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Looking out from the walls of Nottingham Castle in Nottingham, Nottinghamshire. The castle is located in a commanding position on a natural promontory known as "Castle Rock", with cliffs 130 feet (40 m) high to the south and west.
There is some uncertainty whether a castle existed on the site before the Norman Conquest. If there was it would have been smaller and far less elaborate in design than the one that stood there afterwards.
The first Norman castle of a motte-and-bailey design, and was built in 1067, on the orders of William the Conqueror. This wooden structure was replaced by a far more defensible stone castle during the reign of Henry II, and was imposing and of a complex architectural design.
For centuries the castle served as one of the most important in England for nobles and royalty alike. It was in a strategic position due to its location near a crossing of the River Trent; and it was also known as a place of leisure being close to the royal hunting grounds at Tideswell and also the royal forests of Barnsdale and Sherwood Forest.
In 1194, a historic battle took place at Nottingham castle when the supporters of Prince John captured it. The castle was the site of a decisive siege when King Richard I, returned to England and besieged the castle with the siege machines he had used at Jerusalem.
The castle ceased to be a royal residence by 1600 and was largely rendered obsolete. At the start of the English Civil War, in August 1642, Charles I chose Nottingham as the rallying point for his armies, but soon after he departed, the castle rock was made defensible and held by the parliamentarians. Commanded by John Hutchinson, they repulsed several Royalist attacks, and they were the last group to hold the castle. After the execution of Charles I in 1649, the castle was razed to prevent its re-use.
After the restoration of Charles II in 1660, the present 'Ducal Mansion' was built by Henry Cavendish, 2nd Duke of Newcastle on the foundations of the previous structure. Despite the destruction of the keep and fortifications of the upper bailey, some rock cut cellars and medieval pointed arches survive beneath the mansion, together with a long passage to the bottom of the rock, commonly known as Mortimer's Hole.
After a time the mansion became a derelict shell until it was restored in 1875 by Thomas Chambers Hine, and opened in 1878 by the Prince of Wales, (later King Edward VII) as Nottingham Castle Museum, the first municipal art gallery in the UK outside London. The gatehouse of the medieval castle and much of the walling of the outer bailey was retained as a garden wall for the Ducal mansion.
The ducal mansion is still in use as a museum and art gallery. It houses most of the City of Nottingham's fine and decorative art collections, galleries on the history and archaeology of Nottingham and the surrounding areas, and the regimental museum of the Sherwood Foresters.
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The Worlds leading criminal gangs enter their toughest members in an annual secret contest to win power, respect and ultimately, control. The game is Total Conquest. Andrea (Belmonte) daughter of fallen Italian mob leader Alberto Rossi, enters the game in order to seek vengeance on the gang who murdered her father and win back respect for her sullied family name. In a ruined factory on an abandoned island, that serves as this years arena, Andrea teams up with Frank Boudreaux (Dravin), the representative of a French crime Lord, who has an agenda of his own.
I have been to Throwley on at least three previous occasions, the fourth was going to be during Ride and Stride in September, but another crawler told me it had failed to open as per the list.
St Michael and All Angles is a large and from the outside and interesting looking church, looked like it had a story to tell. So, last week, I contacted the wardens through the CofE A church Near You website, I got a reply and a date and time agreed for Saturday morning.
We arrived 15 minutes early, and it was as locked as ever, but on a fine if frosty morning took the time to study the church ad churchyard, and saw yet more fine details we had missed previously.
Dead on time the warden arrived, and was very welcoming indeed. They loved to have visitors she said. Now I know how to contact them, I can see that.
She was clearly proud of the church, and rightly so, most impressive was the south chapel with a pair of kneeling couples on top of chest tombs, staring at each other for all eternity.
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St Michael & All Angels is the parish church of Throwley. The first church on the site was probably built between 800 and 825. This would have been a small wooden structure, barely distinguishable from a farm building.
After the Norman Conquest in 1066 this was replaced by a Romanesque stone structure.
This was still small, but as the population of the parish increased the church was enlarged, until in about 1510 it reached its present size. Since then its appearance has changed little, although an extra storey was added to the tower - now far seen - in the 1860s.
The church has an elaborate Romanesque west entrance; its east window in the chancel, by Curtis, Ward & Hughes of Soho, London, is a memorial to Throwley men who gave their lives in the First World War.
In the Harris chapel is the church's newest stained-glass window, commemorating Dorothy Lady Harris who died in 1981. It was designed and executed in the Canterbury Cathedral Workshops by Frederick Cole (see pictures on left).
The church has more than its fair share of fine 16th to 19th century monuments, mainly to members of the local Sondes and Harris families, and these are all described.
www.faversham.org/community/churches/throwley.aspx
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TQ 95 NE THROWLEY THROWLEY
ROAD
(west side)
4/181
Church of
St. Michael
and All
24.1.67 Angels
GV I
Parish Church. C12, C13 north chapel, C14 south chapel, C15
nave arcades, restored 1866 and tower heightened. Flint and
plain tiled roofs. Chancel, north and south chapels, nave and
aisles, south tower and south porch. West doorway, C12, with
attached shafts and 3 orders, the outer panelled with X's on
circles, the centre roll moulded with the blocks offset and
alternately projecting, the inner with more X's on circles,
with 2 offset buttresses either side of doorway. South aisle
with plinth, string course and parapet, 3 offset buttresses and
C15 Perpendicular windows. South tower of 2 stages with square
south-eastern stair turret and C16 moulded brick surround
sundial. Water spouts on each corner in the 4 Evangelical
symbols. Half-timbered C19 south porch, south doorway with
rolled and double hollow chamfered surround, and outer surround
with label and quatrefoil spandrels. North aisle under 1 roof
with nave, with C15 fenestration, and C19 chimney to north west.
North and south chapels with C14 cusped 'Y' tracery fenestration,
with hollow chamfered and ogee drip moulds. Chancel east
window C19 curvilinear style. Interior: 2 bay nave arcades,
double hollow chamfered arches on octagonal piers. C12 single
arches to north and south eastern bay, that to south recessed
and double chamfered through tower wall. Barrel roof.
Chamfered arch on corbels from south aisle to tower, itself
with corbel table on south wall, and triple arch through to south
chapel C19 chancel arch. Chancel with 2 bay double chamfered
arcade to north chapel with octagonal capitals on round piers, and
single double chamfered arch on round responds to south chapel.
Fittings: hollow chamfered piscina and sedile in window reveal in
chancel and cusped recess in north wall. C19 reredos and altar
rail. Cusped piscina and four centred arched wall recess in
south chapel. Choir stalls, some C19, the four on the south C15
with carved misericords. Monuments: south chapel C16 chest tomb,
with shields in panelled sides, moulded plinth, lozenge-shaped
flowers, fluting and frieze. Chest tomb, Sir George Sondes,
Earl of Faversham, d.1677. Black marble with blank panelled sides.
Inscription on the top panel (made 1728). Standing monument,
Sir Thomas Sondes, died 1592. Marble tomb chest, gadrooned with
achievements on side panels. Kneeling alabaster figures of
knight and his Lady on opposite sides of central prayer desk,
carrying inscription. Mary Sondes, died 1603. Smaller and
identical to Sir Thomas Sonde's monument, with 2 adults and 2
infant sons and daughters on either side of sarcophagus. Misplaced
scrolled and enriched carved achievement on floor to east of
those monuments. Wall plaque, Captain Thomas Sondes, died 1668.
Black and white marble, with draped apron, swagged and draped
sides with military trophies. Broken segmental pediment with male
bust. Signed W.S. (B.0.E. Kent II, p.477 suggests William Stanton).
North chapel C16 chest tomb, moulded plinth, panelled sides with
shields (1 panel reset in south chapel south wall). Early C16
tomb recess with moulded jambs, with rope work, crenellated,
with late Perpendicular motifs in spandrels, and tomb with 3
panelled recesses with 2 shields on each panel. Wall plaque,
Charles Harris, d.1814, by Flaxman. White plaque on white
background; dead soldier lifted from the grave by Victory, with
palms and cannon in background. Statue, to George, first Lord
Harris, life size soldier with sword and plans, on four foot
plinth. By George Rennie, 1835. Nave, wall plaque, Stephen
Bunce, d.1634. Black plaque on coved base and apron. Foliated
sides. Scrolled nowy cornice and pediment with achievement.
(See B.O.E. Kent II, 1983, 476-7.)
Listing NGR: TQ9883454254
www.britishlistedbuildings.co.uk/en-176587-church-of-st-m...
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LIES the next parish north-eastward from Stalisfield. It is called in the record of Domesday, Trevelei, in later records Truley and Thruley, in Latin ones Trulega and Truilla; it is now written both Throwley and Throwleigh.
THROWLEY is mostly situated on high ground, it is a more pleasant and open country than that last described, for though wild and romantic among the hills and woods, it is not so dreary and forlorn, nor the soil so uncomfortable, being much drier. Besides it has a more chearful and brighter aspect from the width of the principal valley which leads through it, from north to south, whence the hills rise on each side, with smaller delves interspersed among them. There is a good deal of wood-ground, mostly of beech, interspersed at places with oak and hazel, with some good timber trees of oak among them, especially in the northern and southern parts; much of the former belongs to the dean and chapter of Canterbury. The soil is mostly chalk, the rest a heavy tillage land of red cludy earth, the whole mixed with quantities of flint stones. There are some level lands, especially in the disparked grounds of Throwley park, which are tolerably good, much more so than those in the other parts of the parish; on the east side of the park are the foundations of the antient seat of the Sondes's, with the church close to them, the whole lying on high ground, with a good prospect of the surrounding country; not far from it is Town place, now only a farm-house. There is no village, excepting the few houses in Abraham-street may be so called, the rest of the houses, which are mostly cottages, standing dispersed throughout it, either single, or built round the little greens or softalls, of which there are several in different parts of the parish. On a larger one of these called Wilgate-green, there is a house belonging to the estate of Mr. Philerenis Willis's heirs, and another larger antient one, which with the estate belonging to it, was formerly the property of the Chapmans, and sold by them to Christopher Vane, lord Barnard, in 1789, gave it, with his other estates in this county, to David Papillon, esq. of Acrise, the present owner of it. (fn. 1)
There was a family named Wolgate, from whose residence here this green seems to have taken its name of Wolgate, or Wilgate-green. After they had remained here for some generations they ended in a daughter, for Mr. Ralph Wolgate dying in 1642, his daughter Anne married Mr. William Genery, and entitled him to her father's possessions here, at Posiers, in Borden, and other parts of this county. The Woodwards seem afterwards to have possessed their estate here, several of whom lie buried under a tomb in Throwley church-yard.
About half a mile distant south-westward from Wilgate-green, in Abraham-street, there is a seat, called, from its high situation and expensive prospect, BELMONT; it was built in the year 1769, by Edward Wilks, esq. storekeeper of the royal powdermills at Faversham, who inclosed a paddock or shrubbery round it, and occasionally resided here, till he alienated it in 1779 to John Montresor, esq. the present proprietor, who resides in it.
THE BEECH TREE flourishes in the greatest plenty, as well single to a large size, as in stubs in the coppice woods, which consist mostly of them, as well in these parts as they do in general on the range of chalk hills throughout this county, in some places extending two or three miles in width, and in others much more. The large tracts of ground in this and other counties, overspread with the beech-tree, the random situation of their stubs, and other circumstances which occur in viewing them, are strong proofs of their being the indigenous growth of this island, notwithstanding Cæfar's premptory assertion, in his Commentaries, of there being none here in this time. The Britons, he says, had every material for use and building, the same as the Gauls, excepting the fir and the beech. The former there is positive proof of his being grossly mistaken in, which will in some measure destroy that implicit credit we might otherwise give to his authority, as to the latter; indeed, the continued opposition he met with from the Britons, during his short stay here, assorded him hardly a possibility of seeing any other parts of this country than those near which he landed, and in the direct track through which he marched to wards Coway-stakes; too small a space for him to form any assertion of the general products of a whole country, or even of the neighbouring parts to him. Of those he passed through, the soil was not adapted to the growth of the beech tree; from which we may with great probability suppose, there were none growing on them, nor are there any throughout them, even at this time, a circumstance which most likely induced him to suppose, and afterwards to make the assertion beforementioned.
The slints, with which the cold unfertile lands in these parts, as well as some others in this county, are covered, have been found to be of great use in the bringing forward the crops on them, either by their warmth, or somewhat equivalent to it. Heretofore the occupiers of these lands were anxious to have them picked up and carried off from their grounds, but experiencing the disadvantage of it in the failure of their crops, they, never practice it themselves, and submit to the surveyors of the highways taking them off with great reluctance.
In the parish there are quantities of the great whitish ash coloured shell snail, which are of an unusual large size; they are found likewise near Darking, in Surry, and between Puckeridge and Ware, in Hertsordshire. They are not originally of this island, but have been brought from abroad, many of them are at this time observed in different parts of Italy.
MR. JACOB, in this Plantœ Favershamienses, has enumerated several scare plants observed by him in this parish, besides which, that scarce one, the Orchis myodes, or fly satrition, has been found here, growing on the side of the path, in a small wood, midway between the church and Wilgate green.
THIS PLACE, at the taking of the general survey of Domesday, about the 15th years of the Conqueror's reign, was part of the possessions of Odo, bishop of Baieux, and earl of Kent, the king's half brother, under the general title of whose lands it is thus described in it:
Hersrid holds Trevelai. It was taxed at three sulings. The arable land is eight carucates. In demesne there is one, and twenty-four villeins, with five borderers having six carucates and an half. There is a church, and five servants. Wood for the pannage of twenty bogs, and in the city three houses of thirty-two pence. In the time of king Edward the Conssessor it was worth seven pounds, and afterwards six pounds. Ulnod held it of king Edward.
On the bishop of Baieux's disgrace, about four years afterwards, this among his other estates, became consiscated to the crown.
After which it was held of the king in capite, by barony, by Jeffry de Peverel, and together with other lands made up the barony of Peverel, as it was called, being assigned to him for the defence of Dover-castle, for which purpose he was bound to maintain a certain number of soldiers from time to time for the desence of it, and to repair and defend at this own charge a particular tower or turret there, called afterwards Turris Gattoniana, or Gatton's tower.
In the reign of king Henry III. Robert de Gatton, who took his name from the lordship of Gatton, in Surry, of which his ancestors had been some time owners, was in possession of the manor Thrule, and died in the 38th year of that reign, holding it by knight's service of the king, of the honor of Peverel, by reason of the escheat of that honor, &c. (fn. 2) He was succeded in it by this eldest son Hamo de Gatton, who resided here, and served the office of sheriff in the 14th year of Edward I. His eldest son of the same name left one son Edmund, then an instant, who afterwards dying under age, his two sisters became his coheirs, and divided his inheritance, of which Elizabeth entitled her husband William de Dene to this manor, and all the rest of the estates in Kent; and Margery entitled her husband Simon de Norwood to Gatton, and all the other estates in Surry.
