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Brass Automotive Components
Brass Automotive Components Catering to the requirements of the automotive industry we manufacture an array of brass automotive component made from quality materials. All the procured raw materials are sourced from certified vendors.
www.automobileindustryindia.com/deepak-products/brass-aut...
Development and manufacture of plastic components and subassemblies for automotive and household appliances
Landgoed De Peerdegaerdt doet net als vorig jaar mee aan NLdoet, een van de grootste vrijwilligersacties van Nederland georganiseerd door het Oranje Fonds, samen met duizenden andere organisaties in het land. NLdoet en de Peerdegaerdt zetten vrijwillige inzet in de spotlights en stimuleren iedereen om een dag de handen uit de mouwen te steken.
Het landschap kan niet zonder vrijwilligers. Per jaar werken vrijwilligers bijna een miljoen uur aan behoud, beheer en ontwikkeling van het Nederlandse landschap. Maar hun waarde laat zich niet alleen in geld en uren uitdrukken. Vrijwilligerswerk heeft ook een sociale component, het draagt bij aan de betrokkenheid en zorgt voor draagvlak. Daarnaast verbetert het de toegankelijkheid en recreatieve waarde van het landschap.
Hèlen Sturm van De Peerdegaerdt vertelt enthousiast “dit jaar staat in het teken van de realisatie van onze ecologische moestuin, alle hulp hierbij kunnen we goed gebruiken. Voor De Peerdegaerdt is NLdoet een goede gelegenheid om met een grote groep mensen extra werk te verzetten. De vaste medewerkers en vrijwilligers komen hier normaal niet aan toe. Ook komen nieuwe mensen in contact met elkaar en De Peerdegaerdt. We hopen natuurlijk dat we deze mensen een mooie beleving kunnen geven en dat ze zo positief zijn dat ze vaker een dagje vrijwilligerswerk willen doen”. Tijdens NLdoet kan de jeugd ook op De Peerdegaerdt terecht voor hun maatschappelijke stage.
Klus: realiseren ecologische moestuin tijdens NL Doet 11 maart 2017
De moestuin bevindt zich op het Strijense landgoed van 7 hectare groot, centraal gelegen in het rustieke Hoeksche Waard. Naast dat de zorg- en activiteiten boerderij van De Peerdegaerdt een plek is waar mensen en dieren de natuur harmonieus kunnen beleven, transformeert De Peerdegaerdt zich ook langzaam naar een voedsellandgoed. Dit jaar wordt er gestart met het inrichten van een ecologische moestuin van 2.500m² gebaseerd op permacultuur, mogelijk gemaakt door de provincie Zuid-Holland.
Gerrit Roukens, tuinmeester van De Peerdegaerdt vertelt enthousiast: "We kunnen zo veel mogelijk hulp gebruiken! Het doel is uiteindelijk het kunnen telen, oogsten en bereiden van ecologische groentes door onze zorg- en activiteitenboerderij, evenals voor de buitenarrangementen die op De Peerdegaerdt georganiseerd worden. Het gaat om een ecologische moestuin, deels gebaseerd op permacultuur. Permacultuur staat voor samenwerken met de natuur. Het is tegelijkertijd een participatieproject, waarbij we met het UWV gaan samenwerken om mensen arbeidsfit te maken. Uiteindelijk kunnen mensen ook een stukje moestuin bij ons huren en krijgen dan maandelijks begeleiding om succesvol groentes te kweken."
Programma
NLdoet op De Peerdegaerdt in Strijen start zaterdag 11 maart om 09.45 uur met koffie en thee. Om 10.00 uur volgt een korte uitleg over de Peerdegaerdt. Hierna is het tijd om aan de slag te gaan met de aanleg van de moestuin zodat eind maart gestart kan worden met het voorzaaien. Voorbeelden van activiteiten tijdens deze dag zijn: wilgen knotten, verwerken snoeihout, grondwerkzaamheden, transport benodigde materialen en het planten van eetbare gewassen. Deze werkzaamheden zijn afhankelijk van het weer en de grond. Bij voldoende deelnemers kan de Mien Ruys wandeltuin ook nog zomerklaar gemaakt worden. Natuurlijk verzorgt De Peerdegaerdt voor haar NLdoet deelnemers een gevarieerde biologische lunch met een heerlijke soep, om na een ochtend hard werken weer op kracht te komen. Met het Peerdegaerdts dubbelsapje zal rond 16.00 uur het programma worden afgesloten.
