View allAll Photos Tagged completed
It's really big festival...
But rain alot!
so It's no really complete...
I haven't time for make the lettering...
But i make it in one day and 3 hour!
i thik it's ok!^_*
keep in touch
Mr.Wany
All of my finished art journals, 2008-2012, 21 (!!!) so far. Lots of angst, pain, and love in these. <333. (I had to move them from my bookshelf because a mouse, loose in my room, ran on top of them -- believe me, I was horrified -- anything except my precious...art journals...so I snapped a quick pic.)
It's funny, when I first started art journaling, I had no clue it was anything other than me having fun and playing around. Never thought I'd fall in love with making art this way and meet so many like-minded and talented people who also art journal. Or be inspired so much. So, thank you.
This photo is what art journaling means to me -- hard work, many hours, bliss, play, love, pain, discovery, digging, sharing, the greatest feeling next to loving someone that I've ever known...
The top section is undergoing restoration work.
Construction began in 1883 during the reign of Alexander III, 2 years after the assassination of his father Alexander II. The church was dedicated to be a memorial to his father, Alexander II. Estimates suggest that the construction cost 4.5 million rubles. The construction was completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
The church is prominently situated along the Griboedov Canal; paved roads run along both sides of the canal. On March 13, 1881 (Julian date: March 1), as Tsar Alexander II's carriage passed along the embankment, a grenade thrown by an anarchist conspirator exploded. The tsar, shaken but unhurt, got out of the carriage and started to remonstrate with the presumed culprit. A second conspirator took the chance to throw another bomb, killing himself and mortally wounding the tsar. The tsar, bleeding heavily, was taken back to the Winter Palace, where he died a few hours later.
A temporary shrine was erected on the site of the attack while plans and fundraising for a more permanent memorial were undertaken. In order to build a permanent shrine on the exact spot where the assassination took place, it was decided to narrow the canal so that the section of road on which the tsar had been driving could be included within the walls of the church. An elaborate shrine, in the form of a ciborium, was constructed at the end of the church opposite the altar, on the exact place of Alexander's assassination. It is embellished with topaz, lazurite and other semi-precious stones, making a striking contrast with the simple cobblestones of the old road, which are exposed in the floor of the shrine.
Text curtesy of Wikipedia.
This image shows Glasgow's weather in characteristic form to complete my west coast photo essay. As with the first of these images ( flic.kr/p/2qBbvJc ), this shot captures the essence of this station for me: in Glasgow’s case, busy, populated with exotic trains (from the perspective of a Sassenach), and raining!
The date is Wednesday, 28th March 1984 and an APT set waits to head south on what is likely to be the 0900 relief to Euston. The crowd of gentlemen striding towards the ticket barriers, many of who are lacking in appropriate outdoor attire, are presumably not railway enthusiasts given their lack of interest in the future of travel nor the distinctly Scottish class 27 to the left of the frame.
Unlike London Euston, Glasgow Central still has the grandeur and heritage of the Victorian era. While Euston’s period pieces were swept away in the white heat of 1960s progress, Glasgow Central has been sympathetically restored and, despite the rain, feels like a hospitable station appropriate for a great city.
Glasgow Central was not the original station for the west coast route in the city. The Caledonian Railway originally used the Townhead terminus, 1.5 miles to the northeast, then in November 1849, the new station of Buchanan Street was used. Growth led to the opening of Glasgow Central in 1879, immediately north of the river Clyde that the railway follows for the last 45 miles of its journey from London.
I trust that those that have followed my photo essay have enjoyed the ride. The west coast route is so varied and so long that it has been very easy to find disparate images from my collection. Selecting images for this essay has been challenging: I have been shooting trains on the route since the 1980s, and in the 21st century I still manage perhaps 30-40 images of the line every year. Furthermore, since I started collecting other photographer's images, it seems that the line was popular for others too!
Photograph by an unknown photographer, now part of my collection.