William de Dene had a charter of free warren for his lands in Thurley, in the 10th year of Edward II. He died anno 15 Edward III. then holding this manor by the law of England, as of the inheritance of Elizabeth his late wife deceased, of the king in capite, as of the castle of Dover, by knight's service, and paying to the ward of that castle. His son Thomas de Dene died possessed of it in the 23d year of that reign, leaving four daughters his coheirs, of whom Benedicta, the eldest, married John de Shelving, and entitled him to this manor, on whose death likewise without male issue, his two daughters became his coheirs, of whom, Joane married John Brampton, alias Detling, of Detlingcourt, and Ellen married John de Bourne, the former of whom, in his wife's right, became possessed of this manor. He lest only one daughter Benedicta his heir, who carried it in marriage to Thomas at Town, who was possessed of much land about Charing, and bore for his arms, Argent, on a chevron, sable, three crosscrostess, ermine, which coat is in the windows of Kennington church, impaled with Ellis, of that place. He removed hither in the reign of Henry VI. and built a feat for his residence in this parish, about a quarter of a mile from the church, which he named, from himself, Town-place, soon after which he died, leaving his possessions to his three daughters and coheirs, of whom Eleanor was married to Richard Lewknor, of Challock; Bennet to William Watton, of Addington, and Elizabeth to William Sondes, of this parish and of Lingfield, in Surry, in which county his ancestors had been seated as early as the reign of Henry III. at Darking, where their seat was named, from them, Sondes-place. (fn. 3) Upon the division of their inheritance, the manor of Throwley was allotted to William Sondes, and Town-place, with the lands belonging to it in Throwley, to Richard Lewknor, who sold it to Edward Evering, the eldest son of Nicholas, third son of John Evering, of Evering, in Alkham, and his daughter and heir Mary marrying in 1565, with John Upton, of Faversham, entitled him to this estate, which he very soon afterwards alienated to Shilling, from whom it as quickly afterwards passed by sale to Anthony Sondes, esq. of this parish, whose ancestor William Sondes, on the division of the inheritance of the daughters and coheirs of Thomas at Town as before mentioned, had become possessed of the manor of Throwley, and the antient mansion of it, in which he afterwards resided, and dying in 1474, anno 15 Edward IV. was buried in the north chapel of this church, though he ordered by his will a memorial for himself to be put up in the church of Lingfield. The family of Sondes bore for their arms, Argent, three blackmores heads, couped, between two chevronels, sable, which, with the several quarterings borne by them, are painted on their monuments in this church.
His descendant, Anthony Sondes, esq. of Throwley, in the 31st year of Henry VIII. procured his lands in this county to be disgavelled, by the act then passed, and died in 1575, having married Joane, daughter of Sir John Fineux, chief justice of the king's bench, by whom he had two sons, Thomas and Michael, and two daughters.
He was succeeded by his eldest son Sir Thomas Sondes, sheriff anno 22 Elizabeth, who founded the school in this parish. He died in 1592, leaving issue only by his second wife, one daughter Frances, married to Sir John Leveson, so that on his death without male issue, his only brother Sir Michael Sondes, of Eastry, succeeded to this manor and seat of his ancestors, in which he afterwards resided. He was sheriff in the 26th year of queen Elizabeth's reign, and died in the 16th year of king James I. having had by his first wife Mary, only daughter and heir of George Fynch, esq. of Norton, six sons and six daughters.
Sir Richard Sondes, the eldest son, resided at Throwley, where he died in the 8th year of Charles I. having had by his two wives a numerous issue, of both sons and daughters. He was succeeded in this manor and seat, with the rest of his estates, by his eldest son Sir George Sondes, who was made a knight of the Bath at the coronation of king Charles I. soon after which he began to rebuild his seat of Lees-court, in Sheldwich, and fixed his residence there, under the description of which a more particular account of him and his descendants may be seen. Not long after which this seat was entirely pulled down, and the park adjoining to it disparked. The foundations of the former still remain, and the disparked lands still retain the name of Throwley park.
Sir George Sondes was afterwards created Earl of Faversham, Viscount Sondes, of Lees court, and Baron of Throwley, whose two daughters became his coheirs; Mary was married to Lewis, lord Duras, marquis of Blanquefort, and afterwards earl of Faversham, and Katherine to Lewis Watson, esq. afterwards earl of Rockingham, who each successively, in right of their respective wives, inherited this manor and estate, which has since descended in like manner as Lees-court, in Sheldwich, to the right hon. Lewis-Thomas, lord Sondes, and he is the present possessor of this manor, with Town-place and the estate belonging to it. Acourt baron is held for this manor.
The denne of Toppenden, alias Tappenden, in Smarden, in the Weald, is an appendage to the manor of Throwley, and is held of it.
WILDERTON, alias Wolderton, called also in antient deeds Wilrinton, is a manor in this parish, which was once part of the possessions of the eminent family of Badlesmere, of which Bartholomew de Badlesmere was possessed of it in the reign of Edward II. of whom, for his services in the Scottish wars, he obtained in the 9th year of it many liberties and franchises for his different manors and estates, among which was that of free-warren in the demesne lands of this manor of Wolrington. (fn. 4) Having afterwards associated himself with the discontented barons, he was taken prisoner, and executed in the 16th year of that reign. By the inquisition taken after his death, which was not till anno 2 Edward III. at which time both the process and judgement against him was reversed, it was found that he died possessed of this manor, among others, which were then restored to his son Giles de Badlesmere, who died in the 12th year of Edward III. s. p. being then possessed of this manor. Upon which his four sisters became his comanor fell to the share of Margery, wife of William, manor fell to the share of Margery, wife of William, lord Roos, of Hamlake, who survived her husband, and died in the 37th year of Edward III. possessed of it, as did her grandson John, lord Roos, in the 9th year of Henry V. leaving no issue by Margaret his wife, who survived him, and had this manor assigned to her as part of her dower. She afterwards married Roger Wentworth, esq. whom she likewise survived, and died anno 18 Edward IV.
On the death of John, lord Roos, her first husband, s. p. the reversion of this manor, after her death, became vested in Thomas his next surviving brother and heir, whose son Thomas afterwards became a firm friend to the house of Lancaster, for which he was attainted anno 1 Edward IV. and his lands were consiscated to the crown.
On the death of Margaret, the widow of Roger Wentworth, esq. the manor of Wulrington, but whether by grant or purchase, I have not found, came into the possession of Richard Lewknor, of Challock, owner likewise of Town-place, as before-mentioned, who sold it to Edward Evering, already mentioned before, whose daughter and heir Mary marrying in 1565 with Mr. John Upton, of Faversham, entitled him to it. He joined with his brother Nicholas Upton, in 1583, in the sale of the manor-house, with all the demesne lands belonging to it, excepting one small piece called the manor-croft, and a moiety of the ma nor, which, from its situation, from that time was known by the name of NORTH-WILDERTON, to Anthony Terry, of North Wilderton, yeoman, upon whose death it came to his four sons, Arnold, William, Thomas, and George Terry, who in 1601 made a partition of their father's estates, in which this manor was allotted to Arnold Terry, and William his brother, from whom it descended to Anthony Terry, of Ospringe, who in 1689 sold it to Mr. Thomas Knowler, of Faversham, who devised it to his sister Abigail for her life, and after her death to John Knowler, gent. of Ospringe, in fee. She afterwards married John Bates, and they, together with John Knowler above-mentioned, about the year 1694, joined in the sale of it to Mr. Edward Baldock, of Aylesford, and Bennet his wife. He survived her, and by deed of gift in 1717, vested the fee of it in his son Edward Baldock, who passed it away to Mr. Thomas Greenstreet, of Norton, whose niece Elizabeth marrying with Mr. Thomas Smith, of Gillingham, entitled him to this manor, which has been since sold to John Montresor, esq. of Belmont, in this parish, the present owner of it. A court baron is held for this manor.
There was antiently a chapel at this manor of Wilrintune, as appears by a charter, dated anno 1217, lately in the treasury of St. Bertin's monastery at St. Omers, concerning the privilege of a bell to it.
BUT THE REMAINING MOIETY of the manor, with a small crost called the manor-croft, lying at the west end of Hockstet green, remained with John Upton, and thenceforward acquired the name of SOUTH, alias GREAT WILDERTON. After whose death it came to his eldest son John Upton, who died possessed of it in 1635, and was buried with his ancestors in Faversham church. They bore for their arms, Quarterly, sable, and or; in the first and fourth quarters, a cross flory, argent, each charged with a trefoil, azure. (fn. 5)
John Upton, his eldest son, inherited this manor, and at his death in 1664, by his will gave it to his daughter Anne, wife of Charles Castle, gent. who in 1688 devised it to her brother-in-law George Naylor, and George White, the former of whom becoming solely possessed of it, in 1705 devised it to his nephew Mr. John Dalton, gent. of St. Edmundsbury, for his life, and afterwards to his son Thomas Dalton, and his issue, in consequence of which it descended to Benjamin Shuckforth, of Diss, in Norfolk, who in 1741 sold it to Mr. Giles Hilton, of Lords, in Sheldwich, on whose death it descended to his three sons, John, William, and Robert Hilton, the youngest of whom, Mr. Robert Hilton, as well as by the devise of his two elder brothers, afterwards became the sole proprietor of this manor. He died in 1782, and his son Mr. John Hilton, of Sheldwich, as next in the entail, succeeded to it, and is the present possessor of it.
IN THE REIGN of king Stephen there was AN ALIEN PRIORY established in this parish, as a cell to the Benedictine abbey of St. Bertin, at St. Omers, the capital of Artois, in Flanders, William de Ipre, in 1153, having given this church, with that of Chilham, to it for that purpose; which gift was confirmed by king Stephen the same year, as it was by the several archbishops afterwards, and by the charters of Henry II. and III. The charter of this gift was till lately in the treasury of the monastery of St. Bertin, as were all the others hereafter mentioned relating to this church and priory.
There are very few formal foundations of these cells, the lands of them being usually granted to some monastery abroad, as an increase to their revenues, after which, upon some part of them they built convenient houses, for the reception of a small convent. Some of these cells were made conventual, having a certain number of monks, who were mostly foreigners, and removeable at pleasure, sent over with a prior at their head, who were little more than stewards to the superior abbey, to which they returned the revenues of their possessions annually; others were permitted to chuse their own prior, and these were entire societies within themselves, and received their revenues for their own use and benefit, paying perhaps only a yearly pension as an acknowledgement of their subjection, or what was at first the surplusage to the foreign house.
The cell at Throwley was of the former sort, for which reason, during the wars between England and France, as their revenues went to support the king's enemies, these kind of houses were generally seized on by the king, and restored again upon the return of a peace. (fn. 6)
In the 25th year of king Edward I. Peter, prior of Triwle, as it was spelt in the record, made fine to the king at Westminster, and had a privy seal for his protection, by which he had the custody of his house and possessions committed to his care, to retain them during the king's pleasure, answering to his exchequer for the profits of them, according to the directions of him and his council.
The scite of this priory was that of the parsonage of the church of Throwley, which, with that of Chilham, seems to have been all their possessions in this kingdom. These were valued in the 8th year of king Richard II. anno 1384, each at forty pounds annually, and their temporalities at 20s. 6d. at which time the parsonage of Throwley was become appropriated to this cell, and a vicarage was endowed in it. In which situation this priory remained till the general suppression of the alien priories throughout England, in the 2d year of Henry V. anno 1414, which was enacted in the parliament then held at Leicester, and all their houses, revenues, &c. were given to the king and his heirs for ever. (fn. 7)
This priory, with its possessions, seems to have remained in the hands of the crown till Henry VI. in his 22d year, settled them on the monastery of Sion, in Middlesex, founded by his father Henry V. with which they continued till the general suppression of religious houses, this being one of those greater monasteries dissolved by the act of the 31st year of king Henry VIII. How this priory was disposed of afterwards by the crown, may be further seen hereafter, under the description of the parsonage of the church of Throwley.
The only remains left of this priory are some few foundations, and two walls of flint, which support a building, standing behind the parsonage-house and garden.
THERE IS A FREE SCHOOL in this parish, the house of which is situated adjoining to the church-yard, which was founded by Sir Thomas Sondes, who died in 1592, who by his will devised a house and six poundes per annum to the master of it, to dwell in, and as a recompence for his pains; but having charged his executors and not his heirs to the fulfilling of this bequest, and charged the payment of the above sum, among other charitable legacies, on several leasehold estates, the terms of which expired in his nephew Sir Richard Sondes's time, and the house having tumbled down for want of repairs, Sir George Sondes, son of Sir Richard above-mentioned, thought it unreasonable, as he had none of the estates, that he should be bound to maintain the school; however, he voluntarily paid the master his salary, and gave him a house to live in, both which have been continued by the possessors of Throwley manor to this time, as far as I can learn, as of their own free gift.
The present right hon. lord Sondes appoints the schoolmaster as such during pleasure, and pays him a salary of twelve pounds per annum, besides which, he allots him an house and garden, worth about six pounds per annum, which his lordship repairs from time to time, and for which no parochial or church-dues are paid. There are at present fourteen boys taught reading, writing, and arithmetic, gratis, in this school, which though taken mostly from the parishes of Throwley, Badlesmere, and Leveland, are not confined to those parishes.
Charities.
CATHERINE, LADY SONDES, gave by will the sum of 40s. a year, to be received yearly on St. Barnabas's day, towards the relief of the poor, payable from a farm in it, called Bell-horn, now belonging to lord Sondes, and now of that annual produce.
THERE WERE three alms-houses in this parish, the gift of one of the Sondes family; one of them was some time since burnt down, and has not been rebuilt, but lord Sondes allows the person nominated to it the value of it in money yearly.
The poor constantly relieved are about thirty, casually double that number.
THROWLEY is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Ospringe.
The church, which is dedicated to St. Michael, consists of three isles and three chancels. The steeple is a square tower, and stands in the centre of the south side of it, in which there is a peal of six bells, given in 1781, at the expence of Mr. Montresor, of Belmont. In the south isle is a memorial for Francis Hosier Hart, gent. obt. 1761, leaving three daughters, Mary, Elizabeth, and Diana Hosier. In the middle isle is a small monument for Stephen Bunce, esq. of this parish, one of the Antients of New-Inn, who died there in 1634, and was buried in St. Clement's church, London. In the middle chancel there are two stalls of wood, which are not fixed, and in the north isle three more of the like sort, joined together, with a desk before them, which seem to have been removed from the chancel, and were both intended for the use of the religious of the priory here. In the middle of this chancel is a memorial for Dr. Thomas Horsemonden, patron and rector of Purleigh, in Essex, prebendary of Lincoln, &c. who died anno 1632. In the north and south chancel are several monuments for the family of Sondes, with their essigies, arms and quarterings; one of them in the latter, a plain altar tomb of black marble for Sir George Sondes, earl of Faversham, his lady and descendants; many more of this family, as appears by the parish register, are buried in the vault underneath, but the family of Watson burying at Rockingham, this vault has not been opened for several years. The north and south chancels above-mentioned belonged, one to the possessors of Throwley manor, the other to those of Townplace, but they both belong now to lord Sondes.
