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Clarion Alley, one block over from 17th Street between Valencia and Mission Streets, is filled with contemporary-style murals organized by the Clarion Alley Mural Project (CAMP). CAMP, directly inspired by Balmy Alley, was established in October 1992 with the dual goals of social inclusiveness and aesthetic variety by a volunteer collective of six North Mission residents: Aaron Noble, Michael O'Connor, Sebastiana Pastor, Rigo 92, Mary Gail Snyder, and Aracely Soriano.
The last mural Jesus (Chuy) Campusano painted before his death in 1997 is this black-and-white scene in Clarion Alley.
Clarion Alley, one block over from 17th Street between Valencia and Mission Streets, is filled with contemporary-style murals organized by the Clarion Alley Mural Project (CAMP). CAMP, directly inspired by Balmy Alley, was established in October 1992 with the dual goals of social inclusiveness and aesthetic variety by a volunteer collective of six North Mission residents: Aaron Noble, Michael O'Connor, Sebastiana Pastor, Rigo 92, Mary Gail Snyder, and Aracely Soriano.
Clarion Alley Project
en.wikipedia.org/wiki/Clarion_Alley_"""&qu...
Clarion Alley Mural Project (CAMP) is an artists' collective formed in 1992. Inspired by Balmy Alley and other murals and muralists of San Francisco's Mission District, CAMP came together to iniate a mural project on Clarion Alley, also the source of the collective's name. While the Balmy Alley mural project focused on the theme of Central American struggle, the stated goals of CAMP were social inclusiveness and aesthetic variety. CAMP went on to organize projects off site at the Redstone Building (in 1997), and the ILWU Building, as well as gallery installations at San Francisco Art Institute, New Langton Arts, and Intersection for the Arts.
Painting by Dan Plasma
In 2003, CAMP collaborated with Apotik Komik, an artists collective in Indonesia, and Intersection for the Arts to organize and present the project Sama-sama/Together, an international collaboration and exchange between community arts organizations and artists from San Francisco (U.S.A.) and Yogyakarta (Indonesia). The project was designed to foster understanding of recent world events and Muslim and non-Muslim cultures between the two communities through the creation of new works, as well as through cross-cultural dialogue between participating artists and the public at large."""""""
Clarion Alley in the Mission District, San Francisco, attracted many visitors on that same Sunday I was there.
People and cameras were seen abundantly. It was so easy to talk to people and make new contacts. It seemed like the colourful murals made everybody cheerful and uninhibited.
The two friends passed by me and I thought it would be interesting to ask them for a portrait. Well, it turned out to be not only interesting but funny as well.
The two youngsters couldn't stop giggling through the whole photoshoot. I finally started laughing with them, it was simply contagiously hilarious.
Bella gave her smart phone to Won and he started taking pics of me and Bella.
When they became a bit serious, I found out that Won, 23y/o, is studying mechanical engineering and Bella, 22y/o, nursing.
Usually, different languages might be a barrier between people, but here we made laughter part of our communication and it worked just fine for us.
Clarion Alley, one block over from 17th Street between Valencia and Mission Streets, is filled with contemporary-style murals organized by the Clarion Alley Mural Project (CAMP). CAMP, directly inspired by Balmy Alley, was established in October 1992 with the dual goals of social inclusiveness and aesthetic variety by a volunteer collective of six North Mission residents: Aaron Noble, Michael O'Connor, Sebastiana Pastor, Rigo 92, Mary Gail Snyder, and Aracely Soriano.
This mural was painted in Clarion Alley by Hyde and ZORE in 2010.
Clarion Alley, one block over from 17th Street between Valencia and Mission Streets, is filled with contemporary-style murals organized by the Clarion Alley Mural Project (CAMP). CAMP, directly inspired by Balmy Alley, was established in October 1992 with the dual goals of social inclusiveness and aesthetic variety by a volunteer collective of six North Mission residents: Aaron Noble, Michael O'Connor, Sebastiana Pastor, Rigo 92, Mary Gail Snyder, and Aracely Soriano.
Clarion Alley, one block over from 17th Street between Valencia and Mission Streets, is filled with contemporary-style murals organized by the Clarion Alley Mural Project (CAMP). CAMP, directly inspired by Balmy Alley, was established in October 1992 with the dual goals of social inclusiveness and aesthetic variety by a volunteer collective of six North Mission residents: Aaron Noble, Michael O'Connor, Sebastiana Pastor, Rigo 92, Mary Gail Snyder, and Aracely Soriano.
