View allAll Photos Tagged class10
Stage 1: Painting the background with yellow ochre
I had the real pleasure of teaching this large 10th grade class of 26. With this grade, they are brought out of their polarized thinking, working with Black & White Drawing and Contrast in 9th grade. What a better way to do so than with a limited Dutch palette from the Golden Age and painting Rembrandt's portraits!
We started out with practicing in charcoal, then did a preliminary sketch in pastel of a portrait by Rembrandt of their choice. On 16x20 paper, they painted with the following layers fo colors: yellow ochre, raw sienna, raw umber, black and alizarin crimson. In the end, I spent some time on teaching the class about how to bring out the details of eyes and how to bring the viewer's gaze up to the eye the way Rembrandt may have done with "vision-based techniques" (lost and found edges, center of focus techniques), guiding the viewer's eye through a picture or painting.
I had the real pleasure of teaching this large 10th grade class of 26. With this grade, they are brought out of their polarized thinking, working with Black & White Drawing and Contrast in 9th grade. What a better way to do so than with a limited Dutch palette from the Golden Age and painting Rembrandt's portraits!
We started out with practicing in charcoal, then did a preliminary sketch in pastel of a portrait by Rembrandt of their choice. On 16x20 paper, they painted with the following layers fo colors: yellow ochre, raw sienna, raw umber, black and alizarin crimson. In the end, I spent some time on teaching the class about how to bring out the details of eyes and how to bring the viewer's gaze up to the eye the way Rembrandt may have done with "vision-based techniques" (lost and found edges, center of focus techniques), guiding the viewer's eye through a picture or painting.
SAR Publicity and Travel Department
THL Image Collection. P.B Collection
DRISA - Public Library South Africa Digital.
Stage 3: Adding raw umber to the limited Dutch palette.
I had the real pleasure of teaching this large 10th grade class of 26. With this grade, they are brought out of their polarized thinking, working with Black & White Drawing and Contrast in 9th grade. What a better way to do so than with a limited Dutch palette from the Golden Age and painting Rembrandt's portraits!
We started out with practicing in charcoal, then did a preliminary sketch in pastel of a portrait by Rembrandt of their choice. On 16x20 paper, they painted with the following layers fo colors: yellow ochre, raw sienna, raw umber, black and alizarin crimson. In the end, I spent some time on teaching the class about how to bring out the details of eyes and how to bring the viewer's gaze up to the eye the way Rembrandt may have done with "vision-based techniques" (lost and found edges, center of focus techniques), guiding the viewer's eye through a picture or painting.
19th February 2011 - 365 day 50. It's amazing how the capacity of memory cards has increased, whilst their cost has decreased. I recently purchased a pair of 16GB SD cards for £35, much less than I would have paid previously for the smaller capacity variants.
I figured that the high capacity - and Class 10 speed - could be handy for HD video clips on the new compact and eventual D80 replacement.
Stage 3: Adding raw umber to the limited Dutch palette.
I had the real pleasure of teaching this large 10th grade class of 26. With this grade, they are brought out of their polarized thinking, working with Black & White Drawing and Contrast in 9th grade. What a better way to do so than with a limited Dutch palette from the Golden Age and painting Rembrandt's portraits!
We started out with practicing in charcoal, then did a preliminary sketch in pastel of a portrait by Rembrandt of their choice. On 16x20 paper, they painted with the following layers fo colors: yellow ochre, raw sienna, raw umber, black and alizarin crimson. In the end, I spent some time on teaching the class about how to bring out the details of eyes and how to bring the viewer's gaze up to the eye the way Rembrandt may have done with "vision-based techniques" (lost and found edges, center of focus techniques), guiding the viewer's eye through a picture or painting.
Severn Valley Railway "Autumn Diesel Bash" 2022. 1st October. Class 09 D4110 attached to the rear of a train heading for Bewdley having just emerged from Bewdley tunnel
- Simple installation, screw in -like a bulb
- Invisible to human eye at night (using 940nm wavelength IR LEDs)
- New to market, providing double mode,
AP mode - Point-to-Point connection
WiFi mode - Joining existing WiFi network, able to be accessed by mobile devices via internet
remotely
- Remote access by SmartPhones(Andriod)/ iPhone/ iPad/Notepads/ Notebooks/ PC/ Mac
- Using Peer to Peer technology, plug to play
- Using industrial grade processor, TI-DM365
- Using 1.0 mega pixel image sensor
- H.264 compression, true HD720P resolution
- Accept Worldwide Voltage AC 100 -250V
- Using 36pcs of 940nm wavelength IR LED, night vision distance 10 meters
- Double alarm alerts, email alert and mobilephone push alert
- Local Storage, accept Micro-SD card 2GB-32GB (suggest class10 card)
32GB card can store 12days video files
- Able to hear sounds
- Control 64pcs bulbs cameras in total
- Motion Dection (distance 5 meters)
- Loop recording and motion detection recording supported
3.6mm Len installed, 90 degree viewing angle
- Wi-Fi compliant with wireless standards IEEE 802.11b/g/n
- E27/E26/B22 adapters for selection
- ONVIF compliant
-Mirror covert cameras