There were formerly in the windows the arms of Sondes, Finch, and Gatton, and in the north window this inscriptin, Pray for the good estate of Alice Martyn, the which did make this window, MCCCCXLV.
In the church yard, at the west end of the north isle, there is a circular door-case of stone, having several bordures of Saxon ornaments carved round it. In the church-yard is an altar tomb for William Woodward, gent. of Wilgate-green, obt. 1681, and Anne his wife.
It appears by the will of William Sondes, esq. anno 1474, that this church had then constantly burning in it lights, dedicated to St. Michael, the Holy Trinity, the Holy Cross, St. Mary, St. Thomas, St. Christopher, St. George, St. Katherine, St. Margaret, St. Mary Magdalen, and St. Nicholas.
An account of the antient patronage of the church of Throwley has already been given, as first belonging to the alien priory here, and then to the monastery of Sion, to the time of the dissolution of the latter in the 31st year of Henry VIII. the year after which, the king granted the rectory, with the advowson of the vicarage of the church of Throwley, to the prebendary of Rugmer, in the cathedral church of St. Paul, London, in exchange for lands belonging to that prebend, to be inclosed within the king's park of Marybone, in pursuance of an act then passed. Since which this parsonage and advowson have continued part of the abovementioned prebend. The former is leased out by the present prebendary to the right hon. lord Sondes, but the advowson of the vicarage he retains in his own hands, and is the present patron of it.
¶There was a rent of 4l. 18s. 4d. reserved from the parsonage by king Henry VIII. nomine decimœ, which was granted by queen Elizabeth, in her third year, to archbishop Parker, among other premises, in exchange for several manors, lands, &c. belonging to that see, which rent still continues part of the revenue of the archbishopric.
A vicarage was endowed here in 1367, anno 42 king Edward III. by archbishop Langham, at which time the chapel of Wylrington belonged to it. (fn. 8)
It is valued in the king's books at 7l. 11s. 8d. and the yearly tenths at 15s. 2d.
In 1578 there were one hundred and eighty communicants here. In 1640 it was valued at forty-five pounds, communicants two hundred and twenty.
The Worlds leading criminal gangs enter their toughest members in an annual secret contest to win power, respect and ultimately, control. The game is Total Conquest. Andrea (Belmonte) daughter of fallen Italian mob leader Alberto Rossi, enters the game in order to seek vengeance on the gang who murdered her father and win back respect for her sullied family name. In a ruined factory on an abandoned island, that serves as this years arena, Andrea teams up with Frank Boudreaux (Dravin), the representative of a French crime Lord, who has an agenda of his own.
Stuart Conquest, The Hon. Steven Linares, Minister for Sports, Culture, Heritage and Youth, Miss Gibraltar Kayley Mifsud, Fabiano Caruana, James Humphrey's Tradewise CEO, Brian Callaghan
1966 Cotton Conquest on display at the Thruxton Kickback custom classic bike show at Thruxton circuit, Hampshire. Built by Cotton on their Gloucester factory, the 250cc Conquest was a barely legal road-legal version of the bike that won the 500 mile productions races at Castle Combe in 1965 and Brands Hatch in 1966.
PLEASE, NO invitations or self promotions, THEY WILL BE DELETED. My photos are FREE to use, just give me credit and it would be nice if you let me know, thanks.
The Bayeux Tapestry is an embroidered cloth—not an actual tapestry, which is instead woven—nearly 70 metres (230ft) long, which depicts the events leading up to the Norman conquest of England.
#55 - Duke William
#56 - Eustace (Count of Boulogne from 1049–1087), the French are fighting and have killed those who were with Harold
This nocturnal woodland scene is part of Beggarwood Park which is a public park and consists of open chalk grassland surrounded by this belt of mature ancient woodland on the north and eastern boundaries.
This ancient woodland that fringes the park can only be called ancient if the site has been continually wooded since 1600. These areas are irreplaceable and as a result the woodland has been designated as a 'Site of Importance for Nature Conservation' (SINC). The dominant trees found within this woodland are beech (Fagus sylvatica), oak (Quercus robur) and ash (Fraxinus excelsior), with an understory of hazel (Corylus avellana), dogwood (Cornus sanguinea) and spindle (Euonymus europaea).
Evidence of the woodland's ancient origin is indicated by the wildflowers which can be seen growing on the woodland floor in spring. These include sweet woodruff (Galium odoratum), sanicle (Sanicula europaea), and wood anemone (Anemone nemerosa).
Bats use the woodland for roosting, foraging and feeding, on addition to a number of birds. The greater spotted woodpecker (Dendrocopus major) can be heard 'drumming' on the trees and nuthatches (Sitta europaea) can be seen scurrying down tree headfirst. Other birds that visit here include chaffinch (Fringilla coelebs), great tit (Parus major) and tawny owl (Strix aluco).
The park lays within the area of Hatch Warren which is a district and ward of Basingstoke in Hampshire, west of the town centre. Neighbouring housing estates include Kempshott and Brighton Hill.
It is primarily served by Brighton Hill Community College (a secondary school) and two junior schools, St Mark's and Hatch Warren.
It lies within the Hatch Warren & Beggarwood ward of Basingstoke and Deane Borough Council.
Hatch Warren shares a Newsletter, the Rabbiter, with Beggarwood and Kempshott Park, and has a small retail park, which includes a supermarket and a petrol station. It also has one pub which is named 'The Portsmouth Arms.' The Pub was due to open in 1996, but was destroyed by arson. It did however open a year later.
Hatch Warren occupies part of the farm which was the home and head office of Rex Paterson, the noted agriculturalist, when it was part of the estate of the Earls of Portsmouth.
Beneath here what is now the Hatch Warren estate lie the hidden remains of prehistoric and medieval villages. Excavation of those parts of the settlements which were to be destroyed by housing development was undertaken by Wessex Archaeology, in stages between 1984 and 1987.
In the Iron Age (3rd - 1st centuries BC), a small settlement was established. First there was an enclosure surrounded by a shallow ditch. This may have been for keeping livestock as no traces of any buildings were found. If there were any houses these must have been situated outside the area which was excavated.
In the 1st century BC a number of ditched enclosures contained the remains of buildings and pits grouped in different areas. Most of the buildings were small and rectangular with just four upright posts set into the ground, one at each corner. These are a familiar find on archaeological sites of this date and are generally thought to have been used for storing grain. Again, no actual houses were found but they must have been close-by as broken cooking pots, tools and small personal items were found. The little farming community seems to have continued to live here until sometime late in the 1st century AD, after the Roman Conquest of AD43, when for unknown reasons the site was abandoned.
The remains of the medieval settlement - possibly those of the lost Village of "Hatch" - included a small church built in the 11th-12th century which was surrounded by a wooden fence. At least six timber square and rectangular houses stood nearby. In the 12th - 14th centuries the graveyard was surrounded by two enclosure ditches. At least 240 graves occurred in the graveyard with several more burials inside the Church. One of these graves contained a pewter chalice and paten - religious items which indicate that this was the burial of a priest.
The small village served by the church and graveyard grew gradually between the 11th and 14th centuries. It included timber houses with tiled roofs, some surrounded by fences, with pits and possibly hearths, and at least one well and a bread oven.
The village economy was based on the keeping of cattle and sheep and the cultivation of wheat, barley, oats and rye. Dogs, cats, geese and horses were also kept and birds such as ducks, partridge and pigeons were tasty additions to the diet. Burnt seeds of raspberry, blackberry, sloe and bullace or damson were found, as well as burnt hazelnuts and catkins which show that woodland fruits and nuts were collected and eaten. Of great interest is the presence of the remains of red and roe deer and of sparrowhawk which suggests some serious hunting in the forest.
This apparently peaceful little village seems to have prospered in the 14th century but although the churchyard ditch was given a good spring clean sometime in the later 15th century, the area covered by the settlement seems to have been reduced and some houses were apparently pulled down. By the end of the 15th century the church had been demolished and extensive areas of building rubble were spread across the graveyard. The village was abandoned, and its name and position were lost until the excavations of the 1980s.
en.wikipedia.org/wiki/Hatch_Warren
FILE
FILE SÃO PAULO 2009
Festival Internacional de Linguagem Eletrônica
Electronic Language International Festival
FILE 10 NURBS PROTO 4KT
10 anos de FILE, 10 anos de eventos realizados na cidade de São Paulo, 10 anos de discussão sobre arte e tecnologia no Brasil.
1. NURBS (Non Uniform Rational Basis Spline) é uma técnica muito conhecida de computação gráfica para representar curvas e superfícies, e que segundo o teórico russo Lev Manovich, no texto inédito que abre o catálogo desta edição, pode ser a nova ferramenta para a teoria cultural do sec. 21 juntamente com outras ferramentas de computação gráfica e visualização de dados. Lev Manovich participará do FILE Labo Workshop, no Mezanino do Centro Cultural Fiesp - Ruth Cardoso dia 30/07, das 9h às 13h.
2. PROTO de “Protomembrana”, performance do artista catalão Marcel.lí Antunez Roca, que acontecerá na abertura do evento (27/07) e dia 29/07, no Teatro do SESI – São Paulo.
3. 4KT, a primeira transmissão transcontinental em superalta definição, que está será feita no mundo do longa-metragem “Enquanto a Noite não Chega”, com direção de Beto Souza, dia 30/07, às 19 horas, no Teatro do SESI – São Paulo.
FILE 10 Highlights
10 years of FILE, 10 years of events accomplished in the city of São Paulo, 10 years of discussions on art and technology in Brazil.
1. NURBS (Non Uniform Rational Basis Spline) is the concept developed by Russian theoretician Lev Manovich in the unpublished text that opens this edition's catalog. Lev Manovich will participate in FILE Labo Workshop, at the Mezzanine of Fiesp - Ruth Cardoso Cultural Center, on July 30, from 9 a.m. to 1 p.m.
2. PROTO from “Protomembrane”, performance by Catalan artist Marcel.lí Antúnez Roca, will happen in the event's opening (07/27) and on 07/29, at the SESI – São Paulo Theater.
3. 4KT, the first transcontinental broadcasting in super-high definition that will happen in the world of the feature film “While the Night Doesn't Come”, directed by Beto Souza, on 07/30, 7 p.m., at the SESI – São Paulo Theater.
