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The balustrade of the palace has been remodeled, conserving the murals by Diego Rivera that adorn the main stairwell and the walls of the second floor.
In the stairwell is a mural depicting the history of Mexico from 1521 to 1930 and covers an area of 450 m2. These murals were painted between 1929 and 1935, jointly titled "The Epic of the Mexican People". The work is divided like a triptych with each being somewhat autonomous. The right-hand wall contains murals depicting pre-Hispanic Mexico and centers around the life of the Aztec god Quetzalcoatl.
In the middle and largest panel, the Conquest is depicted with its ugliness, such as rape and torture, as well as priests defending the rights of the indigenous people. The battle for independence occupies the uppermost part of this panel in the arch. The American and French invasions are represented below this, as well as the Reform period and the Revolution.
The left-hand panel is dedicated to early and mid-20th century, criticizing the status quo and depicting a Marxist kind of utopia.
Diego also painted 11 panels on the middle floor, such as the "Tianguis of Tlatelolco" (tianguis means "market"), and the "Arrival of Hernán Cortés in Veracruz".
My page about Mexico City on VirtualTourist: members.virtualtourist.com/m/a8215/e9cb4/
My playlist about Mexico City on my Youtube channel containing 18 videos
www.youtube.com/watch?v=yWI-hjqRF24&list=SPD1C71F63FD...
5 min 01 sec HD Video www.youtube.com/watch?v=yWI-hjqRF24 Moscow-Paris-Mexico City flight with Adelita HD
3 min 39 sec HD Video www.youtube.com/watch?v=ifVqW7GLGqM Mexico City around by bus part 1
4 min 02 sec HD Video www.youtube.com/watch?v=BjE2Ee6T2Po Mexico City around by bus part 2
2 min 48 sec HD Video www.youtube.com/watch?v=vY3jqm38UGs Mexico City Melia Reforma Hotel part 1
4 min 25 sec HD Video www.youtube.com/watch?v=6QNq1trJTsM Mexico City around by bus part 3
3 min 02 sec HD Video www.youtube.com/watch?v=dDRH8YohP2A Mexico City Melia Reforma Hotel part 2
2 min 41 sec HD Video www.youtube.com/watch?v=W-AQXc9KCOI Mexico City around part 4
5 min 29 sec HD Video www.youtube.com/watch?v=Ln5fyBSB3fI Mexico City National Palace Diego Rivera part 1
2 min 14 sec HD Video www.youtube.com/watch?v=Ais3bJg_EXw Mexico City National Palace part 2
3 min 25 sec HD Video www.youtube.com/watch?v=RaF46jNGj3E Mexico City Metropolitan
5 min 18 sec HD Video www.youtube.com/watch?v=1gD1z9vRvjM Mexico City around part 5
1 min 24 sec HD Video www.youtube.com/watch?v=rThp9iYybzk Mexico City Metropolitan Tabernacle
2 min 42 sec HD Video www.youtube.com/watch?v=EMAKdiKiI50 Mexico City around part 6
9 min 57 sec HD Video www.youtube.com/watch?v=Q-K8qaKm3MU Mexico City Anthropology Museum
5 min 16 sec HD Video www.youtube.com/watch?v=6JuLRtFlOT4 Mexico City Melia Reforma Hotel part 3
0 min 49 sec HD Video www.youtube.com/watch?v=1zbAKjBSFT4 Mexico City Templo Mayor
10 min 51 sec HD Video www.youtube.com/watch?v=ULchjze3-38 Mexico City around part 7
8 min 57 sec HD Video www.youtube.com/watch?v=Gb__3VmpRrE Mexico City around part 8.
Tapering
to a point, conserving everything,
this carrot is predestined to be thick.
The world is
but a circumstance, a mis-
erable corn-patch for its feet. With ambition,
imagination, outgrowth,
nutriment,
with everything crammed belligerent-
ly inside itself, its fibres breed mon-
opoly —
a tail-like, wedge-shaped engine with the
secret of expansion, fused with intensive heat
to the color of the set-
ting sun and
stiff. For the man in the straw hat, stand-
ing still and turning to look back at it —
as much as
to say my happiest moment has
been funereal in comparison with this, the con-
ditions of life pre-
determined
slavery to be easy and freedom hard. For
it? Dismiss
agrarian lore; it tells him this:
that which it is impossible to force, it is
impossible to hinder.
Karak was the official mascot of the 2006 Melbourne Commonwealth Games, Victoria, Australia.
Red-tailed Black Cockatoos are an iconic Australian native parrot.
The Red-tailed Black Cockatoo (Calyptorhynchus banksii), also known as Banksian- or Bank's Black Cockatoo, is a large cockatoo native to Australia. This species was known as Calyptorhynchus magnificus for many decades until the current scientific name was officially conserved in 1994. It is more common in the drier parts of the continent. Five subspecies are recognised, differing most significantly in beak size. Although the more northerly subspecies are widespread, the two southern subspecies, the Forest Red-tailed Black Cockatoo and the South-eastern Red-tailed Black Cockatoo are under threat.
Adult Red-tailed Black Cockatoos are sexually dimorphic; males are large black cockatoos, 60 cm (24 inches) in length, with prominent red tail bands. Females are brownish-black with yellow barring and spotting and with yellow-orange tail stripes. The species is usually found in eucalyptus woodlands, or along water courses. In the more northerly parts of the country, these cockatoos are commonly seen in large flocks. They are seed eaters and cavity nesters. As such, they depend on trees with fairly large diameters, generally Eucalyptus. Populations in southeastern Australia are threatened by the reduction in forest cover and by other habitat alterations.
A Red-tailed Black Cockatoo, named Karak, was the official mascot of the 2006 Commonwealth Games, held in Melbourne. Of the black cockatoos, the red-tailed black is the most adaptable to aviculture, though they are much rarer and much more expensive outside Australia.
Melbourne Zoo, Parkville, Victoria, Australia
The Fairfax County Board of Supervisors recognized Alan Ford for receiving the 2016 Virginia Cox Conserves Hero Award.
Conserved rather than restored (as it should be, as restoration would likely remove too much original fabric of this historical machine), Stephenson's Rocket is seen at the London Science Museum, 28th November 2014
Today, more and more people are conscious about conservation of the environment. Among the natural resources available to the mankind, water is the first and foremost thing to be conserved for future generation.
Source: goo.gl/XduTid
It's a very good conserved example of a late-gothic two-family palace. It forms a great ensemble with the palazzo Sanudo. John Ruskin remarks the façade's quality and sets the palace's architectonical importance directly behind the Doge's Palace ("...of the finest kind, and superb in its effect of colour when seen from the side ... But, taken as a whole, I think that, after the Ducal Palace, this is the noblest in effect of all in Venice." - The Stones of Venice, 'Venetian Index').
The porteghi are today subdivided, the 2nd piano nobile still has rococo ceiling frescoes in the rooms overlooking the Canale.
Also here (like at Palazzo Pisani-Moretta) the size of the courtyard (no public access!) was originally the double of today's size. Today it is reduced to a small light courtyard behind the middle part of the building. Initially, it extended to the Rio di Ca'Bernardo at the right side of the building. Presumably there was also a water gate. The porteghi's windows to the court are now serliana arches with large balconies. The large arch which opened the androne towards the court is now bricked up, but there's still conserved an interesting capital.