(Mamă gradinarului)
A-nmugurit sâmburele divin.
Înseamnă, pesemne, c-a venit timp
de primăvară.
Pe acesta-l poţi ţine în mână
va creşte sigur fără de spin.
poţi resădi apoi din el
câte poveşti se pot rosti din zi până-n seară.
Pe cuvânt îţi spun, să-ţi alin
spaimele fecioarei ce-ai fost,
pe cuvânt ca-i vei înmiresma viaţa-n
parfumuri de crin.
Şi nu-l vei lăsa în plină grădină
fără de-un rost.
unşpemaidouămiinouă
December 1, 2008
#32
December 1, 2008
You’ll be my world...
As long as there’s a world turning ‘round...
And you’ll be my heaven...
It was snowing that day, on 9th of May! Unbelievable. That's why I think a black and white picture of this beautiful chapel is appropriate.
The chapel was completed in 1962 and is the distinguishing feature of the Cadet Area at the US Air Force Academy, located north of Colorado Springs. Originally controversial in its design, the Cadet Chapel has become a classic and highly regarded example of modernist architecture.
Thank you for your visits / comments / faves!
by Remigius Hogenbergh,print,published 1572
Matthew Parker (6 August 1504 – 17 May 1575) was Archbishop of Canterbury from 1559 until his death in 1575. He was also an influential theologian and arguably the co-founder (with Thomas Cranmer and Richard Hooker) of Anglican theological thought.
Parker was one of the primary architects of the Thirty-Nine Articles, the defining statements of Anglican doctrine. The Parker collection of early English manuscripts, including the book of St. Augustine Gospels and Version A of the Anglo-Saxon Chronicle, was created as part of his efforts to demonstrate that the English Church was historically independent from Rome, creating one of the world's most important collections of ancient manuscripts.
The eldest son of William Parker, he was born in Norwich, in St. Saviour's parish. His mother's maiden name was Alice Monins, and she may have been related by marriage to Thomas Cranmer. When William Parker died, in about 1516, his widow married John Baker. Matthew was sent in 1522 to Corpus Christi College, Cambridge,[1] where he is said to have been contemporary with William Cecil, but Cecil was only two years old at the time. Parker graduated BA in 1525, was ordained deacon in April and priest in June 1527, and was elected fellow of Corpus in the following September. He commenced MA in 1528, and was one of the Cambridge scholars whom Thomas Wolsey wished to transplant to his newly founded "Cardinal College" at Oxford.
Parker, like Cranmer, declined the invitation. He had come under the influence of the Cambridge reformers, and after Anne Boleyn's recognition as queen he was made her chaplain. Through her, he was appointed dean of the college of secular canons at Stoke-by-Clare in 1535. Hugh Latimer wrote to him in that year urging him not to fall short of the expectations which had been formed of his ability. In 1537 he was appointed chaplain to King Henry VIII. In 1538 he was threatened with prosecution, but the Bishop of Dover, however, reported to Thomas Cromwell that Parker "hath ever been of a good judgment and set forth the Word of God after a good manner. For this he suffers some grudge." He graduated DD in that year, and in 1541 was appointed to the second prebend in the reconstituted cathedral church of Ely. In 1544, on Henry VIII's recommendation, he was elected master of Corpus Christi College, and in 1545 vice-chancellor of the university. He got into some trouble with the chancellor, Stephen Gardiner, over a ribald play, Pammachius, performed by the students, which derided the old ecclesiastical system.
On the passing of the act of parliament in 1545 enabling the king to dissolve chantries and colleges, Parker was appointed one of the commissioners for Cambridge, and their report may have saved its colleges from destruction. Stoke, however, was dissolved in the following reign, and Parker received a generous pension. He took advantage of the new reign to marry in June, 1547, before clerical marriages had been legalized by parliament and convocation, Margaret, daughter of Robert Harlestone, a Norfolk squire. During Kett's Rebellion, he preached in the rebels' camp on Mousehold Hill, without much effect, and later encouraged his secretary, Alexander Neville, to write his history of the rising.