INSTALAÇÕES
Abraham Manzanares (colorsound) _ Boreal Painte _ Espanha
Alexandra Dementieva_ Drama House _ Bélgica
Andreas Muxel e Martin Hesselmeier _ Capacitive Body _ Alemanha
3kta - Directed by André Rangel and Anne-Kathrin Siegel _ Graffonic _ Portugal e Alemanha
Christa Erickson _ Climate Shifts _ Estados Unidos
Daan Brinkmann _ Skinstrument _ Holanda
Blendid (Tim Olden e David Kousemaker) _ TouchMe _ Holanda
Emiliano Causa, Tarcisio Pirotta e Matías Costas _ Sensible _ Argentina
EunJoo Shin _ Vocal Trio _ Coréia do Sul
Fabiano Onça e Colméia _ Stogrepock _ Brasil
Giselle Beiguelman e Mauricio Fleury _ Suíte para Mobile Tags - Movimento #1 _ Brasil
Graziele Lautenschlaeger _ Don't Give Up! About a history that doesn't want to be told _ Brasil
Hakeem B. _ Once Upon a Time _ França
Hugues Bruyère _ Presence _ França
Jorge Luis Crowe _ Estero _ Argentina
Jörg Niehag _ samplingplong _ Alemanha
Juliana Cerqueira _ Corpo Digitalizado _ Brasil
the Demos _ Moving Mario _ China
Leo Nuñez _ Game of Life _ Argentina
Luis Felipe Carli _ Complexidade Organizada _ Brasil
He-Lin Luo _ Maelstrom _ China
Magdalena Pederin _ The Voice From the Loudspeaker _ Croácia
Marcel•lí Antúnez Roca_ Metamembrana _ Espanha
Marina Chernikova _ Urban Surfing Moscow _ Holanda
Masato Takahashi, Sho Hashimoto _ The Noses: Communication Organs _ Japão
Motomichi Nakamura _ Red Eyes _ Estados Unidos
Naomi Kaly _ Dualogue _ Estados Unidos
Nina Tommasi _ Biological Instrumentation _ Áustria
Nina Waisman; with pd programming by Marius Schebella_ Between Bodies (Tijuana), Estados Unidos
Phillip Stearns (Pixel Form) _ c. 15:33 _ Estados Unidos
Ricardo Nascimento _ Authority _ Áustria
Seokhwan Cheon _ Pondang _ Estados Unidos
Tim Coe _ Volatile Nexus _ Alemanha
Deletere // redSugar _ Augmented Reality _ França
Ebru Kurbak e Jona Hoier _ Hot & Cold Whisperer _ Áustria
Yonakani: Young ah Seong, Takuji Narumi, Tomohiro Akagawa _ Thermotaxis _ Japão
Artemis Moroni, Jônatas Manzolli, Mariana Shellard e Sidney Cunha _ AURAL _ Brasil
MÍDIA ARTE
Norberto Idiart Ritter, Rosario Lázaro Igoa, Andrew Orihuela e Cesar Funk _ La Palabra _ Brasil
A. Bill Miller _ gridworks2000-anim09 _ Estados Unidos
Jackson Marinho - Victor Valentim - Anibal Alexandre - Adriana Prado _ Autonomia Duvidosa _ Brasil
Agricola de Cologne _ SILENT CRY _ Alemanha
Agricola de Cologne _ TIMED OUT _ Alemanha
Alan Bigelow _ Deep Philosophical Questions _ Estados Unidos
Alan Bigelow _ What They Said _ Estados Unidos
Alex Hetherington _ SARAH WINCHESTER MADE ME HARDCORE _ Reino Unido
Aline X _ DVD Golpes - Uma investigação interativa _ Brasil
Alisson R. Ribeiro, Bruna Ongaro, Eric Notarnicola, Magda Martins, Marcel Melfi, Michel Adão Teixeira, Rafael Nery _ Metadoxo - O sentir e interpretar da trilogia das cores _ Brasil
Ana Genduso, Bernardo Duca, Denise Brito, Mariana Roncalli, Renan Petrecca, Robson Silva e Victor Hugo Luz _ Universo Visceral _ Brasil
André Anaya de Carvalho, Beatriz Castanho,Denisson de Sousa, Diego Gregor Martins, Fabrício Novak, Kleber Nunes Domingues e Nelson Rico Gutierres Junior _ Espaço e Movimento _ Brasil
André Sier _ Corrida Espacial #1 _ Portugal
André Sier _ Corrida Espacial #3 _ Portugal
Andrei Thomaz _ Somewhere in Time _ Brasil
Andrei Thomaz _ A caça e o caçador _ Brasil
Anibal Diniz, Colaboração de Victor Valentim na Programação Sonora _ Caixa de Dados _ Brasil
Anis _ 109 _ Estados Unidos
Antoine Schmitt _ Time Slip _ França
Audrei Carvalho _ E-poetamentos (tradução intersemiótica de poemas de Augusto de Campos) _ Brasil
Bárbara de Azevedo _ O oculto do planeta azul_ Brasil
Bárbara de Azevedo _ Substância _ Brasil
blackhole-factory e David Bickerstaff _ SONG _ Alemanha e Reino Unido
Brian Maniere _ Sandbox Project _ Estados Unidos
Brit Bunkley _ Floral _ Nova Zelândia
calin man _ _ Romênia
Carlindo da Conceição Barbosa, Guilerme Tetsuo Takei, Kauê de Oliveira Souza, Renato Michalischen, Ricardo Rodrigues Martins, Tássia Deusdará Manso e Thalyta de Almeida Barbosa _ Stickerlog - um registro da história, produção e disseminação dos stickers _ Brasil
carlo sansolo _ art conquest _ Brasil
Carlos Praude _ stratus _ Brasil
Carolien Hermans _ BODY IN BITS AND PIECES _ Holanda
casadalapa (Julio Dojscar, Pedro Noizyman e Newber) _ Bem me quer, mal me quer _ Brasil
Céline TROUILLET _ SONG N°7 _ França
Céline TROUILLET _ SONG N°8 _ França
Céline TROUILLET _ SONG N°10 _ França
Claudia Sandoval _ Living Cemetery _ Brasil
cristine de bem e canto _ cartão postal _ Brasil
cyriaco lopes _ CORRESPONDENCES _ Estados Unidos
DANIEL HANAI _ KINDER PROJEKT _ Brasil
David Muth _ Counterclockwise _ Reino Unido
David Muth _ Up And Down _ Reino Unido
Denise Agassi e Nacho Durán _ Virtual Velázquez _ Brasil
Eric Schockmel _ Syscapes # Interlude _ Luxemburgo
Fernando Velázquez, Bruno Favaretto, Francisco Lapetina _ Your life, our movie _ Brasil/Uruguai
Gabriela Canale Miola e Guilherme Baracat _ ANEMIC CINEMA, MESMO _ Brasil
Ger Ger _ Luxor 22.145 _ Alemanha
Ger Ger _ Black Balloons _ Alemanha
Ger Ger _ What the Fuck _ Alemanha
grégoire zabé _ sharedscapes - points of view on landscapes _ França
Hugo Solís _ Ojos Te Vean _ Estados Unidos
Intermedia Writing Systems: Matthew Butler e Aaron Sachs _ A Box Full of Angels _ Estados Unidos
Jorn Ebner _ (»Feuerland«) _ Alemanha
José Luis de Vicente, Irma Vilà e Bestiario _ The Atlas of Electromagnetic Space _ Espanha
Julian Konczak _ J9 _ Reino Unido
Karel Doing _ Antipode136 _ Holanda
Karla Muner e Claudio Bitencourt _ Saudade _ Brasil
lemeh42 _ Illusion for movements _ Itália
Mateus Knelsen, Felipe Szulc, Ana Claudia Pátria, Mileine Assai Ishii, Renata Nogueira de Martinez, Tânia Taura, Pamela Cardoso _ Prismática: a narratividade no Cinema e na Hipermídia em uma releitura do filme 21 Gramas _ Brasil
Michael Takeo Magruder _ Reflection (hope and reconciliation) _ Reino Unido
Michael Takeo Magruder _ Last Days…_ Reino Unido
Miguel Leal e Luís Armento _ Clouds of Clouds _ Portugal
Miriam Duarte Teixeira _ Passagens _ Brasil
miska _ windtracing _ Finlândia
miska _ kiasma cafe north _ Finlândia
miska _ longlapses: mannerheimintie south _ Finlândia
nano _ Face Invader _ Estados Unidos
Nick Briz _ an-uh-mit data _ Estados Unidos
olaconmuchospeces _ Cajas _ Argentina
osvaldo cibils _ caracolaplysia _ Itália
Pedro Talarico Lacerda e grupo Akronon (Silvio Ferraz, Rogério Costa e Edson Ezequiel) _ Espaços _ Brasil
Perry Bard _ Man With A Movie Camera:The Global Remake _ Estados Unidos
Peter Horvath _ Boulevard _ Canadá
rachelmauricio castro _ leleXZoom _ Brasil
rachelmauricio castro _ Xx**xX _ Brasil
rachelmauricio castro _ ¬¬ 7 ¬¬ _ Brasil
Regina Pinto _ Café com Pão _ Brasil
Richard O'Sullivan _ Fragments of the Los Angeles River _ Reino Unido
Richard O'Sullivan _ Femdale, Western Canyon, Los Angeles _ Reino Unido
Richard O'Sullivan _ Palimpsest _ Reino Unido
Richard O'Sullivan _ The Other Image _ Reino Unido
Richard O'Sullivan _ Transit _ Reino Unido
Richard O'Sullivan _ Present Tense _ Reino Unido
Roderick Coover _ Unknown Territories _ Estados Unidos
Rodrigo Assis o, Daniel Pitorri e Karen Mota _ Construção e Desconstrução _ Brasil
Roni Ribeiro _ Apólogo _ Brasil
Same _ "The Way North" _ Estados Unidos
simon welch _ Final Call _ França
simon welch _ Tam Tam _ França
simon welch _ Flotsum _ França
Stefan Linecker _ nettime _ Áustria
Stuart Pound _ Speech _ Reino Unido
Stuart Pound _ The crying of the forest _ Reino Unido
Stuart Pound _ Retro disk chunter _ Reino Unido
susanne berkenheger _ movement-for-account-corpses.de _ Alemanha
Vanessa Louzon _ Ordinary Show _ Reino Unido
Yara Rondon Guasque Araujo, Fabian Antunes Silva, Silvia Guadagnini e Hermes Renato Hildebrand _ Visualização do Manguezal Ratones _ Brasil
Zach Blas _ Queer Technologies _ Estados Unidos
GAME
Andrei Thomaz _ Labirintos Invisíveis _ Brasil
Cavalo Voador - Fabrício Fava, JJ Marreiro e Daniel Valente _ Pranayama _ Brasil
Chris Basmajian _ Attention Hog _ Estados Unidos
Daniel Ferreira _ Nibballs _ Brasil
Fernando Chamis _ Surfínia _ Brasil
Josh Fishburn _ Survive/Progress _ Estados Unidos
Personal Cinema & the Erasers _ Folded in _ Grécia
Picolargo Software _ Guerra no Sertão _ Brasil
INOVAÇÃO
C.E.S.A.R _ Centro de Estudos e Sistemas Avançados do Recife _ Brasil
Cietec _ Centro Incubador de Empresas Tecnológicas _ Brasil
FINEP _ Financiadora de Estudos e Projetos _ Brasil
INATEL _ Instituto Nacional de Telecomunicações _ Brasil
SENAI _ Inovação tecnológica _ Brasil
HIPERSÔNICA PERFORMANCE
*spark _ rbn_esc____av _ Reino Unido
Author & Punisher _ Dub Machines (nextGen of Drone Machines) _ Estados Unidos
blackhole-factory / Elke Utermoehlen and Martin Slawig _ RESTMETALL _ Alemanha
D-Fuse / Michael Faulkner, Matthias Kispert _ Particle _ Reino Unido
Het vleesgeworden videowoord (The videoword made flesh): Albert van Abbe, Roel Dijcks, Wim-Jan Smits, Ties van de Ven _ A/V Scaping series _ Holanda
Mesa de Luz. Integrantes: Hieronimus do Vale, Marta Mencarini e Tomás Sefenin _ Mesa de Luz: Cotidiano _ Brasil
Playboy's Bend _ The playboy's Bend show _ Bélgica
Sadmb _ Cubie _ Japão
Tetsu Kondo _ Dendraw _ Japão
Vj Motomichi _ "No Rules, No Boundaries" Motomichi Nakamura's live video mixing _ Estados Unidos
Yroyto _ EILE _ França
Marcel•lí Antúnez Roca _ Protomembrana _ Espanha
Emotic _ RAW _ Espanha
HIPERÔNICA SCREENING
ATZ119 - Laurent Antonczak, Patricia Burgetsmaier, James Hayday _ Hamster Squaredance _ Nova Zelândia
Bret Battey _ Sinus Aestum _ Reino Unido
David Sullivan _ sunset refinery _ Estados Unidos
Jen-Kuang Chang _ OM _ Estados Unidos
Jen-Kuang Chang _ Drishti III _ Estados Unidos
Joao Vasco Paiva _ wide rothko _ Hong Kong
Marcela Pavia & LeoNilde Varabba _ Dancing around the One _ Itália
Max Jacob _ Risonanze _ Itália
Michal Levy _ One _ Estados Unidos
Nigel Power _ Becoming: Sao Paulo _ Tailândia
Sebastian Blank _ A Dialogue between Art and Society I-III _ Alemanha
soundsthatmatter _ illzeno _ Brasil
soundsthatmatter _ cKtroos _ Brasil
soundsthatmatter _ bismust-jet _ Brasil
Tammy Renee Brackett _ teXt _ Estados Unidos
Telcosystems: Lucas van der Velden | Gideon Kiers | David Kiers _ Semaphore _ Holanda
Timothy Weaver _ Biological Narrative #9: manuMindo _ Estados Unidos
VJ ELetro-I-Man _ Proyecto Representa Corisco _ Espanha
zabara _ Elm _ Rússia
HIPERSÔNICA PARTICIPANTES
Agricola de Cologne _ SoundLAB VI - soundPOOL _ Alemanha
Anaracecar _ Essential Slime _ Estados Unidos
Brian Maniere _ Sleepless _ Estados Unidos
CONCÍLIO - DANIEL GAZANA _ CONCÍLIO _ Brasil
Jen-Kuang Chang _ Karma _ Estados Unidos
Kunkuni Mix Project: Rosa Apablaza & Federico Duret _ Busco trabajo urgente _ Holanda
Melanie Menard _ Mathematically Generated Seascape _ Reino Unido
Panayiotis KOKORAS _ Waltz at the edge of Lorros _ Grécia
Ricardo Dal Farra _ Memorias _ Canadá
Ricardo Dal Farra _ On the Liquid Edge _ Canadá
Rune Søchting _ Sound performance _ Dinamarca
Scant Intone _ Scant Intone _ Canadá
SIMPLE.NORMAL _ Imagenabilis _ Brasil
Tablet Visual Music _ Tablet Visual Music _ Brasil
Tetsu Kondo _ Dendraw _ Japão
Victor Valentim _ Semisfera - Para Sons Eletroacústicos _ Brasil
zabara _ Elm _ Rússia
CINEMA DOCUMENTA
Cadu Porto Oliveira _ CONECTION _ Brasil
Dominic Gagnon _ RIP IN PIECES AMERICA _ Canadá
Hans Fjellestad _ MOOG _ Estados Unidos
Joe Hiscott _ THE TELEPHONE EULOGIES _ Canadá
Joesér Alvarez & Coletivo Madeirista _ INVENTÁRIO DAS SOMBRAS _ Brasil
Laurent Lemonnier _ MONGOLIA EXPEDISOUND _ França / Mongólia
Mike Mills _ AIR: EATING SLEEPING WAITING AND PLAYING _ Estados Unidos
Reynald Weidenaar _ MAGIC MUSIC FROM TELHARMONIUM _ Estados Unidos
Scott Hessels _ NINE LIVES _ Singapura
Simon Power _ TECHNOMANIA _ Reino Unido
MAQUINEMA
"Land of Illusion" in Second Life: Lily & Honglei _ Land of Illusion _ Estados Unidos
J. Joshua Diltz _ Mercy of the Sea _ Estados Unidos
Pineapple Pictures: Kate Fosk and Michael R. Joyce _ Revenge _ Estados Unidos e Reino Unido
Lainy Voom _ GIW (from The Path) _ Reino Unido
Lainy Voom _ The Dumb Man _ Reino Unido
Nebulosus Severine _ Spiral Walcher _ Estados Unidos
Piotr Kopik _ Psychosomatic Rebuilders Animation #000 _ Polônia
Tony Bannan _ Dark Previz _ Austrália
"Alnwick Castle (/ˈænɪk/) is a castle and country house in Alnwick in the English county of Northumberland. It is the seat of The 12th Duke of Northumberland, built following the Norman conquest and renovated and remodelled a number of times. It is a Grade I listed building and as of 2012 received over 800,000 visitors per year when combined with adjacent attraction The Alnwick Garden.
Alnwick Castle guards a road crossing the River Aln. Yves de Vescy, Baron of Alnwick, erected the first parts of the castle in about 1096. Beatrix de Vesci, daughter of Yves de Vescy married Eustace Fitz John, Constable of Chestershire and Knaresborough. By his marriage to Beatrix de Vesci he gained the Baronies of Malton and Alnwick. The castle was first mentioned in 1136 when it was captured by King David I of Scotland. At this point it was described as "very strong". It was besieged in 1172 and again in 1174 by William the Lion, King of Scotland and William was captured outside the walls during the Battle of Alnwick. Eustace de Vesci, lord of Alnwick, was accused of plotting with Robert Fitzwalter against King John in 1212. In response, John ordered the demolition of Alnwick Castle and Baynard's Castle (the latter was Fitzwalter's stronghold), but his instructions were not carried out at Alnwick.
The castle had been founded in the late 11th century by Ivo de Vesci, a Norman nobleman from Vassy, Calvados in Normandy. A descendant of Ivo de Vesci, John de Vesci succeeded to his father's titles and estates upon his father's death in Gascony in 1253. These included the barony of Alnwick and a large property in Northumberland and considerable estates in Yorkshire, including Malton. As John was underage, King Henry III of England conferred the wardship of his estates to a foreign kinsmen, which caused great offence to the de Vesci family. The family's property and estates had been put into the guardianship of Antony Bek, who sold them to the Percys. From this time the fortunes of the Percys, though they still held their Yorkshire lands and titles, were linked permanently with Alnwick and its castle and have been owned by the Percy family, the Earls and later Dukes of Northumberland since. The stone castle Henry Percy bought was a modest affair, but he immediately began rebuilding. Though he did not live to see its completion, the construction programme turned Alnwick into a major fortress along the Anglo-Scottish border. His son, also called Henry (1299–1352), continued the building. The Abbot's Tower, the Middle Gateway and the Constable's Tower survive from this period. The work at Alnwick Castle balanced military requirements with the family's residential needs. It set the template for castle renovations in the 14th century in northern England; several palace-fortresses, considered "extensive, opulent [and] theatrical" date from this period in the region, such as the castles of Bamburgh and Raby. In 1345 the Percys acquired Warkworth Castle, also in Northumberland. Though Alnwick was considered more prestigious, Warkworth became the family's preferred residence.
