitted steam, and some hot springs that normally have clear water turned muddy. A 6.1‑magnitude earthquake struck inside the park on June 30, 1975, but damage was minimal.
For three months in 1985, 3,000 minor earthquakes were detected in the northwestern section of the park, during what has been referred to as an earthquake swarm, and has been attributed to minor subsidence of the Yellowstone caldera. Beginning on April 30, 2007, 16 small earthquakes with magnitudes up to 2.7 occurred in the Yellowstone Caldera for several days. These swarms of earthquakes are common, and there have been 70 such swarms between 1983 and 2008. In December 2008, over 250 earthquakes were measured over a four-day span under Yellowstone Lake, the largest measuring a magnitude of 3.9. In January 2010, more than 250 earthquakes were detected over a two-day period. Seismic activity in Yellowstone National Park continues and is reported hourly by the Earthquake Hazards Program of the U.S. Geological Survey.
On March 30, 2014, a magnitude 4.8 earthquake struck almost the very middle of Yellowstone near the Norris Basin at 6.34am; reports indicated no damage. This was the biggest earthquake to hit the park since February 22, 1980.
Over 1,700 species of trees and other vascular plants are native to the park. Another 170 species are considered to be exotic species and are non-native. Of the eight conifer tree species documented, Lodgepole Pine forests cover 80% of the total forested areas. Other conifers, such as Subalpine Fir, Engelmann Spruce, Rocky Mountain Douglas-fir and Whitebark Pine, are found in scattered groves throughout the park. As of 2007, the whitebark pine is threatened by a fungus known as white pine blister rust; however, this is mostly confined to forests well to the north and west. In Yellowstone, about seven percent of the whitebark pine species have been impacted with the fungus, compared to nearly complete infestations in northwestern Montana. Quaking Aspen and willows are the most common species of deciduous trees. The aspen forests have declined significantly since the early 20th century, but scientists at Oregon State University attribute recent recovery of the aspen to the reintroduction of wolves which has changed the grazing habits of local elk.
There are dozens of species of flowering plants that have been identified, most of which bloom between the months of May and September. The Yellowstone Sand Verbena is a rare flowering plant found only in Yellowstone. It is closely related to species usually found in much warmer climates, making the sand verbena an enigma. The estimated 8,000 examples of this rare flowering plant all make their home in the sandy soils on the shores of Yellowstone Lake, well above the waterline.
In Yellowstone's hot waters, bacteria form mats of bizarre shapes consisting of trillions of individuals. These bacteria are some of the most primitive life forms on earth. Flies and other arthropods live on the mats, even in the middle of the bitterly cold winters. Initially, scientists thought that microbes there gained sustenance only from sulfur. In 2005 researchers from the University of Colorado at Boulder discovered that the sustenance for at least some of the diverse hyperthermophilic species is molecular hydrogen.
Thermus aquaticus is a bacterium found in the Yellowstone hot springs that produces an important enzyme (Taq polymerase) that is easily replicated in the lab and is useful in replicating DNA as part of the polymerase chain reaction (PCR) process. The retrieval of these bacteria can be achieved with no impact to the ecosystem. Other bacteria in the Yellowstone hot springs may also prove useful to scientists who are searching for cures for various diseases.
Non-native plants sometimes threaten native species by using up nutrient resources. Though exotic species are most commonly found in areas with the greatest human visitation, such as near roads and at major tourist areas, they have also spread into the backcountry. Generally, most exotic species are controlled by pulling the plants out of the soil or by spraying, both of which are time consuming and expensive.
Yellowstone is widely considered to be the finest megafauna wildlife habitat in the lower 48 states. There are almost 60 species of mammals in the park, including the gray wolf, the threatened lynx, and grizzly bears. Other large mammals include the bison (often referred to as buffalo), black bear, elk, moose, mule deer, white-tailed deer, mountain goat, pronghorn, bighorn sheep, and mountain lion.