Most probably the access to the piani nobili was originally provided an open stairway. Today a round staircase (which could not be photographed satisfyingly) behind the right wing of the building is connected to the balconies of the porteghi.
The façade is a work of high sculptural quality. Especially the capitals of the portego loggias and the round disks above the windows of the building's wings (also called tondi) are remarkable.
Being the singular example of two high rectangular windows built very near to the gate, the water gate is a particularity. Additionally, there are oculi over the gate's pointed arch.
Also a bricked up aperture at the left of the gate, whose initial form is now known, is visible on the façade. The façade has the characteristic corner frames looking like turned ropes, which can also be found on other palace façades.
When I was at the palazzo end of August/beginning of September 1999, there was a protection on the water façade and over the Calle di Ca'Bernardo. As far as I was told, there was the danger of falling stones... An integral restoration is obviously necessary.
May 2003: restoration begun.
December 2003: restoration terminated. The wing towards the calle now in red plaster, the stone parts of the façade were cleaned.
The balustrade of the palace has been remodeled, conserving the murals by Diego Rivera that adorn the main stairwell and the walls of the second floor.
In the stairwell is a mural depicting the history of Mexico from 1521 to 1930 and covers an area of 450 m2. These murals were painted between 1929 and 1935, jointly titled "The Epic of the Mexican People". The work is divided like a triptych with each being somewhat autonomous. The right-hand wall contains murals depicting pre-Hispanic Mexico and centers around the life of the Aztec god Quetzalcoatl.
In the middle and largest panel, the Conquest is depicted with its ugliness, such as rape and torture, as well as priests defending the rights of the indigenous people. The battle for independence occupies the uppermost part of this panel in the arch. The American and French invasions are represented below this, as well as the Reform period and the Revolution.
The left-hand panel is dedicated to early and mid-20th century, criticizing the status quo and depicting a Marxist kind of utopia.
Diego also painted 11 panels on the middle floor, such as the "Tianguis of Tlatelolco" (tianguis means "market"), and the "Arrival of Hernán Cortés in Veracruz".
My page about Mexico City on VirtualTourist: members.virtualtourist.com/m/a8215/e9cb4/
My playlist about Mexico City on my Youtube channel containing 18 videos
www.youtube.com/watch?v=yWI-hjqRF24&list=SPD1C71F63FD...
5 min 01 sec HD Video www.youtube.com/watch?v=yWI-hjqRF24 Moscow-Paris-Mexico City flight with Adelita HD
3 min 39 sec HD Video www.youtube.com/watch?v=ifVqW7GLGqM Mexico City around by bus part 1
4 min 02 sec HD Video www.youtube.com/watch?v=BjE2Ee6T2Po Mexico City around by bus part 2
2 min 48 sec HD Video www.youtube.com/watch?v=vY3jqm38UGs Mexico City Melia Reforma Hotel part 1
4 min 25 sec HD Video www.youtube.com/watch?v=6QNq1trJTsM Mexico City around by bus part 3
3 min 02 sec HD Video www.youtube.com/watch?v=dDRH8YohP2A Mexico City Melia Reforma Hotel part 2
2 min 41 sec HD Video www.youtube.com/watch?v=W-AQXc9KCOI Mexico City around part 4
5 min 29 sec HD Video www.youtube.com/watch?v=Ln5fyBSB3fI Mexico City National Palace Diego Rivera part 1
2 min 14 sec HD Video www.youtube.com/watch?v=Ais3bJg_EXw Mexico City National Palace part 2
3 min 25 sec HD Video www.youtube.com/watch?v=RaF46jNGj3E Mexico City Metropolitan
5 min 18 sec HD Video www.youtube.com/watch?v=1gD1z9vRvjM Mexico City around part 5
1 min 24 sec HD Video www.youtube.com/watch?v=rThp9iYybzk Mexico City Metropolitan Tabernacle
2 min 42 sec HD Video www.youtube.com/watch?v=EMAKdiKiI50 Mexico City around part 6
9 min 57 sec HD Video www.youtube.com/watch?v=Q-K8qaKm3MU Mexico City Anthropology Museum
5 min 16 sec HD Video www.youtube.com/watch?v=6JuLRtFlOT4 Mexico City Melia Reforma Hotel part 3
0 min 49 sec HD Video www.youtube.com/watch?v=1zbAKjBSFT4 Mexico City Templo Mayor
10 min 51 sec HD Video www.youtube.com/watch?v=ULchjze3-38 Mexico City around part 7
8 min 57 sec HD Video www.youtube.com/watch?v=Gb__3VmpRrE Mexico City around part 8.
Aim: To analyze various single subunit DNA dependent RNA polymerases and identify conserved motifs, active site regions among them and propose a plausible mechanism of action for these polymerases using the T7 RNA polymerase as a model system.
Study Design: Bioinformatics, Biochemical, Site-directed mutagenesis and X-ray crystallographic data were analyzed.
Place and Duration of Study: Department of Molecular Microbiology, School of Biotechnology, Madurai Kamaraj University, Madurai – 625 021, India, from 2010 to 2013.
Methodology: The advanced version of Clustal Omega was used for protein sequence analysis of various SSU DNA dependent RNA polymerases from viruses, mitochondria and chloroplasts. Along with the conserved motifs identified by the bioinformatics analysis and with the data obtained by X-ray crystallographic, biochemical and site-directed mutagenesis (SDM) were also used to confirm the possible amino acids involved in the active sites and catalysis of these RNA polymerases.
Results: Multiple sequence analyses of various single subunit (SSU) DNA dependent RNA polymerases from different sources showed only a few highly conserved motifs among them, except chloroplast RNA polymerases where a large number of highly conserved motifs were found. Possible catalytic regions in all these polymerases consist of a highly conserved amino acid K and a ‘gatekeeper’ YG pair. In addition to, these polymerases also use an invariant R at the -4 position from the YG pair and an invariant S/T, adjacent to the YG pair. Furthermore, two highly conserved Ds are implicated in the metal-binding site and thus might participate in the catalytic process. The YG pair appears to be specific for DNA templates as it is not reported in RNA dependent RNA polymerases.
Conclusion: The highly conserved amino acid K, the ‘gatekeeper’ YG pair and an invariant R which are reported in all DNA polymerases, are also found in these DNA dependent RNA polymerases. Therefore, these RNA polymerases might be using the same catalytic mechanism as DNA polymerases. The catalytic amino acid K could act as the proton abstractor and generate the necessary nucleophile at the 3’-OH and the YG pair, R and the S/T might involve in the template binding and selection of nucleoside triphosphates (NTPs) for polymerization reactions. The two highly conserved Ds could act as the ‘NTP charge shielder’ and orient the alpha phosphate of incoming NTPs for the reaction at the 3’-OH growing end.
Author(s) Details
Dr. Peramachi Palanivelu
Department of Molecular Microbiology, School of Biotechnology, Madurai Kamaraj University, Madurai –625 021, India (Retd.).
Read full article: bp.bookpi.org/index.php/bpi/catalog/view/54/590/477-1
View More: www.youtube.com/watch?v=n1nk0tu3U3Q
Visitors attend an open house exhibition of the 75 year anniversary of Gracie Mansion Conservancy at Gracie Mansion. First Lady Chirlane McCray surprised a few guests with a photo line on Sunday, March 5th, 2017. Edwin J. Torres/Mayoral Photo Office.
sasrai-Movement’s sasrai Day, Earth Day, World Environment Day Slogan
If resources are preserved, happiness will be conserved.
