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This photograph of the clock was taken on one of the cannon cameras. The photograph is apart of the shutter speed challenge from Photography One.The photograph was edited by adjusting the levels, cropping the image, and the photograph was taken at a 2 second shutter speed. Additionally, the photograph was enhanced by Burns. The reason why this is one of the better one of my photographs is that I enjoy the high metallic shin against the cool toned white wall, I also enjoy the "wave-like" shutter speed of the seconds hand, and I enjoy the enhancement of the hands on the clock through editing.
Descriptive Title: Nude with Clock
Date:1928
Medium: Negative, gelatin on glass
Size: 4.25/3.35in
Source of image: George Eastman House, gift of 3M Company: ex-collection Louis Walton Sipley
Artist Bio: William Mortenson, (1897-1965) lived a quiet and secretive life but made quiet the impact on the art community, especially in the world of photography. Joseph Bellows Gallery described his art as combining "the notions of classical art and literature with the allure and phantasm of Hollywood." Mortensen had a studio in Laguna beach California and often made his living taking photos of Hollywood stars including Fay Wray, Cecil B. deMille and Marlene Dietrich. He later took promotional photos for L.A Sunday Times creating dramatic scenes with actors in costume. He was a master of lighting and wrote manuals on the subject along with the problems of posing. His developing techniques were unique and his alternative process often included manipulating his photos with razor blades or carbon pencils. His photos tended to be more adorned and dramatic challenging the concepts of the up and coming "purest" movement of the time. Many regarded Mortensen as the enemy of photography, treating his photos as a threat (perhaps to common sense), and excluded him from the elitist art communities. His photography fell out of favor with the masses and his career slipped away. Nude with Clock is one of many studio pictures taken by Mortensen. This image with the over sized clock and the woman stretching luxuriously reminds me of a combination between Salvador Dali and a Hollywood stage setting. The subject matter is both whimsical and bizarre.
Product photography for a client that needed clean and simple shots of different items, this was a part of a clock collection with a kinds of clocks, old and new.
New approach to the S2 clock project in evidence here.
So far the brief/analysis/specification pages are produced in much the same way as ever. The radical shift is in the generation of ideas approach. Here we borrowed an idea outlined in Kurt Rowland's 1968 book "The Shapes We Need". Amongst other things Rowland explores spatial relationships and really gets to the heart of aesthetics and visual beauty. Some things just look right and others don't. Why is this? Rowland seems to have a some good theories about this. This book was part of a series he released in the late 60's. I understand these textbooks were standard issue in Glasgow Secondary Schools Art Departments at the time. I don't know of any art teachers that used them much apart from my mother. Anyway this little card based exercise suited our purposes perfectly.
The current S2 course has seeen alot of changes over the last five years. We'll distribute the cours notes on the S2 Course page at: designandtechnologydepartment.co.uk in due course.
Seen through a window at a plastic covered windowed house. Corktown. Detroit, Michigan. June 1st, 2014.
Marking 25 years of Queen Elizabeth II's reign in 1977.
On the front of Mills & Sons & Daughters' butcher's shop.
Market Place, Southwold, Suffolk.
Please don't use this image on websites, blogs or other media without my explicit permission. If you wish to use this image, please, contact me through flickrmail or at vicenc.feliu@gmail.com. © All rights reserved...
Clock tower on Main St., Concord, New Hampshire. Originally the clock was in the tower of the Trade building. It was purchased in 1872 through public subscription. The bell, made in England, strikes hourly. After a period of neglect, in 1998 the clock was restored and reinstalledin this well-designed tower in downtown Concord.
ich liebe Uhren mit Zeigern.Ein Engel möge eure Zeit behüten.
I like clocks with hand. An angel may guard your time.
Dial of my old clock which is behind a brass framed beveled glass. Below is a brass highly decorated facia with a face in the centre. Any information on this this clock or type of clock is most welcomed.
After a new lick of BLUE and gold paint. It was last painted in 1991 ish but this "time" it's 'stourbridge' blue.
Product photography for a client that needed clean and simple shots of different items, this was a part of a clock collection with a kinds of clocks, old and new.
My clock gets set twice a year, next setting at 2am Oct 30th. To set, I use WWV tf.nist.gov/timefreq/stations/wwv.html ... radio, not internet. Clock generally stays within 0.1 sec from one daylight savings change to another, accuracy about 10 ppb.
Right knob gives 1x10^9 per 4 divisions = 1sec/33 years
Atomic clock on top runs 1/4 second slow (circuit delay) but makes a good "sanity check" (something NASA doesn't always do).
There will be a leap second this year.
On Dec. 31, the clocks should read like this as they lead into Jan. 1, 2006:
23h 59m 59s ... 23h 59m 60s ... 00h 00m 00s. Normally, the seconds would roll from 59 directly to 00.
Unit has battery backup and selectable output frequencies of 50 Hz to 10 MHz. Designed and fabricated by Edhiker
"How do you build a clock that will keep perfect time for 10,000 years?" www.discover.com/issues/nov-05/cover/ Accurate clocks don't last that long, but some disagree with me. Sundial anyone?
IMG_2313CrSG_Eds_Clock
R2R DACs from a Teensy driving the XY vector display. More details: www.nycresistor.com/2012/09/03/vector-display/
New approach to the S2 clock project in evidence here.
So far the brief/analysis/specification pages are produced in much the same way as ever. The radical shift is in the generation of ideas approach. Here we borrowed an idea outlined in Kurt Rowland's 1968 book "The Shapes We Need". Amongst other things Rowland explores spatial relationships and really gets to the heart of aesthetics and visual beauty. Some things just look right and others don't. Why is this? Rowland seems to have a some good theories about this. This book was part of a series he released in the late 60's. I understand these textbooks were standard issue in Glasgow Secondary Schools Art Departments at the time. I don't know of any art teachers that used them much apart from my mother. Anyway this little card based exercise suited our purposes perfectly.
The current S2 course has seeen alot of changes over the last five years. We'll distribute the cours notes on the S2 Course page at: designandtechnologydepartment.co.uk in due course.
www.recyclart.org/2015/12/upcycled-cd-love-lucy-clock/
I used an old scratched CD, a discarded plastic lid from an "I Love Lucy" series box and a clock kit to make this timepiece. I wanted to create a unique collector's item that was whimsical and fun. I hope Lucille Ball's fans agree I accomplished my goal!