View allAll Photos Tagged composing,
The highest point in Idaho at 12,662’/ 3859 m, Borah Peak (left) is unique in being primarily composed of limestone (most of the gray rock seen here) that was deposited at the bottom of an ocean 420 million years ago. The slightly younger reddish siltstones on the right side form some wonderful banded strata below the summit of Sacajawea Peak.
Also notable is the light colored band at the base of the mountain seen at the bottom of the picture. I initially assumed this was a road or a trail, but it’s a remnant of a magnitude 4.9 earthquake that hit the area in 1983, the largest quake ever recorded in Idaho. The valley side of the fault dropped as much as 9’/ 2.7 m and the mountain side rose by as much as 3’ / 1 m, leaving a notable fault scarp 21 miles/ 34 km long.
This exposure is one I composed and edited last year, however I came back to this fall pond side shot with a new understanding of editing. The original shot is a focus stack, this one is not. This photo captured my attention, the tree leading out to the pond, rough, rugged, a bit chaotic in its nature, leading to the reflected side of the pond, orderly subdued. In the original shot it looks like I used a soft grad filter in the scene to expose everything, and now looking back I see this was a drastic mistake. Unfortunately there’s not a lot you can do about using physical filters and the destructive effects they can have on a scene. I cropped the scene lower than usual and tried to put more focus into the rest of the scene.
Aperture: f7.1
ISO: 160
SS: 1/60th
Focal: 10mm
Fujinon 10-24mm
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La façade semble être composée d'une multitude d'oriels semi-octogonaux (13 pour chacun des 4 premiers étages et 9 pour le dernier), donnant au monument son cachet unique. La face intérieure à l'arrière du bâtiment se compose de pièces utilitaires avec des piliers, des couloirs et une décoration minimale jusqu'en haut. Les pièces sont de simples salles de marbres de différentes couleurs, égayées par des panneaux incrustés ou de la dorure, tandis que des fontaines ornent le centre de la cour. Les deux étages supérieurs sont accessibles par des plans inclinés.
L'entrée au palais des vents du côté du palais du maharadja se fait par une porte réservée à la suite royale à partir d'une grande cour (aujourd'hui cours du Musée archéologique), bordée de bâtiments à étages sur trois côtés, le palais des vents étant à l'est.
Le palais des vents est construit en grès rouge et rose sable, en harmonie avec le décor des autres monuments de la ville rose, surnom donné à Jaipur. Son style architectural est l'une des illustrations de la fusion des architectures rajput (hindoue) et de l'architecture moghole (islamique). Le style rajput est illustré par les dais bombés, les piliers cannelés, le lotus et les motifs floraux, le style islamique est représenté par le travail de la pierre incrustée, par les jalis et les arches
Façade of the office building FLOAT (2019), Düsseldorf, Media Harbor, Architect: Renzo Piano (Pritzker Architecture Prize 1998) -- Digitally mirrored.
This is to the Brexiteers and to the "Wallbuilders"in the USA,because its the same Spirit.
The Sound of Silence-Disturbed
www.youtube.com/watch?v=u9Dg-g7t2l4
a Vision,
realized with a Image from Pixabay.
Although this Vertorama was composed exactly the same as this one which I posted a couple of days ago... it's different enough to make me want to process and post it as well.
Besides... I actually prefer this one. The light might have been better in the other one... but the streaky clouds in this one are way cool... and the beautiful woman just adds the finishing touch. :)
Nikon D300, Sigma 10-20mm at 10mm, aperture of f14, with a 1/30th second exposure.
Click here to view this one large.
Click here to check out my Vertorama tutorial.
photography,processing,filter,texture,composing,digital painting
The Background comes from Pixabay,
and the Originaltexture its made by Tota.
Van the Man-Beatyful Visions
www.youtube.com/watch?v=uOPvaLmBm38
processing,filter,texture,composing,digital painting
Just a Mirror Play :-)
i was thinking,thats a good place for a lake,so i have build one :-)
photography,processing,filter,texture,composing
I composed this image while traveling through south Saskatchewan Province in Canada. The prairies: big skies; clear horizons; entrancing colours; deep thoughts and limitless possibilities.
a morning fantasia composing :-)
Thanks to Pixabay, where is to found the image with the little Monk.
photography,processing,filter,texture,composing
Smile on Saturday Weekly Challenge
Theme: "Song Title"
"Evergreen" is the theme song from the 1976 film ‘A Star Is Born’. It was composed and performed by Barbra Streisand.
www.youtube.com/watch?v=X-Ro7baEa6w
[excerpt]… Time won't change the meaning of one love … Ageless and ever evergreen.
Thank you for your visit, faves and comment!
Happy 😊 on Saturday!
Bei einer Suche im Archiv ist mir das Foto von einem UFO, das vor dem Museum der Moderne in München steht, untergekommen. Das hat mich zu diesem Composing angeregt.