Bison graze near a hot spring
The Yellowstone Park bison herd is the largest public herd of American bison in the United States. The relatively large bison populations are a concern for ranchers, who fear that the species can transmit bovine diseases to their domesticated cousins. In fact, about half of Yellowstone's bison have been exposed to brucellosis, a bacterial disease that came to North America with European cattle that may cause cattle to miscarry. The disease has little effect on park bison, and no reported case of transmission from wild bison to domestic livestock has been filed. However, the Animal and Plant Health Inspection Service (APHIS) has stated that bison are the "likely source" of the spread of the disease in cattle in Wyoming and North Dakota. Elk also carry the disease and are believed to have transmitted the infection to horses and cattle. Bison once numbered between 30 and 60 million individuals throughout North America, and Yellowstone remains one of their last strongholds. Their populations had increased from less than 50 in the park in 1902 to 4,000 by 2003. The Yellowstone Park bison herd reached a peak in 2005 with 4,900 animals. Despite a summer estimated population of 4,700 in 2007, the number dropped to 3,000 in 2008 after a harsh winter and controversial brucellosis management sending hundreds to slaughter. The Yellowstone Park bison herd is believed to be one of only four free roaming and genetically pure herds on public lands in North America. The other three herds are the Henry Mountains bison herd of Utah, at Wind Cave National Park in South Dakota and on Elk Island in Alberta.
Elk Mother Nursing Her Calf
To combat the perceived threat of brucellosis transmission to cattle, national park personnel regularly harass bison herds back into the park when they venture outside of the area's borders. During the winter of 1996–97, the bison herd was so large that 1,079 bison that had exited the park were shot or sent to slaughter. Animal rights activists argue that this is a cruel practice and that the possibility for disease transmission is not as great as some ranchers maintain. Ecologists point out that the bison are merely traveling to seasonal grazing areas that lie within the Greater Yellowstone Ecosystem that have been converted to cattle grazing, some of which are within National Forests and are leased to private ranchers. APHIS has stated that with vaccinations and other means, brucellosis can be eliminated from the bison and elk herds throughout Yellowstone.
A reintroduced northwestern wolf in Yellowstone National Park
Starting in 1914, in an effort to protect elk populations, the U.S. Congress appropriated funds to be used for the purposes of "destroying wolves, prairie dogs, and other animals injurious to agriculture and animal husbandry" on public lands. Park Service hunters carried out these orders, and by 1926 they had killed 136 wolves, and wolves were virtually eliminated from Yellowstone. Further exterminations continued until the National Park Service ended the practice in 1935. With the passing of the Endangered Species Act in 1973, the wolf was one of the first mammal species listed. After the wolves were extirpated from Yellowstone, the coyote then became the park's top canine predator. However, the coyote is not able to bring down large animals, and the result of this lack of a top predator on these populations was a marked increase in lame and sick megafauna.
Bison in Yellowstone National Park
By the 1990s, the Federal government had reversed its views on wolves. In a controversial decision by the U.S. Fish and Wildlife Service (which oversees threatened and endangered species), northwestern wolves, imported from Canada, were reintroduced into the park. Reintroduction efforts have been successful with populations remaining relatively stable. A survey conducted in 2005 reported that there were 13 wolf packs, totaling 118 individuals in Yellowstone and 326 in the entire ecosystem. These park figures were lower than those reported in 2004 but may be attributable to wolf migration to other nearby areas as suggested by the substantial increase in the Montana population during that interval. Almost all the wolves documented were descended from the 66 wolves reintroduced in 1995–96. The recovery of populations throughout the states of Wyoming, Montana and Idaho has been so successful that on February 27, 2008, the U.S. Fish and Wildlife Service removed the Northern Rocky Mountain wolf population from the endangered species list.
An estimated 600 grizzly bears live in the Greater Yellowstone Ecosystem, with more than half of the population living within Yellowstone. The grizzly is currently listed as a threatened species, however the U.S. Fish and Wildlife Service has announced that they intend to take it off the endangered species list for the Yellowstone region but will likely keep it listed in areas where it has not yet recovered fully. Opponents of delisting the grizzly are concerned that states might once again allow hunting and that better conservation measures need to be implemented to ensure a sustainable population. Black bears are common in the park and were a park symbol due to visitor interaction with the bears starting in 1910. Feeding and close contact with bears has not been permitted since the 1960s to reduce their desire for human foods. Yellowstone is one of the few places in the United States where black bears can be seen coexisting with grizzly bears. Black bear observations occur most often in the park's northern ranges and in the Bechler area which is in the park's southwestern corner.
