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These bromeliads were found in the Como Park Conservatory in St. Paul MN. All the greenhouse foliage was a delight to see given all snow outside.
Jürgen Jonas: Things, he says, must not be as painted. / Things, he says, must not be as painted. / Las cosas, dice, no deben ser como las pintan. / Les choses, dit-il, ne doivent pas être comme peintes.
Jürgen Jonas, 1956 in Trier geboren, in der Eifel aufgewachsen, wohnt seit vielen Jahren in dem Dorf Nehren bei Tübingen, in Sichtweite des Kirschenfelds. Sein Haus liegt, als einziges, an der mit anderthalb Metern vermutlich kürzesten Straße Deutschlands, die nach der „Philosophie des Als Ob” benannt ist, deren Schöpfer, der Kant-Forscher Hans Vaihinger, 1852 im Ort geboren wurde. Jonas ist freier Mitarbeiter des Schwäbischen Tagblatts, für das er als radelnder Lokalreporter im Steinlachtal unterwegs ist, schreibt für das Satiremagazin Titanic, ist Autor zahlloser Artikel und etlicher Bücher, Kleinschriften, Hörspiele, Vorträge, exzessiver Maler der berühmten Fettkreidenbildchen und Mitglied des Tübinger „Stammtischs Unser Huhn“, welcher sich mit vielen Lesungen und skurrilen Aktionen in die Stadtgeschichte eingeschrieben hat.
Jürgen Jonas, born in Trier in 1956, grew up in the Eifel and has lived for many years in the village of Nehren near Tübingen, within sight of the Kirschenfeld. His house is the only one situated on what is probably the shortest street in Germany (one and a half metres), named after the "Philosophy of Als Ob", whose creator, the Kant scholar Hans Vaihinger, was born in the village in 1852. Jonas is a freelancer for the Schwäbisches Tagblatt newspaper, for which he travels around the Steinlachtal valley as a local reporter on his bike, writes for the satirical magazine Titanic, is the author of countless articles and several books, short writings, radio plays, lectures, an excessive painter of the famous fat crayon pictures and a member of the Tübingen "Stammtisch Unser Huhn", which has written itself into the city's history with many readings and bizarre events.
· Te perdí, cómo te perdi?..eras todo lo más grande y te perdi, lo más bueno y lo más lindo..tan perfecto para mi !
Personajes:
Suzuno Fuusuke/Gazelle y Afuro Terumi/Aphrodi
Serie:
Inazuma Eleven
Cosplayers:
Aya Soundless como Suzuno Fuusuke/Gazelle.
Mireia Kamelot como Afuro Terumi/Aphrodi.
Sesión:
Expotaku Sabadell 2013
Fotos by Robb Prats
Trip to Alaska. Sled Dogs. Skagway. Jul/2016
Sled dogs (also sledge dogs and sleigh dogs were important for transportation in arctic areas, hauling supplies in areas that were inaccessible by other methods. They were used with varying success in the explorations of both poles, as well as during the Alaskan gold rush. Sled dog teams delivered mail to rural communities in Alaska and northern Canada.
Sled dogs today are still used by some rural communities, especially in areas of Alaska and Canada and throughout Greenland. They are used for recreational purposes, and are raced in events known as dog sled races such as the Iditarod and the Yukon Quest
Source: Wikipedia
Os cães de trenó foram importantes para o transporte nas zonas árticas, levando suprimentos em áreas que eram inacessíveis por outros métodos. Eles foram usados com sucesso nas explorações de ambos os pólos, bem como durante a corrida do ouro no Alasca. equipes de cães de trenó entregavam correspondências para comunidades rurais no Alasca e norte do Canadá.
Os cães de trenó de hoje ainda são utilizados por algumas comunidades rurais, especialmente em áreas do Alasca e no Canadá e em toda a Groelândia. Eles são usados para fins recreativos, e são utilizados em corridas
Fonte: Wikipedia
Foto que tomé para realizar un anuncio creativo sobre durex. Si quereis ver el anuncio finalizado visitad: www.fotolog.com/gabo_design
En este ciclo de performances, danza y teatro, se presentaron un conjunto de propuestas que partieron de la idea de performance como una disciplina que se expande y desborda los límites tradicionales no sólo de las prácticas, sino también de las instituciones y los espacios convencionales de exposición de las prácticas artísticas. ¿Cómo pueden la danza y el teatro ser presentadas en el museo? ¿En qué medida sus condiciones específicas de presentación pueden alterar las lógicas del espacio museístico? ¿De qué forma los marcos de significación que aporta el museo transforman asimismo esas prácticas? En este sentido se propuso un programa en el que a partir de diversas propuestas se analizaron los conceptos de performance y performatividad. En este sentido, ya no sólo los cuerpos performarían, sino también las imágenes, las palabras y cómo no, las cosas.
A lo largo de seis sesiones dobles de performance y el taller Open space ¿Caja negra / Cubo blanco? Pensar en la periferia en la Sala Pradillo de Madrid, se realizaron encuentros que crucen las disciplinas y que se articulan en torno a tres ejes: Los actos del lenguaje, el cuerpo político
y la performatividad de las cosas.
En la fotografía, Paz Rojo.
In this cycle of performances, dance and theater, a set of proposals were presented that started from the idea of performance as a discipline that expands and overflows the traditional limits not only of the practices, but also of the institutions and the conventional spaces of Exhibition of artistic practices. How can dance and theater be presented in the museum? To what extent can their specific conditions of presentation alter the logic of museum space? In what way do the significance frames provided by the museum also transform these practices? In this sense, a program was proposed in which, from various proposals, the concepts of performance and performativity were analyzed. In this sense, not only bodies would perform, but also images, words and how not, things.
Throughout six double performance sessions and the Open space workshop Black Box / White Cube? Thinking in the periphery in the Sala Pradillo in Madrid, encounters were held that cross the disciplines and are articulated around three axes: The acts of language, the body politic
And the performativity of things.
In the photography, Paz Rojo.
Comisario/ curator: Pablo Martínez
Fotografías/ photographs: Andrea Ayala
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Como - Piazza Duomo - Torre del Commune (1215), Broletto (1215) and Duomo (1396). Cleaned to mark its 700th anniversary - see afternoon photos for facade in full sun.