View allAll Photos Tagged comical
Highly playful and physical, and at times teasingly comical – this is a cheeky dance celebration of the child within.
Combining quirky, dynamic dance with high energy street gymnastics, the dancers in this performance blaze a colourful trail across the structures and landscapes of the playground. Each performance will be unique, as the show scrambles around, over, under and through swings, slides and roundabouts. Kids will love it, grown-ups will love it too!
Spill is an outdoor production choreographed by celebrated Australian Artist Shaun Parker, of Shaun Parker & Company. Using the existing children’s playground equipment as the set, Spill was created specifically for parks, aiming to take dance to the heart of communities.
Dancers: Wren Ball, Nathan Johnstone, Kynam Moore, Sabrina Ribes-Bonet
From watching Buzzards above the moors near Harden Moss to following a heron on the canal with a few comical goats thrown in I didn't have a bad weekend really. The Buzzards seemed to appear out of nowhere as usual, moving fast and flying high they took a bit of tracking. The heron on the other hand took an hour to walk from the other side of the reservoir to a point close to me. it stopped at an awkward angle for me to photograph it without me moving and being seen. It then did a short flight to the canal, I moved and sat on a parapet wall above a deep drop in to a canal lock. The heron skipped over the canal and came so close that I had to lean back as far as I could without actually moving and being seen just to get the bird in the frame. At times I could only get partial shots. It them flew past me, almost brushing me and landed nearby on the towpath. Fortunately on this Saturday evening it was quiet and as it walked along the towpath I shadowed it at a distance, it flew in to the canal and was eventually frightened off by dogs. My arms were killing me I'd been holding the lens and camera in front of me non stop for an hour, fighting the cramp in my left arm. The things we do.
The goats on the wall top were a bit of a distraction as I followed three Buzzards messing around in a field near a farm in the afternoon and I snatched a few shots, the one behind was headbutting the others from behind to make them keep moving, very comical.
Highly playful and physical, and at times teasingly comical – this is a cheeky dance celebration of the child within.
Combining quirky, dynamic dance with high energy street gymnastics, the dancers in this performance blaze a colourful trail across the structures and landscapes of the playground. Each performance will be unique, as the show scrambles around, over, under and through swings, slides and roundabouts. Kids will love it, grown-ups will love it too!
Spill is an outdoor production choreographed by celebrated Australian Artist Shaun Parker, of Shaun Parker & Company. Using the existing children’s playground equipment as the set, Spill was created specifically for parks, aiming to take dance to the heart of communities.
Dancers: Wren Ball, Nathan Johnstone, Kynam Moore, Sabrina Ribes-Bonet
It's comical how they portrayed Stalin, as a great military leader. He was quite the opposite. Had it not been for the worst winter in fifty years, and endless supply of Russian soldiers, and then a second front, the Soviets would have lost to the Germans. Then the British and American's would have had to defeat Germany alone.
German-Russian Museum Berlin Karlshorst
en.wikipedia.org/wiki/German-Russian_Museum_Berlin-Karlsh...
For comical effect, check boxes from left to right.
PS: Pinch of salt, pinch of salt. Don't get mad when you see this, guys. LOL.
Bella and Cooper (who moved before I could take a pic) sit like this on the stairs for the longest time. Are they talking? Or watching the world through the front window?
From watching Buzzards above the moors near Harden Moss to following a heron on the canal with a few comical goats thrown in I didn't have a bad weekend really. The Buzzards seemed to appear out of nowhere as usual, moving fast and flying high they took a bit of tracking. The heron on the other hand took an hour to walk from the other side of the reservoir to a point close to me. it stopped at an awkward angle for me to photograph it without me moving and being seen. It then did a short flight to the canal, I moved and sat on a parapet wall above a deep drop in to a canal lock. The heron skipped over the canal and came so close that I had to lean back as far as I could without actually moving and being seen just to get the bird in the frame. At times I could only get partial shots. It them flew past me, almost brushing me and landed nearby on the towpath. Fortunately on this Saturday evening it was quiet and as it walked along the towpath I shadowed it at a distance, it flew in to the canal and was eventually frightened off by dogs. My arms were killing me I'd been holding the lens and camera in front of me non stop for an hour, fighting the cramp in my left arm. The things we do.
