View allAll Photos Tagged colourisation
Fantasy colourisation of a Monarch butterfly in the butterfly garden at the Assiniboine Park Zoo in Winnipeg, Manitoba.
See this image in other colours: "Neon"; www.flickr.com/photos/joan-marie/8248995404/
See other butterfly images in my "Butterflies" set: www.flickr.com/photos/joan-marie/sets/72157632179628200/
Shooting info: RAW; handheld with remote shutter release, auto focus, master pixel size 14.6 (now 11.4 MP)
Processing: cropped along all sides; colour & light adjusted in Aperture 3; some specks removed with the retouch tool
Another Google Gemini AI colourisation, this Bedford SB1/Duple was in use as a caravan at Scarborough in May 1986. New to Northamptonshire operator Shelton-Orsborn of Wollaston in 1960, it was last taxed in 1987. Fortunately there is a picture of this coach in this guise elsewhere on Flickr so that I knew that the colour was blue, although the DVLA has it down as green, perhaps the colour of it's last PSV owner.
Pentax K1000/50mm
Ilford FP4
Lee, R., photographer. (1942) Lineup of tourist courts at Phoenix, Arizona. United States Maricopa County Phoenix Arizona, 1942. Feb. [Photograph] Retrieved from the Library of Congress, www.loc.gov/item/2017817576/.
Restoration and colourisation by Ian Betley (November 2022).
Fantasy colourisation of the sky at sunset-time in Les Sherman Park in Regina, Saskatchewan.
See related images in my "Sunsets" album: www.flickr.com/photos/joan-marie/sets/72157634112806178/
Shooting info: RAW; handheld, auto focus, master pixel size 15.9 (now 11.1 MP)
Processing: cropped along all sides into 4 x 6 format; colour & light adjusted in Aperture 3
This was piece of graffiti I came across in Ulverston, Cumbria UK. I was really struck by the art, particularly because it reminded me of the origami in the film Blade Runner. I did some post production work to selectively colour the artwork and bring out the detail in the bricks.
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Thumbing through the old 1970's Northern Counties book this morning I came across a picture of one of the Nottingham City Transport AEC Swifts. These buses attracted my interest from the day I became aware of their existence. I can remember a couple of efforts at sketching them as a teenager too.
Northern Counties were definitely on the ball with their double deck designs and I particularly liked their offerings on early Fleetlines, but they seemed to get into a tizzy when it came to single deckers. The body on these Swifts was quite like nothing else, but they did have a not to Nottingham's then current styling ideas. I just make the latter as an observation rather than a compliment. The result was quite a massive looking single deck bus.
Time tells us that NCT didn't really get on with their Swifts and that they were sold on to another AEC loving municipal, Grimsby Cleethorpes Transort.
The original of this image was of course black & white. The resultant colourisation isn't brilliant, but in my defence, the available image scan was pretty poor too.
Fantasy colourisation of the playful clouds and sky over Regina, Saskatchewan at sunset-time.
Caption inspired by the 1979 Robert Hazard song, "Girls Just Want to Have Fun".
See other sunset images in my "Sunsets" album: www.flickr.com/photos/joan-marie/sets/72157634112806178/w...
Shooting info: RAW; handheld, auto focus, master pixel size 15.9 (now 14 MP)
Processing: tilted slightly; cropped along the top & bottom into 4 x 6 format; colour & light adjusted in Aperture 3
Fantasy colourisation of the sky at sunset time in Regina, Saskatchewan. Shot facing north on Fleet Street in the southeast area of the city.
When I arrived at this spot 15 min. earlier to shoot the setting sun, there were beautiful pink and gold tones in the west sky. That was when I discovered that there was no battery in my camera! Drove home to fetch it and returned to this spot, but alas, by this time, the beautiful colour tones in the west were all but gone. However, there was colour in the north sky, and this image was caught.