Meedoen en aanmelden
Ook enthousiast geworden om mee te doen op De Peerdegaerdt? Meld je dan aan !
Het aantrekken van goede, waterdichte kleding en het dragen van laarzen/stevige schoenen is aanbevolen. Meer informatie is ook te vinden op de website en op de Facebookpagina.
Ondersteuning vrijwilligerswerk door de Groene Motor
Via de Groene Motor heeft De Peerdegaerdt een bijdrage ontvangen om de vrijwilligersactiviteiten op De Peerdegaerdt verder te ondersteunen. De Groene Motor is een provinciaal programma dat vrijwilligerswerk in de leefomgeving stimuleert en ondersteunt. Het programma is ondergebracht bij het samenwerkingsverband Landschap & Erfgoed Zuid-Holland. De Groene Motor faciliteert diverse (regionale) netwerken, ondersteunt nieuwe initiatieven en coördineert de uitleen van gereedschap en verzekering van vrijwilligers. De Peerdegaerdt heeft ervoor gekozen om voor deze bijdrage cursussen voor betrokken vrijwilligers te ontwikkelen en organiseren, zoals de cursus snoeien "Opbouw en verjonging fruitbomen". Dankzij de bijdrage van de Groene Motor kan deze cursus tegen een aantrekkelijke prijs worden aangeboden en is zelfs kosteloos voor vrijwilligers die vaker actief zijn op De Peerdegaerdt.
Cursus Opbouw en verjonging fruitbomen
Op de Peerdegaerdt treffen we oude, halfwas en jonge fruitbomen aan. De locatie is daarmee zeer geschikt voor een workshop wintersnoei. Er staan peren die rond de 100 jaar oud zijn en vragen om verjonging van de kroon, er staan jongere 'halfwas' appelbomen van iets meer dan 10 jaar oud die deels verder uitgebouwd, deels verjong moeten worden en jonge appels en peren die vrij recent zijn aangeplant en nog volledig in de 'opbouwfase' zitten.
De cursus “Opbouw en verjonging fruitbomen” vindt plaats in de hoogstamboomgaard van De Peerdegaerdt en bestaat uit twee cursusdagen. De eerste cursusdag die georganiseerd werd op zaterdag 21 januari richtte zich op het uitbouwen van jonge en halfwas bomen, de tweede cursusdag op zaterdag 18 maart richt zich op verjonging in de oude bomen.
Tons of components and colors available for choosing, 48 frame colors,15 rim colors, 8 tire colors and more and more....Every three month we will have new stuff launching.....
Design by Mikki Ferrugiaro
Beaded by Vimala Nichols
This is the mirror side of the Urchin Wings Peacock Pendant.
The supply chain mechanism of the electronic components suppliers in India is commendable. The supply chain focuses on timely delivery of the products. The end users need not worry about anything, as there is no flaw in the chain system of the suppliers.
88646560 :Piction ID--Component---Please tag these photos so information can be recorded.---- Digitization of this image made possible by a grant from NEH: NEH and the San Diego Air and Space Museum
Heating Element from the Worlds first digital 'kettle'.
The electronic components mounted directly onto the layers of glass based inks printed onto Stainless Steel. Every layer fired at 850c
All items were made in the factory.
We had four furnaces in this clean room to make the world leading 3 kW 'Flat Element' using 'Thick Film' Technology.
Great invention developed, manufactured successfully in volume in Britain beating everyone else in the world then relocated to China by the new American owners to fail and disappear without trace.
Another example of 'Money men' wrecking a successful British industry!
