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Nehru Group of Institutions, Coimbatore is deeply committed in harboring and executing ideas and conversations that are cutting edge and relevant. The HR conclave is a part of this endeavor. By leveraging the expertise and perspectives of professionals from the industry to facilitate the exchange of ideas and opinions on the dynamic and challenging role of academic expectations and the need for industrial collaboration in evolving the right talent pool.
The second annual HR Conclave was organized by Nehru Group of Institutions which was attended by industry experts from the HR world as well as academicians. The two day event was conducted at Nehru Institute of Engineering and Technology on 7th September 2018 and at Nehru Institute of Engineering on 8th September 2018.
Industrial experts from the field of HR such as Brakes India Ltd., Renault Nissan, Fosroc Chemicals, 8K Miles Pvt. Ltd, Circor Technologies, Atlas Healthcare Software India, Velan Valve, MAK Controls, Indoshell Casting, Precot Meridian & NDOT Technologies participated.
The event was presided over by Dr. P. Krishnakumar, CEO and Secretary of Nehru Group of Institutions. The Principals, Dean, Directors, Head of Department and staff along with students of both final and pre-final years attended the conclave. The event was coordinated by NCPIR team of NGI.
The dignitaries of the conclave: Day 1
VENKATESWARAN S, GENERAL MANAGER- HR - 8K MILES
S VIGNESH, DEPUTY MANAGER – HR - MAK CONTROLS
VITESH BALAJI, MANAGER – HR- ATLAS HEALTHCARE
DIVYA M, MANAGER-HR - NDOT TECHNOLOGIES
SAKTHIVEL S, MANAGER –HR - INDOSHELL CASTINGS
PON ANNADURAI, HEAD CORPORATE HR - PRECOT MERIDIAN LTD
The dignitaries of the conclave: Day 2.
SHYAM SUNDAR, VP- HR - BRAKES INDIA PVT LTD.
M SRINIVASAN, DIRECTOR, HR & ADMINISTRATION - VELAN VALES INDIA PVT LTD.
ABINESH BALAKRISHNAN, HRIS- ANALYST - CIRCOR FLOW TECHNOLOGIES INDIA PVT LTD.
PONNUSAMY V.P., GENERAL MANAGER – HR - RENUALT NISSAN LTD
SINIPRIYA APPU, MANAGER – TALENT MANAGEMENT & DEVELOPMENT -
FOSROC CHEMICALS INDIA PVT LTD.
International High-Level CONFERENCE “Towards Accountability for International Crimes Committed in Ukraine”.
ELTA / Žygimantas Gedvila
After having watched this talented woman and her troop of belly dancers, I want to learn how to belly dance. No snickering.
Georgia remains a committed ally of the EU in the region and dedicated security partner, Georgia Prime Minister Giorgi Kvirikashvili addressed the 5th Summit of the Eastern Partnership in Brussels.
The Prime Minister spoke about Georgia's ongoing reforms and the potential of the Eastern Partnership.
"[European] values have shaped resolute domestic agenda for us to reform and modernize Georgia, to build a functioning democratic state in our part of the world," Giorgi Kvirikashvili emphasized.
The Prime Minister underscored the EU aspirations of the Georgian citizens as one of the defining factors of the country's democratic consolidation. Giorgi Kvirikashvili, in his speech, also pointed out the Eastern Partnership's potential, stating that the summit is an opportunity both to assess achievements and success and to plan further steps.
In his address, the Prime Minister also covered Georgia's implemented reforms focusing on greater progress and practical deliverables.
Giorgi Kvirikashvili informed the summit's participants of the security challenges facing the country, the state of affairs in the occupied territories, and the role of the EU in the peaceful conflict resolution.
Giorgi Kvirikashvili reaffirmed Georgia's commitment to continuing its contribution to EU security and emphasized that Georgia, despite its challenges and obstacles, does and will continue its path toward European integration.
