View allAll Photos Tagged constraining
My very good friend has loaned me the 50/1.8 that I try to use every now and then. Just to constrain myself and force myself to see differently. But a 7D with grip looks quite stub-nosed and amusing with a small lens attached, doesn't it?
My “garden space” is nothing more than rocks with a short fence around it. If I want to have something biotic, growing and living things, then I have to create the conditions for such things out of my abiotic garden space. With the help of Home Depot, I was able to compile the right combination of abiotic materials to support - and yes, constrain – life: planters, soil, plant food, and a hose to deliver water. Of course, I also had to purchase the living things as well, in the form of small plants or seeds. Unfortunately, two of the plants here are often misnamed; tomatoes are often referred to as a vegetable when they are actually a fruit and the strawberry is not a berry. Berry interesting, don’t you think?
Former Center for Racial Justice visiting fellow, legal scholar, and sociologist Atinuke O. Adediran discussed her new book Disclosureland: How Corporate Words Constrain Racial Progress. Drawing from social science research and legal analysis, Disclosureland uncovers the power structures and institutional practices that determine how companies respond to calls for change. Critical, insightful, and forward-thinking, Disclosureland challenges readers to look beyond public rhetoric to understand how corporate narratives shape our collective pursuit of fairness, equity, and shared responsibility. Adediran was joined in conversation by Mark S. Mizruchi, U-M professor of sociology.
All rights reserved. This photo is copyrighted by Michigan Photography and the University of Michigan. Third-party use requires prior written permission from the Gerald R. Ford School of Public Policy and/or written permission or a license agreement with Michigan Photography.
For commercial or business use, contact Michigan Photography at photography.umich.edu. News organizations should email fspp-editor@umich.edu for usage permission. Mandatory photo credit: Gerald R. Ford School of Public Policy/Michigan Photography.
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Defective Product Lawyer Idaho Call 208 343 7510. visit ift.tt/2nEZieg Hepworth Holzer, LLP 537 W Bannock St Ste 200, Boise, ID 83702 (208) 343-7510 ift.tt/2nEZieg share this Defective Product Lawyer Idaho video youtu.be/FNJECHz_r1A Defective Product Attorney Idaho Do I Have a Claim for a Broken Medical Device? Charlie: Those cases are intricate. It's not uncommon for a gadget that has been set amid medical procedure to break. The gadget cracking does not really mean the individual has a substantial case. I've as of late taken care of a few hip substitution item deformity cases. In a couple of those cases, one of the segments of the hip substitution has broken and we've taken the position that the break would not have happened truant the segment being faulty. It caused a huge issue for the patient. The crack of the segment is solid proof there was an item disappointment and we have a claim. Where I more often than not have not possessed the capacity to offer help is with spine medical procedure. It's normal for a screw to break or a plate to wind up removed from its unique area. Doctors disclose to me those issues create after some time. Along these lines, the cracking of a screw or the relocation of a plate does not really imply that the specialist did anything incorrectly. All in all, what are Medical Devices? Charlie: They are parts or remote articles put in the body for some reason. It's the segments utilized for a knee or hip substitution. For a hip substitution, it's metallic segments. It can be a screw or a plate to treat a crack. Does a FDA review help with my claim? Charlie: Yes. That reveals to you the producer has had enough scenes of disappointments of their item that they've chosen to review it. In any case, the reality the item has been reviewed isn't dispositive that the item is imperfect. The producer may complete a review however protect prosecution by saying the review was expected to getting a couple of reports of issues. They'll keep up their item was powerful and fitting, and not deficient and they didn't do anything amiss with the generation of that part. Suppose a man has justification for a suit. Do you sue for harms? Do you sue for torment and enduring? What do you sue for? Charlie: The harms you can guarantee shift with the case. The most widely recognized harms are therapeutic costs identified with the issue. In this way, if a flawed item must be evacuated and supplanted, there's the related medical procedure and follow up restorative care. All restorative negligence cases include claims for torment and enduring. The most vital thing to think about agony and enduring harms is that most states, Idaho included, have a top on the amount you can recuperate. Therapeutic costs are monetary harms and in Idaho, you can recuperate every financial harm you can demonstrate. However, with agony and enduring or non-monetary harms, Idaho constrains the sum you can recuperate to $350,000. A jury may be impressed to the point that they grant you $1 million in torment and enduring harms, yet you're constrained to the $350,000 top. Additionally, in some cases an individual is uprooted from work and we guarantee loss of income from either impermanent or perpetual removal from their consistent activity. Lasting loss of profit goes well into the future and possibly they're just make a lessened wage. Subsequently, they have lost winning limit and that can be very considerable relying upon the case and showed profit of that person preceding their damage. Could a man bear to contact a lawyer? Charlie: Sure. We don't charge for starting meetings. I address individuals consistently who are getting some information about their circumstances and I do my best to answer their inquiries and invest whatever energy I requirement for that individual to comprehend their circumstance. I don't charge for that time. It's a piece of the procedure and it's the means by which I recognize cases I'm ready to help with.