Saving resources mean - saving the planet.
Use renewable fuels - reduce global warming.
Consume local Product - contribute to environmental preservation.
Eat more native fruits, plant more native trees
Save environment and nature – save happiness of the future generation.
Keep rivers, lakes, ponds, water body Clean - fill life with happiness
Make sure environment is healthy, ensure smooth development.
Plant native trees - in Country, Community, towns, ports and cities
Make sure environment is green, ensure pure peace.
Clogging hill cutting will stop water logging.
Stop building heaps of polythene bags – start building clean city
Elderly, children and youngster will be preserving everywhere.
In workplace, society and family, everyone will be environment friendly.
We will be preserving – happiness will be everlasting.
sasrai-Movement series Presentation in Observance of sasrai Day, Earth Day, Faith Climate Action Week, World Health Day, World Environment Day
sasrai Day –01 Boishakh/April 14 Appeal
Save Forest – Save Water – Save Earth & Life ensure Habitable Earth for Each
www.facebook.com/photo.php?fbid=1709595609296313&set=...
Mammals, birds, reptiles, amphibians, fish declined 52%
56 acres of Planet’s forests destroyed every minute
Half of Planet’s wildlife species lost last 40 years
Freshwater species decreased by an alarming 76 percent
Water and food are interdependent
One litre of water to produce one calorie of food
We will fail to feed the world until we fix the water crisis
The world’s thirst for water will grow by 50%. By 2030
https://www.facebook.com/fgaleeb/media_set?set=a.1708192856103255.1073741884.100007376703347&type=3&pnref=story
sasrai-Movement series Presentation in Observance of sasrai Day, Earth Day, Faith Climate Action Week, World Health Day, World Environment Day
sasrai Day –01 Boishakh/April 14 Appeal
Save Forest – Save Water – Save Earth & Life ensure Habitable Earth for Each
•Bangladesh has planned furnish the in Naba Barsha Dish Excluding National Fish Hilsha
•New Study Proves That People Who Don’t Believe In Climate Change Are Morons
•Global warming may be far worse than thought, cloud analysis suggests
•Global Fisheries Are Collapsing -- What Happens When There Are No Fish Left?
•Seas could rise higher than predicted, drenching coastal cities - study
•New York and London could be underwater within DECADES: Scientists say devastating climate change will take place sooner than thought
•6 Colorado Teenagers File Appeal in Fracking and Climate Lawsuit
•Scientists Warn Drastic Climate Impacts Coming Much Sooner Than Expected
•Drilling-induced earthquakes may endanger millions in 2016, USGS says
•Montreal Makes Plans To Ban All Plastic Water Bottles
•Climate Change Will Ruin Hawaii, New Study Suggests
•Global warming to scorch past milestone in 2047, study predicts
•Ocean acidity already crossed threshhold
•Every year after 2047 to be hotter than record-setting 2005, scientists predict
•Worst Mediterranean drought in 900 years has human fingerprints all over it
•Eating Less Meat Could Save 5 Million Lives, Cut Carbon Emissions by 33%
•‘We Have A Global Emergency,’ Must Slash CO2 ASAP
sasrai Day –01 Boishakh/April 14 Appeal
Save Forest – Save Water – Save Earth & Life ensure Habitable Earth for Each
650 million people, even the water they are able to find is unsafe
Water crises are among the top risks to global economic growth
Growing cities, populations, changing climate placing pressures on water
Every minute a newborn dies from infection caused by a lack of safe water and environment
42% of healthcare facilities in Africa do not have access to safe water.
Developing countries half occupied poor water, sanitation and hygiene caused disease
Around 315,000 children under-five die every year caused by dirty water and poor sanitation
That's 900 children per day or one child every two minutes.
2.3 billion people do not have access to adequate sanitation, one in three of the world's population.
In Africa, an estimated 40 billion working hours are spent fetching water
Water in Accra, Ghana, costs three times as much as in New York.
Dhaka’s water tariff of Tk 6.99 per 1,000 litres ‘lowest in the world’.
The biggest threat to the present Planet Earth is Rapid Running Out of the Resources (RRR).
sasrai-Movement must be the Central to Realizing Sustainable Global Development
Ensure Peace, Justice, Dignity, Rights, Prosperity, Security for Each
No matter Climate Changing or Not, Ice Melting or Not – We must stop Consumption Competition
www.facebook.com/media/set/?set=a.1045800938775669.107374...
The balustrade of the palace has been remodeled, conserving the murals by Diego Rivera that adorn the main stairwell and the walls of the second floor.
In the stairwell is a mural depicting the history of Mexico from 1521 to 1930 and covers an area of 450 m2. These murals were painted between 1929 and 1935, jointly titled "The Epic of the Mexican People". The work is divided like a triptych with each being somewhat autonomous. The right-hand wall contains murals depicting pre-Hispanic Mexico and centers around the life of the Aztec god Quetzalcoatl.
In the middle and largest panel, the Conquest is depicted with its ugliness, such as rape and torture, as well as priests defending the rights of the indigenous people. The battle for independence occupies the uppermost part of this panel in the arch. The American and French invasions are represented below this, as well as the Reform period and the Revolution.
The left-hand panel is dedicated to early and mid-20th century, criticizing the status quo and depicting a Marxist kind of utopia.
Diego also painted 11 panels on the middle floor, such as the "Tianguis of Tlatelolco" (tianguis means "market"), and the "Arrival of Hernán Cortés in Veracruz".
My page about Mexico City on VirtualTourist: members.virtualtourist.com/m/a8215/e9cb4/
My playlist about Mexico City on my Youtube channel containing 18 videos
www.youtube.com/watch?v=yWI-hjqRF24&list=SPD1C71F63FD...
5 min 01 sec HD Video www.youtube.com/watch?v=yWI-hjqRF24 Moscow-Paris-Mexico City flight with Adelita HD
3 min 39 sec HD Video www.youtube.com/watch?v=ifVqW7GLGqM Mexico City around by bus part 1
4 min 02 sec HD Video www.youtube.com/watch?v=BjE2Ee6T2Po Mexico City around by bus part 2
2 min 48 sec HD Video www.youtube.com/watch?v=vY3jqm38UGs Mexico City Melia Reforma Hotel part 1
4 min 25 sec HD Video www.youtube.com/watch?v=6QNq1trJTsM Mexico City around by bus part 3
3 min 02 sec HD Video www.youtube.com/watch?v=dDRH8YohP2A Mexico City Melia Reforma Hotel part 2
2 min 41 sec HD Video www.youtube.com/watch?v=W-AQXc9KCOI Mexico City around part 4
5 min 29 sec HD Video www.youtube.com/watch?v=Ln5fyBSB3fI Mexico City National Palace Diego Rivera part 1
2 min 14 sec HD Video www.youtube.com/watch?v=Ais3bJg_EXw Mexico City National Palace part 2
3 min 25 sec HD Video www.youtube.com/watch?v=RaF46jNGj3E Mexico City Metropolitan
5 min 18 sec HD Video www.youtube.com/watch?v=1gD1z9vRvjM Mexico City around part 5
1 min 24 sec HD Video www.youtube.com/watch?v=rThp9iYybzk Mexico City Metropolitan Tabernacle
2 min 42 sec HD Video www.youtube.com/watch?v=EMAKdiKiI50 Mexico City around part 6
9 min 57 sec HD Video www.youtube.com/watch?v=Q-K8qaKm3MU Mexico City Anthropology Museum
5 min 16 sec HD Video www.youtube.com/watch?v=6JuLRtFlOT4 Mexico City Melia Reforma Hotel part 3
0 min 49 sec HD Video www.youtube.com/watch?v=1zbAKjBSFT4 Mexico City Templo Mayor
10 min 51 sec HD Video www.youtube.com/watch?v=ULchjze3-38 Mexico City around part 7
8 min 57 sec HD Video www.youtube.com/watch?v=Gb__3VmpRrE Mexico City around part 8.