The Percy family were powerful lords in northern England. Henry Percy, 1st Earl of Northumberland (1341–1408), rebelled against King Richard II and helped dethrone him. The earl and his son Harry Hotspur later rebelled against King Henry IV and after defeating Hotspur in the Battle of Shrewsbury, the king pursued the earl. The castle surrendered under the threat of bombardment in 1403.
During the Wars of the Roses, castles were infrequently attacked and conflict was generally based around combat in the field. Alnwick was one of three castles held by Lancastrian forces in 1461 and 1462, and it was there that the "only practical defence of a private castle" was made according to military historian D. J. Cathcart King. It was held against King Edward IV until its surrender in mid-September 1461 after the Battle of Towton. Re-captured by Sir William Tailboys, during the winter it was surrendered by him to Hastings, Sir John Howard and Sir Ralph Grey of Heton in late July 1462. Grey was appointed captain but surrendered after a sharp siege in the early autumn. King Edward responded with vigour and when the Earl of Warwick arrived in November Queen Margaret and her French advisor, Pierre de Brézé were forced to sail to Scotland for help. They organised a mainly Scots relief force which, under George Douglas, 4th Earl of Angus and de Brézé, set out on 22 November. Warwick's army, commanded by the experienced Earl of Kent and the recently pardoned Lord Scales, prevented news getting through to the starving garrisons. As a result, the nearby Bamburgh and Dunstanburgh castles soon agreed terms and surrendered. But Hungerford and Whittingham held Alnwick until Warwick was forced to withdraw when de Breze and Angus arrived on 5 January 1463.
The Lancastrians missed a chance to bring Warwick to battle instead being content to retire, leaving behind only a token force which surrendered the next day.
By May 1463 Alnwick was in Lancastrian hands for the third time since Towton, betrayed by Grey of Heton who tricked the commander, Sir John Astley. Astley was imprisoned and Hungerford resumed command.
After Montagu's triumphs at Hedgeley Moor and Hexham in 1464 Warwick arrived before Alnwick on 23 June and received its surrender next day. By the following decade, the 4th Earl of Northumberland had pledged fealty to Edward IV and the castle was returned to the Percys.
After the execution of Thomas Percy, 7th Earl of Northumberland, in 1572 Alnwick castle was increasingly uninhabited. The 9th Earl of Northumberland placed his distant cousin, another Thomas, in charge as constable in 1594, but just over a decade later Thomas was killed fleeing the Gunpowder Plot and the earl was imprisoned in the Tower of London, beginning over a century without a significant Percy presence at Alnwick. In 1650, Oliver Cromwell would use the castle to house prisoners following the Battle of Dunbar.
In the second half of the 18th century Robert Adam carried out many alterations, as did James Paine, Daniel Garrett and Capability Brown, all under the orders of the returning Percy family. Elizabeth Seymour and Hugh Smithson were elevated to 1st Duke and Duchess of Northumberland in 1766 by George III, whose restorations at Windsor Castle were partly inspired by the couple's work at Alnwick. The interiors were largely in a Strawberry Hill gothic style not at all typical of Adam's work, which was usually neoclassical, as seen at the Northumberlands' London home, Syon House.
However, in the 19th century Algernon, 4th Duke of Northumberland replaced much of Adam's architecture. Instead, he paid Anthony Salvin £250,000 between 1854 and 1865 to remove the Gothic additions and other architectural work. Salvin is mostly responsible for the kitchen, the Prudhoe Tower, the palatial accommodation, and the layout of the inner ward. Some of Adam's work survives, but little or none of it remains in the principal rooms shown to the public, which were redecorated in an opulent Italianate style in the Victorian era by Luigi Canina.
Alnwick (/ˈænɪk/ AN-ik) is a market town in Northumberland, England, of which it is the traditional county town. The population at the 2011 Census was 8,116.
The town is on the south bank of the River Aln, 32 miles (51 km) south of Berwick-upon-Tweed and the Scottish border, 5 miles (8 km) inland from the North Sea at Alnmouth and 34 miles (55 km) north of Newcastle upon Tyne.
The town dates to about ad 600, and thrived as an agricultural centre. Alnwick Castle was the home of the most powerful medieval northern baronial family, the Earls of Northumberland. It was a staging post on the Great North Road between Edinburgh and London, and latterly has become a dormitory town for nearby Newcastle-upon-Tyne. The town centre has changed relatively little, but the town has seen some growth, with several housing estates covering what had been pasture, and new factory and trading estate developments along the roads to the south.
The name Alnwick comes from the Old English wic ('dairy farm, settlement') and the name of the river Aln.
The history of Alnwick is the history of the castle and its lords, starting with Gilbert Tyson, written variously as "Tison", "Tisson", and "De Tesson", one of William the Conqueror's standard bearers, upon whom this northern estate was bestowed. It was held by the De Vesci family (now spelt "Vasey" – a name found all over south-east Northumberland) for over 200 years, and then passed into the hands of the house of Percy in 1309.
At various points in the town are memorials of the constant wars between Percys and Scots, in which so many Percys spent the greater part of their lives. A cross near Broomhouse Hill across the river from the castle marks the spot where Malcolm III of Scotland was killed during the first Battle of Alnwick. At the side of the broad shady road called Ratten Row, leading from the West Lodge to Bailiffgate, a stone tablet marks the spot where William the Lion of Scotland was captured during the second Battle of Alnwick (1174) by a party of about 400 mounted knights, led by Ranulf de Glanvill.
Hulne Priory, outside the town walls in Hulne Park, the Duke of Northumberland's walled estate, was a monastery founded in the 13th century by the Carmelites; it is said that the site was chosen for some slight resemblance to Mount Carmel where the order originated. Substantial ruins remain.
In 1314, Sir John Felton was governor of Alnwick. In winter 1424, much of the town was burnt by a Scottish raiding party. Again in 1448 the town was burnt by a Scottish army led by William Douglas, 8th Earl of Douglas and George Douglas, 4th Earl of Angus. There was a Church of Scotland congregation in Alnwick in the 17th and 18th centuries.
Thomas Malory mentions Alnwick as a possible location for Lancelot's castle Joyous Garde.
An Royal Air Force distribution depot was constructed at Alnwick during the Second World War war with four main fuel storage tanks (total capacity 1700 tons), and road and rail loading facilities. The tanks were above ground and surrounded with concrete. The site was closed in the 1970s and its demolition and disposal was completed in 1980.
The Alnwick by-pass takes the A1 London–Edinburgh trunk road around the town. It was started in 1968." - info from Wikipedia.
Summer 2019 I did a solo cycling tour across Europe through 12 countries over the course of 3 months. I began my adventure in Edinburgh, Scotland and finished in Florence, Italy cycling 8,816 km. During my trip I took 47,000 photos.
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Additional photos in set.
www.flickr.com/photos/morbius19/sets/72157638675502533/
www.freemoviescinema.com/science-fiction/video/latest/con... Full Feature
Starring Walter Brooke, Eric Fleming, Mickey Shaughnessy, Phil Foster, William Redfield, William Hopper, Benson Fong, Ross Martin, Vito Scotti. Directed by Byron Haskin. Producer George Pal gave us the sci-fi landmark Destination Moon in 1950. He then gave us the timeless classic War of the Worlds in '53. This, his third epic, was a grand effort, but fell shy of his earlier triumphs. On paper, it should have been another mega-classic. The team members from the earlier hits were reassembled. Pal as producer, Haskin directing, Lydon on screenplay, O'Hanlon writing. Conquest was also based on a popular book. Yet, despite all this pedigree, something fell short. Conquest would not go on to be remembered as one of the 50s mega-classics. Some of this obscurity may be due to Conquest being in the "serious" science fiction sub-genre, like Destination Moon and Riders to the Stars which tried to depict a plausible space-traveling future. Audiences were becoming much more entranced with saucers and weird aliens.
In some ways,Conquest is a remake of the basic story line from Destination Moon -- a crew are the first to land on a celestial body. They struggle to survive and yet courageously return. This time, instead of the moon, it's Mars. As a remake goes, however, it's worthy. The Technicolor is rich and the sets well done. This is an A-level production which at its release was the 2001: A Space Odyssey of its day. All the melodrama, however, starts to get in the way of the techno-gee-whiz.
Synopsis
Based aboard a rotating wheel space station, workmen prepare a big flying wing of a rocket ship. A group of potential crewmen train for what they think will be a moon landing mission. As the work nears completion, they find out that the real mission will be a landing on Mars instead. While aboard "The Wheel", we're introduced to the phenomenon of "space sickness" -- a mental breakdown due to workload and confinement for long periods. One of the crew candidates is scrubbed because of one such breakdown. Nonetheless, the multinational crew are chosen and embark for the long journey to Mars. After departure, it's found that General Merritt's old friend, Sergeant Mahoney, stowed away. On the way to Mars, a communications antenna is damaged and must be fixed via spacewalking crewmen. Just as the repairs are completed, the customary meteor arrives, threatening to hit the ship. General Merritt manages to fly the ship out of the way, but one of the crewmen on EVA is hit with micrometeoroids (like bullets) and killed. The General is also starting to show odd behavior, doubting whether their mission is proper or is an affront to God. Their evasive action puts them behind schedule, but they arrive at Mars. While attempting to land on Mars, the General has another bout of delusion and tries to abort the landing. His son, Captain Merritt, manages to take control and brings in the flying-wing lander to a rough but successful landing. The others go out to explore, but the General, now fully delusional, is venting rocket fuel in an attempt to blow up the ship. His son discovers this and the two struggle. The General's pistol discharges, killing him. Mahoney comes on the scene just then and accuses Captain Merritt of murdering the General. The rest explore a bit more, but pronounce Mars a dead planet. Despite this, Imoto discovers that his earth flower seed sprouted in martian soil. Earthquakes cause the escape rocket to shift off of perpendicular. They get it righted and blast off. On the way home, Mahoney and Captain Merritt make up and declare that the dead General was a hero, the man who conquered space. The End.
The color, the sets, models and background paintings are very visually rich. The whole image is a great snapshot of the future as people in the mid-50s imagined it would be. More tidbits in the Notes section below.
There is actually a subtle anti-war tone to the movie. No overt talk of nuclear dangers or menacing enemies. It is notable, however, that among the conspicuously international crew candidates, there is no Russian. Americans would "conquer" space with a few other nationals along for the ride, but NO Russians. There is also a poorly explained urgency to the mission. What's the hurry? Back in the Cold War, it was pretty common that WE had to get something before THEY did.
In 1949, Willy Ley wrote the book "The Conquest of Space," which speculated about how mankind might travel to other planets. This book was illustrated by space artist Chesley Bonestell. This book would become the inspiration for the movie.
From 1952 to 1954, Collier's magazine ran a series of stories about mankind conquering space. These were repeats by Ley and Bonestell of their 1949 book, but this time Collier's added material from "rocket scientist" Werner von Braun. Bonestell's new illustrations were clearly the prototype for the look of Conquest. People felt that mankind was on the verge of taking to the stars. The Collier's series expressed that giddy optimism.
The screenplay for Conquest added weak human interest sub-plots which almost negate the gee-whiz optimism that the visuals convey. The screenwriters were all experienced in their craft, so it's puzzling why such amateurish characterizations are so prominent. The comic relief moments are almost cartoonish. The whole leader-gone-mad sub-plot seems out of place.
A possible "message" to Conquest is that man is a fragile creature who may not be ready for the rigors of space travel. Certainly, people wondered about this, and other movies touched on the theme too, such as Riders to the Stars ('54). Our not being mentally ready yet was cited by the aliens in It Came From Outer Space ('53). General Merritt's dementia was foreshadowed in the breakdown of Roy early in the movie.
One thing that strikes the viewer is how much life aboard the space station is presumed to duplicate life aboard a navy ship. It's not overtly stated that the military should (or will) be the agency which "conquers" space, but from the ranks and uniforms and the navy-life scenes, that message comes through. Space ships will be like earthly ships.
On the surface, it seems like Conquest is blasting Christians as dangerous religious fanatics. This notion, that anyone who believes in God simply MUST be wacko, would be much more popular in later decades, but it was uncommon in the 50s. For that reason, the General's dementia deserves a closer look.
Actually, General Merritt was not the stereotypic religious fanatic. His son comments that he had never seen him carrying around and reading the Bible before. Instead of headaches or paralysis, the General's "space sickness" took a paranoid turn. He had rational misgivings about the Mars mission from the start, pre-dementia. His repressed misgivings are expressed in Bible verses dealing with sinners being punished by God. He once quotes from Psalm 38, then later from Psalm 62.
Throughout all this, God is not mocked. Indeed, only the "religious" man had the courage to go outside and give the dead Fodor a proper burial. The other non-relgious crewmen were at a loss for what to do.
The notion of impudent mankind trying to meddle in God's domain, is treated as a credible issue. In this, the pattern of the Tower of Babel is drawn. Prideful mankind thinks they can build their way into God's realm. God foils that plan. General Merritt's dementia seems motivated by a fear that this divine retribution could be coming again.
The writers of Conquest imagine a multinationalism in space. Most notable are two former enemy nations: Imoto is from Japan and Fodor is a German-accented Austrian, (as a stand-in for Germany). Imoto gets to make a little speech about why Japan went to war (lack of resources). Fodor gets to be seen as the cherished son of a classic "mama". By 1955, it was starting to become okay to look beyond World War 2.
At one point, the crew of The Wheel are watching a movie with many scantily clad dancing girls (much like sailors aboard a ship). The movie is a lavish musical number with many gold bikini clad pseudo-harem girls dancing while Rosemary Clooney sings about love "...in the desert sand." This clip is total non-sequetor to the high-tech space environment. What's interesting, is that it's NOT stock footage recycled. Clooney had not done any such movie. This dance number must have been staged and shot just for this scene in Conquest. Random act of musical. Gotta love 'em.
Bottom line? Conquest is an almost-epic. It's definitely an A-grade sci-fi movie, so it's well worth watching. The human story part gets in the way sometimes, but the visuals more than make up for it.
Character: Mitsuhide and Articuno
Cosplayer: Dreades (www.facebook.com/dreadescosplay)
Photography and Edit: Me (www.facebook.com/AndyWanaPhotography)
Of all the churches and cathedrals in London, the one I wanted to visit and photograph was Westminster Abbey. But, the Abbey didn't allow photography didn't go. And then a few weeks back, my friend, Aidan, started to post shots from inside, and as it turns out, photography, in most areas of the Abbey, is now allowed. So it was a case of when we would visit, not "if", and once we had a free weekend, I began to plan and book.
£25 to go in, each. £10 each for the new museum. And £15 each for a hidden highlights tour. It wasn't cheap, but then if you're going to do it, do it well!
All chores were done Friday, including shopping, so we were free to catch the quarter to eight train from Dover. On the way we called into the garage to pick up some stuff to eat on the train, so we were set.