Former Center for Racial Justice visiting fellow, legal scholar, and sociologist Atinuke O. Adediran discussed her new book Disclosureland: How Corporate Words Constrain Racial Progress. Drawing from social science research and legal analysis, Disclosureland uncovers the power structures and institutional practices that determine how companies respond to calls for change. Critical, insightful, and forward-thinking, Disclosureland challenges readers to look beyond public rhetoric to understand how corporate narratives shape our collective pursuit of fairness, equity, and shared responsibility. Adediran was joined in conversation by Mark S. Mizruchi, U-M professor of sociology.
All rights reserved. This photo is copyrighted by Michigan Photography and the University of Michigan. Third-party use requires prior written permission from the Gerald R. Ford School of Public Policy and/or written permission or a license agreement with Michigan Photography.
For commercial or business use, contact Michigan Photography at photography.umich.edu. News organizations should email fspp-editor@umich.edu for usage permission. Mandatory photo credit: Gerald R. Ford School of Public Policy/Michigan Photography.
Intent: This is my entry in the ‘mood’ images category, extracting a subdued palette while maintaining exposure.
Success; The solitude of this scene as the sun is rising to peak over the trees behind this home sets the mood. It is early morning with The light breaking out of a window and illuminating the patio telling us people are starting their day. One can almost smell the coffee. Or is that breakfast being prepared?
Text: In Duchemin’s book he presents that less is more when working for mood. It is something I have read in articles when I started this habit in 1972 on my ship. Tough to constrain the enthusiasm in a gaudy scene, but this certainly has its merits.
Edits: Slight crop, Color balance, exposure balance to let the viewer become aware of the trees & house and not blow out the the morning sky.
exhibition opening, November 7, 2024
Filodrammatica Gallery, Korzo 28/1, Rijeka
on view until November 28, 2024
The exhibition brings together works that explore various practices that people without (or with very little) power employ when the systems fail them.
Trapped within constraining situations, these people are starting to develop strategies of lying, cheating and stealing to counter their limitations and powerlessness vis-à-vis these systems...
PRESENTED WORKS:
✁ GHOST WORK | !Mediengruppe Bitnik
✁ ALGOFFSHORE | RYBN.ORG
✁ WOMEN'S AFFAIRS | Kiosk
✁ FLAG STORIES (use and pass on) | Škart
✁ SEJJAĦ LIL MALTA | Tania El Khouri
✁ FIGURE IT OUT ONLINE ZINE | Figure it Out Research Group
Photo: Tanja Kanazir / Drugo more
This photo was taken in October 2019. I'm in the room with a farming community in Lancaster County, Pennsylvania. It's about as conservative as you can get.
They're worried. Farming is evolving too fast. Global competition is increasing. The science of agriculture is accelerating. Cost pressures are relentless. Automation is at the door. They can't hire enough people to work on the farms. They had big goals for global market opportunities for American agricultural products; then a tariff war cut into those hopes around 2017, and those goals weren't realized. Oops.
They're scared.
They're still scared but decided recently that even though the old plan didn't work the first time, it might work the second time.
It won't.
And so here we are.