(FLTR) Stewart Wallis , Executive Director, New Economics Foundation, United Kingdom; Global Agenda Council on Values, Sharan Burrow , General Secretary, International Trade Union Confederation (ITUC), Brussels; Meta-Council on the Circular Economy, Boqiang Lin , Director, China Center for Energy Economics Research (CCEER), Xiamen University, People's Republic of China; Global Agenda Council on Decarbonizing Energy, and Naomi Oreskes , Professor of the History of Science, Harvard University, USA, are captured at the 'Stop to Think: Consume or Conserve' session at the Annual Meeting 2015 of the World Economic Forum at the congress centre in Davos, January 23, 2015.
WORLD ECONOMIC FORUM/swiss-image.ch/Photo Michele Limina
You might conserve yourself all the time at the gym and also still be overweight. You could be on a number of weight-loss programs and also still be overweight. This is because the weight-loss industry has actually forecasted the concept that vigorous or exhausting workout is the key to slimming down. That explains why premium supplements such as HB5 Supplement is not as preferred as they ought to be.
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Yellow Damson Almond Conserve with Amaretto. 950g of fruit, 500g of sugar, 100g of almond, 3 tablespoons lemon juice, 3 tablespoons Amaretto. French method of macerating overnight to draw out fruit juice.
Read more at Dessert By Candy.
Entry in category 1. Object of study; Copyright CC-BY-NC-ND: Schütz Philipp
Wood is a key material in archaeological research. As it is easy to manipulate, wood objects and tools were ubiquitous in the life of our ancestors. To conserve wood findings for our descendants the reliable conservation of this objects is vital. A key aspect of the preservation of wood objects is their conservation by chemical agents. In this project, we quantify how the conserving agent interacts with the artefact. This image shows one of 2000 virtual cross-sections through a cylinder from archaeological oak with 3 mm diameter. Based on these images, the distribution of conserving agents within the sample are quantified.
Peintes vers 1080-1120, les peintures romanes sont très bien conservées et extrêmement bien réali-sées. Bien que lacunaire, ce programme est riche de plusieurs thèmes iconographiques. Sur le mur est, une frise grecque avec effet de relief et différents oiseaux parcourt tout le baptistère. Entre les deux oculi, un Christ avec un nimbe crucifère se tient en majesté dans sa mandorle avec un livre ouvert où est inscrit EGO [SUM V] I [TA] : Je suis la vie (Jean, XIV, 6). Autour de lui, deux anges épousent parfaitement la forme des fenêtres, tous deux tournés vers les Apôtres désignant le Christ. Ceux-ci ne sont pas reconnaissables individuellement, hormis saint Pierre à la droite du Christ. Ils sont en mouvement et marchent sur des vagues représentants le monde sur lequel répandre la parole divine, avec au dessus d'eux une inscription en latin AS-CENDO AD PA-TREM [MEUM E] T PA-TREM [VES-TRVM, DEVM ET DEVM VES-TRVM]. VI[RI G]A[LIL] EI [QVIS S]TA[TIS AS-PI-CIENT] ES IN CELVM. HIC HIESVS QVI ASVMTVS EST A VOBIS : Je monte vers mon Père et votre Père, mon Dieu et votre Dieu. Galilée qui lève les yeux au ciel. C'est Jésus qui vous a été enlevé.
Sous le Christ la main de Dieu représentée dans un médaillon. Sur l’arc en plein cintre, un Agnus Dei et deux anges thuriféraires, avec sous cet arc des personnages non identifiables dans des médaillons. Enfin, sur le dernier registre du mur, deux cavaliers sont situés de part et d’autre, le premier complètement effacé dont ne reste que la tête du cheval. A droite, le cavalier Constantin tenant un sceptre et un orbe, et marchant dans la direction du Christ, est le seul des quatre dont l’identité nous soit parvenue. Sur cette partie du mur se superposent le cavalier roman et les dernières scènes du cycle de la vie de saint Jean-Baptiste, datant du XIIIe siècle.
Sur le mur Nord, de gauche à droite, se situent une figure profane, un paon sous chaque oculi et sous l’arc en mitre un saint anonyme, avec à droite du mur deux apôtres. Sur le mur Ouest, les peintures sont très endommagées, un paon est tou-jours visible bien que pâle, un vase ocre s'y distingue aussi (vase de vie ou pour utiliser le chrême en vue d'oindre les catéchumènes. Un deuxième paon devait se trouver à côté avec, plus bas, deux autres cavaliers dont l’un est complet, couronné et tenant un sceptre. Le quatrième et dernier cavalier est lui aussi endommagé, seul le haut de son corps étant visible tenant les rênes de son cheval.
Sur le mur Sud, deux apôtres, non complets avec sous l’oculus un paon et sous l’arc en mitre, saint Maurice d’Agaune, désigné ici par MAVRICIVS en habit de légionnaire, ses reliques étant conservées dans la cathédrale primitive. Sous le second oculus, un dragon fait face à un homme brandissant une épée, symbole du combat entre le bien et le mal. Entre ces deux figures, une inscription CIL CRIA MARCI ET VRNA : il demanda grâce et s’enfuit (plus vieille inscription connue en langue vernaculaire) (cf. fra.archinform.net).
Superb (but very crowded) exhibition "John Singer Sargent - Dazzling Paris" at the Musée d'Orsay in Paris.
John Singer Sargent (Florence, 1856 – London, 1925), along with James McNeill Whistler, was the most famous American artist of his generation and certainly one of the greatest painters of the 19th and early 20th century. Revered in the United States (his Portrait of Madame X is regarded as the Mona Lisa of the American art collection conserved by the Metropolitan Museum of Art in New York), he is also famous in the United Kingdom, where he spent most of his career. In France, however, his name and work remain largely unknown, a situation that the exhibition at the Musée d'Orsay in fall 2025 hopes to change.
No monographic exhibition has previously been devoted to John Singer Sargent in France. Yet it was in France that the young painter received his training, developing his style and network of artists. It was there that he also enjoyed his first successes and created a number of his masterpieces, including Dr Pozzi at HomeHome (1881, Hammer Museum, Los Angeles) and The Daughters of Edward Darley Boit (1882, Museum of Fine Arts, Boston). Designed in partnership with the Metropolitan Museum of Art in New York, the exhibition "Sargent. Dazzling Paris" aims to introduce the painter to a wide audience. The exhibition brings together over 90 of John Singer Sargent’s works, including some that have never been exhibited in France. It traces the meteoric rise of the young artist, who arrived in Paris in 1874, when he was eighteen years old, to study with Carolus-Duran. The exhibition covers his career up to the mid-1880s, when he moved to London after the scandal caused by his portrait of Madame Gautreau (Madame X) at the Salon.
Source: www.musee-orsay.fr/en/whats-on/exhibitions/sargent-dazzli...