See other sunset images in my "Sunsets" album: www.flickr.com/photos/joan-marie/sets/72157634112806178/
Shooting info: RAW; handheld, auto focus, master pixel size 15.9 (now 14.2 MP)
Processing: cropped along the top into 4 x 6 format; colour & light adjusted in Aperture 3
Fantasy colourisation of the sky at sunset in Regina, Saskatchewan. Shot from the south end of Prince of Wales Drive in the southeast area of the city.
See more sunset images in my "Sunsets" album: www.flickr.com/photos/joan-marie/sets/72157634112806178/
Shooting info: RAW; handheld, auto focus, master pixel size 15.9 (now 15 MP)
Processing: cropped slightly along the top, colour & light adjusted in Aperture 3
Fantasy colourisation of the upper storeys of Cooper Place, an office tower occupied by the provincial Ministry of Finance, on the northwest corner of the intersection of Albert St. & College Ave. in Regina, Saskatchewan. Shot from the grounds of the Royal Saskatchewan Museum on the southeast corner of the intersection.
Shooting info: JPEG by accident - I intended to shoot RAW; handheld, auto focus, 15.9 MP
Processing: colour & light adjusted in Aperture 3
A trio of two slides and a black and white medium format negative purchased on eBay and the amazing transformations to each made possible by the A1 function in Luminar Neo editing software, showing the incredible capabilities now possible to material that at one time may have only been fit for the bin. Case in point is this b&w shot which had substantial processing damage and which manually would be almost impossible to remove from a scan. One click and not only has it been removed without trace but a pretty good attempt at colourisation has been made too. I all also didn't expend any time removing manually all the dust and scratches either!
Unknown photographer.
Taken from a hot air ballon travelling away from the beautiful city of Bath over what looked from 2000 feet to be some form of concrete pipe factory
AI / Colourisation can almost work. This from a piece of b/w film , an LT Car , in the film it can be identified as #587. Here on Parkers Row with Dockhead in the distance. Abbey Street crossing left and right. The Pub was the "Prince Teck". (CollectionFB)
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Visit my Blog link below for 6 more pictures...
Blog Website: Siren at Dawn
Deviant Art: Siren at Dawn
The Body Parts:
Head: LeLutka – Evo X – Raven- 3.1 – BoM
Body: eBody – Reborn – BoM
Halo Horns: ERSCH & Petrichor – Markelus Flower – Full-Point Sep – Fade HUD – [Midight Order – August 2023]
Hair: MINA – Samara – Ombres & Ombres Extra – [FaMESHed – August 2023]
Eyes: S H I M M – CXLV – Set II – Evo X Eye Applier
The Beauty Parlour:
Face: Autograph – Nancy – Evo X – No Brows – Sienna
Skin: Velour – Ipanema Body – Legacy – Curvy – Sienna
Eyeshadow: GOREGLAM – Illusion – Eyeshadow – Evo X
Lipstick – LUCCI – Spring Babe – Lips – Evo X – ADVX
Body Shine: This Is Wrong – Droplets Shine 3D
At the Boutique:
Bikini – ERSCH & Petrichor – Fleuria – Fae HUD – [The Warehouse Sale – August 2023]
Time to Accessorise:
Armlets: MICHAN – Charlene Armlets – Champagne
Belly Chain: Orsini – Sarah Belly Chain
Setting the Scene:
Pose: FOXCITY – Bebe Bento Pose Set
Backdrop: VISERA – Hidden Oasis Dream
Need to Know Stuff:
ERSCH & Petrichor:
Markelus Flower – This come sin a pack with five different options of the halo style horns. This is dependent on the points touching, being separated, or being fully closed. I chose the separated for this because I really do love seeing the points, and having that small separation between the two, for me it gives it more character.
Fleuria – This bikini set comes with a options on the HUD to change the colours of the Bra, panties, and collar separately, along with an option for the gemstones, giving you endless possibilities of colourisation.