If you get behind all of this and try to understand what is going on, the fact is they're scared of the future. They make often irrational decisions based on that fear - something I dug into yesterday. When I spoke to this crowd in 2019, they were, like many groups I speak to all over the US, terrified of what tomorrow represents. The result is that rather than trying to go forward, they undertake actions in an attempt to take themselves back to the 'good old days.' Make it great again, simply by stating it should be so, and then throwing a tantrum to try to make it happen.
Except, that never works.
Let that be a lesson - the key to tomorrow comes confronting your fear and turning it into opportunity.
How do you do this? This is what I would share with them today. What do you do if you are scared of tomorrow? Turn that fear into fuel. Think like this:
View future trends as opportunities, not threats It is important to adopt an innovative frame of mind and recognize the potential for growth and advancement. Move forward, not back.
Shift your focus. Far too many people view the future with fear rather than thinking about opportunity. An innovative mindset doesn't quiver from the fear of what might be coming next. Instead, it's alive from breathing the oxygen of opportunity.
Banish complacency and skepticism. Realize that in an era of rapid change, anything is possible. But only if you choose to chase it.
Take action. Rapid times require bold change. Don't avoid the future and fail to do the tough things needed to get there.
Challenge assumptions and eliminate habit. If your approach to the future is based upon your past success, ask yourself whether that will guarantee you similar results in the future. (Hint: it won't.)
Innovate! Innovators don’t make a difference by redoing the status quo — they accomplish great things by being different. And they don’t constrain their difference with traditional thinking: they simply think differently.
Re-engage with the future Shift your focus to the future with enthusiasm, motivation, and imagination. Turn it from an enemy into a friend that gives back to you!
There are many reasons for our current global state of affairs.
Like I've said many times, one reason is this.
It's better to align to the future than fear it.
You do that by turning the fear into fuel.
#Fear #Future #Innovation #Opportunity #Change #Mindset #Farming #Progress #Action #Growth
Original post: jimcarroll.com/2025/03/daily-inspiration-economic-volatil...
After trek more than 12hrs 2 reach Savana at 3.30pm,due 2 time constrain our guide call 4wd 2 send us 2 Ranu Pani Lake.
GChris Sculpture & Thought.
Sculpture - bordering on the edge of freedom
Thought - Expresses the exhilaration and risk of freedom moving through and outside of a sometimes constraining and sometimes supportive environment and being on the borderline between being within and breaking the bounds.
The exhibition Human Pyramid by artist Isla Hansen explores the relationship between body and technology, confronting the feeling of oppressive technological progress with objects of play. Through the use of digital fabrication processes and automated technologies in combination with the hand made, hand modeled, hand molded, and hand finished, the artist aims to reveal the myth of automation -- the often hidden human labor that is always a necessary part of using automated tools, often perceived as more technological than our own bodies. Human Pyramid explores the contradiction, absurdity, tragedy, and joy inherent in the human attempt to build worlds and control them through the use of tools and labor. Inspired by DIY home construction shows, erector sets and construction games, objects of play, sports media, and the notion of self-replicating machines, Human Pyramid searches for an aesthetic that reclaims the tools of oppressive systems constraining bodies at play and bodies at work.
Kota Kuala Kedah,
Kuala Kedah, Kedah, Malaysia
Replica of British cannon. This British-made cannon was originally the artillery fortification for Kota Kuala Kedah which was seized by the Ligor army during the war between Kedah and Siam in 1831. This cannon is believed to be a contemporary of the Katak Puru Cannon (Toad Cannon), Badak Berendam Cannon (Wallowing Rhino Canon) and the Harung Darah Cannon (Blood Wader Cannon). It is estimated to be around 300 years old.
Due to limited resources and time constrains to prepare a text caption, I am simply transcribing the text prepared on the storyboard as a precursor for those interested in pursuing further research on the subject.
Fort Kuala Kedah (Kota Kuala Kedah) is the oldest Malay fort in northern Malaysia and dates from the 17th century. It was destroyed and rebuilt in the 19th century and was occupied by the Japanese troops during the Japanese occupation of Malaya in the Second World War.