Parker's association with Protestantism advanced with the times, and he received higher promotion under John Dudley, 1st Duke of Northumberland than under the moderate Edward Seymour, 1st Duke of Somerset. At Cambridge, he was a friend of Martin Bucer and preached Bucer's funeral sermon in 1551. In 1552 he was promoted to the rich deanery of Lincoln, and in July 1553 he supped with Northumberland at Cambridge, when the duke marched north on his hopeless campaign against the accession of Mary Tudor. As a supporter of Northumberland and a married man, under the new regime Parker was deprived of his deanery, his mastership of Corpus Christi, and his other preferments. However, he survived Mary's reign without leaving the country – a fact that probably aggravated more ardent Protestants who went into exile and idealized their fellows who were martyred by Queen Mary. Parker respected authority, and when his time came he could consistently impose authority on others. He was not eager to assume this task, and made great efforts to avoid promotion to the archbishopric of Canterbury, which Elizabeth designed for him as soon as she had succeeded to the throne.
He was elected on 1 August 1559 but, given the turbulence and executions that had preceded Elizabeth's accession, it was difficult to find the requisite four bishops willing and qualified to consecrate Parker, and not until December 19 was that ceremony performed at Lambeth by William Barlow, formerly Bishop of Bath and Wells, John Scory, formerly Bishop of Chichester, Miles Coverdale, formerly Bishop of Exeter, and John Hodgkins, Bishop of Bedford. The allegation of an indecent consecration in the Nag's Head Fable seems first to have been made by the Jesuit, Christopher Holywood, in 1604, and has since been discredited. Parker's consecration was, however, legally valid only by the plentitude of the royal supremacy; the Edwardine Ordinal, which was used, had been repealed by Mary Tudor and not re-enacted by the parliament of 1559. The Roman Catholic Church asserted that the form of consecration used was insufficient to make a bishop, and therefore represented a break in the Apostolic Succession, but the Church of England has rejected this, arguing that the form of words used made no difference to the substance or validity of the act.
Elizabeth wanted a moderate man, so she chose Parker. There was also an emotional attachment. Parker had been the favourite chaplain of Elizabeth's mother, Anne Boleyn. Before Anne was arrested in 1536, she had entrusted Elizabeth's spiritual well-being to Parker. A few days after this, Anne had been executed following charges of adultery, incest and treason. Parker also possessed all the qualifications Elizabeth expected from an archbishop except celibacy. He mistrusted popular enthusiasm, and he wrote in horror of the idea that "the people" should be the reformers of the Church. He was not an inspiring leader, and no dogma, no prayer-book, not even a tract or a hymn is associated with his name. The 56 volumes published by the Parker Society include only one by its eponymous hero, and that is a volume of correspondence. He was a disciplinarian, a scholar, a modest and moderate man of genuine piety and irreproachable morals. His historical research was exemplified in his De antiquitate ecclesiae, and his editions of Asser, Matthew Paris, Thomas Walsingham, and the compiler known as Matthew of Westminster; his liturgical skill was shown in his version of the psalter and in the occasional prayers and thanksgivings which he was called upon to compose. He left a priceless collection of manuscripts, largely collected from former monastic libraries, to his college at Cambridge. The Parker Library at Corpus Christi bears his name and houses his collection.
Parker avoided involvement in secular politics and was never admitted to Elizabeth's privy council. Ecclesiastical politics gave him considerable trouble. Some of the evangelical reformers wanted liturgical changes and at least the option not to wear certain clerical vestments, if not their complete prohibition. Early presbyterians wanted no bishops, and the conservatives opposed all these changes, often preferring to move in the opposite direction toward the practices of the Henrician church. The queen herself begrudged episcopal privilege until she eventually recognised it as one of the chief bulwarks of the royal supremacy. To Parker's consternation, the queen refused to add her imprimatur to his attempts to secure conformity, though she insisted that he achieve this goal. Thus Parker was left to stem the rising tide of Puritan feeling with little support from parliament, convocation or the Crown. The bishops' Interpretations and Further Considerations, issued in 1560, tolerated a lower vestiarian standard than was prescribed by the rubric of 1559, but it fell short of the desires of the anti-vestiarian clergy like Coverdale (one of the bishops who had consecrated Parker) who made a public display of their nonconformity in London.