Rik Poot (1924 Vilvoorde - 2006 Jette ) is a socially committed Flemish artist. In the early days he worked more abstract. Later he used a more figurative form of art, within classical modernism. Essential in the design of Rik Poot are the hollow spaces between the bronze parts from which his statues are constructed. Through creating those openings, his monumental sculptures get at the same time something light and a certain fragility.
Title of the work: Phoenix
This work can be admired in Lokeren, Prosper Thysbaertlaan.
Rik Poot (1924 Vilvoorde - 2006 Jette ) is een sociaal sterk geëngageerde Vlaamse kunstenaar. In de beginperiode werkte hij meer abstract. Later hanteerde hij een meer figuratieve kunstvorm, binnen het klassiek modernisme. Essentieel in de vormentaal van Rik Poot zijn de holle ruimten tussen de bronzen delen waaruit zijn beelden zijn opgebouwd. Door die openingen te creëren krijgen zijn monumentale beelden tegelijk iets lichts en een zekere fragiliteit. Zijn werken kregen daarmee een krachtig en expressief ritme mee.
Het kan bewonderd worden in Lokeren, Prosper Thysbaertlaan.
Rik Poot (1924 Vilvorde - 2006 Jette) est un artiste flamand socialement très engagé. Au début, il travaillait de manière plus abstraite. Plus tard, il a utilisé une forme d'art plus figurative, dans le modernisme classique. Les espaces creux entre les pièces de bronze à partir desquelles ses sculptures sont construites, sont essentiels dans le langage de conception de Rik Poot. En créant ces ouvertures, ses sculptures monumentales acquièrent à la fois quelque chose de léger et une certaine fragilité. Cela a donné à ses œuvres un rythme puissant et expressif.
Titre de l’oeuvre: Phénix
Il peut être admiré à Lokeren , Prosper Thysbaertlaan.
"Committed to Rock" choir impromptu concert at the Westminster cafe on Sunday afternoon of the festival
Overall air quality is improving in Coventry -- Locally committed -- Coventry City Council Plan 2016/17 half-year performance report (January 2017) smarturl.it/CovPerf1617Half
NOTE: I have uploaded this as a whole set (37 pics) all at once, for obvious reasons. Run this in slideshow after reading the background comments on the SET page.
www.flickr.com/photos/retrorocketrick/sets/72157626666103...
The Kawarau Gorge Bungy Center
Queenstown, South Island of New Zealand.
by jeromiee_homiee ift.tt/1KFNSdu Was randomly at Colorado Street Bridge in Pasadena based on an idea I had a while back to pray and sing the Divine Mercy Chaplet for all the souls in Purgatory, those who have committed suicide on this beautiful bridge, and all those in despair at this moment. Haha I thought it was just going to be me and two or three friends. But God brought so many people from so many different churches.. Such a blessing! #prayingforsouls #suicidebridge #coloradostreetbridge #purgatory #churchmilitant #DivineMercy #oceanselevenforGod lol!