While searching the archives, I came across a photo of a UFO standing in front of the Museum of modern art in Munich. That inspired me to create this composing.
HMM-- actually i had a wonderful time choosing, shooting, and experimenting with pics for this theme!! and learned so much about rendering things into b&w and the relative values in sliders.
this is thurman and his smile/face is just under an inch and he's my favorite of the possibles for "back to square one". he's particularly happy to be a part of the macro mondays group's pool for the theme of:
"back to square one" “Center Square B&W”: center composed, black and white image in square format...
ODC "available light"
Now that the American Goldfinch has fully composed himself, he's ready for one final photo before flying off.
Wow.....what can I say other than I am sooooo honored and so surprised to have my cover in your group. Thank you soooooooo much for this honor!!!
Composé à l'aide de Paco (thank you) : www.flickr.com/photos/pacomh00 et de : wallpapercave.com/w/wp5339431
I jumped in the river and what did I see?
Black-eyed angels swam with me
A moon full of stars and astral cars
All the things I used to see
All my lovers were there with me
All my past and futures
And we all went to heaven in a little row boat
There was nothing to fear and nothing to doubt
I jumped into the river
Black-eyed angels swam with me
A moon full of stars and astral cars
And all the things I used to see
All my lovers were there with me
All my past and futures
And we all went to heaven in a little row boat
There was nothing to fear and nothing to doubt
Radiohead
Das historische Jeddah (UNESCO-Weltkulturerbe) zeigt noch die traditionelle Architektur, die einst in Städten an beiden Küsten des Roten Meeres üblich war und von der ausserhalb Saudi-Arabiens nur noch wenige Überreste erhalten sind. Der Stil zeichnet sich durch die imposanten Turmhäuser aus, die mit grossen hölzernen Roshan-Fenstererkern (Maschrabbiya) verziert sind und im späten 19. Jahrhundert von den Handelseliten der Stadt gebaut wurden, sowie durch niedrigere Korallensteinhäuser, Moscheen, Ribat-s, Suqs und kleine öffentliche Plätze, die zusammen einen lebendigen Raum bilden. Seit der 3. Kalif Othman ibn Affan Jeddah im 7. Jahrhundert n. Chr. zum offiziellen Hafen von Mekka machte, galt dieses für muslimische Pilger als « Tor nach Mekka » (Quelle: whc.unesco.org).
Historic Jeddah (UNESCO world heritage site) is an outstanding reflection of the Red sea architectural tradition, a construction style once common to cities on both coasts of the Red sea, of which only scant vestiges are preserved outside the kingdom of Saudi Arabia and the nominated property. The style is characterized by the imposing tower houses decorated by large wooden Roshan (mashrabiya) built in the late 19th century by the city`s mercantile elites, and also by lower coral stone houses, mosques, ribat-s, suqs and small public squares that together compose a vibrant space. Historic Jeddah had a symbolic role as a gate to Makkah for Muslim pilgrims since the 7th century AH when the 3rd Caliph Othman ibn Affan made it the official port of Makkah (source: whc.unesco.org).
I composed this image while visiting the Bow Lake region of Canada's Banff National Park. It was taken in the late spring, so one still sees snow draping some of the slopes of Bow Mountain, there is some residual ice on the lake and the grasses are not yet green.
Cette photo a participé au jeu :
Les moines de Cîteaux sont devenus propriétaires de vignes à Meursault en 1098, par donation du Duc Eudes Ier de Bourgogne à l'Abbé Robert de Molesme, fondateur de l'Abbaye de Cîteaux. Les caves, les celliers et les granges furent construits dans la vigne du "Vieux Clos" pour devenir La Maison de Cîteaux. Ce domaine fut la propriété de l'Abbaye de Cîteaux jusqu'à sa vente comme bien national en 1792. Les bâtiments restèrent inchangées jusqu'en 1865, date à laquelle le nouveau propriétaire, Jules Bernard, fit bâtir l'actuel château, au-dessus des constructions des moines. Jusqu'à l'arrivée du "Phylloxéra", le marché fut prospère. A cause de cette maladie, le Clos de vignes entourant le château de Cîteaux dut être arraché. C'est en 1995 que Philippe et Liliane Bouzereau firent l'acquisition du château pour y établir le siège de leur exploitation familiale. Le parc du château fut à nouveau planté en vigne comme jadis et les caves du XIIe siècle furent elles aussi restaurées...
N’ayant pas l’usage de toute la propriété, les Bouzereau mettent en vente le château en conservant leur activité viticole.
En 2009, Monsieur Garnier et son épouse achètent le château. Après deux années de travaux et de restauration historique, l’établissement « Le Château de Cîteaux La Cueillette » ouvre ses portes en septembre 2012. Il regroupe un hôtel, un restaurant et un spa de Fruititherapie.