Sargent, Portraitist
A few years after arriving in Paris, Sargent became a portrait painter. Between 1877 and 1884, he sent a portrait to the Salon each year to gain recognition among art lovers. This artistic genre was then fueled by increasing demand from the bourgeoisie. As history painting declined and realism triumphed, portraiture was imbued with a modern mission: to represent the era. The context was also marked, on the one hand, by the rise of photographic portraiture and, on the other, by the innovations of the Impressionists, who depicted their subjects engaged in everyday activities or outdoors.
In this context, Sargent's talent as a portraitist quickly became apparent. The young painter received awards and commissions from bohemian artists, wealthy American expatriates, and French aristocrats alike. He knew how to skillfully flatter his subjects, but he didn't hesitate to break free from the artistic and social conventions that often stifled the imagination of portrait painters. He painted true masterpieces that required months of work. At the Salon, these paintings captivated audiences with their blend of virtuosity, sensuality, and a touch of the uncanny.
Source: Information text at the entrance to the section "Sargent the Portraitist"
Detail - Portrait of Children, also known as The Daughters of Edward Darley Boit (1882, Museum of Fine Arts, Boston)
The daughters (aged four to fourteen) of Edward and Mary Louisa Boit, two American expatriates, are depicted in the vestibule of their apartment. Sargent, who had copied Velázquez's 'Las Meninas' in Madrid, employs, like Velázquez, virtuoso effects of light and shadow, creating a characteristic sense of strangeness and mystery: the large central shadow, the emptiness and arrangement of the figures at the edges, the girls' gaze, the extraordinary size of the Japanese vases... The work caused a stir at the 1883 Salon. While its ambition, the novelty of its composition, and the sureness of its brushstrokes were admired, the "loose" execution, which brought Sargent closer to the Impressionists, was also criticized.
Source: Text accompanying the work in the exhibition
--------------------
Superbe (mais très fréquentée) exposition "John Singer Sargent - Éblouir Paris" au Musée d'Orsay.
John Singer Sargent (Florence, 1856 – Londres, 1925) est, avec James McNeill Whistler, l’artiste américain le plus célèbre de sa génération et sans doute l’un des plus grands peintres du XIXe siècle et du début du XXe siècle. Adulé aux États-Unis (son portrait de Madame X est considéré comme la Joconde de la collection d’art américain du Metropolitan Museum of Art à New York), il est aussi célébré au Royaume-Uni où il a effectué la majeure partie de sa carrière. En France, cependant, son nom et son œuvre restent très largement méconnus, ce que l'exposition du musée d'Orsay à l'automne 2025 espère changer.
Conçue en partenariat avec le Metropolitan Museum of Art de New York, l’exposition « Sargent. Éblouir Paris » vise à faire découvrir ce peintre à un large public. L'exposition réunit plus de 90 œuvres de John Singer Sargent, dont certaines n'ont jamais été présentées en France. Elle retrace l'ascension fulgurante du jeune artiste, arrivé à Paris en 1874 à l'âge de 18 ans pour étudier avec Carolus-Duran. L'exposition couvre son parcours jusqu'au milieu des années 1880, période où il s'installe à Londres après le scandale suscité par son portrait de Madame Gautreau (Madame X) au Salon.
Source: www.musee-orsay.fr/fr/agenda/expositions/john-singer-sarg...
Sargent portraitiste
Quelques années après son arrivée à Paris, Sargent devient portraitiste. Entre 1877 et 1884, il envoie chaque année un portrait au Salon afin de se faire connaître des amateurs. Ce genre artistique est alors porté par l’accroissement des demandes de la bourgeoisie. Alors que décline la « Peinture d’histoire », et que triomphe le réalisme, l’art du portrait se voit investi d’une mission ‘moderne’ : représenter l’époque. Le contexte est aussi marqué d’un côté par la montrée en puissance du portrait photographique et de l’autre par les innovations des impressionnistes qui représentent leurs modèles dans une activité quotidienne ou de plein air.
Dans ce contexte, le talent de portraitiste de Sargent s’affirme très vite. Le jeune peintre obtient récompenses et commandes, aussi bien d’artistes bohèmes que de riches expatriés américains ou aristocrates français. Il sait intelligemment flatter ses modèles, mais n’hésite pas à s’émanciper des conventions artistiques et sociales qui brident souvent l’imagination des peintres de portraits. Il peint de véritables ‘chefs-d’œuvre’ qui exigent de longs mois de travail. Au Salon, ces peintures fascinent par leur mélange de virtuosité, de sensualité et d’étrangeté.
Source : Texte d’information à l’entrée de la section « Sargent portraitiste »
Détail - Portrait d'enfants, dit aussi Les Filles d'Edward Darley Boit (1882, Museum of Fine Arts, Boston)
Les filles (âgées de quatre à quatorze ans) d'Edward et Mary Louisa Boit, deux expatriés américains, sont représentées dasn le vestibule de leur appartement. Sargent qui a copié à Madrid 'Les Ménines' de Velasquez s'autorise comme lui des effets d'ombre et de lumière virtuoses et installe un sentiment d'étrangeté et de mystère caractéristique: la grande ombre centrale, le vide et la disposition des figures sur les bords, le regard des filles, l'extraordinaire taille des vases japonais ... L'oeuvre surprend au Salon de 1883. Si l'on admire son ambition, la nouveauté de la comosition, la sûreté de la touche, on critique aussi l'exécution "lâchée" qui rapproche Sargent des impressionnistes.
Source: Texte accompagnant l'oeuvre dans l'exposition
Featured speakers include:
-Greg Siekaniec
-Lynn Greenwalt
-Steve Williams
-Jamie Rappaport-Clark
-Dan Ashe
Alchemy, the business strategy consulting firm, was on hand at the Conserving the Future conference to help visually map out the future of conservation.
sasrai-Movement’s sasrai Day, Earth Day, World Environment Day Slogan
If resources are preserved, happiness will be conserved.
Saving resources mean - saving the planet.
Use renewable fuels - reduce global warming.
Consume local Product - contribute to environmental preservation.
Eat more native fruits, plant more native trees
Save environment and nature – save happiness of the future generation.
Keep rivers, lakes, ponds, water body Clean - fill life with happiness
Make sure environment is healthy, ensure smooth development.
Plant native trees - in Country, Community, towns, ports and cities
Make sure environment is green, ensure pure peace.
Clogging hill cutting will stop water logging.
Stop building heaps of polythene bags – start building clean city
Elderly, children and youngster will be preserving everywhere.
In workplace, society and family, everyone will be environment friendly.
We will be preserving – happiness will be everlasting.
sasrai-Movement series Presentation in Observance of sasrai Day, Earth Day, Faith Climate Action Week, World Health Day, World Environment Day
sasrai Day –01 Boishakh/April 14 Appeal
Save Forest – Save Water – Save Earth & Life ensure Habitable Earth for Each
www.facebook.com/photo.php?fbid=1709595609296313&set=...