Scattered across the city like relics from a bygone era, Edinburgh’s police boxes have long since retired from active duty. Originally installed from 1932 onwards, these cast-iron sentinels were once part of a highly organised communications network for patrolling officers. Most were designed by City Architect Ebenezer MacRae and manufactured by Carron Ironworks of Falkirk — the same foundry famous for producing everything from cannons to cookware.
Each box was a tiny outpost: equipped with a phone line to headquarters, a chair, a kettle, and a modest sink. That sink — often dated to the early 1930s — served a multi-purpose role: for washing up, grabbing a quick drink, or more dubiously, as a makeshift urinal. The boxes didn’t include a proper toilet, so officers on the beat had to make do, armed only with a bottle of bleach and a stiff upper lip.
On winter nights, the boxes offered slight relief from the cold with a one-bar electric fire or oil heater. They also doubled as secure holding spots for the occasional drunken troublemaker until backup arrived.
Most of these boxes have now been sold off and found new lives — as coffee kiosks, tour guide hubs, or simply as curiosities parked on street corners. Their sirens are long gone, but they remain a unique feature of the city’s architectural and policing heritage.
As one local site reports, there’s even a rumour from the 1970s — when female officers began using the boxes — that one unfortunate woman managed to break the sink. Whether that’s fact or just a cheeky bit of gallows humour from the boys in blue remains delightfully unclear.
Looking like a rather poor colourisation, this is in fact a recent scan of a partially degraded colour print. As I've said before, I prefer to go back to negatives, but as this presented itself a few days ago, I thought I'd run it through the scanner.
The coach is of course one of the small batch of AEC Reliances (all but one a 'grant coach') which entered the Derby municipal fleet under the management of AEC enthusiast Gerald Truran. Whilst they spent a fair proportion of their time working on former 'Blue Bus' services, the Reliances did get out and about on a fair bit of Private Hire. Derby Corporation had aquired the late lamented operator from Willington, but virtually all the rolling stock perished in a garage fire very early on in the new era, necessitating additional vehicles at short notice.
Here in the early '80s, I encountered Supreme 'Express' bodied NNN 11P at Chester's Little Roodee Coach park. All of these 'NNN' Reliances were '760 powered with 5 speed semi-auto transmission.
This Old Cadillac (1970s? Cadillac experts please help me here) is used to publicise a bar in Scunthorpe, Lincolnshire.
Two construction cranes and a fantasy colourisation of the sky at the University of Regina campus in Regina, Saskatchewan.
See what's behind me: "The Glass Tipi"; www.flickr.com/photos/joan-marie/9245890574/
Shooting info: RAW; handheld, auto focus, master pixel size 15.9 (now 11.6 MP)
Processing: cropped along the top & bottom; colour & light adjusted in Aperture 3; some spots blackened with the retouch tool
The last in my little series of Native American photos for the minute...
Photo by Edward Curtis en.wikipedia.org/wiki/Edward_S._Curtis
Coloured for you by Billyfish Photographic Art
NSE held a Network Day on 22 November 1986 and I took the opportunity to visit some towns in Kent. Here in Maidstone is Eastbourne's ex-Southampton Leyland Atlantean 68 on loan to Boro'line.
A Google Gemini AI colourisation of a black and white negative.
Pentax K1000/50mm
Ilford FP4
Copyright - All Rights Reserved - Black Diamond Images
The lives of Alexander Croll and John Wright represent one of the most enduring and successful partnerships in the pioneering history of the New South Wales North Coast timber and shipbuilding industries.
To a lesser extent, their early venture also aligned with fellow pioneer John Rodger, laying the foundational roots for the timber communities of the Myall Lakes and Great Lakes regions of NSW, Australia.
The Early Bond: From Glasgow to the Colony
The deep lifelong connection between Alexander Croll and John Wright began across the globe in Scotland.