Saturday was also the last day of British Summer Time (BST), as the clocks would go back early on Sunday morning, then five long winter months would begin.
So, better make most of the daylight.
We were early for the train, so we ate breakfast on the platform, then once the train pulled in, I picked my favourite seats and we settled down for the hour run into London. THe one thing I hadn't planned well was the weather, and some rain was expected during the morning.
The train wasn't busy, and most people wore masks, though enough didn't to make one wonder if the message about COVID really hadn't got through. But then with Johnson as PM, we shouldn't be surprised.
We get off at Statford, and the rain was falling heavily even before we left the Essex marshes behind and entered the long tunnel. But at Stratford, day had become night and the rain fell in what is called stair-rods. I hoped that if we walked slowly through the shopping centre it might have eased by the time we needed to cross over the bridge to the regional station, but the rain was falling just as hard.
And there was no way to avoid it, so we just pulled our collars up and walked as quickly as possible.
Which is why, by the time we arrived at the other side, we were wet little hobbitses.
A quick walk to the Jubilee Line platforms, catching the next train out, we took seats and sat there, gently steaming.
Twenty minutes later, we arrived in Westminster, no dryer, really, taking the four flights of escalators to the surface, where outside it had, atleast, stopped raining for now.
Demonstrations are now outlawed in Parliament Square, so it was quiet, once you got to the other side of the road, its a five minute walk past the Palace of Westminster (Houses of Parliament), and round to the entrance of the Abbey.
Amazingly, there was no queue, and once inside the doorway I show my e tickets, they were scanned and we were allowed in. There was a one way system round the Abbey, so I began the first circuit with the 50mm lens, thinking I would go round again with the wide angle, and a third time with the big lens to snap detail.
That was the plan.
Westminster Abbey is where the Kings and Queens of England and Britain have been crowned. Also, where until Henry V11 thought otherwise, they were buried too, so the chancel is jammed with tombs of many famous and infamous figures from history, from Edward the Confessor to William and Mary, most tombs are grand, some less so. As well as Kings and Queens, minor royals and members of the nobility also were either buried here, or had monument erected. As have military figures, and famousnames from the arts.
It really is quite remarkable.
That and the Abbey itself, in parts dating from just before the Norman COnquest, to a rebuilding just after to the 13th Century when Henry III pulled the old Abbey down and started to rebuild it, until he ran out of money.
But it was completed, and since then had filled up with monuments, so many, I lost count and gave up trying to record them all. Instead, marvelling at their range and beauty.
I walked down the nave, through the arch into the Quire, and it was as breathtaking as expected, then round the Chancel looking and photographing the tombs of the Kings and Queens, round Henry VII's chapel.
And then repeating it with the wide angle lens, taking shots of the various chapels and tombs, all the while keeping an eye on the time as we were to go to visit the new gallery musuem at 11, and then a guided tour of some normally off limit places at half past.
Neither of these allowed photography, which is a great shame as the views from the gallery were stunning down the length of the Nave and then the ancinent chain library and the sanctuary of Henry VII's chapel where we could reach out and touch the shrine of St Edward the Confessor.
The museum had dozens of funeral effigies of the Kings and Queens, some made I'm sure to look better than they did in real life, but others had a degree of realism about them. The one of Queen Mary seemed pregnant, while the one for Queen Elizabeth Ist had a tight corset, so she would have appeared in death as she had as a young woman.
There were carvings, ceremonial cloaks, replicas of the Crown Jewels, and so much more, but we had run out of time, as we had to get to the other side of the church for the hidden secrets tour.
Us and three other couples joined our guide as he showed us the latest escavations revealing the area where monks used to prepare for services. This is hidden behind screens now, and will soon become the site of a new visitor's centre. The trenches were filled with uncvered skeletons and bones, all human of course, and these will all either be rebuuried here or some other Christian place.
Next we went to the Dean's quarters where we saw where he prepared for services, and were allowed into, but not allowed to photograph the Jerico Room, before being allowed outside for a while, then walking around the cloisters, back into the chancel and into Henry's chapel to see the tombs and shrine. Envious looks rained down on us as we climbed the wooden steps into the usually closed area, and then only the people in the gallery above could see us.
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Westminster Abbey, formally titled the Collegiate Church of Saint Peter at Westminster, is a large, mainly Gothic abbey church in the City of Westminster, London, England, just to the west of the Palace of Westminster. It is one of the United Kingdom's most notable religious buildings and the traditional place of coronation and a burial site for English and, later, British monarchs.
The building itself was originally a Catholic Benedictine monastic church until the monastery was dissolved in 1539. Between 1540 and 1556, the abbey had the status of a cathedral and seat of the catholic bishop. After 1560 the building was no longer an abbey or a cathedral, after the Catholics had been driven out by King Henry VIII, having instead was granted the status of a Church of England "Royal Peculiar"—a church responsible directly to the sovereign—by Queen Elizabeth I.
According to a tradition first reported by Sulcard in about 1080, a church was founded at the site (then known as Thorn Ey (Thorn Island)) in the seventh century at the time of Mellitus, a Bishop of London. Construction of the present church began in 1245 on the orders of King Henry III.[4]
Since the coronation of William the Conqueror in 1066, all coronations of English and British monarchs have occurred in Westminster Abbey.[4][5] Sixteen royal weddings have occurred at the Abbey since 1100.[6]
The Abbey is the burial site of more than 3300 persons, usually of prominence in British history: at least 16 monarchs, 8 Prime Ministers, poets laureate, actors, scientists, military leaders, and the Unknown Warrior. As such, Westminster Abbey is sometimes described as "Britain's Valhalla", after the iconic hall of the chosen heroes in Norse mythology.
Between 1042 and 1052, King Edward the Confessor began rebuilding St Peter's Abbey to provide himself with a royal burial church. It was the first church in England built in the Romanesque style. The building was completed around 1060 and was consecrated on 28 December 1065, only a week before Edward's death on 5 January 1066.[9] A week later, he was buried in the church; and, nine years later, his wife Edith was buried alongside him.[10] His successor, Harold II, was probably crowned in the abbey, although the first documented coronation is that of William the Conqueror later the same year.[11]
The only extant depiction of Edward's abbey, together with the adjacent Palace of Westminster, is in the Bayeux Tapestry. Some of the lower parts of the monastic dormitory, an extension of the South Transept, survive in the Norman Undercroft of the Great School, including a door said to come from the previous Saxon abbey. Increased endowments supported a community that increased from a dozen monks in Dunstan's original foundation, up to a maximum of about eighty monks.
The abbot and monks, in proximity to the royal Palace of Westminster, the seat of government from the later 13th century, became a powerful force in the centuries after the Norman Conquest. The Abbot of Westminster often was employed on royal service and in due course took his place in the House of Lords as of right. Released from the burdens of spiritual leadership, which passed to the reformed Cluniac movement after the mid-10th century, and occupied with the administration of great landed properties, some of which lay far from Westminster, "the Benedictines achieved a remarkable degree of identification with the secular life of their times, and particularly with upper-class life", Barbara Harvey concludes, to the extent that her depiction of daily life provides a wider view of the concerns of the English gentry in the High and Late Middle Ages.[13]
The proximity of the Palace of Westminster did not extend to providing monks or abbots with high royal connections; in social origin the Benedictines of Westminster were as modest as most of the order. The abbot remained Lord of the Manor of Westminster as a town of two to three thousand persons grew around it: as a consumer and employer on a grand scale the monastery helped fuel the town economy, and relations with the town remained unusually cordial, but no enfranchising charter was issued during the Middle Ages.[14]
The abbey became the coronation site of Norman kings. None were buried there until Henry III, intensely devoted to the cult of the Confessor, rebuilt the abbey in Anglo-French Gothic style as a shrine to venerate King Edward the Confessor and as a suitably regal setting for Henry's own tomb, under the highest Gothic nave in England. The Confessor's shrine subsequently played a great part in his canonization.
The following English, Scottish and British monarchs and their consorts are buried in the Abbey:
Sæberht of Essex (d. c. 616) [possibly]
Edward the Confessor (d. 1066) and Edith of Wessex (d. 1075)
Henry III of England (d. 1272) [his wife, Eleanor of Provence, is buried at Amesbury Priory]
Edward I of England (d. 1307) and Eleanor of Castile (d. 1290)
Edward III of England (d. 1377) and Philippa of Hainault (d. 1369)
Richard II of England (d. 1400) and Anne of Bohemia (d. 1394)
Henry V of England (d. 1422) and Catherine of Valois (d. 1437)
Edward V of England (d. c. 1483) and his brother, Richard of Shrewsbury, Duke of York (d. c. 1483) [possibly]
Also known as the Princes in the Tower. In 1674, the remains of two boys were exhumed from the Tower of London and at the orders of Charles II, they were interred in the wall of the Henry VII Lady Chapel.
Anne Neville (d. 1485), wife of Edward of Westminster, Prince of Wales [m. 1470–71; buried at Tewkesbury Abbey] and of Richard III [m. 1472–85; buried at Leicester Cathedral]
Henry VII of England (d. 1509) and Elizabeth of York (d. 1503)
Edward VI of England (d. 1553)
Anne of Cleves (d. 1557), former wife of Henry VIII [buried at St. George's Chapel, Windsor Castle]
Mary I of England (d. 1558)
Elizabeth I of England as shown on her tomb
Mary, Queen of Scots (d. 1542), mother of James VI & I of England and Scotland [brought from Peterborough Cathedral in 1612]
Elizabeth I of England (d. 1603)
In the 19th century, researchers looking for the tomb of James I partially opened the underground vault containing the remains of Elizabeth I and Mary I of England. The lead coffins were stacked, with Elizabeth's resting on top of her half-sister's.[9]
James VI & I of England and Scotland (d. 1625) and Anne of Denmark (d. 1619)
The position of the tomb of King James was lost for two and a half centuries. In the 19th century, following an excavation of many of the vaults beneath the floor, the lead coffin was found in the Henry VII vault.[9]
Charles II of England and Scotland (d. 1685)
Mary II of England and Scotland (d. 1694) and William III of England and II of Scotland (d. 1702)
Anne, Queen of Great Britain (d. 1714) and Prince George of Denmark, Duke of Cumberland (d. 1708)
George II of Great Britain (d. 1760) and Caroline of Ansbach (d. 1737)
en.wikipedia.org/wiki/Burials_and_memorials_in_Westminste...
I have been to Throwley on at least three previous occasions, the fourth was going to be during Ride and Stride in September, but another crawler told me it had failed to open as per the list.
St Michael and All Angles is a large and from the outside and interesting looking church, looked like it had a story to tell. So, last week, I contacted the wardens through the CofE A church Near You website, I got a reply and a date and time agreed for Saturday morning.
We arrived 15 minutes early, and it was as locked as ever, but on a fine if frosty morning took the time to study the church ad churchyard, and saw yet more fine details we had missed previously.
Dead on time the warden arrived, and was very welcoming indeed. They loved to have visitors she said. Now I know how to contact them, I can see that.
She was clearly proud of the church, and rightly so, most impressive was the south chapel with a pair of kneeling couples on top of chest tombs, staring at each other for all eternity.
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St Michael & All Angels is the parish church of Throwley. The first church on the site was probably built between 800 and 825. This would have been a small wooden structure, barely distinguishable from a farm building.
After the Norman Conquest in 1066 this was replaced by a Romanesque stone structure.
This was still small, but as the population of the parish increased the church was enlarged, until in about 1510 it reached its present size. Since then its appearance has changed little, although an extra storey was added to the tower - now far seen - in the 1860s.
The church has an elaborate Romanesque west entrance; its east window in the chancel, by Curtis, Ward & Hughes of Soho, London, is a memorial to Throwley men who gave their lives in the First World War.
In the Harris chapel is the church's newest stained-glass window, commemorating Dorothy Lady Harris who died in 1981. It was designed and executed in the Canterbury Cathedral Workshops by Frederick Cole (see pictures on left).
The church has more than its fair share of fine 16th to 19th century monuments, mainly to members of the local Sondes and Harris families, and these are all described.
www.faversham.org/community/churches/throwley.aspx
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TQ 95 NE THROWLEY THROWLEY
ROAD
(west side)
4/181
Church of
St. Michael
and All
24.1.67 Angels
GV I
Parish Church. C12, C13 north chapel, C14 south chapel, C15
nave arcades, restored 1866 and tower heightened. Flint and
plain tiled roofs. Chancel, north and south chapels, nave and
aisles, south tower and south porch. West doorway, C12, with
attached shafts and 3 orders, the outer panelled with X's on
circles, the centre roll moulded with the blocks offset and
alternately projecting, the inner with more X's on circles,
with 2 offset buttresses either side of doorway. South aisle
with plinth, string course and parapet, 3 offset buttresses and
C15 Perpendicular windows. South tower of 2 stages with square
south-eastern stair turret and C16 moulded brick surround
sundial. Water spouts on each corner in the 4 Evangelical
symbols. Half-timbered C19 south porch, south doorway with
rolled and double hollow chamfered surround, and outer surround
with label and quatrefoil spandrels. North aisle under 1 roof
with nave, with C15 fenestration, and C19 chimney to north west.
North and south chapels with C14 cusped 'Y' tracery fenestration,
with hollow chamfered and ogee drip moulds. Chancel east
window C19 curvilinear style. Interior: 2 bay nave arcades,
double hollow chamfered arches on octagonal piers. C12 single
arches to north and south eastern bay, that to south recessed
and double chamfered through tower wall. Barrel roof.
Chamfered arch on corbels from south aisle to tower, itself
with corbel table on south wall, and triple arch through to south
chapel C19 chancel arch. Chancel with 2 bay double chamfered
arcade to north chapel with octagonal capitals on round piers, and
single double chamfered arch on round responds to south chapel.
Fittings: hollow chamfered piscina and sedile in window reveal in
chancel and cusped recess in north wall. C19 reredos and altar
rail. Cusped piscina and four centred arched wall recess in
south chapel. Choir stalls, some C19, the four on the south C15
with carved misericords. Monuments: south chapel C16 chest tomb,
with shields in panelled sides, moulded plinth, lozenge-shaped
flowers, fluting and frieze. Chest tomb, Sir George Sondes,
Earl of Faversham, d.1677. Black marble with blank panelled sides.
Inscription on the top panel (made 1728). Standing monument,
Sir Thomas Sondes, died 1592. Marble tomb chest, gadrooned with
achievements on side panels. Kneeling alabaster figures of
knight and his Lady on opposite sides of central prayer desk,
carrying inscription. Mary Sondes, died 1603. Smaller and
identical to Sir Thomas Sonde's monument, with 2 adults and 2
infant sons and daughters on either side of sarcophagus. Misplaced
scrolled and enriched carved achievement on floor to east of
those monuments. Wall plaque, Captain Thomas Sondes, died 1668.