Sultan Sulaiman Syah who ruled from 1602 to 1620 built the original fort from clay, bakau timber and bamboo with the assistance of his allies, the Portuguese who had established a presence in the area. The sultan ruled from his base at Fort Seputeh, which was destroyed by the Acheh Armada in 1619 (an event which resulted the Portuguese being ousted from the area) and again in 1770 by the Bugis Armada.
In 1780 to 1782, Sultan Mukarram Syah, the 20th sultan of Kedah who ruled from 1778 to 1797, rebuilt and strengthened Fort Kuala Kedah. Hafiz Sab, an architect who was also the "Maharaja Kadhi", or religious head, directed the rebuilding of the fort with labor imported from India and gave its presence look. Cannons purchased from the British and the Dutch were placed around the fort. A palace was built inside it.
The fort was attacked and destroyed in November 1821 by the powerful Siamese Armada. It occurred during the reign of Sultan Ahmad Tajuddin Halim Syah II, the 22nd sultan of Kedah who ruled Kedah from 1804 to 1845. The fort was his administrative center.
The fort which was also known as For Kuala Bahang (Kota Kuala Bahang), is located near the mouth of Kedah River, about 12 kilometers from the town of Alor Setar. It was designated as a historical monument and historical site under the Antiquities Act 1976 in August 1978.
Top Current Affairs 18 September 2014
Top Current Affairs 18 September 2014
1- Indonesia is all set to bag the hosting rights of the next Asian Games probably to take place in 2018.
Vietnam, the scheduled host, had earlier withdrawn from the event citing financial constrains.
The only time...
exhibition opening, November 7, 2024
Filodrammatica Gallery, Korzo 28/1, Rijeka
on view until November 28, 2024
The exhibition brings together works that explore various practices that people without (or with very little) power employ when the systems fail them.
Trapped within constraining situations, these people are starting to develop strategies of lying, cheating and stealing to counter their limitations and powerlessness vis-à-vis these systems...
PRESENTED WORKS:
✁ GHOST WORK | !Mediengruppe Bitnik
✁ ALGOFFSHORE | RYBN.ORG
✁ WOMEN'S AFFAIRS | Kiosk
✁ FLAG STORIES (use and pass on) | Škart
✁ SEJJAĦ LIL MALTA | Tania El Khouri
✁ FIGURE IT OUT ONLINE ZINE | Figure it Out Research Group
Photo: Tanja Kanazir / Drugo more
Kota Kuala Kedah (Kuala Kedah Fort),
Kuala Kedah, Kedah, Malaysia
[Kompleks Sejarah Kota Kuala Kedah
Jabatan Muzium Malaysia (Wilayah Utara)
Kampung Seberang Kota, 06600 Kuala Kedah
Kedah].
Badak Berendam Cannon (Meriam Badak Berendam) positioned at the south-western corner bastion overlooking the river mouth. A salvaged ancient cannon lodged among the mud and debris of the ruin of the collapsed sea wall. Meriam Badak Berendam (The Wallowing Rhino) is the nickname given to the cannon.
Due to limited resources and time constrains to prepare a text caption, I am simply transcribing the text prepared on the storyboard as a precursor for those interested in pursuing further research on the subject.
Fort Kuala Kedah (Kota Kuala Kedah) is the oldest Malay fort in northern Malaysia and dates from the 17th century. It was destroyed and rebuilt in the 19th century and was occupied by the Japanese troops during the Japanese occupation of Malaya in the Second World War.
Sultan Sulaiman Syah who ruled from 1602 to 1620 built the original fort from clay, bakau timber and bamboo with the assistance of his allies, the Portuguese who had established a presence in the area. The sultan ruled from his base at Fort Seputeh, which was destroyed by the Acheh Armada in 1619 (an event which resulted the Portuguese being ousted from the area) and again in 1770 by the Bugis Armada.
In 1780 to 1782, Sultan Mukarram Syah, the 20th sultan of Kedah who ruled from 1778 to 1797, rebuilt and strengthened Fort Kuala Kedah. Hafiz Sab, an architect who was also the "Maharaja Kadhi", or religious head, directed the rebuilding of the fort with labor imported from India and gave its presence look. Cannons purchased from the British and the Dutch were placed around the fort. A palace was built inside it.