Create an attractive, cleaner and greener city indicator table -- Locally committed -- Coventry City Council Plan 2016/17 half-year performance report (January 2017) smarturl.it/CovPerf1617Half
Dear Prospective Student, The Academy of Art & Design offers several professional courses in art, design and allied fields. We are committed to providing our students with quality & professional educational experience. Many opportunities to enhance your education are provided beyond the traditional classroom experience. You'll have the opportunity to participate in profession related organizations, specialized workshops, guest lectures, field trips, and study programs. Selecting a career in ART & DESIGN can be the correct choice for you if you desire to be in a creative field that combines artistic abilities with technical knowledge and skills. These are exhilarating times. Life moves fast and is ever-changing. Everyday we are bombarded with information and images that stimulates and energizes our imagination. In this exciting climate, design professionals are being called upon to bring order to the environments that we experience daily-the places we live, work and play. Academy of Art & Design is devoted to preparing students and professionals to respond and compete in this expanding field. This is an exciting time. You are on the threshold of an important decision. Clearly one of the most important decisions that you'll ever have to make. Your " CAREER." We have also started short-term professional courses, which may be of your interest. You can take admission in any of our professional course and avail the anniversary discount offer. We recommend that you apply early no matter what course you are interested. Contact Ms. Sushma on 9987002023 / 2771 4343 to discuss getting started today or for further details, SMS your name & email id on 9892521443 . Kindly check our Academys details on : www.designcareer.in www.orkut.com www.facebook.com/academyofartanddesign www.myspace.com www.ibibo.com labs.google.co.in/smschannels/subscribe/DesignEducation Sincerely, Ms. S. Deshmukh. - 9987002023 (Director - Academy of Art & Design ) Address : Creative Educational & Charitable Trust’s (Govt. Regd.) Academy of Art & Design (Govt. Regd.) College of Fashion Design & Interior Design C-212, 2nd Floor, Nerul Railway Station Complex, Nerul (E), Navi Mumbai – 400706. Tel. : +91 22 27714343 Cell. : +91 9987002023 Email : academyenquiry@yahoo.com Website : www.designcareer.in www.facebook.com/academyofartanddesign Courses Offered : Department of Interior Design & Space Management : 3 Years Professional Diploma in Interior Designing & Space Management 2 Years Advance Diploma in Interior Designing & Decoration. 1 Year Diploma in Interior Designing. Department of Fashion Design & Apparel Management : 3 Years Professional Diploma in Fashion Designing & Apparel Management 2 Years Advance Diploma in Fashion Designing & Technology. 1 Year Diploma in Fashion Designing.
Georgia remains a committed ally of the EU in the region and dedicated security partner, Georgia Prime Minister Giorgi Kvirikashvili addressed the 5th Summit of the Eastern Partnership in Brussels.
The Prime Minister spoke about Georgia's ongoing reforms and the potential of the Eastern Partnership.
"[European] values have shaped resolute domestic agenda for us to reform and modernize Georgia, to build a functioning democratic state in our part of the world," Giorgi Kvirikashvili emphasized.
The Prime Minister underscored the EU aspirations of the Georgian citizens as one of the defining factors of the country's democratic consolidation. Giorgi Kvirikashvili, in his speech, also pointed out the Eastern Partnership's potential, stating that the summit is an opportunity both to assess achievements and success and to plan further steps.
In his address, the Prime Minister also covered Georgia's implemented reforms focusing on greater progress and practical deliverables.
Giorgi Kvirikashvili informed the summit's participants of the security challenges facing the country, the state of affairs in the occupied territories, and the role of the EU in the peaceful conflict resolution.
Giorgi Kvirikashvili reaffirmed Georgia's commitment to continuing its contribution to EU security and emphasized that Georgia, despite its challenges and obstacles, does and will continue its path toward European integration.
Joseph Mallord William Turner
Venice: The Dogana and San Giorgio Maggiore, 1834
West Building, Main Floor — Gallery 57
We look across a glittering waterway lined with long, low boats and sailboats at an ivory-white church in the distance to our right in this horizontal landscape painting. The horizon line comes about a third of the way up the composition, and wispy white clouds sweep across the brilliant azure-blue sky above. A row of buildings comes into view lining the canal to our right, with a terracotta-orange building followed by a cream-white building beyond, both angled toward the church. The church has a high dome rising over the temple-like front, which has columns supporting a triangular pediment. A tall bell tower rises to the left of the church. The low boats, gondolas, to our left are packed with people while a few gondolas floating in the center of the canal appear occupied only by their gondoliers who stand holding their poles. Painted in tones of ivory and peach, the sails of boats behind the gondolas to our left billow in the breeze while the sails of vessels docked to our right are furled. The structures, boats, and people cast shimmering reflections on the gently rippling surface of the water in the canal. Rows of boats and buildings lining the canal extend into the deep, hazy distance to our left.