The Book of Advertisements, which Parker published in 1566, to check the anti-vestiarian faction, had to appear without specific royal sanction; and the Reformatio legum ecclesiasticarum, which John Foxe published with Parker's approval, received neither royal, parliamentary nor synodical authorization. Parliament even contested the claim of the bishops to determine matters of faith. "Surely," said Parker to Peter Wentworth, "you will refer yourselves wholly to us therein." "No, by the faith I bear to God," retorted Wentworth, "we will pass nothing before we understand what it is; for that were but to make you popes. Make you popes who list, for we will make you none." Disputes about vestments had expanded into a controversy over the whole field of Church government and authority, and Parker died on May 17, 1575, lamenting that Puritan ideas of "governance" would "in conclusion undo the queen and all others that depended upon her." By his personal conduct he had set an ideal example for Anglican priests, and it was not his fault that national authority failed to crush the individualistic tendencies of the Protestant Reformation.
The original triangular cupola I began this tutorial with months ago is in the rear of this polyhedron. I only resumed work three weeks ago, spending perhaps an hour per weeknight folding each triangular cupola.
When I took this picture yesterday, I only had one more cupola to attach. As you can see, my technique has been to glue (yes, glue) the front and back of each cupola separately. In most cases I attached the 12 front hexagonal units before the 3 rear triangular units, but I reversed this order for the last cupola since it is easiest to do the inside before the outside when closing an object up permanently.
Of course I finished the object yesterday. Since I gave the polyhedron to Addie_Goodvibes this morning, I forgot to take a picture of the completed structure. (I'll have to take one later.) Update: See the next image in the set.
As usual I needed 510 sheets of paper to complete this polyhedron. Each sheet was 15x15cm, so the whole thing is about the size of a beach ball; I can fit my head through any of the decagonal holes. While the great rhombicosidodecahedron is fairly stable, I don't think it would be a wise idea to roll it around due to the weight of the paper.
Flemish artist, Willem Vermandere, at work in his studio. He was carving a woodcut. In recent years he has been prolific in graphic arts and produced several series. His woodcuts are popular with collectors, and his exhibitions have been very successful. Willem works intuitively. His art pours out of him, and his images are filled with inner energy and emotion.
He stood on the edge of the world, a lone figure suspended between sky and stone. Before him sprawled New Zealand's Southern Alps, their peaks — Poseidon, Sarpedon, Amphion — rising like silent arguments carved from light and ice. The glacier unfurled its pale tongue, an ancient current arrested mid-sentence, its surface rippled with the memory of motion. The air shimmered, crystalline and unrepentant, a cold clarity that cut to the marrow.
Lake Agnes lay below, a still pool, dark and sharp as polished obsidian. It absorbed the landscape without a ripple, the reflection a perfect inversion—mountains upside down, the sky swallowed by earth. The scene was a paradox: immensity caught in a whisper, time paused on the brink of collapse. He felt the grass brittle beneath his boots, the wind threading through the crevices of his jacket—a touch neither warm nor cruel, merely indifferent.
For three days he had wrestled through the entrails of the land. The rainforest had closed around him with a suffocating lushness, roots coiling like serpents beneath the moss. Streams foamed with a glacial bite, the waters quick and thoughtless, bruising his ankles as he waded through. Thorned thickets tore at his skin with the intimacy of old grudges. He climbed slopes slick with rain, his body folded into painful angles, the horizon always receding. When he reached this place, the fog had been thick enough to erase the contours of the world. His tent had trembled in the night winds, the cold seeping in like an unwelcome thought.