Mammals, birds, reptiles, amphibians, fish declined 52%
56 acres of Planet’s forests destroyed every minute
Half of Planet’s wildlife species lost last 40 years
Freshwater species decreased by an alarming 76 percent
Water and food are interdependent
One litre of water to produce one calorie of food
We will fail to feed the world until we fix the water crisis
The world’s thirst for water will grow by 50%. By 2030
https://www.facebook.com/fgaleeb/media_set?set=a.1708192856103255.1073741884.100007376703347&type=3&pnref=story
sasrai-Movement series Presentation in Observance of sasrai Day, Earth Day, Faith Climate Action Week, World Health Day, World Environment Day
sasrai Day –01 Boishakh/April 14 Appeal
Save Forest – Save Water – Save Earth & Life ensure Habitable Earth for Each
•Bangladesh has planned furnish the in Naba Barsha Dish Excluding National Fish Hilsha
•New Study Proves That People Who Don’t Believe In Climate Change Are Morons
•Global warming may be far worse than thought, cloud analysis suggests
•Global Fisheries Are Collapsing -- What Happens When There Are No Fish Left?
•Seas could rise higher than predicted, drenching coastal cities - study
•New York and London could be underwater within DECADES: Scientists say devastating climate change will take place sooner than thought
•6 Colorado Teenagers File Appeal in Fracking and Climate Lawsuit
•Scientists Warn Drastic Climate Impacts Coming Much Sooner Than Expected
•Drilling-induced earthquakes may endanger millions in 2016, USGS says
•Montreal Makes Plans To Ban All Plastic Water Bottles
•Climate Change Will Ruin Hawaii, New Study Suggests
•Global warming to scorch past milestone in 2047, study predicts
•Ocean acidity already crossed threshhold
•Every year after 2047 to be hotter than record-setting 2005, scientists predict
•Worst Mediterranean drought in 900 years has human fingerprints all over it
•Eating Less Meat Could Save 5 Million Lives, Cut Carbon Emissions by 33%
•‘We Have A Global Emergency,’ Must Slash CO2 ASAP
sasrai Day –01 Boishakh/April 14 Appeal
Save Forest – Save Water – Save Earth & Life ensure Habitable Earth for Each
650 million people, even the water they are able to find is unsafe
Water crises are among the top risks to global economic growth
Growing cities, populations, changing climate placing pressures on water
Every minute a newborn dies from infection caused by a lack of safe water and environment
42% of healthcare facilities in Africa do not have access to safe water.
Developing countries half occupied poor water, sanitation and hygiene caused disease
Around 315,000 children under-five die every year caused by dirty water and poor sanitation
That's 900 children per day or one child every two minutes.
2.3 billion people do not have access to adequate sanitation, one in three of the world's population.
In Africa, an estimated 40 billion working hours are spent fetching water
Water in Accra, Ghana, costs three times as much as in New York.
Dhaka’s water tariff of Tk 6.99 per 1,000 litres ‘lowest in the world’.
The biggest threat to the present Planet Earth is Rapid Running Out of the Resources (RRR).
sasrai-Movement must be the Central to Realizing Sustainable Global Development
Ensure Peace, Justice, Dignity, Rights, Prosperity, Security for Each
No matter Climate Changing or Not, Ice Melting or Not – We must stop Consumption Competition
www.facebook.com/media/set/?set=a.1045800938775669.107374...
Title / Titre :
Packing lobster meat, Miramichi River, New Brunswick /
Mise en conserve de la chair de homard, rivière Miramichi (Nouveau-Brunswick)
Creator(s) / Créateur(s) : Unknown / Inconnu
Date(s) : Unknown / Inconnu
Reference No. / Numéro de référence : ITEM 3371348
central.bac-lac.gc.ca/.redirect?app=fonandcol&id=3371...;
Location / Lieu : Miramichi River, New Brunswick, Canada / Rivière Miramichi, Noueau-Brunswick
Credit / Mention de source :
Canada. Department of Interior. Library and Archives Canada, PA-047921 /
Canada. Ministère de l'Intérieur. Bibliothèque et Archives Canada, PA-047921
Society continues to be more eco-friendly in regards to conserving natural resources; many people though, still have a deep aversion to using electric hand dryers in public restrooms. (Many feel it is quicker to grab eight feet of toilet paper out of a stall and then drop the soggy remnants into the trash, but I digress).
New dryers have no buttons. XLERATOR is becoming quite popular, and the Dyson AirBlade is the well-known Cadillac of dryers. The old standard, however, is the World Dryer, of which a vintage push-button unit is pictured here.
I have carried a (real) camera with me for the better part of two years, and have been on a quest. Unlike Diogenes, my quest has been finding a vintage dryer which graciously guided the leery user in how to use their new-fangled gadget. You could never be too careful with this!
Here you see the successful results of my lengthy search. Seems not many of these old relics have survived all these years. Very interesting here is that this nameplate, while very nicked up, has never been vandalized by a cretin like seemingly all of these were:
1.Push Butt on
2. Rub Hands Gently Under W arm Air
3. Stops Automatically
(and usually crudely scratched below this was an addendum:)
4. "Wipe Hands On Pants"
Metropolitan’s 2015 multi-media water conservation advertising and outreach campaign, called “Turn.” The campaign, which will run throughout our service area this summer and fall, is built around the message that if all Southern Californians do a little to save water, it adds up to a lot.
Using eye-catching images of indoor and outdoor knobs, faucets, handles and irrigation timers, the ads show the importance of turning off water whenever possible and provide tips for conserving.
Below are links to the television commercial and some of the outdoor displays. We hope you will share this information and our bewaterwise.com website with family and friends as a way to encourage everyone to save more water.
Television commercial: youtu.be/tEc3wll_vlw
Sample of outdoor displays: youtu.be/YXfETrNf7aM
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husbandâs passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as âCourtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.
The Zwinger (Der Dresdner Zwinger) is a palace in Dresden, eastern Germany, built in Baroque style.
The location was formerly part of the Dresden fortress of which the outer wall is conserved. The name derives from the German word Zwinger (outer ward of a concentric castle); it was for the cannons that were placed between the outer wall and the major wall. The Zwinger was not enclosed until the neoclassical building by Gottfried Semper called the Semper wing was built to host the Gemäldegalerie Alte Meister art gallery.
The name Zwinger goes back to the common medieval German term for that part of a fortification between the outer and inner defensive walls, or "outer ward". Archaeological evidence indicates that the construction of the first city wall took place in the last quarter of the 12th century. A documentary entry as civitas in 1216 points to the existence of an enclosed Dresden Fortification at that time. In 1427, during the Hussite Wars, work began on strengthening the city's defences and they were enhaned by a second - outer - wall. These improvements began near the Wildruffer Tor gate. Step by step the old moat had to be filled in and moved. The area between the two walls was generally referred to as the Zwinger and, in the vicinity of the castle, was utilised by the royal court at Dresden for garden purposes. The location of the so-called Zwingergarten from that period is only imprecisely known to be between the fortifications on the western side of the city.[1][2] Its extent varied in places as a result of subsequent improvements to the fortifications and is depicted differently on the various maps.
This royal Zwingergarten, a garden used to supply the court, still fulfilled one of its functions, as indicated by the name, as a narrow defensive area between the outer and inner defensive walls. This was no longer the case when work on the present-day Zwinger palace began in the early 18th century, nevertheless the name was transferred to the new building. Admittedly the southwestern parts of the building of the baroque Dresden Zwinger including the Kronentor gate stand on parts of the outer curtain wall that are still visible today; but there is no longer any trace of the inner wall
Augustus the Strong, elector of Saxony, returned from a grand tour through France and Italy in 1687–89, just at the moment that Louis XIV moved his court to Versailles. On his return to Dresden, having arranged his election as King of Poland (1697), he wanted something similarly spectacular for himself. The fortifications were no longer needed and provided readily available space for his plans. The original plans, as developed by his court architect Matthäus Daniel Pöppelmann before 1711, covered the space of the present complex of palace and garden, and also included as gardens the space down to the Elbe River, upon which the Semper opera house and its square were built in the nineteenth century.