Turner was born on Maiden Lane in Covent Garden, London, in 1775 (the actual day is uncertain, but Turner maintained it was Saint George's Day, 23 April), the only son of William Turner and Mary Marshall. His mother, who was mentally unstable, was committed to Bethlem asylum for the insane in 1800, and died in 1804. During his only sister's fatal illness (she died in 1786) Turner was sent to live with his mother's brother in Brentford and attended Brentford Free School; this was his only formal education. His early artistic talent was encouraged by his father, who exhibited his drawings in his shop window (the father remained a devoted supporter and, later, was his son's studio assistant and general factotum until his death in 1829). In 1789, the year of his first extant sketchbook from nature, Turner entered the Royal Academy Schools, also working at about this time in the studio of the architectural draftsman and topographer Thomas Malton. He exhibited his first watercolor at the Royal Academy in 1790 and his first oil in 1796; thereafter he exhibited nearly every year until a year before his death. He stayed with his father's friend, John Narraway, in Bristol in 1791, and from then on until the end of the Napoleonic Wars made frequent summer sketching tours in various parts of Britain. In 1794 he published his first two engravings, and in 1798 began drawings for The Oxford Almanack. Probably beginning in 1794 he worked for three years at Dr. Monro's evening "academy" in the company of Thomas Girtin, Edward Dayes, and others.
Turner's precocity led to his election as an Associate of the Royal Academy in 1799, and to full Academicianship in 1802. He revered the Academy all his life, was assiduous as a member of the council and hanging committee and as auditor of the accounts, and was proud to be appointed its professor of perspective in 1807, from 1811 until 1828 giving lectures that ranged widely over the problems of landscape painting. He moved from Maiden Lane to lodgings on Harley Street in 1799, opening his own gallery in contiguous premises on Queen Anne Street in 1804; this he enlarged between 1819 and 1822. In 1805 he took a house at Isleworth, keeping a second home on the riverside at intervals for the rest of his life (Upper Mall, Hammersmith, from 1806 to 1811; Sandycombe Lodge, Twickenham, from 1813 to about 1825; Cheyne Walk, from about 1846 onward).
Turner made his first journey abroad in 1802, traveling through France to Switzerland, and studying in the Louvre on his return. In 1817 he visited the Low Countries and subsequently traveled more frequently on the Continent (until 1845), less frequently in the British Isles (until 1831). Between 1819 and 1820 he paid his first visit to Italy, staying principally in Venice and Rome; he revisited Venice in 1833, 1835 (probably), and 1840.
He worked continuously for the publishers of illustrated books; his illustrations appeared at intervals between 1827 and 1835. Turner made his reputation as a topographical watercolorist, sketching from nature, mainly in pencil, the sketches serving as a repository of ideas of which he might make use months or even years afterward. He was determined to raise landscape painting to the level of ideal art, closer in the hierarchy of genres to history painting, and he experimented first in watercolor then in oils with many new techniques.
For some twenty years, from about 1798, he maintained a liaison with Sarah Danby, with whom he had two daughters, but he never married. In old age, following the death of his father and close friends, he became increasingly pessimistic and morose, allowed the house and picture gallery on Queen Anne Street to become dilapidated, and finally lived largely in his cottage on Cheyne Walk, cared for by his housekeeper, Mrs. Booth. There he died on 19 December 1851. He was buried in Saint Paul's Cathedral, London.
[Hayes, John. British Paintings of the Sixteenth through Nineteenth Centuries. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 1992: 261-264.]
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The National Gallery of Art in Washington, DC is a world-class art museum that displays one of the largest collections of masterpieces in the world including paintings, drawings, prints, photographs, sculpture, and decorative arts from the 13th century to the present. The National Gallery of Art collection includes an extensive survey of works of American, British, Italian, Flemish, Spanish, Dutch, French and German art. With its prime location on the National Mall, surrounded by the Smithsonian Institution, visitors often think that the museum is a part of the Smithsonian. It is a separate entity and is supported by a combination of private and public funds. Admission is free. The museum offers a wide range of educational programs, lectures, guided tours, films, and concerts.
