View allAll Photos Tagged constructions
shot with an olympus om-d e-m10 mark ii—720nm infrared converted—and an olympus 12mm f/2.0 wide angle lens
The heavy lifting of bridge sections begins at the northern end of the new bridge over the Derwent River at Bridgewater.
IN ADDITION (please spend a few minutes watching):
I just have to give you a link to this wonderful rant about the future of photography by Matt Hart, Photography is dying!
www.youtube.com/watch?v=fiYAXKEdfWQ
Matt makes so many good points here (with real passion).
- AI is killing photography, but this might be a blessing in disguise - because AI is so boring people will quickly tire of it.
- Lazy photographers use AI even in Lightroom and Photoshop.
- My favourite quote of the video is this one about learning to use cameras: "You don't get a load of saucepans and become a chef." Wise advice.
Poznan, Poland
Autumn
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The Very Best View On Black And Large
(Explore) (157)
El interior
Las columnas de la nave central.
Detalle de la bóveda.
Gaudí evolucionó de un primer proyecto gótico hacia un estilo personal, orgánico, inspirado en las formas de la naturaleza: para librarse de los contrafuertes góticos, ideó el uso de columnas en forma de tronco de árbol, que permiten descargar el peso de las cubiertas directamente en el suelo, solución práctica a la vez que estética, ya que convierte el interior de las naves del templo en un espacio orgánico que semeja un bosque. En 1987 se inició la cimentación de las naves; para 1997 se completaron las bóvedas laterales y se empezó la central.
El templo tiene planta de cruz latina, con cinco naves de 90 metros de longitud, y crucero de tres naves de 60 metros; la nave central tiene un ancho de 15 metros, y 7,5 las laterales, haciendo un total de 45 metros; ancho del crucero, 30 metros. La altura es de 45 metros en las bóvedas de la nave central y 30 en las laterales, mientras que las del cimborio central llegarán a los 60 metros. Las naves laterales contendrán las cantorías para los coros. El ábside es lobulado, con deambulatorio entorno del presbiterio. El templo contará con un total de 36 columnas, que oscilarán entre 11,10 y 22,20 metros de altura, con bases de polígonos estrellados de varios lados según su ubicación: 6 (naves laterales), 8 (nave central), 10 (torres de los Evangelistas), 12 (torre de Jesús). Los materiales de construcción varían de la piedra de Montjuïc al granito, basalto o pórfido.
Las bóvedas son hiperbólicas, construidas con baldosas de mosaico veneciano. Gaudí utilizó la técnica de la bóveda catalana o bóveda tabicada, que consistía en la superposición de varias capas de ladrillos con argamasa. Las cubiertas son de forma piramidal, coronadas por una linterna y un farol. Los ventanales están pensados para distribuir una iluminación suave y armónica, creando un efecto de recogimiento, y tienen forma geométrica abstracta; las vidrieras de colores son obra de Joan Vila i Grau. Gaudí realizó profundos estudios acústicos y lumínicos para conseguir una perfecta sonoridad e iluminación en el interior del templo.
The church plan is that of a Latin cross with five aisles. The central nave vaults reach 45 meters while the side nave vaults reach 30 meters. The transept has 3 aisles. The columns are on a 7.5 meter grid however the columns of the apse, resting on del Villar's foundation, do not adhere to the grid, requiring a section of columns of the ambulatory to transition to the grid thus creating a horseshoe pattern to the layout of those columns. The crossing rests on the four central columns of porphyry supporting a great hyperboloid surrounded by two rings of 12 hyperboloids (currently under construction). The central vault reaches 60 meters. The apse will be capped by a hyperboloid vault reaching 75 meters. Gaudi intended that a visitor standing at the main entrance be able to see the vaults of the nave, crossing, and apse, thus the graduated increase in vault loftiness.
The columns of the interior are a unique Gaudi design. Besides branching to support their load, their ever-changing surfaces are the result of the intersection of various geometric forms. The simplest example is that of a square base evolving into an octagon as the column rises, then a 16-sided form, and eventually to a circle. This effect is the result of a three-dimensional intersection of helicoidal columns (for example a square cross-section column twisting clockwise and a similar one twisting counter-clockwise).
(Wikipedia)
Came across construction equipment used for highway widening
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germanstreetphotography.com/michael-monty-may/
For quite a few years, Chicago's greater west side (West Loop & Fulton Market, in particular) have seemed like a constant construction site. I don't have any cityscape shots from there that are construction-free.
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more here on my non-portfolio: nisah.myportfolio.com/
Sneaking into a construction site in the dead of night was well worth it...
(long exposure taken a few hours after sundown)
A study in framing.
Decatur (Winnona Park), Georgia, USA.
30 January 2022.
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▶ Camera: Olympus OM-D E-M10 II.
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From our "Under Construction" photo session on November 13, 2011 at the Downtown Ikonix Studio in Des Moines, Iowa.
See more photos from this photo session here:
www.flickr.com/photos/don3rdse/sets/72157628214354285/
See more of our studio work here:
www.flickr.com/photos/don3rdse/collections/72157626807498...
If you want more, just follow this link to "LIKE" us on Facebook .
The future of construction vehicles is here ! This multipurpose mech can work on all terrains thanks to its six legs, and can be twice as efficient as your usual machine with its two independent and fully articulated arms ! Attach the tool of your choosing, and you're ready to work ! You can grab, drill, cut, or dig, with a single machine ! And if you need help on the construction site, the remote controlled crab drone is here !
• With the claws on, the mech measures 39.4 x 33.3 x 18.5 studs / 12.4 x 10.5 x 5.8in / 31.5 x 26.6 x 14.8cm (L x W x H)
• The steel beam measures 36 studs / 11.3in / 28.8cm long and can be split in three sections.
• The drone crab measures 9.7 x 9.1 x 5 studs / 3 x 2.9 x 1.6in / 7.7 x 7.3 x 4cm (L x W x H)
• The model comes with three minifigs : a pilot, a copilot, and a drone operator.
• The mech can use five functional tools : two claws, a bucket, a drill, and a circular saw blade.
• Open the windscreen to access the cockpit, with seats and coffee for the pilot and the copilot.
• The front and back legs can move back and forth, and the arms are fully articulated.
Instructions available on Rebrickable : rebrickable.com/mocs/MOC-216982/Leewan/construction-crab-...
Constructions.
Mysterieuze dromen onbelemmerd passen natuurkunde tijd exaltaties lichamelijke wetenschap hallucinerende sterren legioenen symfonie koesterende poëzie,
épées victorieuses conscience flottante découvertes objets émotions humaines indépendance yeux nature spirituelle état le plus élevé bondissant frénétique région sauvage hurlant rivières ambulantes,
balanço agarra êxtase privação divisões crescentes respirando quadrados cálculos perfeitos delírio perceptível grãos invariáveis manifestando flores,
coloane călătorii forțe comunicante anatomiste fluide condiție magnetică frumusețe vânturi ridicând speranțe convingeri sete circumscris teritoriului,
гребля упражнение сознательный экстаз вечные возвышенные мысли взрыв энергии захватывающие чувства захватывающие видения импровизированные отголоски,
無人の山々笑顔現象激しい条件が浮き彫りにされた日々直感的な知覚新鮮さの谷は地平線から逃げるドアを望んでいる日没の奇妙な風景豊かな空気を踊る.
Steve.D.Hammond.