The Zwinger was designed by Pöppelmann and constructed in stages from 1710 to 1728. Sculpture was provided by Balthasar Permoser. The Zwinger was formally inaugurated in 1719, on the occasion of the electoral prince Frederick August’s marriage to the daughter of the Habsburg emperor, the Archduchess Maria Josepha. At the time, the outer shells of the buildings had already been erected and, with their pavilions and arcaded galleries, formed a striking backdrop to the event. It was not until the completion of their interiors in 1728, however, that they could serve their intended functions as exhibition galleries and library halls.
The death of Augustus in 1733 put a halt to the construction because the funds were needed elsewhere. The palace area was left open towards the Semperoper square and the river. Later the plans were changed to a smaller scale, and in 1847–1855 the area was closed by the construction of the gallery wing now separating the Zwinger from the opera place; the architect was Gottfried Semper, who designed the opera house.
The building was mostly destroyed by the carpet bombing raids of 13–15 February 1945. The art collection had been evacuated before, though. After the war, in a referendum, the people of Dresden voted to restore the building and generally preferred to rebuild the glories of the city, instead of having the ruins razed to make way for the architecture of socialist realism then prevalent in the German Democratic Republic.
More info and many other languages available at:
Wildlife habitat in the Okanagan is better protected
today following the establishment of the McTaggart-Cowan/nsek'tniw't
Wildlife Management Area (WMA).
Learn More: www.newsroom.gov.bc.ca/2013/03/valuable-wildlife-habitat-...
Small jet beads being cleaned under the microscope by Wessex Archaeology's conservationist. For an image of them being excavated see:
www.flickr.com/photos/wessexarchaeology/2117378225/in/pho...
Image Description from historic lecture booklet: "Soil fertility is carefully conserved all through the country"
Original Collection: Visual Instruction Department Lantern Slides
Item Number: P217:set 067 043
You can find this image by searching for the item number by clicking here.
Want more? You can find more digital resources online.
We're happy for you to share this digital image within the spirit of The Commons; however, certain restrictions on high quality reproductions of the original physical version may apply. To read more about what “no known restrictions” means, please visit the Special Collections & Archives website, or contact staff at the OSU Special Collections & Archives Research Center for details.
sasrai-Movement’s sasrai Day, Earth Day, World Environment Day Slogan
If resources are preserved, happiness will be conserved.
Saving resources mean - saving the planet.
Use renewable fuels - reduce global warming.
Consume local Product - contribute to environmental preservation.
Eat more native fruits, plant more native trees
Save environment and nature – save happiness of the future generation.
Keep rivers, lakes, ponds, water body Clean - fill life with happiness
Make sure environment is healthy, ensure smooth development.
Plant native trees - in Country, Community, towns, ports and cities
Make sure environment is green, ensure pure peace.
Clogging hill cutting will stop water logging.
Stop building heaps of polythene bags – start building clean city
Elderly, children and youngster will be preserving everywhere.
In workplace, society and family, everyone will be environment friendly.
We will be preserving – happiness will be everlasting.
sasrai-Movement series Presentation in Observance of sasrai Day, Earth Day, Faith Climate Action Week, World Health Day, World Environment Day
sasrai Day –01 Boishakh/April 14 Appeal
Save Forest – Save Water – Save Earth & Life ensure Habitable Earth for Each
www.facebook.com/photo.php?fbid=1709595609296313&set=...
Mammals, birds, reptiles, amphibians, fish declined 52%
56 acres of Planet’s forests destroyed every minute
Half of Planet’s wildlife species lost last 40 years
Freshwater species decreased by an alarming 76 percent
Water and food are interdependent
One litre of water to produce one calorie of food
We will fail to feed the world until we fix the water crisis
The world’s thirst for water will grow by 50%. By 2030
https://www.facebook.com/fgaleeb/media_set?set=a.1708192856103255.1073741884.100007376703347&type=3&pnref=story
sasrai-Movement series Presentation in Observance of sasrai Day, Earth Day, Faith Climate Action Week, World Health Day, World Environment Day
sasrai Day –01 Boishakh/April 14 Appeal
Save Forest – Save Water – Save Earth & Life ensure Habitable Earth for Each
•Bangladesh has planned furnish the in Naba Barsha Dish Excluding National Fish Hilsha
•New Study Proves That People Who Don’t Believe In Climate Change Are Morons
•Global warming may be far worse than thought, cloud analysis suggests
•Global Fisheries Are Collapsing -- What Happens When There Are No Fish Left?
•Seas could rise higher than predicted, drenching coastal cities - study
•New York and London could be underwater within DECADES: Scientists say devastating climate change will take place sooner than thought
•6 Colorado Teenagers File Appeal in Fracking and Climate Lawsuit
•Scientists Warn Drastic Climate Impacts Coming Much Sooner Than Expected
•Drilling-induced earthquakes may endanger millions in 2016, USGS says
•Montreal Makes Plans To Ban All Plastic Water Bottles
•Climate Change Will Ruin Hawaii, New Study Suggests
•Global warming to scorch past milestone in 2047, study predicts
•Ocean acidity already crossed threshhold
•Every year after 2047 to be hotter than record-setting 2005, scientists predict
•Worst Mediterranean drought in 900 years has human fingerprints all over it
•Eating Less Meat Could Save 5 Million Lives, Cut Carbon Emissions by 33%
•‘We Have A Global Emergency,’ Must Slash CO2 ASAP
sasrai Day –01 Boishakh/April 14 Appeal
Save Forest – Save Water – Save Earth & Life ensure Habitable Earth for Each
650 million people, even the water they are able to find is unsafe
Water crises are among the top risks to global economic growth
Growing cities, populations, changing climate placing pressures on water
Every minute a newborn dies from infection caused by a lack of safe water and environment
42% of healthcare facilities in Africa do not have access to safe water.
Developing countries half occupied poor water, sanitation and hygiene caused disease
Around 315,000 children under-five die every year caused by dirty water and poor sanitation
That's 900 children per day or one child every two minutes.
2.3 billion people do not have access to adequate sanitation, one in three of the world's population.
In Africa, an estimated 40 billion working hours are spent fetching water
Water in Accra, Ghana, costs three times as much as in New York.
Dhaka’s water tariff of Tk 6.99 per 1,000 litres ‘lowest in the world’.
The biggest threat to the present Planet Earth is Rapid Running Out of the Resources (RRR).
sasrai-Movement must be the Central to Realizing Sustainable Global Development
Ensure Peace, Justice, Dignity, Rights, Prosperity, Security for Each
No matter Climate Changing or Not, Ice Melting or Not – We must stop Consumption Competition
www.facebook.com/media/set/?set=a.1045800938775669.107374...
The conserved remains of the Berlin Wall within the Berlin Wall Memorial on the Bernauer Strasse in Berlin, the capital city of Germany.
23 June 2014.
You can read more about this pair of American Bald Eagles at Conserve Wildlife Foundation of New Jersey www.conservewildlifenj.org/blog/2017/11/20/w34-a-ny-bande...