Clarion Alley Project by Jet Martinez
en.wikipedia.org/wiki/Clarion_Alley_"""&qu...
Clarion Alley Mural Project (CAMP) is an artists' collective formed in 1992. Inspired by Balmy Alley and other murals and muralists of San Francisco's Mission District, CAMP came together to iniate a mural project on Clarion Alley, also the source of the collective's name. While the Balmy Alley mural project focused on the theme of Central American struggle, the stated goals of CAMP were social inclusiveness and aesthetic variety. CAMP went on to organize projects off site at the Redstone Building (in 1997), and the ILWU Building, as well as gallery installations at San Francisco Art Institute, New Langton Arts, and Intersection for the Arts.
Painting by Jet Martinez
In 2003, CAMP collaborated with Apotik Komik, an artists collective in Indonesia, and Intersection for the Arts to organize and present the project Sama-sama/Together, an international collaboration and exchange between community arts organizations and artists from San Francisco (U.S.A.) and Yogyakarta (Indonesia). The project was designed to foster understanding of recent world events and Muslim and non-Muslim cultures between the two communities through the creation of new works, as well as through cross-cultural dialogue between participating artists and the public at large."""""""
Lo llevas por dentro, a 12'x10' mural in Clarion Alley was painted by Jet Martinez in 2004.
Clarion Alley, one block over from 17th Street between Valencia and Mission Streets, is filled with contemporary-style murals organized by the Clarion Alley Mural Project (CAMP). CAMP, directly inspired by Balmy Alley, was established in October 1992 with the dual goals of social inclusiveness and aesthetic variety by a volunteer collective of six North Mission residents: Aaron Noble, Michael O'Connor, Sebastiana Pastor, Rigo 92, Mary Gail Snyder, and Aracely Soriano.
Clarion Alley, one block over from 17th Street between Valencia and Mission Streets, is filled with contemporary-style murals organized by the Clarion Alley Mural Project (CAMP). CAMP, directly inspired by Balmy Alley, was established in October 1992 with the dual goals of social inclusiveness and aesthetic variety by a volunteer collective of six North Mission residents: Aaron Noble, Michael O'Connor, Sebastiana Pastor, Rigo 92, Mary Gail Snyder, and Aracely Soriano.
Clarion Alley Project
en.wikipedia.org/wiki/Clarion_Alley_"""&qu...
Clarion Alley Mural Project (CAMP) is an artists' collective formed in 1992. Inspired by Balmy Alley and other murals and muralists of San Francisco's Mission District, CAMP came together to iniate a mural project on Clarion Alley, also the source of the collective's name. While the Balmy Alley mural project focused on the theme of Central American struggle, the stated goals of CAMP were social inclusiveness and aesthetic variety. CAMP went on to organize projects off site at the Redstone Building (in 1997), and the ILWU Building, as well as gallery installations at San Francisco Art Institute, New Langton Arts, and Intersection for the Arts.
In 2003, CAMP collaborated with Apotik Komik, an artists collective in Indonesia, and Intersection for the Arts to organize and present the project Sama-sama/Together, an international collaboration and exchange between community arts organizations and artists from San Francisco (U.S.A.) and Yogyakarta (Indonesia). The project was designed to foster understanding of recent world events and Muslim and non-Muslim cultures between the two communities through the creation of new works, as well as through cross-cultural dialogue between participating artists and the public at large."""""""
Clarion Alley, one block over from 17th Street between Valencia and Mission Streets, is filled with contemporary-style murals organized by the Clarion Alley Mural Project (CAMP). CAMP, directly inspired by Balmy Alley, was established in October 1992 with the dual goals of social inclusiveness and aesthetic variety by a volunteer collective of six North Mission residents: Aaron Noble, Michael O'Connor, Sebastiana Pastor, Rigo 92, Mary Gail Snyder, and Aracely Soriano.
Clarion Alley, one block over from 17th Street between Valencia and Mission Streets, is filled with contemporary-style murals organized by the Clarion Alley Mural Project (CAMP). CAMP, directly inspired by Balmy Alley, was established in October 1992 with the dual goals of social inclusiveness and aesthetic variety by a volunteer collective of six North Mission residents: Aaron Noble, Michael O'Connor, Sebastiana Pastor, Rigo 92, Mary Gail Snyder, and Aracely Soriano.