Black and white marble, with draped apron, swagged and draped
sides with military trophies. Broken segmental pediment with male
bust. Signed W.S. (B.0.E. Kent II, p.477 suggests William Stanton).
North chapel C16 chest tomb, moulded plinth, panelled sides with
shields (1 panel reset in south chapel south wall). Early C16
tomb recess with moulded jambs, with rope work, crenellated,
with late Perpendicular motifs in spandrels, and tomb with 3
panelled recesses with 2 shields on each panel. Wall plaque,
Charles Harris, d.1814, by Flaxman. White plaque on white
background; dead soldier lifted from the grave by Victory, with
palms and cannon in background. Statue, to George, first Lord
Harris, life size soldier with sword and plans, on four foot
plinth. By George Rennie, 1835. Nave, wall plaque, Stephen
Bunce, d.1634. Black plaque on coved base and apron. Foliated
sides. Scrolled nowy cornice and pediment with achievement.
(See B.O.E. Kent II, 1983, 476-7.)
Listing NGR: TQ9883454254
www.britishlistedbuildings.co.uk/en-176587-church-of-st-m...
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LIES the next parish north-eastward from Stalisfield. It is called in the record of Domesday, Trevelei, in later records Truley and Thruley, in Latin ones Trulega and Truilla; it is now written both Throwley and Throwleigh.
THROWLEY is mostly situated on high ground, it is a more pleasant and open country than that last described, for though wild and romantic among the hills and woods, it is not so dreary and forlorn, nor the soil so uncomfortable, being much drier. Besides it has a more chearful and brighter aspect from the width of the principal valley which leads through it, from north to south, whence the hills rise on each side, with smaller delves interspersed among them. There is a good deal of wood-ground, mostly of beech, interspersed at places with oak and hazel, with some good timber trees of oak among them, especially in the northern and southern parts; much of the former belongs to the dean and chapter of Canterbury. The soil is mostly chalk, the rest a heavy tillage land of red cludy earth, the whole mixed with quantities of flint stones. There are some level lands, especially in the disparked grounds of Throwley park, which are tolerably good, much more so than those in the other parts of the parish; on the east side of the park are the foundations of the antient seat of the Sondes's, with the church close to them, the whole lying on high ground, with a good prospect of the surrounding country; not far from it is Town place, now only a farm-house. There is no village, excepting the few houses in Abraham-street may be so called, the rest of the houses, which are mostly cottages, standing dispersed throughout it, either single, or built round the little greens or softalls, of which there are several in different parts of the parish. On a larger one of these called Wilgate-green, there is a house belonging to the estate of Mr. Philerenis Willis's heirs, and another larger antient one, which with the estate belonging to it, was formerly the property of the Chapmans, and sold by them to Christopher Vane, lord Barnard, in 1789, gave it, with his other estates in this county, to David Papillon, esq. of Acrise, the present owner of it. (fn. 1)
There was a family named Wolgate, from whose residence here this green seems to have taken its name of Wolgate, or Wilgate-green. After they had remained here for some generations they ended in a daughter, for Mr. Ralph Wolgate dying in 1642, his daughter Anne married Mr. William Genery, and entitled him to her father's possessions here, at Posiers, in Borden, and other parts of this county. The Woodwards seem afterwards to have possessed their estate here, several of whom lie buried under a tomb in Throwley church-yard.
About half a mile distant south-westward from Wilgate-green, in Abraham-street, there is a seat, called, from its high situation and expensive prospect, BELMONT; it was built in the year 1769, by Edward Wilks, esq. storekeeper of the royal powdermills at Faversham, who inclosed a paddock or shrubbery round it, and occasionally resided here, till he alienated it in 1779 to John Montresor, esq. the present proprietor, who resides in it.
THE BEECH TREE flourishes in the greatest plenty, as well single to a large size, as in stubs in the coppice woods, which consist mostly of them, as well in these parts as they do in general on the range of chalk hills throughout this county, in some places extending two or three miles in width, and in others much more. The large tracts of ground in this and other counties, overspread with the beech-tree, the random situation of their stubs, and other circumstances which occur in viewing them, are strong proofs of their being the indigenous growth of this island, notwithstanding Cæfar's premptory assertion, in his Commentaries, of there being none here in this time. The Britons, he says, had every material for use and building, the same as the Gauls, excepting the fir and the beech. The former there is positive proof of his being grossly mistaken in, which will in some measure destroy that implicit credit we might otherwise give to his authority, as to the latter; indeed, the continued opposition he met with from the Britons, during his short stay here, assorded him hardly a possibility of seeing any other parts of this country than those near which he landed, and in the direct track through which he marched to wards Coway-stakes; too small a space for him to form any assertion of the general products of a whole country, or even of the neighbouring parts to him. Of those he passed through, the soil was not adapted to the growth of the beech tree; from which we may with great probability suppose, there were none growing on them, nor are there any throughout them, even at this time, a circumstance which most likely induced him to suppose, and afterwards to make the assertion beforementioned.
The slints, with which the cold unfertile lands in these parts, as well as some others in this county, are covered, have been found to be of great use in the bringing forward the crops on them, either by their warmth, or somewhat equivalent to it. Heretofore the occupiers of these lands were anxious to have them picked up and carried off from their grounds, but experiencing the disadvantage of it in the failure of their crops, they, never practice it themselves, and submit to the surveyors of the highways taking them off with great reluctance.
In the parish there are quantities of the great whitish ash coloured shell snail, which are of an unusual large size; they are found likewise near Darking, in Surry, and between Puckeridge and Ware, in Hertsordshire. They are not originally of this island, but have been brought from abroad, many of them are at this time observed in different parts of Italy.
MR. JACOB, in this Plantœ Favershamienses, has enumerated several scare plants observed by him in this parish, besides which, that scarce one, the Orchis myodes, or fly satrition, has been found here, growing on the side of the path, in a small wood, midway between the church and Wilgate green.
THIS PLACE, at the taking of the general survey of Domesday, about the 15th years of the Conqueror's reign, was part of the possessions of Odo, bishop of Baieux, and earl of Kent, the king's half brother, under the general title of whose lands it is thus described in it:
Hersrid holds Trevelai. It was taxed at three sulings. The arable land is eight carucates. In demesne there is one, and twenty-four villeins, with five borderers having six carucates and an half. There is a church, and five servants. Wood for the pannage of twenty bogs, and in the city three houses of thirty-two pence. In the time of king Edward the Conssessor it was worth seven pounds, and afterwards six pounds. Ulnod held it of king Edward.
On the bishop of Baieux's disgrace, about four years afterwards, this among his other estates, became consiscated to the crown.
After which it was held of the king in capite, by barony, by Jeffry de Peverel, and together with other lands made up the barony of Peverel, as it was called, being assigned to him for the defence of Dover-castle, for which purpose he was bound to maintain a certain number of soldiers from time to time for the desence of it, and to repair and defend at this own charge a particular tower or turret there, called afterwards Turris Gattoniana, or Gatton's tower.
In the reign of king Henry III. Robert de Gatton, who took his name from the lordship of Gatton, in Surry, of which his ancestors had been some time owners, was in possession of the manor Thrule, and died in the 38th year of that reign, holding it by knight's service of the king, of the honor of Peverel, by reason of the escheat of that honor, &c. (fn. 2) He was succeded in it by this eldest son Hamo de Gatton, who resided here, and served the office of sheriff in the 14th year of Edward I. His eldest son of the same name left one son Edmund, then an instant, who afterwards dying under age, his two sisters became his coheirs, and divided his inheritance, of which Elizabeth entitled her husband William de Dene to this manor, and all the rest of the estates in Kent; and Margery entitled her husband Simon de Norwood to Gatton, and all the other estates in Surry.
William de Dene had a charter of free warren for his lands in Thurley, in the 10th year of Edward II. He died anno 15 Edward III. then holding this manor by the law of England, as of the inheritance of Elizabeth his late wife deceased, of the king in capite, as of the castle of Dover, by knight's service, and paying to the ward of that castle. His son Thomas de Dene died possessed of it in the 23d year of that reign, leaving four daughters his coheirs, of whom Benedicta, the eldest, married John de Shelving, and entitled him to this manor, on whose death likewise without male issue, his two daughters became his coheirs, of whom, Joane married John Brampton, alias Detling, of Detlingcourt, and Ellen married John de Bourne, the former of whom, in his wife's right, became possessed of this manor. He lest only one daughter Benedicta his heir, who carried it in marriage to Thomas at Town, who was possessed of much land about Charing, and bore for his arms, Argent, on a chevron, sable, three crosscrostess, ermine, which coat is in the windows of Kennington church, impaled with Ellis, of that place. He removed hither in the reign of Henry VI. and built a feat for his residence in this parish, about a quarter of a mile from the church, which he named, from himself, Town-place, soon after which he died, leaving his possessions to his three daughters and coheirs, of whom Eleanor was married to Richard Lewknor, of Challock; Bennet to William Watton, of Addington, and Elizabeth to William Sondes, of this parish and of Lingfield, in Surry, in which county his ancestors had been seated as early as the reign of Henry III. at Darking, where their seat was named, from them, Sondes-place. (fn. 3) Upon the division of their inheritance, the manor of Throwley was allotted to William Sondes, and Town-place, with the lands belonging to it in Throwley, to Richard Lewknor, who sold it to Edward Evering, the eldest son of Nicholas, third son of John Evering, of Evering, in Alkham, and his daughter and heir Mary marrying in 1565, with John Upton, of Faversham, entitled him to this estate, which he very soon afterwards alienated to Shilling, from whom it as quickly afterwards passed by sale to Anthony Sondes, esq. of this parish, whose ancestor William Sondes, on the division of the inheritance of the daughters and coheirs of Thomas at Town as before mentioned, had become possessed of the manor of Throwley, and the antient mansion of it, in which he afterwards resided, and dying in 1474, anno 15 Edward IV. was buried in the north chapel of this church, though he ordered by his will a memorial for himself to be put up in the church of Lingfield. The family of Sondes bore for their arms, Argent, three blackmores heads, couped, between two chevronels, sable, which, with the several quarterings borne by them, are painted on their monuments in this church.
His descendant, Anthony Sondes, esq. of Throwley, in the 31st year of Henry VIII. procured his lands in this county to be disgavelled, by the act then passed, and died in 1575, having married Joane, daughter of Sir John Fineux, chief justice of the king's bench, by whom he had two sons, Thomas and Michael, and two daughters.
He was succeeded by his eldest son Sir Thomas Sondes, sheriff anno 22 Elizabeth, who founded the school in this parish. He died in 1592, leaving issue only by his second wife, one daughter Frances, married to Sir John Leveson, so that on his death without male issue, his only brother Sir Michael Sondes, of Eastry, succeeded to this manor and seat of his ancestors, in which he afterwards resided. He was sheriff in the 26th year of queen Elizabeth's reign, and died in the 16th year of king James I. having had by his first wife Mary, only daughter and heir of George Fynch, esq. of Norton, six sons and six daughters.
Sir Richard Sondes, the eldest son, resided at Throwley, where he died in the 8th year of Charles I. having had by his two wives a numerous issue, of both sons and daughters. He was succeeded in this manor and seat, with the rest of his estates, by his eldest son Sir George Sondes, who was made a knight of the Bath at the coronation of king Charles I. soon after which he began to rebuild his seat of Lees-court, in Sheldwich, and fixed his residence there, under the description of which a more particular account of him and his descendants may be seen. Not long after which this seat was entirely pulled down, and the park adjoining to it disparked. The foundations of the former still remain, and the disparked lands still retain the name of Throwley park.
Sir George Sondes was afterwards created Earl of Faversham, Viscount Sondes, of Lees court, and Baron of Throwley, whose two daughters became his coheirs; Mary was married to Lewis, lord Duras, marquis of Blanquefort, and afterwards earl of Faversham, and Katherine to Lewis Watson, esq. afterwards earl of Rockingham, who each successively, in right of their respective wives, inherited this manor and estate, which has since descended in like manner as Lees-court, in Sheldwich, to the right hon. Lewis-Thomas, lord Sondes, and he is the present possessor of this manor, with Town-place and the estate belonging to it. Acourt baron is held for this manor.
The denne of Toppenden, alias Tappenden, in Smarden, in the Weald, is an appendage to the manor of Throwley, and is held of it.
WILDERTON, alias Wolderton, called also in antient deeds Wilrinton, is a manor in this parish, which was once part of the possessions of the eminent family of Badlesmere, of which Bartholomew de Badlesmere was possessed of it in the reign of Edward II. of whom, for his services in the Scottish wars, he obtained in the 9th year of it many liberties and franchises for his different manors and estates, among which was that of free-warren in the demesne lands of this manor of Wolrington. (fn. 4) Having afterwards associated himself with the discontented barons, he was taken prisoner, and executed in the 16th year of that reign. By the inquisition taken after his death, which was not till anno 2 Edward III. at which time both the process and judgement against him was reversed, it was found that he died possessed of this manor, among others, which were then restored to his son Giles de Badlesmere, who died in the 12th year of Edward III. s. p. being then possessed of this manor. Upon which his four sisters became his comanor fell to the share of Margery, wife of William, manor fell to the share of Margery, wife of William, lord Roos, of Hamlake, who survived her husband, and died in the 37th year of Edward III. possessed of it, as did her grandson John, lord Roos, in the 9th year of Henry V. leaving no issue by Margaret his wife, who survived him, and had this manor assigned to her as part of her dower. She afterwards married Roger Wentworth, esq. whom she likewise survived, and died anno 18 Edward IV.
On the death of John, lord Roos, her first husband, s. p. the reversion of this manor, after her death, became vested in Thomas his next surviving brother and heir, whose son Thomas afterwards became a firm friend to the house of Lancaster, for which he was attainted anno 1 Edward IV. and his lands were consiscated to the crown.
On the death of Margaret, the widow of Roger Wentworth, esq. the manor of Wulrington, but whether by grant or purchase, I have not found, came into the possession of Richard Lewknor, of Challock, owner likewise of Town-place, as before-mentioned, who sold it to Edward Evering, already mentioned before, whose daughter and heir Mary marrying in 1565 with Mr. John Upton, of Faversham, entitled him to it. He joined with his brother Nicholas Upton, in 1583, in the sale of the manor-house, with all the demesne lands belonging to it, excepting one small piece called the manor-croft, and a moiety of the ma nor, which, from its situation, from that time was known by the name of NORTH-WILDERTON, to Anthony Terry, of North Wilderton, yeoman, upon whose death it came to his four sons, Arnold, William, Thomas, and George Terry, who in 1601 made a partition of their father's estates, in which this manor was allotted to Arnold Terry, and William his brother, from whom it descended to Anthony Terry, of Ospringe, who in 1689 sold it to Mr. Thomas Knowler, of Faversham, who devised it to his sister Abigail for her life, and after her death to John Knowler, gent. of Ospringe, in fee. She afterwards married John Bates, and they, together with John Knowler above-mentioned, about the year 1694, joined in the sale of it to Mr. Edward Baldock, of Aylesford, and Bennet his wife. He survived her, and by deed of gift in 1717, vested the fee of it in his son Edward Baldock, who passed it away to Mr. Thomas Greenstreet, of Norton, whose niece Elizabeth marrying with Mr. Thomas Smith, of Gillingham, entitled him to this manor, which has been since sold to John Montresor, esq. of Belmont, in this parish, the present owner of it. A court baron is held for this manor.