Born just a few years apart in Banffshire (Wright in May 1835 and Croll in August 1835/1837), the two men moved to Glasgow as youths to train in the demanding trade of shipwrights. During their grueling apprenticeships on the Clyde, Croll and Wright shared living quarters, developing a mutual trust and work ethic that would define their future. Though they initially planned to settle in New Zealand, trade disruptions caused by the New Zealand Wars redirected their ambitions and they moved on to Australia, arriving in New South Wales around 1860–1861 aboard the Lord Worsley.
Like many young men of the era, they first tried their luck panning for gold along the Snowy River. When the goldfields failed to yield a fortune, they relied on their trade skills and journeyed to the dense, untouched coastal forests of the Myall Lakes district.
Pioneering the Myall Lakes (1860s–1872)
Arriving in the Bulahdelah region, Croll and Wright started out in the grueling business of pit-sawing. They soon gained employment at Boolambayte Creek working for Duncan MacRae, who had established the area's first timber mill. The two Scotsmen put their shipwright training to immediate use, constructing vessels—such as the Caledonia—to transport MacRae’s timber. During this period of foundational hard work,
Croll settled down, marrying Eliza Jane MacKay in 1867. By 1872, after years of working alongside MacRae, Croll and Wright were ready to strike out on their own. Partnering with a third skilled associate, John Rodger, they established the first official sawmill at Bungwahl on the top of the Myall Lakes. This industrial site was strategically chosen to allow their flat-bottomed punts and newly built timber vessels easy access to navigable water, ensuring they could ship heavy logs and sawn timber out to the booming Sydney market.
Diverging Paths and Legacies
While the Bungwahl partnership was highly successful, the three pioneers had different long-term geographic ambitions, leading them to amicably divide the business over the next few years.
John Wright sold his share of the Bungwahl sawmill and shipwright business to Croll in 1877 for £2000, having earlier, in 1875, moved to the North Shore of Forster, by 1879 known as Tuncurry. On arrival in Tuncurry Wright leased waterfront land to build a massive new sawmill, slipway, and established John Wright & Son Shipyards, which operated for nearly a century. By 1878 John Wright had also taken up several thousand acres of land just east of Krambach where he built another large sawmill known as Avalon.
The third Bungwahl Mill partner, John Rodger, eventually migrated north as well, moving his sawmilling focus toward the Camden Haven River and Laurieton to tap into new forest reserves.
Alexander Croll remained firmly anchored at Bungwahl. He bought out Rodger and Wright's shares and expanded the Bungwahl mill, running it it as a highly prosperous family empire.
Croll spent the rest of his life at his Bungwahl estate, "Huntley." As he aged, he passed the management of the mill to his capable sons, Alexander Jr. and James (who later expanded the family timber legacy into Dungog as J. Croll & Sons). Alexander Croll passed away at home on August 16, 1917, at the age of 82.
Reflecting the immense respect he commanded, his funeral was the largest ever seen in the district at the time. His coffin was carried 19 miles by river launch to Bulahdelah, where 32 of his sawmill employees formed a solemn guard of honour as he was carried to his final resting place—marking the end of a grand colonial journey that began in a shared Glasgow boarding house room.
Image Source - Great Lakes Museum
Information, Restoration and colourisation of image by Chat GPT Ai.
A restored and colourised version of the sepia photo below, taken circa 1914. Photographer and studio unknown.
The subject is Bertha Dorothy Adshead (1909-2002) aged approx. 4 years.
Known affectionately in the family as 'Auntie Dot', she was my third cousin twice removed - our common ancestor was my Great Great Great Great Grandfather !
There are some colourisation programs available I believe, but it is much more interesting to paint vintage photographs by yourself.
So taking the John Bell (1845-1914) image of a father and son, my job was to imagine what it might have looked like in colour during the 1870s. This is clearly a studio portrait and the men would have dressed in their Sunday best. The subjects are leaning on a strange rock of some kind (whether real or not). It has the look of an anvil. I've taken a liberty and shown them wearing blue jeans.
