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Consequence of taking photos in a moving car at night.

30" X 30" Original Acrylic Gallery Canvas by Bob Arrigo

 

bobarrigo@rogers.com

905-821-1500

a cold and a messy house.

 

thanks a lot, snow!

MPX: Consequences 2011

 

Metroflex Midcities

1820 Reliance Parkway Suite 100

Bedford, TX

Taken about five seconds after this picture. And no, I still haven't learned my lesson. Not even remotely.

If there is any justice in our financial system, delinquent mortgage squatters will face negative consequences for receiving their free ride. Right now, millions of people are not paying their mortgages, and the banks are not foreclosing on them. I paid my rent for the last five years and many... at Delinquent mortgage squatters will miss the recovery rally

  

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The Judgment of Midas - c. 1640

 

Jan van den Hoecke

Flemish, 1611 - 1651

 

With his radiant, porcelain skin and fluttering, red cloak, Apollo, the god of music, gestures to Midas, the king of Phyrigia. Midas, with donkey's ears, sits beside Pan, the wild god of shepherds and flocks, who blows on his reed pipes. A small man with legs and horns of a goat, Pan mischievously looks out at the viewer while being observed by a pair of fleshy nymphs and a group of bearded men. The intent look on the figures' faces, particularly that of the man with the laurel crown, suggests a moment of consequence.

 

The painting depicts a story from Ovid's Metamorphoses about a musical contest between Apollo and Pan, conflating the entire narrative into one scene. Pan audaciously challenged the god of music to the competition and blew a rustic melody on his pipes that delighted King Midas. Then, Apollo played his lyre so beautifully that the mountain god, Timolus, who judged the contest, pictured here holding a staff, declared Apollo the victor. Midas disagreed and Apollo gave Midas a donkey's ears for his "poor" judgment. In the Gallery's painting, Pan is shown playing his flute, which indicates the contest has only begun, yet Midas already has donkey ears.

 

This painting came to the National Gallery of Art from the Corcoran Gallery of Art, where it was once attributed to Peter Paul Rubens, partly because the figures of Apollo and the nymphs appear in other compositions by the Flemish master. However, the heavy outlining around Apollo and the blond nymph, and the brushwork resemble that of Rubens's student, Jan van den Hoecke.

 

Van den Hoecke was a prominent member of Rubens's studio by in the 1630s. After Rubens's death in 1640, Van den Hoecke painted a number of similarly scaled mythological scenes for which he often borrowed figures from Rubens compositions. Van den Hoecke's style is characterized by slightly angular drapery folds; large, slanted eyes; small, pointed noses; and curly-haired, slightly exaggerated heads, as seen in Apollo, Pan, and their crowd of onlookers.

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For earlier visit in 2024 see:

 

www.flickr.com/photos/ugardener/albums/72177720320689747/

 

The National Gallery of Art in Washington, DC is a world-class art museum that displays one of the largest collections of masterpieces in the world including paintings, drawings, prints, photographs, sculpture, and decorative arts from the 13th century to the present. The National Gallery of Art collection includes an extensive survey of works of American, British, Italian, Flemish, Spanish, Dutch, French and German art. With its prime location on the National Mall, surrounded by the Smithsonian Institution, visitors often think that the museum is a part of the Smithsonian. It is a separate entity and is supported by a combination of private and public funds. Admission is free. The museum offers a wide range of educational programs, lectures, guided tours, films, and concerts.

 

The original neoclassical building, the West Building includes European (13th-early 20th century) and American (18th-early 20th century) paintings, sculptures, decorative arts, and temporary exhibitions. The National Gallery of Art was opened to the public in 1941 with funds provided by the Andrew W. Mellon Foundation. The original collection of masterpieces was provided by Mellon, who was the U. S. Secretary of the Treasury and ambassador to Britain in the 1930s. Mellon collected European masterpieces and many of the Gallery’s original works were once owned by Catherine II of Russia and purchased in the early 1930s by Mellon from the Hermitage Museum in Leningrad.

 

The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.

 

The NGA's collection galleries and Sculpture Garden display European and American paintings, sculpture, works on paper, photographs, and decorative arts. Paintings in the permanent collection date from the Middle Ages to the present. The Italian Renaissance collection includes two panels from Duccio's Maesta, the tondo of the Adoration of the Magi by Fra Angelico and Filippo Lippi, a Botticelli work on the same subject, Giorgione's Allendale Nativity, Giovanni Bellini's The Feast of the Gods, Ginevra de' Benci (the only painting by Leonardo da Vinci in the Americas) and groups of works by Titian and Raphael.

 

The collections include paintings by many European masters, including a version of Saint Martin and the Beggar, by El Greco, and works by Matthias Grünewald, Cranach the Elder, Rogier van der Weyden, Albrecht Dürer, Frans Hals, Rembrandt, Johannes Vermeer, Francisco Goya, Jean Auguste Dominique Ingres, and Eugène Delacroix, among others. The collection of sculpture and decorative arts includes such works as the Chalice of Abbot Suger of St-Denis and a collection of work by Auguste Rodin and Edgar Degas. Other highlights of the permanent collection include the second of the two original sets of Thomas Cole's series of paintings titled The Voyage of Life, (the first set is at the Munson-Williams-Proctor Arts Institute in Utica, New York) and the original version of Watson and the Shark by John Singleton Copley (two other versions are in the Museum of Fine Arts, Boston and the Detroit Institute of Arts).