Eye-Piece for large binoculars with dioptrics adjustment
Component of a large pair of binoculars
This item is surplus to my collection needs. I am making this available for swap or trade. Please let me know if you are interested. See these sets of images for other cameras, lenses and photographic paraphernalia that I am removing as I am sharpening the focus of my camera collection.
Image shot with an Olympus Stylus TG-3.
© Dirk HR Spennemann 2014, All Rights Reserved
Access all my images via the Collections Page
Nearing completion.
The main components assembled, this time with the skin and tail piece fitted.
The white areas on the skin are talcum powder that wasn't completely removed during the soaking process.
The skin has been stained brown using instant coffee granules.
Featuring: Accessories, Animations/Poses, Avatar Components, Avatar Enhancements, Builds, Clothing, Cosmetics/Nails, Home and Garden, Tattoos
Event Opening Date: April 26, 2024
Event Closing Date: April 28, 2024
Pricing: 75L
TMD Weekend Sale Gallery Page
This is an in-store or HUD based event
www.seraphimsl.com/2024/04/26/dont-be-a-scrub-shop-in-sty...
The Throne of the Third Heaven of the Nations’ Millennium General Assembly - a. 1950-1964
James Hampton
Born Elloree, SC 1909-died Washington, DC 1964
The Throne of the Third Heaven of the Nations' Millennium General Assembly is a complex work of art created by James Hampton over a period of fourteen years. Hampton made the array based on several religious visions that prompted him to prepare for Christ's return to earth. His reference to the "third heaven" is based on scriptures citing it as the "heaven of heavens" -- God's realm.
Little is known about James Hampton, despite the grandeur of his self-chosen title, "Director, Special Projects for the State of Eternity." He was born in 1909 in Elloree, South Carolina, a small community of predominantly African-American sharecroppers and tenant farmers. His father, a gospel singer and self-ordained Baptist minister, left his wife and four children to pursue his itinerant calling.
In 1928, when he was nineteen, Hampton moved to Washington, D.C., to live with an older brother. Drafted into the Army in 1942, he served with a segregated unit that maintained airstrips in Saipan and Guam during World War II. Hampton returned to Washington in 1945, and began working a year later as a janitor for the General Services Administration until his death in 1964. Although he expressed interest in finding "a holy woman," to assist with his life’s work he never married and had few close friends.
Hampton was raised as a fundamentalist Baptist, but he disliked the concept of a denominational God and attended a variety of the city’s churches. As early as 1931, Hampton believed that he began receiving visions from God, and by 1945 it appears he had made one small, shrine-like object while stationed on Guam. This piece became part of his larger work, and is now placed in front of the center pulpit.
His work on The Throne of the Third Heaven of the Nations Millennium General Assembly probably began in earnest around 1950, when he rented a garage in his northwest Washington neighborhood, which was also the city's center of African-American business, religious, and night life.
Although a humble man, Hampton often referred to himself as "St. James." He may have considered himself a prophet like John, the author of The Book of Revelation, the biblical writing that inspired Hampton's belief in the Second Coming of Christ and his desire to build The Throne as a monument to the return of Christ to earth.
Hampton worked almost every day on his project, often starting his work at midnight after completing his janitorial duties. He continued his efforts until he died in 1964. The Throne was discovered and brought to the public's attention after his death. It is most likely Hampton's monument to his faith was never completely finished.
Hampton created his masterpiece in a rented carriage house, transforming its drab interior into a resplendent world. He hand-crafted many of the elements from cardboard and plastic, but added structure with found objects from his neighborhood, such as old furniture and jelly jars, and discards like light bulbs from the federal office buildings in which he worked. Hampton selected shimmering metallic foils, purple paper (now faded to tan), and other materials to evoke spiritual awe and splendor. The Throne embodies a complex fusion of Christianity and African-American spiritual practices overlaying themes of deliverance and freedom; it is both astonishingly splendid and profoundly humble.