The goats on the wall top were a bit of a distraction as I followed three Buzzards messing around in a field near a farm in the afternoon and I snatched a few shots, the one behind was headbutting the others from behind to make them keep moving, very comical.
The infill bricks surrounding the door are comically smooooth in comparison to the older ones nearby.
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In downtown Valdosta, Georgia, on November 21st, 2021, the backside of a building on the south side of East Hill Avenue west of McKey Street, as viewed from a back alley.
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Getty Thesaurus of Geographic Names terms:
• Lowndes (county) (2000383)
• Valdosta (2024591)
Art & Architecture Thesaurus terms:
• alleys (streets) (300008248)
• brick (clay material) (300010463)
• brick red (color) (300311462)
• brown (color) (300127490)
• doors (300002803)
• infills (filled lacunae areas) (300264840)
• power lines (300008603)
• rear (300010287)
• remodeling (300135427)
• segmental arches (300001059)
• shadows (300056036)
• stairs (300003228)
• utility poles (300006446)
Wikidata items:
• 21 November 2021 (Q69306250)
• November 21 (Q3023)
• November 2021 (Q61312917)
• Treaty of Fort Jackson (Q1466527)
• Valdosta, GA Metropolitan Statistical Area (Q7909460)
Library of Congress Subject Headings:
• Brick walls (sh85016796)
• Historic districts—Georgia (sh95010323)
Tender Titoâ¦this charming little boy is tender yet comical delight. He is handsome with soft sun colored fur coupled with crisp white markings. He ha large golden yellow eyes that will melt your heart. Tito is tenacious when playing with his toys. He will wiggle his but in the Tito tantalizing way that will make you laugh out loud. Tito will curl beside you in his tender ball of golden fur while this thankful purr fill the air. To adopt Tito please submit an application. Check out his brother Sansy too!!!
wwpetrescue.org/adoption/cat-adoption-application/
Applications are taken on a first come basis....The petfinder "inquiry" link is NOT an application....please follow the link below for the application and a faster response. If you have a pet already and want to avoid a delay please provide vet docs with application.
Please note should you not be the first approved applicant we welcome the opportunity to match you with the perfect kitten/cat for you. We can inform you of the wonderful furry opportunities before we post them to others. We have many to choose from. Our goal is to have every kitten and human ecstatic and live happily ever after.
wwpetrescue.org/adoption/cat-adoption-application/ Call Lisa (904) 797-6039.
Wags and Whiskers takes get pride in committing their pets to the highest standards of health and socialization. Many of our pets are fostered in loving homes, developing and bettering social and emotional skills. They are adopted when they are healthy, have had all their shots, have been de-wormed and come to you already spayed/neutered and micro chipped ready for their forever home. A healthy pet makes a happy home.
Ugh this is a health insurance company headquarters and I shuddered to be here.
I wish an off-center datestone were the worst suffering Blue Cross Blue Shield of Michigan had the power to inflict upon us!
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In downtown Lansing, Michigan, on April 5th, 2020, at the headquarters of Blue Cross Blue Shield of Michigan on the west side of South Capitol Avenue, north of West Washtenaw Street.
According to the defunct website Emporis, the building is from 1935 and was remodeled in 1987.
