View allAll Photos Tagged colourisation
Photograph of Abraham Lincoln. 1859. Please note that the face has been digitally improved. Not altered. Unknown photographer.
Portrait of general Robert E. Lee, officer of the Confederate Army. March 1864. By Julian Vannerson.
Sigrid Undset at work at Bjerkebæk (Undset's home, now part of Maihaugen museum). 1st July 1923. Photograph by Anders Beer Wilse.
Mezzotint after a Daguerreotype of former US President, Andrew Jackson, half length portrait, seated, facing left. 5th April 1845. By Mathew Brady.
I have used selective colourisation on this photo- but it didn't make much of a difference, so I created another version of this photo using a sepia tone.
Richard Wagner circa 1860. Photograph by Franz Hanfstaengl. Note: The face has been digitally enhanced to sharpen details.
Sociologist, suffragette, social worker, philosopher, and Nobel Peace Prize winner Jane Addams, in 1924 or 1926 (the way the date is written (mirror image, at top of the TIFF version) is probably 3-2-26, but could be 3-2-24. Publisher Bain News Service.
Portrait of Louis Armstrong, Aquarium, New York, N.Y., ca. July 1946. May still need personality release. By William P. Gottlieb.
Portrait of Anton Chekhov. Year: 1902. Photo: Opits, Moscow / Artistic establishment A.F. Marksa, St. Petersburg.
Edgar Allan Poe 1848. By Samuel W. Hartshorn. The “Whitman” daguerreotype was taken in Providence, Rhode Island in November of 1848 by the studio of Samuel Masury and S. W. Hartshorn. It’s the only known likeness Poe commissioned himself, speculated to be an engagement gift to Sarah Helen Whitman. She likely accompanied him to this sitting. Poe is 39 years old. Wearing his old military frock coat and glaring at us with his piercing stare from a three quarter angle, Poe considered this image the best likeness he ever had.
Harry S. Truman. An official portrait. Since an official portrait, my guess is taken between 1945 to 1953.
No selective colourisation. It just turned out this way. It does look as if the foreground was pasted over the background.