The fort was attacked and destroyed in November 1821 by the powerful Siamese Armada. It occurred during the reign of Sultan Ahmad Tajuddin Halim Syah II, the 22nd sultan of Kedah who ruled Kedah from 1804 to 1845. The fort was his administrative center.
The fort which was also known as For Kuala Bahang (Kota Kuala Bahang), is located near the mouth of Kedah River, about 12 kilometers from the town of Alor Setar. It was designated as a historical monument and historical site under the Antiquities Act 1976 in August 1978.
This is one of my experimental photography projects. There are many fixed rules in life which constrain our humanity, but actually there is always a charming monster in everyone’s heart waiting for extrication. So I chose a short and slim man as my model, combining slight light released by fluorescer in dark to express the depressed emotions going to explode.
Self-contained conference room. Note the semi-privacy glass and the low ceiling that contains conference room noise but doesn't constrain the spacious feel of the open-plan office.
The focus of my research is an examination of the daily lives of South Asian women, specifically in my home city of Karachi, Pakistan. Within my art practice, I draw from my experiences of how I inhabit public and private spaces and rely on research from other South Asian scholars interested in gender, urban space and the women’s right in everyday life. My research into how gender is interwoven with demarcations between and connotations of public and private spaces has led me to deeply examine what private spaces and boundaries mean to women for whom unconditional access to public spaces is still a fantasy. In this exhibition I investigate “phenomenal boundaries”; a term coined by sociologist Bridget Purcell, that is, the boundary not as “real”, but as experienced and constituted (or not) by its inhabitants. My aim is to think about place from the lens of gender and discuss phenomenal boundaries women create in order to feel safer in public spaces, as well as the phenomenal boundaries in the form of fear that women experience when they step into a public place. Examining my relationship with place has led me to a deeper and more expansive definition of boundaries as constraining, or safe, and sometimes both at the same time. In the installation, Transgressing Boundaries, I present my perspective as a upper middle class woman living in Pakistan, negotiating the boundaries of fear, of limited access to public space, and within the private spaces of home. My work draws out how I, and many other women around me, actively engage and negotiate for space and power. One of the ways of doing this is by using the very same boundaries and constraints to empower space for ourselves in the patriarchal world. In this installation, I reflect on the idea of boundaries by curating a private space, built with separators, the ritual of Rangoli, and illustrations of myself. I create a private space that is safe and yet constraining, active and yet passive; a space that maintains boundaries while simultaneously transgress them.
In India, new product developments will continue to skew towards vegetarian dishes. Local diets and religious restrictions on the consumption of pork and beef are likely to constrain the development of meat-based ready meals, except in the eastern region.
Indians, at least in Chennai, don't live according to a grid.
They apply grids to constrain or restrict people.
The exhibition Human Pyramid by artist Isla Hansen explores the relationship between body and technology, confronting the feeling of oppressive technological progress with objects of play. Through the use of digital fabrication processes and automated technologies in combination with the hand made, hand modeled, hand molded, and hand finished, the artist aims to reveal the myth of automation -- the often hidden human labor that is always a necessary part of using automated tools, often perceived as more technological than our own bodies. Human Pyramid explores the contradiction, absurdity, tragedy, and joy inherent in the human attempt to build worlds and control them through the use of tools and labor. Inspired by DIY home construction shows, erector sets and construction games, objects of play, sports media, and the notion of self-replicating machines, Human Pyramid searches for an aesthetic that reclaims the tools of oppressive systems constraining bodies at play and bodies at work.
When under time constrains and/or wanting to keep travel costs under control, one can always find ways to connect with nature within a short distance from urban centers. Here, with past year’s images I am sort of giving a heads up as to what one might discover along the Rideau Canal.