Population figures for elk are in excess of 30,000—the largest population of any large mammal species in Yellowstone. The northern herd has decreased enormously since the mid‑1990s; this has been attributed to wolf predation and causal effects such as elk using more forested regions to evade predation, consequently making it harder for researchers to accurately count them. The northern herd migrates west into southwestern Montana in the winter. The southern herd migrates southward, and the majority of these elk winter on the National Elk Refuge, immediately southeast of Grand Teton National Park. The southern herd migration is the largest mammalian migration remaining in the U.S. outside of Alaska.
In 2003 the tracks of one female lynx and her cub were spotted and followed for over 2 miles (3.2 km). Fecal material and other evidence obtained were tested and confirmed to be those of a lynx. No visual confirmation was made, however. Lynx have not been seen in Yellowstone since 1998, though DNA taken from hair samples obtained in 2001 confirmed that lynx were at least transient to the park. Other less commonly seen mammals include the mountain lion and wolverine. The mountain lion has an estimated population of only 25 individuals parkwide. The wolverine is another rare park mammal, and accurate population figures for this species are not known. These uncommon and rare mammals provide insight into the health of protected lands such as Yellowstone and help managers make determinations as to how best to preserve habitats.
Eighteen species of fish live in Yellowstone, including the core range of the Yellowstone cutthroat trout—a fish highly sought by anglers. The Yellowstone cutthroat trout has faced several threats since the 1980s, including the suspected illegal introduction into Yellowstone Lake of lake trout, an invasive species which consume the smaller cutthroat trout. Although lake trout were established in Shoshone and Lewis lakes in the Snake River drainage from U.S. Government stocking operations in 1890, it was never officially introduced into the Yellowstone River drainage. The cutthroat trout has also faced an ongoing drought, as well as the accidental introduction of a parasite—whirling disease—which causes a terminal nervous system disease in younger fish. Since 2001, all native sport fish species caught in Yellowstone waterways are subject to a catch and release law. Yellowstone is also home to six species of reptiles, such as the painted turtle and Prairie rattlesnake, and four species of amphibians, including the Boreal Chorus Frog.
311 species of birds have been reported, almost half of which nest in Yellowstone. As of 1999, twenty-six pairs of nesting bald eagles have been documented. Extremely rare sightings of whooping cranes have been recorded, however only three examples of this species are known to live in the Rocky Mountains, out of 385 known worldwide. Other birds, considered to be species of special concern because of their rarity in Yellowstone, include the common loon, harlequin duck, osprey, peregrine falcon and the trumpeter swan.
As wildfire is a natural part of most ecosystems, plants that are indigenous to Yellowstone have adapted in a variety of ways. Douglas-fir have a thick bark which protects the inner section of the tree from most fires. Lodgepole Pines —the most common tree species in the park— generally have cones that are only opened by the heat of fire. Their seeds are held in place by a tough resin, and fire assists in melting the resin, allowing the seeds to disperse. Fire clears out dead and downed wood, providing fewer obstacles for lodgepole pines to flourish. Subalpine Fir, Engelmann Spruce, Whitebark Pine, and other species tend to grow in colder and moister areas, where fire is less likely to occur. Aspen trees sprout new growth from their roots, and even if a severe fire kills the tree above ground, the roots often survive unharmed because they are insulated from the heat by soil. The National Park Service estimates that in natural conditions, grasslands in Yellowstone burned an average of every 20 to 25 years, while forests in the park would experience fire about every 300 years.
About thirty-five natural forest fires are ignited each year by lightning, while another six to ten are started by people— in most cases by accident. Yellowstone National Park has three fire lookout towers, each staffed by trained fire fighters. The easiest one to reach is atop Mount Washburn, though it is closed to the public. The park also monitors fire from the air and relies on visitor reports of smoke and/or flames. Fire towers are staffed almost continuously from late June to mid-September— the primary fire season. Fires burn with the greatest intensity in the late afternoon and evening. Few fires burn more than 100 acres (40 ha), and the vast majority of fires reach only a little over an acre (0.5 ha) before they burn themselves out. Fire management focuses on monitoring dead and down wood quantities, soil and tree moisture, and the weather, to determine those areas most vulnerable to fire should one ignite. Current policy is to suppress all human caused fires and to evaluate natural fires, examining the benefit or detriment they may pose on the ecosystem. If a fire is considered to be an immediate threat to people and structures, or will burn out of control, then fire suppression is performed.