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Getty Thesaurus of Geographic Names terms:
• Ingham (county) (1002502)
• Lansing (2052433)
Art & Architecture Thesaurus terms:
• brick (clay material) (300010463)
• brown (color) (300127490)
• corporate headquarters (built works) (300132690)
• cornerstones (300002616)
• date stones (300374978)
• engraving (action) (300053829)
• exterior walls (300002523)
• insurance (300055719)
• office buildings (300007043)
• remodeling (300135427)
• stains (damage) (300379497)
Wikidata items:
• 5 April 2020 (Q57396693)
• 1980s in architecture (Q11185955)
• 1987 in architecture (Q2812971)
• April 5 (Q2507)
• April 2020 (Q55020106)
• Blue Cross Blue Shield Association (Q4929017)
• Blue Cross Blue Shield of Michigan (Q4929020)
• Central Michigan (Q2945568)
• Downtown Lansing (Q5303483)
• health insurance (Q334911)
• insurance company (Q2143354)
• Lansing-East Lansing, MI Metropolitan Statistical Area (Q6487493)
• road salt (Q760081)
• Treaty of Saginaw (Q1572601)
Library of Congress Subject Headings:
• Brick walls (sh85016796)
• Office buildings—Michigan (sh2008002547)
i don' t know what to think of the irony. is it comical or despairing? do i even believe in karma? it used to be i had notime wastoobusy nevercalled actedindifferentasallgetout. (then breakintoarun). so i recognize it when i see it (or when i search and find null). it's a difficult thing, because above all it's hard to ignore being ignored. then it's also hard deciphering whether your perception of their ignorance is really their ignorance or is really your paranoia. then you have to go on a third tangent and decide if your paranoia is merrited, or you just sit and wonder at their ignorance, thinking up all these absurd possibilities for why you're being ignored. some of them sound feasible to you. you begin to figure things out. you daydream about bringing these possibilities up in conversation, and then you realize you're being paranoid, if you weren't before. it's just hard to know what is what when there are no definitions forming. your connection feels like a shapelss, lightless mass in space that you can't see with a telescope, or any kind of scope.
i guess i could call it karma and say, "well, i put somebody through this, and i've been through it before, so i'll just wait it out." but it's not really wait-outable. it needs to be ignored or it will drive you paranoid. and it has drove me paranoid.
some people call paranoia "showing that you care."
some people call it paranoia.
Quite cheeky and comical birds to watch, I was delighted to get it showing its crest out. This cocky had been watching me as I put out feed for the rosellas and thought it would join in for a period of time before taking off.
San Antonio Texas SeaWorld marine mammal park A comical show called The Cannery Row Caper featuring sea lions and Walrus 2012 Shamu oceanarium Amusement Animals Marine life Sea World
Highly playful and physical, and at times teasingly comical – this is a cheeky dance celebration of the child within.
Combining quirky, dynamic dance with high energy street gymnastics, the dancers in this performance blaze a colourful trail across the structures and landscapes of the playground. Each performance will be unique, as the show scrambles around, over, under and through swings, slides and roundabouts. Kids will love it, grown-ups will love it too!
Spill is an outdoor production choreographed by celebrated Australian Artist Shaun Parker, of Shaun Parker & Company. Using the existing children’s playground equipment as the set, Spill was created specifically for parks, aiming to take dance to the heart of communities.
Dancers: Wren Ball, Nathan Johnstone, Kynam Moore, Sabrina Ribes-Bonet
So comical to see them tugging the grass roots out and almost falling over backwards when they managed to pull one out!
German postcard by Verlag Hans Dursthoff, Berlin, no. 1639. Photo: Ufa. Paul Heidemann in Der behexte Neptun/The Bewitched Neptune (Willi Achsel, 1925).
Paul Heidemann (1884-1968) was a German stage and screen actor, film director and film producer. He was famous for his comical parts.