The original neoclassical building, the West Building includes European (13th-early 20th century) and American (18th-early 20th century) paintings, sculptures, decorative arts, and temporary exhibitions. The National Gallery of Art was opened to the public in 1941 with funds provided by the Andrew W. Mellon Foundation. The original collection of masterpieces was provided by Mellon, who was the U. S. Secretary of the Treasury and ambassador to Britain in the 1930s. Mellon collected European masterpieces and many of the Gallery’s original works were once owned by Catherine II of Russia and purchased in the early 1930s by Mellon from the Hermitage Museum in Leningrad.
The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.
The NGA's collection galleries and Sculpture Garden display European and American paintings, sculpture, works on paper, photographs, and decorative arts. Paintings in the permanent collection date from the Middle Ages to the present. The Italian Renaissance collection includes two panels from Duccio's Maesta, the tondo of the Adoration of the Magi by Fra Angelico and Filippo Lippi, a Botticelli work on the same subject, Giorgione's Allendale Nativity, Giovanni Bellini's The Feast of the Gods, Ginevra de' Benci (the only painting by Leonardo da Vinci in the Americas) and groups of works by Titian and Raphael.
The collections include paintings by many European masters, including a version of Saint Martin and the Beggar, by El Greco, and works by Matthias Grünewald, Cranach the Elder, Rogier van der Weyden, Albrecht Dürer, Frans Hals, Rembrandt, Johannes Vermeer, Francisco Goya, Jean Auguste Dominique Ingres, and Eugène Delacroix, among others. The collection of sculpture and decorative arts includes such works as the Chalice of Abbot Suger of St-Denis and a collection of work by Auguste Rodin and Edgar Degas. Other highlights of the permanent collection include the second of the two original sets of Thomas Cole's series of paintings titled The Voyage of Life, (the first set is at the Munson-Williams-Proctor Arts Institute in Utica, New York) and the original version of Watson and the Shark by John Singleton Copley (two other versions are in the Museum of Fine Arts, Boston and the Detroit Institute of Arts).
en.wikipedia.org/wiki/National_Gallery_of_Art
Andrew W. Mellon, who pledged both the resources to construct the National Gallery of Art as well as his high-quality art collection, is rightly known as the founder of the gallery. But his bequest numbered less than two hundred paintings and sculptures—not nearly enough to fill the gallery’s massive rooms. This, however, was a feature, not a failure of Mellon’s vision; he anticipated that the gallery eventually would be filled not only by his own collection, but also by additional donations from other private collectors. By design, then, it was both Andrew Mellon and those who followed his lead—among them, eight men and women known as the Founding Benefactors—to whom the gallery owes its premier reputation as a national art museum. At the gallery’s opening in 1941, President Roosevelt stated, “the dedication of this Gallery to a living past, and to a greater and more richly living future, is the measure of the earnestness of our intention that the freedom of the human spirit shall go on.”
www.doaks.org/resources/cultural-philanthropy/national-ga...
..
________________________________
The National Gallery of Art in Washington, DC is a world-class art museum that displays one of the largest collections of masterpieces in the world including paintings, drawings, prints, photographs, sculpture, and decorative arts from the 13th century to the present. The National Gallery of Art collection includes an extensive survey of works of American, British, Italian, Flemish, Spanish, Dutch, French and German art. With its prime location on the National Mall, surrounded by the Smithsonian Institution, visitors often think that the museum is a part of the Smithsonian. It is a separate entity and is supported by a combination of private and public funds. Admission is free. The museum offers a wide range of educational programs, lectures, guided tours, films, and concerts.