Rideau Canal, Kingston, Ontario, Canada
float x = width*.5;
float y = width*.5;
float angle = 0.0;
float speed = .5;
void setup() {
size (800,800);
randomSeed(21);
smooth();
background (255);
stroke (255);
fill(255,0);
frameRate(200);
}
void draw () {
angle += random(-0.3, 0.3);
x += cos(angle * speed);
y += sin(angle * speed);
translate(x,y);
rotate(angle);
stroke(
map(x,width*.2,(width/2)*.8,0,255),
map(x,width*.2,width*.8,50,255),
map(y,height*.2,height*.8,0,255),55);
ellipse (0,0, width/30,height/30);
println (frameCount);
//this code causes the drawn objects to wraparound the screen
//and constrains it to a smaller box
while(x width*.8 - 1) x-=width*.6;
while(y height*.8 - 1) y-=height*.6;
if (frameCount == 20000) {
noLoop();
//saveFrame ();
}
}
We investigated the glacier system and collect samples from boulders to constrain the past glaciation timing and tree rings for reconstruct past climate change.
Neutralino self-annihilation cross-sections in the CMSSM, in the zero-velocity limit. Left: with no constraining experimental data except measurements of SM nuisance parameters
and physicality requirements.
Middle: constraints provided by 9 months of Fermi
data on Segue 1, under the most pessimistic (top) and optimistic (bottom) assumptions about the substructure boost factor.
Right: projected constraints after 5 years of Fermi
observations. Colours indicate
68% (yellow) and 95% (red) confidence regions. The preliminary 95% confidence level upper limit on the annihilation cross-section from 9 months of Fermi data, assuming 100% WIMP annihilation into b ̄ b[70], is given for comparison (black curve).
This image is a photograph taken with my fathers vintage Kodak Camera with expired film. There is a park not too far from my home where there is a line of trees just before a fence on a hill. Many times I have walked my dog past this fence and never taken a second glance, but one day I had the thought that this image symbolized mans tendency to attempt to constrain nature and other people. I decided to shoot this scene on a vintage camera because I wanted the photograph to have an almost dreamy or surreal quality. It almost seems as if these trees are from some post-modern dream world where the government has decided to prevent citizens from exploring the forest.
#dystopia #wasteland #apocalypse #nightmare #sci-fi #moody #darkness #psychological #malevolent #menacing #menace #malice #brooding #forboding #foreshadowing #Kafkaesque #daunting #intimidating #futuristic #controlling #militaristic #solemn #drab #lifeless #constraining #somber #wrecked #trashed #ruined #ruins #danger #dangerous #threatening #dissolute #hopeless #totalitarian #反乌托邦 #反烏托邦 #暗黒郷 #디스토피아 #антиутопия #антыўтопія #дистопија #dystopia #dystopi #distopi #distopía #dystopie #distopie #dystópíu #distopija #diostóip #disztópia #dystopiya #idystopia #դիստոպիա #డిస్టోపియా #โทเปีย #ডিষ্টোপিয়া #डिस्टोपिया #डिस्टोपिया #டிஸ்டோபியா #ડાયસ્ટોપિયા #ಡಿಸ್ಟೋಪಿಯಾ #ឌីស្តូបៀ #ഡിസ്റ്റോപ്പിയ #дистопия #डिस्टोपिया #антиутопія #претња #menace #威胁 #威脅 #হুমকি #hrozba #Bedrohung #amenaza #угроза #脅威 #위협 #bedreiging #dreiging #kërcënim #սպառնալիք #təhlükə #bagabagali #prijetnja #пагроза #заплаха #amenaça #minaccia #prijetnja #pagbabanta #მუქარა #barazana #hooweliweli #खतरा #fenyegetés #veszély #ancaman #ಬೆದರಿಕೆ #қауіп #ការគំរាមកំហែង #ຂົ່ມຂູ່ #Gresmė #закана #theddida #whakatuma #खतरा #tšhošetšo #ବିପଦ #groźba #ਖਤਰਾ #amenaza #ameninţare #धमकी #njodzi #උවදුර #grožnja #tishio #таҳдид #அச்சுறுத்தல் #куркыныч #ముప్పు #ภัยคุกคาม #tehdit #bygythiad #ingozi #danger #naniizaanad #maleewinaakat #maleew #náhádzid #Yíiyáh #CITY #community #urban #venue #civic #civil #metropolis #town #cosmopolitan #城市 #stad #ville #Stadt #πόλη #città #都市 #도시 #cidade #город #ciudad #thànhphố #город #Сити #qytet #քաղաք #şəhər #শহর নগর #ciutat #varoš #město #linn #kesklinn #lungsod #siyudad #kaupunki #cidade #ქალაქი #μεγαλούπολη #શહેર #lavil #शहर #város #kota #municipalità #urbano #ನಗರ #ນະຄອນ #pilsēta #miestas #градот #bandar #miasto #município #oraș #mesto #mestský #storstad #நகரம் #నగరం #เมือง #şehir #місто #ddinas
