View allAll Photos Tagged colourisation

Photo shows a group of #AfricanAmerican slaves posed around a horse-drawn cart, with a building in the background, at the Cassina Point plantation of James Hopkinson on Edisto Island, South Carolina. 1862 Edisto Island, South Carolina.

Abraham Lincoln, seated and holding a book, with his son Tad (Thomas) leaning on a table. 5th Feb 1865. Photographer: Alexander Gardner. Taken at Gardner's Gallery in Washington, DC, on Sunday, February 5, 1865. This last photo session from life was long thought to have happened on April 10, 1865, but more recent research has indicated the earlier date in February.

Wilhelm Conrad Roentgen/Rontgen. Circa 1890-1900.

This is the actual photo. The only dickery that has been performed is the colourisation.

Léo Delibes. ca. 1875. Probably taken in Paris. By Fritz Luckhardt.

The city was rebuilt with austere post-war materials. Today, in an attempt to reinfuse the city with more joy and mirth, there is a campaign in effect to 'colourise' the city by painting building facades much like Rainbow Row in Charleston.

Zachary Taylor. Circa 1847. By James Maquire. This daguerreotype (half plate) was most likely made in November 1847, when Zachary Taylor returned to a hero’s welcome in New Orleans after the U.S. victory in the Mexican-American War. It represents Taylor in his major general’s uniform and is an original portrait from life. This is evident from the daguerreotype’s lateral reversal, or “mirror image,” which causes Taylor’s jacket to appear to button right-over-left rather than left-over-right. Reproduced and widely circulated in the form of engravings and lithographic prints, this image of the general proved enormously popular. Daguerreotype copies in several formats were also produced.

Plant in new glasshouse at Wisley. Surrey.

not sure i like this one...

The novelist George Sand is photographed by Nadar who takes a series of pictures of the writer, in March 1864.

Sketchbook pages exemplifying my woodblock print workshop exploration. Alongside this, the finalised textural print results. Character designs and experimentation with digital colourisation.

A bad example of selective colourisation

William Howard Taft, head-and-shoulders portrait, facing front. 11th March 1909. 52 years old. Unknown Photographer.

Pauline Cushman. 1864 | New York. Photographer: Mathew Brady Studio. Born Harriet Wood (1833 – 1893) was an American actress and a spy for the Union Army during the American Civil War. She is considered one of the most successful Civil War spies.

Digital illustration inspired by illustrator Peter Mohrbacher. Painted using Procreate. The resulting digital illustration (WIP) from experimenting with various digital techniques. The vivid colourisation and the character of subject is inspired by the 'Angels' drawn by the illustrator. The character itself is an original character that was made to test contemporary body forms and was inspired by orange peels as they naturally have a peeled but smooth broken look.

Jane Addams reading a book. Studio portrait circa 1910. Publisher Bain News Service.

Photograph of Ernest Hemingway sitting at a table writing while at his campsite in Kenya circa 1953. Publisher Look Magazine.

Ida B. Wells. Ca. 1893

Another attempt at colourisation & restoration.

 

My late father's sister Kay from around 1943.

 

We assume this was shot in London, England.

Queen Victoria. This photograph was presented to Lord Lister in 1871, following his operation upon Her Majesty for an abscess in the arm-pit. She afterwards complimented him on 'a most disagreeable duty most agreeably performed'. ... This photograph became the property of Lord Lister's nieces, and was sold by auction on the death of Miss Edith M. Lister of Leytonstone, 1950.

Hon. Abraham Lincoln, President of the United States. The short haircut was perhaps suggested by Lincoln's barber to facilitate the taking of his life mask by Clark Mills. Lincoln knew from experience how long hair could cling to plaster. An 1865 stereograph long attributed to Mathew Brady was actually taken by Lewis Emory Walker, a government photographer, about February 1865 and published for him by the E. & H. T. Anthony Co., of New York. Photographer: Lewis Emory Walker

Not sure about this one...

The one's that survive the wind

Charles Francis Jenkins (2nd from left) showing his Mirror Drum Television Receiver. Year 1928. Photographed by Harris & Ewing. In 1928 Charles Jenkins was granted the first commercial television license in the United States and In July 2, 1928 Jenkins Television Corporation started to operate W3XK, the first TV station, first aired from Jenkins Labs in Washington and from 1929 on from Wheaton, Maryland, five nights a week. It seems plausable that this image was taken in Charles Jenkins Laboratories, Washington D.C..

Charleston, S.C. View of ruined buildings through porch of the Circular Church (150 Meeting Street). April 1865. Photographer: George N. Barnard. Sky is replaced in this version. Four African American Children sit at the base of a large Greek Column. Photographs of the Federal Navy, and seaborne expeditions against the Atlantic Coast of the Confederacy -- specifically of Charleston, S.C. 1863-1865. General Gillmore's success at Fort Pulaski earned him the conduct of a much more difficult undertaking: the reduction of the defenses of Charleston Harbor, with the aid of a squadron under Rear Adm. John A. Dahlgren. Operations began early in July 1863; by October hard work and heavy losses had reduced Fort Wagner and Battery Gregg (renamed Fort Putnam by the Federals) on Morris Island, and had silenced Fort Sumter. But no further progress was made until February 18, 1865, when Gen. William T. Sherman's approach overland broght about the evacuation of Charleston. The photographers who came to record the flag-raising ceremony at Fort Sumter on April 14, 1865, just 4 years after the surrender with which the Civil War opened, thoroughly documented the forts, Federal and Confederate, and the lovely old city, which fortunately had received only limited damage. Present-day addresses for the Charleton buildings are added when possible; the movement is in general inland from the Battery along Market Street, with excursions down side streets as they are reached, and left to the Arsenal at the then limits of town.

Fredericksburg, Virginia. Wounded Indians from the Wilderness on Marye's Heights. 1864 May [19 or 20]. Wounded Indian sharpshooters on Marye's Heights after 2nd Battle of Fredericksburg, May 1864. They are probably from the 1st Michigan Sharpshooters Company K, a unit that included many Chippewa and Ottawa American Indians. Photograph most likely Mathew Brady

Annie Jump Cannon. Photograph circa 1922. Publisher: New York World-Telegram and the Sun Newspaper

Playing with selective black and white and colourisation. Not sure if i like the colour around the edges

Portrait of W.C. Roentgen/Rontgen after a photograph by Nicola Perscheld, 1906. Published by the Photographische Gesellschrift in Berlin.

1st Connecticut Heavy Artillery Regiment with a 20 pounder Parrott rifle, Model 1861. Fort Richardson, Arlington Heights, Virginia. Taken between 1861-65 by Mathew Brady according to NARA.

Jules Verne. Taken bwtween 1860-90. Photographed by Atelier Nadar.

President Rutherford B. Hayes. Circa 1877. By Mathew Brady.

Johannes Brahms (1833-1897), German music composer. Circa 1885. By Fritz Luckhardt.

A portrait of August Krogh. Created between 1888-1913. Photographer Frederik Riise.

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