Édifice de plan en T composé d'un corps central flanqué de deux pavillons, implanté au sein d'un parc arboré. Toiture, composée de toits brisés à croupe et de toits en pavillon, couverte d'ardoises. Lucarnes à couronnement rectangulaire et lucarne à baies jumelées et fronton cintré orné d'un chiffre "JB" (Jules Bernard). Édifice comprenant un rez-de-chaussée et deux étages dont un étage de comble. Moellons de pierre enduits et chaînes d'angle en pierre de taille formant pilastres. Baies rectangulaires, parfois surmontées d'une corniche moulurée ou d'un fronton triangulaire. Baies à arc déprimé. Garde-corps à balustres en pierre formant des motifs divers. Rez-de-chaussée, édifié en pierre de taille, en saillie (excepté sur la façade nord du corps central) formant terrasses avec garde-corps à balustres en pierre. Au sud, terrasse accessible par un vaste escalier en pierre à montées convergentes. Travée centrale surmontée d'un fronton-pignon cintré orné d'un cartouche sculpté portant le chiffre "JB" (Jules Bernard).
Eglise composée de deux parties : une nef unique, aujourd'hui très remaniée, et un donjon de plan carré, en brique sur soubassement de grès, décoré de croisillons en brique vernissée.
The island of Gyali. The southwestern part of the island is composed of thick layers of pumice, which are deposited there by two explosions after the formation of Nisyros. The first eruption left on shallow seas over 160 meters of thick layers of pumice, which the company LAVA Mining & Quarrying exploits since 1956. The northeastern part of the island is composed entirely of thick natural streams of glass (hence the name of the island), like the well-known obsidian and perlite.
The leaf is composed of layers of cells. The spongy mesophyll layer is normally infused with gases, oxygen and carbon dioxide. Leaves (or disks cut from leaves) will normally float in water because of these gases. If you draw the gases out from the spaces, then the leaves will sink because they become more dense than water. If this leaf disk is placed in a solution with an alternate source of carbon dioxide in the form of bicarbonate ions, then photosynthesis can occur in a sunken leaf disk. As photosynthesis proceeds, oxygen accumulates in the air spaces of the spongy mesophyll and the leaf becomes buoyant and floats. Oxygen and carbon dioxide are exchanged through openings in the leaf called stoma.
While this is going on, the leaf is also carrying out cellular respiration. This respiration will consume the oxygen that has accumulated and possibly cause the plant disks to sink. The measurement tool that can be used to observe these counteracting processes is the floating (or sinking) of the plant disks. In other words, the buoyancy of the leaf disks is actually an indirect measurement of the net rate of photosynthesis occurring in the leaf tissue.
All that being said... Ain't it pretty?
Thanks for looking?
reference:
I composed this image of Magog Lake during a visit to Assiniboine Lodge, a remote hiking and skiing destination in British Columbia's Assiniboine Provincial Park. This photograph was taken on an early September day. Mountain weather!
Vallée de La Clarée Hautes-Alpes
Cette vallée composée de 3 villages et peuplée de moins de 500 âmes, s’étale au bout du bout du département des Hautes Alpes, à la frontière entre les Alpes du Nord et l’Italie.
Loin des remontées mécaniques, la vallée de la Clarée est restée très nature et renferme des trésors : hameaux préservés, cadrans solaires, chapelles décorées de fresques.
Toutes ces merveilles font écho aux magnifiques paysages qui leur sert d'écrin. Au détour d'un sentier, il n'est pas rare de rencontrer un chamois, de voir un faucon crécerelle s'envoler ou d'apercevoir une marmotte dévalant une pente herbeuse.
This valley, made up of 3 villages and populated by less than 500 souls, stretches out at the very end of the Hautes Alpes department, on the border between the Northern Alps and Italy.
Far from the ski lifts, the Clarée valley has remained very natural and contains treasures: preserved hamlets, sundials, chapels decorated with frescoes.
All these wonders echo the magnificent landscapes that serve as their setting. At the bend in a path, it is not uncommon to meet a chamois, to see a kestrel take flight or to see a marmot hurtling down a grassy slope.
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Source: laviesauvage-rando.com
I composed this small view landscape last year at the mystically named Prussia Cove and it was virtually the last shot of my family holiday. It all seems like a long time ago now and I have to wonder - along with everyone else - when our next holiday will be. However, that pales into insignificane considering all those key workers putting their lives on the line every day.
I composed this photograph while on a recent road trip through Canada's Banff National Park.
The image features Bow Lake and Bow Mountain as they appear on a sunny summer day, and on the left, a corner of Crowfoot Glacier peeks through. And as one walks along the lake's shore, it is pleasing to see families picnicking together, kids swimming and kayaks gently negotiating the blue-green waters.
Happy summer, everyone!
is a feature of my camera that I used for light trails before.
But (as my tour guide pointed out) it's also possible to use it for landscape pictures.I tried this often during my holidays and this was one of my first attempts.