I take a lot of pictures of the sky. Living in an urban environment, where it's impossible to see the naked horizon in any direction, feels increasingly constraining. There are times when i yearn for the clean lines of the coast, or big skies of the mountains. This is when i take pictures of the sky. <hick>
:14 For the love of Christ constrains us, judging this, that if one died for all, then all died; :15 and He died for all, that the living ones may live no more to themselves, but to Him who died for them and having been raised. (2 Corinthians 5:14-15 MKJV)
Door hinges are good example of constraints that only allow one directional sweep motion, thus constraining the extent of opening or closing of the door.
We investigated the glacier system and collect samples from boulders to constrain the past glaciation timing and tree rings for reconstruct past climate change.
exhibition opening, November 7, 2024
Filodrammatica Gallery, Korzo 28/1, Rijeka
on view until November 28, 2024
The exhibition brings together works that explore various practices that people without (or with very little) power employ when the systems fail them.
Trapped within constraining situations, these people are starting to develop strategies of lying, cheating and stealing to counter their limitations and powerlessness vis-à-vis these systems...
PRESENTED WORKS:
✁ GHOST WORK | !Mediengruppe Bitnik
✁ ALGOFFSHORE | RYBN.ORG
✁ WOMEN'S AFFAIRS | Kiosk
✁ FLAG STORIES (use and pass on) | Škart
✁ SEJJAĦ LIL MALTA | Tania El Khouri
✁ FIGURE IT OUT ONLINE ZINE | Figure it Out Research Group
Photo: Tanja Kanazir / Drugo more
Charcoal on paper, 48" x 36", 2010.
Inspired by the ancient Greek and Roman ideals of beauty, and how modern society so constrains such notions.
You know what a lead magnet is – something given away for free in exchange for an email address. You join their list, you get their free report / video / book / software etc.
I recently ran across a lead magnet that blew my mind. And I didn’t even realize I was being set up to join a list – or t...
Burrowing Owl
Athene cunicularia (Molina, 1782)
A pair was living in a burrow between the large rocks placed to artificially constrain the river channel. The burrow was probably created by on or more of the many California Ground Squirrels present.
San Diego River channel near Robb Field (Ocean Beach),
San Diego,
San Diego County, CA
January 19, 2015
well, almost as I have envisioned it. Time constrains have forces me to drop few elements of the facade, but overall -its fine
..why red t-shirt? well, this is as serious as I can understand Communism [after ussr]]
exhibition opening, November 7, 2024
Filodrammatica Gallery, Korzo 28/1, Rijeka
on view until November 28, 2024
The exhibition brings together works that explore various practices that people without (or with very little) power employ when the systems fail them.
Trapped within constraining situations, these people are starting to develop strategies of lying, cheating and stealing to counter their limitations and powerlessness vis-à-vis these systems...
PRESENTED WORKS:
✁ GHOST WORK | !Mediengruppe Bitnik
✁ ALGOFFSHORE | RYBN.ORG
✁ WOMEN'S AFFAIRS | Kiosk
✁ FLAG STORIES (use and pass on) | Škart
✁ SEJJAĦ LIL MALTA | Tania El Khouri
✁ FIGURE IT OUT ONLINE ZINE | Figure it Out Research Group
Photo: Tanja Kanazir / Drugo more
Kota Kuala Kedah,
Kuala Kedah, Kedah, Malaysia
Albizia saman (Jacq.) Merr. Fabaceae. CN: [Malay and regional vernacular names - Pokok pukul lima, Pokok hujan-hujan, Trembesi, Munggar, Ki hujan], Saman, Rain tree, Monkey pod, Giant thibet, Inga saman, Cow tamarind, East Indian walnut. @ the fort's western wall.