There was antiently a chapel at this manor of Wilrintune, as appears by a charter, dated anno 1217, lately in the treasury of St. Bertin's monastery at St. Omers, concerning the privilege of a bell to it.
BUT THE REMAINING MOIETY of the manor, with a small crost called the manor-croft, lying at the west end of Hockstet green, remained with John Upton, and thenceforward acquired the name of SOUTH, alias GREAT WILDERTON. After whose death it came to his eldest son John Upton, who died possessed of it in 1635, and was buried with his ancestors in Faversham church. They bore for their arms, Quarterly, sable, and or; in the first and fourth quarters, a cross flory, argent, each charged with a trefoil, azure. (fn. 5)
John Upton, his eldest son, inherited this manor, and at his death in 1664, by his will gave it to his daughter Anne, wife of Charles Castle, gent. who in 1688 devised it to her brother-in-law George Naylor, and George White, the former of whom becoming solely possessed of it, in 1705 devised it to his nephew Mr. John Dalton, gent. of St. Edmundsbury, for his life, and afterwards to his son Thomas Dalton, and his issue, in consequence of which it descended to Benjamin Shuckforth, of Diss, in Norfolk, who in 1741 sold it to Mr. Giles Hilton, of Lords, in Sheldwich, on whose death it descended to his three sons, John, William, and Robert Hilton, the youngest of whom, Mr. Robert Hilton, as well as by the devise of his two elder brothers, afterwards became the sole proprietor of this manor. He died in 1782, and his son Mr. John Hilton, of Sheldwich, as next in the entail, succeeded to it, and is the present possessor of it.
IN THE REIGN of king Stephen there was AN ALIEN PRIORY established in this parish, as a cell to the Benedictine abbey of St. Bertin, at St. Omers, the capital of Artois, in Flanders, William de Ipre, in 1153, having given this church, with that of Chilham, to it for that purpose; which gift was confirmed by king Stephen the same year, as it was by the several archbishops afterwards, and by the charters of Henry II. and III. The charter of this gift was till lately in the treasury of the monastery of St. Bertin, as were all the others hereafter mentioned relating to this church and priory.
There are very few formal foundations of these cells, the lands of them being usually granted to some monastery abroad, as an increase to their revenues, after which, upon some part of them they built convenient houses, for the reception of a small convent. Some of these cells were made conventual, having a certain number of monks, who were mostly foreigners, and removeable at pleasure, sent over with a prior at their head, who were little more than stewards to the superior abbey, to which they returned the revenues of their possessions annually; others were permitted to chuse their own prior, and these were entire societies within themselves, and received their revenues for their own use and benefit, paying perhaps only a yearly pension as an acknowledgement of their subjection, or what was at first the surplusage to the foreign house.
The cell at Throwley was of the former sort, for which reason, during the wars between England and France, as their revenues went to support the king's enemies, these kind of houses were generally seized on by the king, and restored again upon the return of a peace. (fn. 6)
In the 25th year of king Edward I. Peter, prior of Triwle, as it was spelt in the record, made fine to the king at Westminster, and had a privy seal for his protection, by which he had the custody of his house and possessions committed to his care, to retain them during the king's pleasure, answering to his exchequer for the profits of them, according to the directions of him and his council.
The scite of this priory was that of the parsonage of the church of Throwley, which, with that of Chilham, seems to have been all their possessions in this kingdom. These were valued in the 8th year of king Richard II. anno 1384, each at forty pounds annually, and their temporalities at 20s. 6d. at which time the parsonage of Throwley was become appropriated to this cell, and a vicarage was endowed in it. In which situation this priory remained till the general suppression of the alien priories throughout England, in the 2d year of Henry V. anno 1414, which was enacted in the parliament then held at Leicester, and all their houses, revenues, &c. were given to the king and his heirs for ever. (fn. 7)
This priory, with its possessions, seems to have remained in the hands of the crown till Henry VI. in his 22d year, settled them on the monastery of Sion, in Middlesex, founded by his father Henry V. with which they continued till the general suppression of religious houses, this being one of those greater monasteries dissolved by the act of the 31st year of king Henry VIII. How this priory was disposed of afterwards by the crown, may be further seen hereafter, under the description of the parsonage of the church of Throwley.
The only remains left of this priory are some few foundations, and two walls of flint, which support a building, standing behind the parsonage-house and garden.
THERE IS A FREE SCHOOL in this parish, the house of which is situated adjoining to the church-yard, which was founded by Sir Thomas Sondes, who died in 1592, who by his will devised a house and six poundes per annum to the master of it, to dwell in, and as a recompence for his pains; but having charged his executors and not his heirs to the fulfilling of this bequest, and charged the payment of the above sum, among other charitable legacies, on several leasehold estates, the terms of which expired in his nephew Sir Richard Sondes's time, and the house having tumbled down for want of repairs, Sir George Sondes, son of Sir Richard above-mentioned, thought it unreasonable, as he had none of the estates, that he should be bound to maintain the school; however, he voluntarily paid the master his salary, and gave him a house to live in, both which have been continued by the possessors of Throwley manor to this time, as far as I can learn, as of their own free gift.
The present right hon. lord Sondes appoints the schoolmaster as such during pleasure, and pays him a salary of twelve pounds per annum, besides which, he allots him an house and garden, worth about six pounds per annum, which his lordship repairs from time to time, and for which no parochial or church-dues are paid. There are at present fourteen boys taught reading, writing, and arithmetic, gratis, in this school, which though taken mostly from the parishes of Throwley, Badlesmere, and Leveland, are not confined to those parishes.
Charities.
CATHERINE, LADY SONDES, gave by will the sum of 40s. a year, to be received yearly on St. Barnabas's day, towards the relief of the poor, payable from a farm in it, called Bell-horn, now belonging to lord Sondes, and now of that annual produce.
THERE WERE three alms-houses in this parish, the gift of one of the Sondes family; one of them was some time since burnt down, and has not been rebuilt, but lord Sondes allows the person nominated to it the value of it in money yearly.
The poor constantly relieved are about thirty, casually double that number.
THROWLEY is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Ospringe.
The church, which is dedicated to St. Michael, consists of three isles and three chancels. The steeple is a square tower, and stands in the centre of the south side of it, in which there is a peal of six bells, given in 1781, at the expence of Mr. Montresor, of Belmont. In the south isle is a memorial for Francis Hosier Hart, gent. obt. 1761, leaving three daughters, Mary, Elizabeth, and Diana Hosier. In the middle isle is a small monument for Stephen Bunce, esq. of this parish, one of the Antients of New-Inn, who died there in 1634, and was buried in St. Clement's church, London. In the middle chancel there are two stalls of wood, which are not fixed, and in the north isle three more of the like sort, joined together, with a desk before them, which seem to have been removed from the chancel, and were both intended for the use of the religious of the priory here. In the middle of this chancel is a memorial for Dr. Thomas Horsemonden, patron and rector of Purleigh, in Essex, prebendary of Lincoln, &c. who died anno 1632. In the north and south chancel are several monuments for the family of Sondes, with their essigies, arms and quarterings; one of them in the latter, a plain altar tomb of black marble for Sir George Sondes, earl of Faversham, his lady and descendants; many more of this family, as appears by the parish register, are buried in the vault underneath, but the family of Watson burying at Rockingham, this vault has not been opened for several years. The north and south chancels above-mentioned belonged, one to the possessors of Throwley manor, the other to those of Townplace, but they both belong now to lord Sondes.
There were formerly in the windows the arms of Sondes, Finch, and Gatton, and in the north window this inscriptin, Pray for the good estate of Alice Martyn, the which did make this window, MCCCCXLV.
In the church yard, at the west end of the north isle, there is a circular door-case of stone, having several bordures of Saxon ornaments carved round it. In the church-yard is an altar tomb for William Woodward, gent. of Wilgate-green, obt. 1681, and Anne his wife.
It appears by the will of William Sondes, esq. anno 1474, that this church had then constantly burning in it lights, dedicated to St. Michael, the Holy Trinity, the Holy Cross, St. Mary, St. Thomas, St. Christopher, St. George, St. Katherine, St. Margaret, St. Mary Magdalen, and St. Nicholas.
An account of the antient patronage of the church of Throwley has already been given, as first belonging to the alien priory here, and then to the monastery of Sion, to the time of the dissolution of the latter in the 31st year of Henry VIII. the year after which, the king granted the rectory, with the advowson of the vicarage of the church of Throwley, to the prebendary of Rugmer, in the cathedral church of St. Paul, London, in exchange for lands belonging to that prebend, to be inclosed within the king's park of Marybone, in pursuance of an act then passed. Since which this parsonage and advowson have continued part of the abovementioned prebend. The former is leased out by the present prebendary to the right hon. lord Sondes, but the advowson of the vicarage he retains in his own hands, and is the present patron of it.
¶There was a rent of 4l. 18s. 4d. reserved from the parsonage by king Henry VIII. nomine decimœ, which was granted by queen Elizabeth, in her third year, to archbishop Parker, among other premises, in exchange for several manors, lands, &c. belonging to that see, which rent still continues part of the revenue of the archbishopric.
A vicarage was endowed here in 1367, anno 42 king Edward III. by archbishop Langham, at which time the chapel of Wylrington belonged to it. (fn. 8)
It is valued in the king's books at 7l. 11s. 8d. and the yearly tenths at 15s. 2d.
In 1578 there were one hundred and eighty communicants here. In 1640 it was valued at forty-five pounds, communicants two hundred and twenty.
"Kayaköy, anciently known in Greek as Karmilassos, shortened to Lebessos (Ancient Greek: Λεβέσσος) and pronounced in Modern Greek as Livissi (Greek: Λειβίσσι), is presently a village 8 km south of Fethiye in southwestern Turkey in the old Lycia province. From Ancient Greek the town name shifted to Koine Greek by the Roman period, evolved into Byzantine Greek in the Middle Ages, and finally became the Modern Greek name still used by its townspeople before their final evacuation in 1923. In late antiquity the inhabitants of the region had become Christian and, following the East-West Schism with the Catholic Church in 1054 AD, they came to be called Greek Orthodox Christian. These Greek-speaking Christian subjects, and their Turkish-speaking Ottoman rulers, lived in relative harmony from the end of the turbulent Ottoman conquest of the region in the 14th century until the early 20th century, when the rise of nationalism led to persecution of minorities within the Ottoman realm and the eventual creation of modern Turkey by the Turkish National Movement. The massacres of Greeks and other Christian minorities in the Ottoman Empire during World War I (1914–1918) led to the almost total depopulation of the town's 6,500 Greek inhabitants by 1918. These former inhabitants were bereaved of their properties and became refugees in Greece, or they died in Ottoman forced labour battalions (cf. Number 31328, an autobiography by a Greek-speaking novelist from a similar coastal town in Turkey). Following these events the Allied victors in World War I authorized the occupation of Smyrna, which still had many Greek inhabitants, by Greece in May 1919. This led to the Greco-Turkish War of 1919–1922, the subsequent defeat of Greece, and the Treaty of Lausanne in 1923. That treaty contained a protocol, the Population exchange between Greece and Turkey, which barred permanently the return of any prior Greek Orthodox refugees to their homes in Turkey (including the previous Livissi refugees) and required that any remaining Orthodox Christian citizens of Turkey leave their homes for Greece (with an exception for Greeks living in Istanbul). The treaty also required that Greece's Muslim Turkish-speaking citizens permanently leave Greece for Turkey (with an exception for Turkish Muslims living in Greek Thrace). Most of these Greek Muslims were used by the Turkish state to settle its now empty Greek Christian towns, but Greek Muslims did not wish to settle in Livissi due to rumors of ghosts of the Greeks killed there. The ghost town, now preserved as a museum village, consists of hundreds of rundown but still mostly standing Greek-style houses and churches which cover a small mountainside and serve as a stopping place for tourists visiting Fethiye and nearby Ölüdeniz."
Livissi/ Kayaköy village is now empty except for tour groups and roadside vendors selling handmade goods. However, there is a selection of houses which have been restored, and are currently occupied.
en.wikipedia.org/wiki/Kayak%C3%B6y
[Digital version of a photograph taken during an extended holiday in Turkey, summer of 1993. Scanned from a transparency.]
read about this trip on our blog
www.131design.org/blog/9-fes-el-bali-morrocco-
Volubilis is an archaeological site in Morocco situated near Meknes between Fez and Rabat along the N13 road. The nearest town is Moulay Idriss. Volubilis features the best preserved Roman ruins in this part of northern Africa . In 1997 the site was listed as a UNESCO World Heritage site.
Roman period
In antiquity, Volubilis was an important Roman town situated near the westernmost border of Roman conquests. It was built on the site of a previous Carthaginian settlement from (at the latest) the third century BC, but that settlement overlies an earlier neolithic habitation.
Volubilis was the administrative center of the province in Roman Africa called Mauretania Tingitana. The fertile lands of the province produced many commodities such as grain and olive oil, which were exported to Rome, contributing to the province's wealth and prosperity. Archaeology has documented the presence of a Jewish community in the Roman period.
Triumphal Arch in Volubilis
The Romans evacuated most of Morocco at the end of the 3rd century AD, but unlike some other Roman cities, Volubilis was not abandoned. However, it appears to have been destroyed by an earthquake in the late fourth century AD. It was reoccupied in the sixth century, when a small group of tombstones written in Latin shows the existence of a community that still dated its foundation by the year of the Roman province. Coins show that it was occupied under the Abbasids: a number of these simply bear the name Walila. Walili comes from the Berber language alili which means a plant widely found in this region. Awraba was a Berber tribe that settled there. Volubillis was a second capital of the king Juba II who was the son of the Berber king Juba I.
The texts referring to the arrival of Idris I in 788 show that the town was at that point in the control of the Awraba tribe, who welcomed the descendant of Ali, and declared him imam shortly thereafter. Within three years he had consolidated his hold on much of the area, founded the first settlement at Fez, and started minting coins. He died in 791, leaving a pregnant Awraba wife, Kenza, and his faithful slave, Rashid, who acted as regent until the majority of Idris II. At this point the court departed for Fez, leaving the Awraba in control of the town.
The local Latin language survived for centuries, and was not replaced before the Arabs conquered North Africa in the late 7th century.
People continued to live in Volubilis for more than 1,000 years more. Volubilis was first abandoned in the 18th century -- when it was demolished in order to provide for building materials for the construction of the palaces of Moulay Ismail in nearby Meknes. If that destruction had not occurred, Volubilis could have become one of the best preserved Roman sites anywhere.