The Throne derives coherence from parallel rows of components arranged on two levels. A cushioned throne at the rear is a focal point for the highly symmetrical array. Objects on the right refer to the New Testament and Jesus; those on the left to the Old Testament and Moses. Hampton also left texts written in an arcane spiritual script that he may have understood as the word of God as received by him.
Praised as America's greatest work of visionary art, Hampton's Throne reveals one man's faith in God as well as his hope for salvation. Although Hampton did not live to initiate a public ministry, his commanding phrase -- "FEAR NOT" -- summarizes his project's powerful message.
The piece is comprised of about 180 elements (of which 60 or so are currently on view) that Hampton put together himself, often covering each piece with silver and gold foil. He lived and worked in Washington, DC as a janitor in a federal office building. Many parts of The Throne are made from everyday things that had been discarded including sections of tables and chairs, vases and light bulbs. At the center of the piece are the words, “Fear Not.”
James Hampton's The Throne of the Third Heaven of the Nations' Millennium General Assembly is one of the most important and beloved artworks at the Smithsonian American Art Museum (SAAM), and it is full of mysteries. Discover more as Leslie Umberger, SAAM's curator of folk and self-taught art, shares insights into Hampton's life as a self-taught artist of color creating in Washington, DC, during the Civil Rights movement, and the lasting importance of his efforts. The Throne, a monumental artwork with more than 180 components wrapped in gold and silver foil, came fully to light only after the artist's death. While Hampton’s views on his life’s work went undocumented, the splendor and magnitude of his project is evident to all who experience this powerful yet enigmatic artwork.
americanart.si.edu/videos/james-hamptons-throne-third-hea...
Leslie Umberger, curator of folk and self-taught art at SAAM, puts the work into context: “Hampton's masterpiece has become an enduring icon at SAAM. It's very human scale, there are crowns that look like they would fit right on your head or maybe that Hampton had worn. It's glimmering and resplendent and really beautiful. And it's also just profoundly humble, this amazing artwork that's made out of almost entirely discarded things just carefully covered and adorned and put together with such care. It's a very moving piece.”
Hampton spent about fourteen years assembling The Throne, basing it on a series of visions he had. Eventually, the work took on a life of its own, and he rented a carriage house near his home where he could work and assemble it. I wonder what it was like to see his creation unfold, glittering when a source of light hit one of the foil pieces.
The presentation in SAAM's galleries includes a few elements that Hampton likely did not regard as part of the altar itself, but were found near it, and that reveal his working methods: a chalkboard showing some of Hampton's sketches or working plans and a small book he kept, written primarily in an invented or "asemic" script, meaning it is unreadable or lacking specific semantic content. Hampton referred to himself as "Director, special projects for the state of eternity" as well as "Saint James," an echo of Saint John who was divinely instructed to record his vision of the second coming in a secret script in a small book.
Hampton had a vision that he brought to life but, sadly, died before he could complete it, let alone see it acquired by SAAM in 1970. “It rapidly became an audience favorite,” Umberger adds, “and it has rarely been off view since then.”
americanart.si.edu/blog/throne-james-hampton
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SAAM’s collection of folk and self-taught art represents the powerful vision of America’s untrained and vernacular artists. Represented in the museum’s collection are pieces that draw on tradition — such as quilts — as well as artworks that reveal a more personal vision. The museum has reimagined its permanent collection galleries for art by untrained artists, which now display several dozen recent acquisitions and an expanded presentation of the beloved Throne of the Third Heaven of the Nations Millennium General Assembly by James Hampton.
americanart.si.edu/exhibitions/folk-art
Recently acquired works by Consuelo Gonzalez Amezcua, Emery Blagdon, David Butler, Ulysses Davis, Ralph Fasanella, Clementine Hunter, Dan Miller, Joe Minter, Eddy Mumma, J.B. Murray, Achilles Rizzoli, Melvin Way, Charlie Willeto, Clarence and Grace Woolsey, Purvis Young, and Albert Zahn join visitor favorites by Thornton Dial, Lonnie Holley, Martín Ramírez, and Jon Serl. A striking presence in the galleries is a display of more than sixty sculptures and paintings by Emery Blagdon that represents his constantly changing Healing Machine. It is the second-largest installation of his work on public view in the United States.