Due to limited resources and time constrains to prepare a text caption, I am simply transcribing the text prepared on the storyboard as a precursor for those interested in pursuing further research on the subject.
Fort Kuala Kedah (Kota Kuala Kedah) is the oldest Malay fort in northern Malaysia and dates from the 17th century. It was destroyed and rebuilt in the 19th century and was occupied by the Japanese troops during the Japanese occupation of Malaya in the Second World War.
Sultan Sulaiman Syah who ruled from 1602 to 1620 built the original fort from clay, bakau timber and bamboo with the assistance of his allies, the Portuguese who had established a presence in the area. The sultan ruled from his base at Fort Seputeh, which was destroyed by the Acheh Armada in 1619 (an event which resulted the Portuguese being ousted from the area) and again in 1770 by the Bugis Armada.
In 1780 to 1782, Sultan Mukarram Syah, the 20th sultan of Kedah who ruled from 1778 to 1797, rebuilt and strengthened Fort Kuala Kedah. Hafiz Sab, an architect who was also the "Maharaja Kadhi", or religious head, directed the rebuilding of the fort with labor imported from India and gave its presence look. Cannons purchased from the British and the Dutch were placed around the fort. A palace was built inside it.
The fort was attacked and destroyed in November 1821 by the powerful Siamese Armada. It occurred during the reign of Sultan Ahmad Tajuddin Halim Syah II, the 22nd sultan of Kedah who ruled Kedah from 1804 to 1845. The fort was his administrative center.
The fort which was also known as For Kuala Bahang (Kota Kuala Bahang), is located near the mouth of Kedah River, about 12 kilometers from the town of Alor Setar. It was designated as a historical monument and historical site under the Antiquities Act 1976 in August 1978.
Kota Kuala Kedah,
Kuala Kedah, Kedah, Malaysia
Replica of Dutch-made cannon 1610. This Dutch made cannon is made from iron. The top of its body decorated with the Dutch emblem (VOC), a ring of quails together with floral and dolphin motifs. Also seen is the date 1610. Estimated to be more than 350 years old.
Due to limited resources and time constrains to prepare a text caption, I am simply transcribing the text prepared on the storyboard as a precursor for those interested in pursuing further research on the subject.
Fort Kuala Kedah (Kota Kuala Kedah) is the oldest Malay fort in northern Malaysia and dates from the 17th century. It was destroyed and rebuilt in the 19th century and was occupied by the Japanese troops during the Japanese occupation of Malaya in the Second World War.
Sultan Sulaiman Syah who ruled from 1602 to 1620 built the original fort from clay, bakau timber and bamboo with the assistance of his allies, the Portuguese who had established a presence in the area. The sultan ruled from his base at Fort Seputeh, which was destroyed by the Acheh Armada in 1619 (an event which resulted the Portuguese being ousted from the area) and again in 1770 by the Bugis Armada.
In 1780 to 1782, Sultan Mukarram Syah, the 20th sultan of Kedah who ruled from 1778 to 1797, rebuilt and strengthened Fort Kuala Kedah. Hafiz Sab, an architect who was also the "Maharaja Kadhi", or religious head, directed the rebuilding of the fort with labor imported from India and gave its presence look. Cannons purchased from the British and the Dutch were placed around the fort. A palace was built inside it.
The fort was attacked and destroyed in November 1821 by the powerful Siamese Armada. It occurred during the reign of Sultan Ahmad Tajuddin Halim Syah II, the 22nd sultan of Kedah who ruled Kedah from 1804 to 1845. The fort was his administrative center.
The fort which was also known as For Kuala Bahang (Kota Kuala Bahang), is located near the mouth of Kedah River, about 12 kilometers from the town of Alor Setar. It was designated as a historical monument and historical site under the Antiquities Act 1976 in August 1978.