But then dawn came, unburdened and lucid. The veil lifted, and the mountains revealed themselves in their raw articulation. They did not posture or proclaim—they simply were, immutable and unscripted. The glacier’s silence was more profound than any roar; the peaks did not loom so much as exist beyond scale.
Here, in this distilled emptiness, the trivial machinery of the world he had fled seemed absurd. The restless striving, the ceaseless revolutions of ambition and vanity—all of it shrank to the size of a pebble lost in a chasm. There was no wheel here to turn, no circuit to complete. Only the landscape, bare and relentless in its honesty.
He filled his lungs, the air sharp enough to taste. It was an act of quiet rebellion, this deliberate witnessing. In that breath, he found not freedom, but a dissolution of need. The lines between man and mountain wavered, softened by the sheer scale of indifference. If he stayed long enough, perhaps he too would become part of this tableau—his form dissolving into lichen and shadow, his presence no more than a pause in the wilderness’s endless thought.
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To explore more of these captured moments and woven words, visit the artist and writer at their sanctuary of creation: www.coronaviking.com
Completed in 1932 for just over $200,000, the concrete span of Bixby Creek Bridge, one of the highest bridges of its kind in the world, soars 260 feet above the bottom of a steep canyon carved by Bixby Creek. One look at the canyon’s steep and crumbling cliffs, and it’s obvious that building the bridge wasn’t exactly a cakewalk. First, a massive wooden framework had to be built, with materials brought by truck on what was then a narrow, one-way road riddled with hairpin turns. A staggering 45,000 individual sacks of cement had to be hauled up the framework—and this is before advanced heavy machinery could help do the lifting. Each bag was transported via a system of platforms and slings suspended by cables 300 feet above the creek.
Curiously, the span was completed before the road, and it would be five more years before the route linking Carmel (about 15 miles to the north) to San Luis Obispo would even be opened.
Matilde
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The complete shooting on my Instagram and Facebook profiles.
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Photo: @giovanni_contarelli
©2025 All Right Reserved Giovanni Contarelli
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Phew, it's finished! And I nearly threw it all on the floor about halfway through. I kept having issues with the foundation so I kinda rebuilt the castle from the ground up while keeping the black tree trunk sides mostly intact. So while it's far from living up to my initial concept, at this point I'm just proud that I actually finished it :-)
I wasn't able to satisfactorily make the tree envelope the castle at the top so I left it exposed, which keeps it more in line with the original Forestmen Fortress set.
The castle features, from the ground up: storeroom, dormitory, treasure keep, armoury and lookout at the top. Drawbridge, ladder and small catapult. Lots of modularity, the sides detach and each level can also detach as a separate playable unit.
I'll post it to Lego Ideas for fun :-)
The builders stand and admire the completed project. The book store will be open to the public from Monday onwards
After completing some routine training exercises, Nova Team is back aboard Deep Space Outpost Arcturus enjoying some R&R in the mess hall. Here we have Captain Knight and Lieutenant Stargazer enjoying some Space Coffee with Nova Team's newest crew member, navigator Lieutenant Reese Ramirez. Suddenly the station's comm system beeps and a voice over the intercom requests Nova Team to report to the main conference room in 15 minutes. Captain Knight wonders what that could be all about…?
To learn more about Nova Team's other adventures visit their album: flic.kr/s/aHskpavQh5
For those who are interested, unfortunately I am unable to sell the Nova Team minifigures or designs due to the use of the "Classic Space" logo which is owned and trademarked by The LEGO Group. My custom designed figures and use of the official "Classic Space" logo is for personal use only in my MOCs and photography. By the same token, I will not give away the design files and source material either. Thank you for understanding! Trust me, if I could legally sell these, I would.