This photograph of the vintage photo was taken by me with the Nikon D850.
Once again I remind people interested in the craft of painting photographs to check out the website and book on "The Art of Handpainting Photographs" by Cheryl Machat Dorskind.
www.cherylmachatdorskind.com/the-art-of-handpainted-photo...
The original plan was a nice circular walk from Chichester Yacht Club to Dell Quay and back. That turned out to be a very muddy experience and resulted in a trip to Chichester to buy new shoes. The beach at West Wittering was more amenable to walking without getting dirty. However, the sky remained heavy and the breeze was picking up. I think that this mono image of the groynes conveys the atmosphere quite well
More 'colourisation' joy as Laura tackles this end-of-life view of a pre-war WCT Daimler COG5 in Wulfruna Street, Wolverhampton in 1956. From an original negative.
This is what I saw and bought without hesitation. A fine early example of German photo art. It is in its original frame, 12 x 9 cms, and beautifully presented. You can't really see it in my photograph, but the photo and glass covering it are curved convexly to give it the feel of 3D. This made it difficult to focus. There are little added highlights, such as the "mother of pearl" strips, that just add a little sparkle to the presentation.
When I discussed it with proprietor Andrew Puccetti, he quite rightly pointed out that color photography (using a single plate) only technically became possible from 1906. But this shot had the feel of the 1890s to my (history) eye.
This appears to be a beautifully handpainted black and white print. As for identifying the location, there are a number of clues. "Breitestrasse" is translated literally, "Wide Street". It's the German equivalent of "High Street" in Britain and Australia, or "Main Street" in America. As for the city, "Thorn W. Pr." refers to Thorn in West Prussia (in modern Poland).
There was indeed a genuine method of producing a color print in the 1890s. It was called the Photochrom technique and pioneered by Photoglob Zurich AG. Thousands of copies were produced and sold, and the Germans were the world leaders in this technology. Photochroms taken as three separate monochrome negatives and then printed to form one colour image. Before and after this technology was developed, handpainted colourisation was going on.
It is unlikely this picture is a Photochrom. As we can see it shows evidence of hand retouching (especially of the faces looking towards the camera), and the buildings down the street appear to have been coloured according to a pattern.
* Taschen (probably the most prestigious art publisher in the world) has released a magnificent book on German Photochroms from around 1900.
hyperallergic.com/265657/photochroms-capture-belle-epoque...
* This article also has some supporting information on Photochroms:
en.wikipedia.org/wiki/Photochrom
* Finally, on the history of colour photography try:
blog.scienceandmediamuseum.org.uk/a-short-history-of-colo...
Above all, if you see something like this in an antique shop. Buy it!!! I think I got a real bargain.
Gustav Fröhlich and Margarete Lanner in Metropolis (1927)
Part-colourised for Worth1000's "Pleasantville 28" compotition.
... and for Sliders Sunday. HSS!!!
Fantasy colourisation of the ceiling in the lobby of the government-owned T.C. Douglas building in Regina, Saskatchewan. Building design by architects Arnott MacPhail Johnstone of Regina.
Shooting info: RAW; handheld, auto focus, 15.9 MP
Processing: colour & light adjusted in Aperture 3, one reflection removed with the retouch tool
I don't normally post family photos, but this is one of my great-grandfathers. I'm happy with the colourisation. He was born in 1887 so I guess this would be early 1920s.
Fantasy colourisation of the sky over Les Sherman Park in Regina, Saskatchewan. Shot facing west, just before the sun dropped below the horizon. Shows better enlarged; press L.
See the companion image: "Jelly Bean"; www.flickr.com/photos/joan-marie/9457398262/
Shooting info: RAW; handheld, auto focus, master pixel size 15.9 (now 11.9 MP)
Processing: cropped along the bottom into 16 x 9 (HD) format; colour & light adjusted in Aperture 3; some areas retouched