The new installation of the Throne includes Hampton’s personal journal, written primarily in an asemic, or unreadable script, and a chalkboard still showing some of Hampton’s sketched plans for the Throne. Both are on public view for the first time; the journal will be on display for a limited time.
he Smithsonian American Art Museum’s collection of folk and self-taught art represents the powerful vision of America’s untrained and vernacular artists. SAAM is one of the only major museums to clearly advocate for a diverse populist and uniquely American voice within the context of what is traditionally considered great art.
Themes
Artists who are deeply engaged with personal exploration often create works of profound complexity. Recurring themes include struggle and persistence, salvation and protection, and the reshaping of personal worlds through creative expression.
The Collection
SAAM was among the first major museums to champion and collect works by self-taught artists. This aspect of SAAM’s collection spans works that emanate from folk traditions, such as quilting and woodcarving, to highly innovative works of great personal vision. It began in 1970, after the astonishing Throne of The Third Heaven of The Nations’ Millennium General Assembly, made by James Hampton, came to light in a makeshift studio not far from the museum following the artist’s death. Several donors made it possible for this iconic work, understood as a seminal representation of African American cultural and artistic heritage, to become the cornerstone of a collection that aimed to tell an ever-expanding story of America through the art of its people.
Since it acquired Hampton’s “Throne,” the museum has been recognized internationally as a leader in championing the importance of works by artists who have no formal art training. In the early 1980s and 1990s, Chuck and Jan Rosenak donated many important works to the museum. SAAM’s largest single acquisition of works by self-taught artists came in 1986 with more than 500 works from the ground-breaking collection of Herbert Waide Hemphill Jr., which firmly established the museum’s ongoing commitment to this work. Important gifts from Bill Arnett, David L. Davies, the Kallir Family, Josh Feldstein, Margaret Parsons, Judy A. Saslow, Patricia S. Smith, Mike Wilkins and Sheila Duignan, and others followed. In 2016, Douglas O. Robson donated ninety-three works of art from the collection of his mother, Margaret Z. Robson.
Today, SAAM’s collection of folk and self-taught art features more than 400 artists and 1,300 works of art. The collection is one of the most visited and widely admired of its kind.
americanart.si.edu/art/highlights/folk
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Belgian Air Component F-16 Fighting Falcon at the Yeovilton Naval Air Station Photocall on Friday 25th July 2014
La ilustración muestra el disco protoplanetario que rodea a la estrella MWC 480, en la Constelación de Tauro. ‘Vemos’ los componentes indispensables de la vida, como están presentes en la Tierra y en los cometas que viajan por nuestro Sistema Solar. Crédito de la imagen: B. Saxton (NR...
notaspampeanas.com/site/componentes-indispensables-de-la-...
I handloaded almost everything I shot for the last five to ten years, and my groups tightened up despite physical issues and declining health.
Yes, handloads are MUCH more accurate.
This is the last of the pistol stuff, albeit I have powder, press, scale, literature, etc., etc., remaining.
Rights reserved. COPYRIGHTED.
156/365
I've been having problems with the remote for the gate into my parking lot at home - it works sporadically, and doesn't work at the most inconvenient times (like when there aren't a lot of people coming in and out that I can sneak in behind). I had looked before, and it looked like the LED was still lighting up sufficiently, but the other day I noticed the LED was quite dim.
So tonight, the remote came apart to check the battery type. There were actually more components on the little circuit board than I expected. We'll get the battery tomorrow and reassemble the remote.
Angled prism in housing, component of a pair of binoculars
This item is surplus to my collection needs. I am making this available for swap or trade. Please let me know if you are interested. See these sets of images for other cameras, lenses and photographic paraphernalia that I am removing as I am sharpening the focus of my camera collection.
Image shot with an Olympus Stylus TG-3.
© Dirk HR Spennemann 2014, All Rights Reserved
Access all my images via the Collections Page