The original neoclassical building, the West Building includes European (13th-early 20th century) and American (18th-early 20th century) paintings, sculptures, decorative arts, and temporary exhibitions. The National Gallery of Art was opened to the public in 1941 with funds provided by the Andrew W. Mellon Foundation. The original collection of masterpieces was provided by Mellon, who was the U. S. Secretary of the Treasury and ambassador to Britain in the 1930s. Mellon collected European masterpieces and many of the Gallery’s original works were once owned by Catherine II of Russia and purchased in the early 1930s by Mellon from the Hermitage Museum in Leningrad.
The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.
The NGA's collection galleries and Sculpture Garden display European and American paintings, sculpture, works on paper, photographs, and decorative arts. Paintings in the permanent collection date from the Middle Ages to the present. The Italian Renaissance collection includes two panels from Duccio's Maesta, the tondo of the Adoration of the Magi by Fra Angelico and Filippo Lippi, a Botticelli work on the same subject, Giorgione's Allendale Nativity, Giovanni Bellini's The Feast of the Gods, Ginevra de' Benci (the only painting by Leonardo da Vinci in the Americas) and groups of works by Titian and Raphael.
The collections include paintings by many European masters, including a version of Saint Martin and the Beggar, by El Greco, and works by Matthias Grünewald, Cranach the Elder, Rogier van der Weyden, Albrecht Dürer, Frans Hals, Rembrandt, Johannes Vermeer, Francisco Goya, Jean Auguste Dominique Ingres, and Eugène Delacroix, among others. The collection of sculpture and decorative arts includes such works as the Chalice of Abbot Suger of St-Denis and a collection of work by Auguste Rodin and Edgar Degas. Other highlights of the permanent collection include the second of the two original sets of Thomas Cole's series of paintings titled The Voyage of Life, (the first set is at the Munson-Williams-Proctor Arts Institute in Utica, New York) and the original version of Watson and the Shark by John Singleton Copley (two other versions are in the Museum of Fine Arts, Boston and the Detroit Institute of Arts).
en.wikipedia.org/wiki/National_Gallery_of_Art
Andrew W. Mellon, who pledged both the resources to construct the National Gallery of Art as well as his high-quality art collection, is rightly known as the founder of the gallery. But his bequest numbered less than two hundred paintings and sculptures—not nearly enough to fill the gallery’s massive rooms. This, however, was a feature, not a failure of Mellon’s vision; he anticipated that the gallery eventually would be filled not only by his own collection, but also by additional donations from other private collectors. By design, then, it was both Andrew Mellon and those who followed his lead—among them, eight men and women known as the Founding Benefactors—to whom the gallery owes its premier reputation as a national art museum. At the gallery’s opening in 1941, President Roosevelt stated, “the dedication of this Gallery to a living past, and to a greater and more richly living future, is the measure of the earnestness of our intention that the freedom of the human spirit shall go on.”
www.doaks.org/resources/cultural-philanthropy/national-ga...
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Georgia remains a committed ally of the EU in the region and dedicated security partner, Georgia Prime Minister Giorgi Kvirikashvili addressed the 5th Summit of the Eastern Partnership in Brussels.
The Prime Minister spoke about Georgia's ongoing reforms and the potential of the Eastern Partnership.
"[European] values have shaped resolute domestic agenda for us to reform and modernize Georgia, to build a functioning democratic state in our part of the world," Giorgi Kvirikashvili emphasized.
The Prime Minister underscored the EU aspirations of the Georgian citizens as one of the defining factors of the country's democratic consolidation. Giorgi Kvirikashvili, in his speech, also pointed out the Eastern Partnership's potential, stating that the summit is an opportunity both to assess achievements and success and to plan further steps.
In his address, the Prime Minister also covered Georgia's implemented reforms focusing on greater progress and practical deliverables.
Giorgi Kvirikashvili informed the summit's participants of the security challenges facing the country, the state of affairs in the occupied territories, and the role of the EU in the peaceful conflict resolution.
Giorgi Kvirikashvili reaffirmed Georgia's commitment to continuing its contribution to EU security and emphasized that Georgia, despite its challenges and obstacles, does and will continue its path toward European integration.