SPOTLIGHT ON THE BALD EAGLE’S ALL-AMERICAN COMEBACK IN NEW JERSEY
by Lindsay McNamara, Communications Manager
June 20th 2016
In 1985 — just 31 years ago — a single bald eagle nest remained in the state of New Jersey. In 2015, CWF and partners monitored 161 nests throughout the Garden State. Just this year (as of June 20, 2016), over 50 young eagles have already fledged from their nests! What sparked this All-American comeback of the United States’ National Bird?
DDT use was banned in the United States in 1972. That ban combined with restoration efforts by biologists within the NJ Division of Fish and Wildlife’s Endangered and Nongame Species Program (ENSP) resulted in 25 bald eagle pairs by 2000.
In 2017 the number of New Jersey active bald eagle pairs was 170.
For more info: www.conservewildlifenj.org/blog/tag/new-jersey-bald-eagle...
New Jersey Bald Eagle Project Report | 2016
New Jersey Bald Eagle Project Report | 2016 may be downloaded here: docs.google.com/viewer?a=v&pid=sites&srcid=ZGVmYX...
For more info: www.conservewildlifenj.org/blog/tag/new-jersey-bald-eagle...
December 3 is the anniversary of British troopers and the Victorian police storming the Eureka Stockade at Ballarat in 1854 erected in the defence of liberties and rights and justice for all. The struggles for rights and liberties is not over. Eureka remains an unfinished revolution.
Over 80 people gathered for the dawn vigil on December 3 at the Eureka Monument in Eureka Park...the start of a full day of activities marching to Bakery Hill, then to Ballarat Town Hall for a Flag raising, on to the old Ballarat cemetery to pay respects to workers and soldiers ho fell and died 158 years ago, then on to the Ballarat Fine Arts Gallery to vie the conserved remnants of the original Eureka Flag, back to Eureka park for a late picnic lunch. The Annual Reclaim the Sprirt of the Eureka Rebellion Dinner is on at the Eureka Stockade Hotel at 6pm in the evening.
Weck is a German brand of glass jars for conserving food, with a long tradition, dating back to the year 1900.
Their articles are still beloved for the quality and simplicity of their design. The mechanism for closing and sealing the lid is especially ingenious, combining a rubber ring and 3 metal clamps that you use to securely apply strong and even pressure.
A conserved 14th Century castle over a town of the same name, originally one of the local guard castles, standing perfectly in one line. It served for many centuries and was maintained, but after it was besieged by imperial armies in 1621, and burned down by Polish cossacks in 1624, it was ruined and partially collapsed in 1783, none of the palaces survived. Insensitive reconstruction into a tourist place began in 1899, which incorporated new buildings into the walls and destroyed many remaining parts. The most significant part is the main tower, 40 meters high, today a lookout.
Saint-Hippolyte est placé au pied des Vosges, au sud-ouest de Sélestat, entre Rodern et Orschwiller. La sortie directe, n°18, depuis l’autoroute A35 donne accès à la cité. La commune domine à l’arrière sur un cône élancé, le château du Haut-Koenigsbourg et au milieu on trouve de riches vignobles qui ont fait la réputation du village. Saint-Hippolyte est une agglomération ancienne enserrée dans une enceinte rectangulaire assez bien conservée et traversée par trois rues parallèles recoupant une rue transversale présentant des bâtis très denses où les maisons à colombages sont séparées par des venelles [1]. L’église construite sur une terrasse de forme ovale occupe le centre de ce village. À côté on trouve la mairie, et en contrebas l’école datant de la fin du XIXe siècle. Saint Hippolyte se trouve aussi au pied du majestueux château du Haut-Koenigsbourg que l'on aperçoit dès l'entrée du village. En quittant le vieux bourg, en prenant la route qui mène au Haut-Koenigsbourg on entre dans le riche vignoble entouré de collines. Sur la gauche de la route on aperçoit de loin le village de Rodern. De chaque côté de cette route qui monte vers la montagne et vers la plaine, Saint-Hippolyte est entouré de vignes dont les produits furent de tout temps fort appréciés des connaisseurs et entre autres des ducs de Lorraine.
The Zwinger (Der Dresdner Zwinger) is a palace in Dresden, eastern Germany, built in Baroque style.
The location was formerly part of the Dresden fortress of which the outer wall is conserved. The name derives from the German word Zwinger (outer ward of a concentric castle); it was for the cannons that were placed between the outer wall and the major wall. The Zwinger was not enclosed until the neoclassical building by Gottfried Semper called the Semper wing was built to host the Gemäldegalerie Alte Meister art gallery.
The name Zwinger goes back to the common medieval German term for that part of a fortification between the outer and inner defensive walls, or "outer ward". Archaeological evidence indicates that the construction of the first city wall took place in the last quarter of the 12th century. A documentary entry as civitas in 1216 points to the existence of an enclosed Dresden Fortification at that time. In 1427, during the Hussite Wars, work began on strengthening the city's defences and they were enhaned by a second - outer - wall. These improvements began near the Wildruffer Tor gate. Step by step the old moat had to be filled in and moved. The area between the two walls was generally referred to as the Zwinger and, in the vicinity of the castle, was utilised by the royal court at Dresden for garden purposes. The location of the so-called Zwingergarten from that period is only imprecisely known to be between the fortifications on the western side of the city.[1][2] Its extent varied in places as a result of subsequent improvements to the fortifications and is depicted differently on the various maps.
This royal Zwingergarten, a garden used to supply the court, still fulfilled one of its functions, as indicated by the name, as a narrow defensive area between the outer and inner defensive walls. This was no longer the case when work on the present-day Zwinger palace began in the early 18th century, nevertheless the name was transferred to the new building. Admittedly the southwestern parts of the building of the baroque Dresden Zwinger including the Kronentor gate stand on parts of the outer curtain wall that are still visible today; but there is no longer any trace of the inner wall
Augustus the Strong, elector of Saxony, returned from a grand tour through France and Italy in 1687–89, just at the moment that Louis XIV moved his court to Versailles. On his return to Dresden, having arranged his election as King of Poland (1697), he wanted something similarly spectacular for himself. The fortifications were no longer needed and provided readily available space for his plans. The original plans, as developed by his court architect Matthäus Daniel Pöppelmann before 1711, covered the space of the present complex of palace and garden, and also included as gardens the space down to the Elbe River, upon which the Semper opera house and its square were built in the nineteenth century.
The Zwinger was designed by Pöppelmann and constructed in stages from 1710 to 1728. Sculpture was provided by Balthasar Permoser. The Zwinger was formally inaugurated in 1719, on the occasion of the electoral prince Frederick August’s marriage to the daughter of the Habsburg emperor, the Archduchess Maria Josepha. At the time, the outer shells of the buildings had already been erected and, with their pavilions and arcaded galleries, formed a striking backdrop to the event. It was not until the completion of their interiors in 1728, however, that they could serve their intended functions as exhibition galleries and library halls.
The death of Augustus in 1733 put a halt to the construction because the funds were needed elsewhere. The palace area was left open towards the Semperoper square and the river. Later the plans were changed to a smaller scale, and in 1847–1855 the area was closed by the construction of the gallery wing now separating the Zwinger from the opera place; the architect was Gottfried Semper, who designed the opera house.
The building was mostly destroyed by the carpet bombing raids of 13–15 February 1945. The art collection had been evacuated before, though. After the war, in a referendum, the people of Dresden voted to restore the building and generally preferred to rebuild the glories of the city, instead of having the ruins razed to make way for the architecture of socialist realism then prevalent in the German Democratic Republic.
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