Paul Heidemann was born in Cologne, Germany in 1884. After an initial career in the tobacco branch, he took acting lessons from the Meiningen based court actor Leopold Teller. In 1906 he debuted in Hanau as Prince Karl-Heinz in the operetta Alt-Heidelberg (Old Heidelberg). In 1909, he joined the theatre of Breslau, where he sang in Bruno Granichstaedten’s operetta Bub oder Mädel (Boy or Girl). Here Heidemann created his reputation as talented comedian. On the recommendation of composer Jean Gilbert, he moved to Berlin in 1911, where he debuted in Gilbert’s play Die keusche Susanne (The chaste Susanne). Franz Porten discovered Heidemann for the cinema, where he played his first lead in Das Brandmal ihrer Vergangenheit/The stigma of her past (1912). It was followed by films such as Das Teufelsloch/The Devil's Hole (Rudolf Del Zopp, 1913), and Vater und Sohn/Father and Son (Afred Halm, 1914) with Leopoldine Konstantin. From 1913 to 1915 he also played the character Teddy in countless comical shorts, such as Teddy ist herzkrank/Teddy has a heart condition (1914), Teddys Geburtstagsgeschenk/Teddy's Birthday Present (1915) and Teddy züchtet Notkartoffeln/teddy breeds emergency potatoes (1915). Sometimes he directed these films as well. Between 1919 and 1923 Heidemann had his own production company, Paul Heidemann-Film GmbH in Berlin, where he played the lead in films initially mostly directed by Erich Schönefelder and later on rather by Georg Schubert or by Heidemann himself. A late example is Eine kleine Freundin braucht ein jeder Mann/Every man Needs A little Friend (Paul Heidemann, 1927), starring Heidemann but also Julius Falkenstein, Hans Albers, Siegfried Arno and Charlotte Ander.
In the 1920s, Paul Heidemann became an important supporting actor and sometimes leading man in all kinds of films.
He had a supporting part in the silent comedy classic Die Bergkatze/The Wild Cat (Ernst Lubitsch, 1921) featuring Pola Negri as a wild mountain girl and bandit’s daughter. Heidemann played the lead in the silent historical comedy Der kleine Napoleon/The Little Napoleon (Georg Jacoby, 1923). It depicts the life and amorous adventures of Jérôme Bonaparte, the younger brother of Napoleon (Egon von Hagen), who installed him as King of Westphalia. The film also marked Marlene Dietrich's film debut and was made by the European Film Alliance, a failed attempt by the American studio Paramount to establish a production base in the lucrative German market. The EFA was wound up shortly after the film's completion, which delayed its release. It finally premièred on 29 November 1923 at the legendary Berlin movie palace Marmorhaus. He often played in comedies, such Der Sprung ins Leben/Leap Into Life (Johannes Guter, 1923) with Xenia Desni, Das süsse Mädel/The Sweet Girl (Manfred Noa, 1926) with Mary Nolan and Mary Parker, Die dritte Eskadron/The Third Squadron (Carl Wilhelm, 1926) with Claire Rommer, Flucht aus der Hölle/Escape from Hell (Georg Asagaroff, 1928) with Heidemann, Jean Murat and Agnes Esterhazy, and Flucht vor der Liebe/The flight from love (Hans Behrendt, 1930) with Jenny Jugo and Enrico Benfer. Heidemann acted often as sidekick of the popular actor Hans Albers, such as in Der lachende Ehemann/The Laughing Husband (Rudolf Walther-Fein, Rudolf Dworsky, 1926) and the crime drama Hans in allen Gassen/Hans of all trades (Carl Froelich, 1930). Other silent films, in which Heidemann played supporting parts were the drama Die Geliebte/The Mistress (Robert Wiene, 1927) with Harry Liedtke, and Unter der Laterne/Under the Lantern (Gerhard Lamprecht, 1928) starring Lissi Arna. And he played the lead in the silent drama Der Zigeunerprimas/The Gypsy Chief (Carl Wilhelm, 1929). Simultaneously Heidemann acted on the Berlin stages, mainly in operettas.