 

en.wikipedia.org/wiki/National_Gallery_of_Art

 

Andrew W. Mellon, who pledged both the resources to construct the National Gallery of Art as well as his high-quality art collection, is rightly known as the founder of the gallery. But his bequest numbered less than two hundred paintings and sculptures—not nearly enough to fill the gallery’s massive rooms. This, however, was a feature, not a failure of Mellon’s vision; he anticipated that the gallery eventually would be filled not only by his own collection, but also by additional donations from other private collectors. By design, then, it was both Andrew Mellon and those who followed his lead—among them, eight men and women known as the Founding Benefactors—to whom the gallery owes its premier reputation as a national art museum. At the gallery’s opening in 1941, President Roosevelt stated, “the dedication of this Gallery to a living past, and to a greater and more richly living future, is the measure of the earnestness of our intention that the freedom of the human spirit shall go on.”

 

www.doaks.org/resources/cultural-philanthropy/national-ga...

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dedicated to BP and all the others in the oil-industry who fail to take proper precautions

This is a picture from Truth or Consequences, New Mexico.

 

You can read more about my winter time visit to TorC at the link.

For Peace? For any human being ?

  

Check out Leonard Cohen's songs -

 

some on my utube9773165

 

also Buffy Sainte Marie [ American Indian celebrated in the 60's

- Universal soldier!

Fells Point, Baltimore, MD.

Site-specific installation in Greenwich Lake Park, NJ, an abandon toxic waste area transformed into a public park. Vinyl lettering on plexiglass. Size varies.

Bluemont Station Brewery & Winery

 

+ The Consequences of Sexual Freedom: www.youtube.com/watch?v=eEi2Ky3E76k

 

[in Bronson’s head]: My wife’s got 4 kids, a dog, and is under the weather. Maybe NOW’S a good time to invite a bunch of 25 year olds to the house and ask her to entertain them. Encourage her to talk to all the Indian neighbors (99% of them being shady as fuck). Tell her to take them out to lunch, so she’s POPULAR again. This marriage is getting boring. All she does is sit at home all day and play on the computer. Why doesn’t she go out into the real world and get a real job? Why is she getting so FAT? I need her to look like KIYAH JOHNSON, MELISSA CALLES, BRENDA JOHNSON, JASLIN TSAI, etc. Maybe start wearing a Hijab? why doesn’t she get a BMW like ISFJ Indian ANITA? and when’s the next time I’m getting some? It’s not like we have sex every day. What’s a black man to do in a white mans world?

Never thought I'd see the day. As I type this Stuart Maconie is playing tracks from my copy of Consequences on BBC 6music. Find out more on my site www.suppertime.co.uk/blint/

something written while using ommwriter. it is part of a bigger piece i wrote about my upbringing and the consequences i've experienced in my life and how they have influenced my decision making. it was a bit of therapy in understanding my past. i do that a lot now. i'm not sure if it helps or if it doesn't. but i liked this line that i wrote, and i wanted just that.

model - zoe

make-up - me

UK Tech-Metal Fest 2014

During a working trip to the Chernihiv region, President of Ukraine Volodymyr Zelenskyy, together with Vice Chancellor, Federal Minister for Economic Affairs and Climate Action of Germany Robert Habeck and Secretary General of the Council of Europe Marija Pejčinović Burić saw the consequences of the occupation of the village of Yahidne by Russian troops and the war crimes committed by them.

The Head of State, together with foreign guests, visited the school, in the basement of which the occupiers kept 367 civilians in unsanitary conditions, without water and food, from March 3 to March 30, 2022. Among the hostages were 50 children, including several babies - the youngest was one and a half months old. 11 people died, unable to withstand the inhumane conditions. Ten were shot by Russian invaders.

The President of Ukraine and the European guests talked with the villagers who were kept in the basement of the school.

 

"Thank you for the fact that you survived, managed to wait for our warriors and to tell the whole world about the tragedy that the Russian Federation, the Russian military, together with their leadership, their President, have brought to our land," Volodymyr Zelenskyy emphasized.

The Head of State noted that the residents of Yahidne have lived through terrible ordeals. According to him, about 400 people lived in this village before the occupation, and almost 370 people were kept in the school basement with an area of less than 200 square meters.

"They have been kept in the basement for 27 days. They survived – standing and sitting. 11 people, unfortunately, died. And all these people somehow lived in the dark and waited for the return of Ukraine," he said.

The President said that the prisoners wrote the names and dates of death of fellow villagers on the walls in the dark so as not to forget. And the children wrote the lines of the national anthem of Ukraine.

"It is extremely important that these people survived. It is extremely important that our troops de-occupy such settlements with real heroes every day," added Volodymyr Zelenskyy.

The Head of State emphasized the importance of the presence of representatives of our partners in the liberated territories of Ukraine, who can see everything with their own eyes.

 

"It is important to be in such basements in order to understand, in order to help Ukraine. To think about how to find a way to talk with the Russian Federation," the President noted.

Volodymyr Zelenskyy also thanked the local residents and the authorities who fought for their lives every day during the Russian occupation.

As a result of military aggression, all 173 houses in the village of Yahidne were damaged, 16 of them were destroyed. In addition, the communal property was destroyed - a cultural center and a first aid station. The school building was heavily damaged.

According to Vyacheslav Chaus, Head of the Chernihiv Regional Military Administration, thanks to funding from the state and regional budgets, thanks to volunteers and the Latvian government, which allocated funds for building materials and reconstruction, more than 100 houses were reconstructed last year.

I was the first to arrive, and I will be the last to leave.

Truth or Consequences annual festival.

Consequences of too many Flickr meetings.

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