In an effort to minimize the chances of out of control fires and threats to people and structures, park employees do more than just monitor the potential for fire. Controlled burns are prescribed fires which are deliberately started to remove dead timber under conditions which allow fire fighters an opportunity to carefully control where and how much wood is consumed. Natural fires are sometimes considered prescribed fires if they are left to burn. In Yellowstone, unlike some other parks, there have been very few fires deliberately started by employees as prescribed burns. However, over the last 30 years, over 300 natural fires have been allowed to burn naturally. In addition, fire fighters remove dead and down wood and other hazards from areas where they will be a potential fire threat to lives and property, reducing the chances of fire danger in these areas. Fire monitors also regulate fire through educational services to the public and have been known to temporarily ban campfires from campgrounds during periods of high fire danger. The common notion in early United States land management policies was that all forest fires were bad. Fire was seen as a purely destructive force and there was little understanding that it was an integral part of the ecosystem. Consequently, until the 1970s, when a better understanding of wildfire was developed, all fires were suppressed. This led to an increase in dead and dying forests, which would later provide the fuel load for fires that would be much harder, and in some cases, impossible to control. Fire Management Plans were implemented, detailing that natural fires should be allowed to burn if they posed no immediate threat to lives and property.
1988 started with a wet spring season although by summer, drought began moving in throughout the northern Rockies, creating the driest year on record to that point. Grasses and plants which grew well in the early summer from the abundant spring moisture produced plenty of grass, which soon turned to dry tinder. The National Park Service began firefighting efforts to keep the fires under control, but the extreme drought made suppression difficult. Between July 15 and 21, 1988, fires quickly spread from 8,500 acres (3,400 ha; 13.3 sq mi) throughout the entire Yellowstone region, which included areas outside the park, to 99,000 acres (40,000 ha; 155 sq mi) on the park land alone. By the end of the month, the fires were out of control. Large fires burned together, and on August 20, 1988, the single worst day of the fires, more than 150,000 acres (61,000 ha; 230 sq mi) were consumed. Seven large fires were responsible for 95% of the 793,000 acres (321,000 ha; 1,239 sq mi) that were burned over the next couple of months. A total of 25,000 firefighters and U.S. military forces participated in the suppression efforts, at a cost of 120 million dollars. By the time winter brought snow that helped extinguish the last flames, the fires had destroyed 67 structures and caused several million dollars in damage. Though no civilian lives were lost, two personnel associated with the firefighting efforts were killed.
Contrary to media reports and speculation at the time, the fires killed very few park animals— surveys indicated that only about 345 elk (of an estimated 40,000–50,000), 36 deer, 12 moose, 6 black bears, and 9 bison had perished. Changes in fire management policies were implemented by land management agencies throughout the United States, based on knowledge gained from the 1988 fires and the evaluation of scientists and experts from various fields. By 1992, Yellowstone had adopted a new fire management plan which observed stricter guidelines for the management of natural fires.
from Wikipedia
Photographed to contribute with MScamera.info Group's "Back to School" Workshop.
This photo was chosen as one of Flickr's most interesting photos, it was added to Explore on 16th of September, 2006 - Ranked #395 out of 500 other chosen photos.
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* The clock is hand made in Italy, Antartidee.
The Butler Brothers wholesale warehouse was constructed in 1906 and occupied half a city block. The massive red-brick building is Sullivanesque in character, incorporating features of Louis Sullivan’s “Chicago School” of architecture. Most symbolic of the Sullivanesque style is the building's symmetrical form highlighted by vertical strips of windows. The Butler Brothers Company, was one of the largest wholesalers of general merchandise in the United States when it established a branch in Minneapolis. The building served as a warehouse and distribution center until the late 1950s. The building was the first to undergo renovation in the Warehouse District. Renovation work began in the fall of 1973 and was completed in 1974. The building is located in the Minneapolis Warehouse Historic District listed on the National Register of Historic Places and is a contributing property.