After the introduction of sound film, Paul Heidemann continued to appear in supporting parts in many German films. An example is the comedy Pension Schöller (Georg Jacoby, 1930) starring Paul Henckels and Elga Brink. It is an adaptation of the 1890 play Pension Schöller by Wilhelm Jacoby and Carl Laufs. Georg Jacoby was Wilhelm's son, and made three film adaptation of his father's best known play in 1930, 1952 and 1960. Heidemann played the following year in the romantic comedy Ihre Hoheit befiehlt/Her Grace Commands (Hanns Schwarz, 1931) about a hairdresser (Käthe von Nagy) and a greengrocer (Willy Fritsch) who fall in love and conceal from each other the truth that they are really a Princess and an army officer in disguise. When in the early 1930s military comedies were popular, Heidemann acted in various military farces such as Wenn die Soldaten.../When the soldiers... (Luise & Jakob Fleck, 1931) with Otto Walburg, Schön ist die Manöverzeit/Manoeuver Time Is Fine (Erich Schönfelder, 1931) with Ida Wüst, Die Mutter der Kompanie/The Company's Mother (Franz Seitz senior, 1931), Drei von der Kavallerie/Number Three Cavalryman (Carl Boese, 1932) with Paul Hörbiger and Fritz Kampers, and Liebe in Uniform/Love in Uniform (Georg Jacoby, 1932). Among his most well-known productions are Der tolle Bomberg/The Mad Bomberg (Georg Asagaroff, 1932) with Heidemann in the lead, Ganovenehre/Crook's Honour (Richard Oswald, 1932) with Fritz Kampers, Paprika (1932, Carl Boese) with Franciska Gaál, Narren im Schnee/Fools in the snow (Hans Deppe, 1939) with Anny Ondra, and Schneider Wibbel/Tailor Wibbel (Viktor de Kowa, 1939) with Erich Ponto. During the Second World War, Heidemann worked again as film director. He staged film comedies, such as Mein Mann darf es nicht wissen/My husband must not know (1940) with Mady Rahl, Krach im Vorderhaus/Noise in the front house (1941) again with Rahl, Weisse Wäsche/White laundry (1942) with Harald Paulsen, and Floh im Ohr/Flea in Her Ear (1943), even if the films were not huge hits. In the 1950s, he acted both in BRD and DDR films. In East-Germany he played Presskopp in the old Berlin farce Ein Polterabend/A stag night (Curt Bois, 1955) and the mayor in Bärenburger Schnurre/Bärenburg Farce (Ralf Kirsten, 1957). He also acted in West-German films like Torreani (Gustav Fröhlich, 1951), Der keusche Josef/The chaste Joseph (Carl Boese, 1953), Rittmeister Wronski/Cavalry Captain Wronski (Ulrich Erfurth, 1954), Der Mustergatte/The Model Husband (Erik Ode, 1956) and Jede Nacht in einem anderen Bett/Every night in a different bed (Paul Verhoeven, 1957). Paul Heidemann died in Berlin in 1968. He was 83.
Sources: Thomas Staedeli (Cyranos), Volker Wachter (Defa Sternstunden) (German), Filmportal.de, Wikipedia (German) and IMDb.
And, please check out our blog European Film Star Postcards.
Highly playful and physical, and at times teasingly comical – this is a cheeky dance celebration of the child within.
Combining quirky, dynamic dance with high energy street gymnastics, the dancers in this performance blaze a colourful trail across the structures and landscapes of the playground. Each performance will be unique, as the show scrambles around, over, under and through swings, slides and roundabouts. Kids will love it, grown-ups will love it too!
Spill is an outdoor production choreographed by celebrated Australian Artist Shaun Parker, of Shaun Parker & Company. Using the existing children’s playground equipment as the set, Spill was created specifically for parks, aiming to take dance to the heart of communities.
Dancers: Wren Ball, Nathan Johnstone, Kynam Moore, Sabrina Ribes-Bonet
Stubborn, loyal, comical, loud, pack-oriented, sweet, floofy, greedy, tracker, thief, buddy, senior, beagle.
Even on his most beagle-ish day, especially on those days, he's still the best friend I'll ever have.
Mid-Life: A Seriously Comical Book of Haiku on Aging –
www.amazon.com/gp/product/1734040238/ref=dbs_a_def_rwt_hs...
Is this something comical sitting in Henry Crater? To locate this follow the designations (x) & (y) for correct orientation from within the Index.
To see the Animation GIF of this anomaly (Highlighted On/Off effect) go to this Image M0300758eb Humorous GIF
Mars Orbiter Camera (MOC) image M0300758
(Malin Space Science Systems) MSSS.com
Download the image from MSSS here
MOC narrow-angle image M0300758