photo rights reserved by B℮n
Tbilisi is the capital and largest city of Georgia, situated in the eastern part of the country on the banks of the Kura River. With a rich history spanning over 1,500 years, Tbilisi has been shaped by numerous cultures and civilizations over the centuries. The old part of Tbilisi, known for its charming architecture and unique atmosphere, is one of the most captivating areas of the city. In contrast, the Peace Bridge is a strikingly modern architectural marvel and one of Tbilisi’s most recognizable landmarks. Completed in 2010, the bridge was designed by Italian architect Michele de Lucchi, with lighting by French designer Philippe Martinaud. It spans the Kura River, connecting the old town with the newer districts, and serves as an important pedestrian route and a symbol of the city. The bridge’s design is particularly remarkable, featuring a glass canopy that curves gracefully over the walkway. Often compared to a giant glass wave or a sea creature, the canopy is made of steel and glass and is illuminated at night by thousands of LED lights. These lights create a breathtaking visual display and are programmed to transmit messages in Morse code, conveying universal symbols of life and peace. The Bridge of Peace is not only a functional structure but also a symbolic monument. It embodies the connection between the old and modern parts of Tbilisi and serves as a metaphor for the city’s progress toward peace and unity. The bridge is a popular spot for both locals and tourists, offering stunning views of the city, including the nearby Narikala Fortress, the Presidential Palace and air balloon.
The Peace Bridge in Tbilisi, Georgia, is located in the heart of the city, spanning the Kura River. Its futuristic design stands in sharp contrast to the surrounding historic architecture, making it a powerful symbol of Tbilisi’s dynamic blend of tradition and modernity. The air balloon in Tbilisi offers a unique way to view the city from above, providing passengers with panoramic views of the capital's historic and modern districts. Located near Rike Park, the balloon ascends to a height of around 150 meters, offering an unforgettable experience and stunning perspectives of iconic landmarks like the Narikala Fortress and the Peace Bridge. It’s a popular attraction for both tourists and locals looking to experience the beauty of Tbilisi from the sky.
Tbilisi is de hoofdstad en grootste stad van Georgië, gelegen in het oosten van het land aan de oevers van de rivier de Koera. De stad heeft een rijke geschiedenis die meer dan 1.500 jaar teruggaat en heeft door de eeuwen heen vele invloeden ondergaan van diverse culturen en beschavingen. Het oude gedeelte van Tbilisi, bekend om zijn charmante architectuur en unieke sfeer, is een van de meest fascinerende delen van de stad. De Vredesbrug is daar in tegen erg modern. Een modern architectonisch wonder en een van de meest herkenbare bezienswaardigheden van de stad. De brug, voltooid in 2010, is ontworpen door de Italiaanse architect Michele de Lucchi, met de verlichting ontworpen door de Franse lichtontwerper Philippe Martinaud. De brug overspant de rivier de Kura en verbindt de oude stad met de nieuwere wijken. Het is een voetgangersbrug en dient als een belangrijk symbool voor de stad. Het ontwerp van de brug is bijzonder opvallend, met een glazen overkapping die sierlijk over het wandelpad buigt. Deze overkapping, die vaak wordt vergeleken met een gigantische glazen golf of een zeewezen, is gemaakt van staal en glas en wordt 's nachts verlicht door duizenden LED-lichten. Deze verlichting creëert een adembenemend visueel spektakel en is zo geprogrammeerd dat het boodschappen in morsecode uitzendt, waarbij universele symbolen van leven en vrede worden weergegeven. De Vredesbrug is niet alleen een functioneel bouwwerk, maar ook een symbolisch monument. Het staat voor de verbinding tussen het oude en het moderne deel van Tbilisi en is een metafoor voor de vooruitgang van de stad naar vrede en eenheid. De brug is een populaire plek voor zowel de lokale bevolking als toeristen en biedt prachtige uitzichten over de stad, waaronder het nabijgelegen Narikala-fort, het presidentiële paleis en de luchtballon. Deze ballon biedt een unieke manier om de stad vanuit de lucht te bewonderen, waarbij passagiers een panoramisch uitzicht krijgen over de historische en moderne wijken van de hoofdstad. De ballon op tot een hoogte van ongeveer 150 meter, wat een onvergetelijke ervaring en een prachtig perspectief op iconische bezienswaardigheden. Het is een populaire attractie voor zowel toeristen als locals die de schoonheid van Tbilisi vanuit de lucht willen ervaren.
Used Photoshop's liquid tool to manipulate the left eye and head proportions.
Be sure to visit Pinky for additional adventures.
Finally grouted my guitar. The photos don't ever do iridized glass justice. Most of the glass on this is iridized. It turned out really nice. I'm happy with it. I just have more cleaning to do....:o(
Finally! It's complete and bound! And I entered it in the Modern Quilt Guild Showcase tonight.
Each row was made by a bee-mate out of a single color of fabric samples I provided to them. Natalia Bonner did the amazing quilting using 12 different colors of thread. LOVE THIS QUILT!!
I am saying that is 428 done after 21 years. Sure lots of small jobs and the bus needs running up which will no doubt mean more work as things are found but that is her complete all a major work is done and she is back together.
It's really the same place because this is a work at home day. All I need is an apron and I'm ready. It's actually quite pleasant to make a complete change from staring at a screen to doing some light activity.
hooray, my Irish Rover sweater made with nutiden in the gorgeously-complex Solvända colorway is DONE! and despite some concerns about row gauge being off, it fits!
Complete with fondant prawns and mussels and a wedge of lemon all in a black fondant paella pan!
Each birthday, one of my obsessions gets turned into a cake! The girls have excelled themselves again (see the cakes set that this picture is in to look at past cakes!)
I do look forward to these cakes but I mus say that my birthdays seem to be getting alarmingly close together as I get older!
Excerpt from en.wikipedia.org/wiki/K11_Art_Mall:
K11 Art Mall is a seven-storey shopping centre in Tsim Sha Tsui, Hong Kong located in The Masterpiece, developed by New World Development and completed in December 2009. It is near Tsim Sha Tsui and East Tsim Sha Tsui stations.
The K11 Art Mall has seven storeys (two underground, five above ground). The B1 and B2 storeys were opened on 27 November 2009, and the rest of the mall was opened on 5 December that year. Retail and restaurants accounted for 80 per cent and 20 per cent of the stores, respectively.
B2 is mainly international cuisine, women's fashion, shoes and cosmetics, with shops such as D-mop zone, Mousse, ISCOV, JILL SCOTT, Mirabell, and Milan. B1 is mainly daily necessities, including La Creation de Gute bakery, LensCrafters, AV Life, Dymocks bookstore, I Love Kitchen, Mannings, and Market Place by Jasons supermarket.
The ground floor has many high-end stores, including Longchamp, Tiffany by Soloman, Thann, the Italian brand Dormeuil, Y-3, D-mop, and Chow Tai Fook concept store. In the centre is a large plaza, called "The Piazza", that features a glass ceiling and a large LED screen.
Levels 1–3 have many boutiques, including AIGLE, KLASSE14, Laosmiddle, Levi's, Clarks, Fila, and mademoiselle. The mall also caters to Mainland customers, with several Mainland brand-name specialty stores such as Biba and imaroon.
There are restaurants on each floor of the mall, totaling over 20, including B2's Miso Cool and DALAT Vietnamese restaurant; The Piazza's Espressamente illy and awfully chocolate; and various others, such as AKU Japanese Restaurant, Al Pasha, Cool Gelato, Ginza Bairin and Pak Loh Chiu Chow Restaurant.
Follow us, comment, fave, and enter to win one of these Complete Outfits. We will choose two winners, so please include your SL username and the name of the outfit you want to win.
From left to right:
Alon, Bull, Gregory & Shepard
Specially designed for:
- Signature Gianni
- Legacy Mesh Body
- Belleza Jake
This weekend at our Main Store