Clarion Alley Project by Mats Stromberg, 1995
en.wikipedia.org/wiki/Clarion_Alley_"""&qu...
Clarion Alley Mural Project (CAMP) is an artists' collective formed in 1992. Inspired by Balmy Alley and other murals and muralists of San Francisco's Mission District, CAMP came together to iniate a mural project on Clarion Alley, also the source of the collective's name. While the Balmy Alley mural project focused on the theme of Central American struggle, the stated goals of CAMP were social inclusiveness and aesthetic variety. CAMP went on to organize projects off site at the Redstone Building (in 1997), and the ILWU Building, as well as gallery installations at San Francisco Art Institute, New Langton Arts, and Intersection for the Arts.
In 2003, CAMP collaborated with Apotik Komik, an artists collective in Indonesia, and Intersection for the Arts to organize and present the project Sama-sama/Together, an international collaboration and exchange between community arts organizations and artists from San Francisco (U.S.A.) and Yogyakarta (Indonesia). The project was designed to foster understanding of recent world events and Muslim and non-Muslim cultures between the two communities through the creation of new works, as well as through cross-cultural dialogue between participating artists and the public at large."""""""
Nationalism, Religion - Worldwide there is a dark cloud on the horizon
Clarion Alley, one block over from 17th Street between Valencia and Mission Streets, is filled with contemporary-style murals organized by the Clarion Alley Mural Project (CAMP). CAMP, directly inspired by Balmy Alley, was established in October 1992 with the dual goals of social inclusiveness and aesthetic variety by a volunteer collective of six North Mission residents: Aaron Noble, Michael O'Connor, Sebastiana Pastor, Rigo 92, Mary Gail Snyder, and Aracely Soriano.
This mural in Clarion Alley was painted by Scott Hove in October, 2007.
Clarion Alley, one block over from 17th Street between Valencia and Mission Streets, is filled with contemporary-style murals organized by the Clarion Alley Mural Project (CAMP). CAMP, directly inspired by Balmy Alley, was established in October 1992 with the dual goals of social inclusiveness and aesthetic variety by a volunteer collective of six North Mission residents: Aaron Noble, Michael O'Connor, Sebastiana Pastor, Rigo 92, Mary Gail Snyder, and Aracely Soriano.
by Oasis for girls
Hearts of Gold, Fists of fury
Clarion Alley Project
en.wikipedia.org/wiki/Clarion_Alley_"""&qu...
Clarion Alley Mural Project (CAMP) is an artists' collective formed in 1992. Inspired by Balmy Alley and other murals and muralists of San Francisco's Mission District, CAMP came together to iniate a mural project on Clarion Alley, also the source of the collective's name. While the Balmy Alley mural project focused on the theme of Central American struggle, the stated goals of CAMP were social inclusiveness and aesthetic variety. CAMP went on to organize projects off site at the Redstone Building (in 1997), and the ILWU Building, as well as gallery installations at San Francisco Art Institute, New Langton Arts, and Intersection for the Arts.
In 2003, CAMP collaborated with Apotik Komik, an artists collective in Indonesia, and Intersection for the Arts to organize and present the project Sama-sama/Together, an international collaboration and exchange between community arts organizations and artists from San Francisco (U.S.A.) and Yogyakarta (Indonesia). The project was designed to foster understanding of recent world events and Muslim and non-Muslim cultures between the two communities through the creation of new works, as well as through cross-cultural dialogue between participating artists and the public at large."""""""
Lo llevas por dentro, a 12'x10' mural in Clarion Alley was painted by Jet Martinez in 2004.
Clarion Alley, one block over from 17th Street between Valencia and Mission Streets, is filled with contemporary-style murals organized by the Clarion Alley Mural Project (CAMP). CAMP, directly inspired by Balmy Alley, was established in October 1992 with the dual goals of social inclusiveness and aesthetic variety by a volunteer collective of six North Mission residents: Aaron Noble, Michael O'Connor, Sebastiana Pastor, Rigo 92, Mary Gail Snyder, and Aracely Soriano.
Clarion Alley, one block over from 17th Street between Valencia and Mission Streets, is filled with contemporary-style murals organized by the Clarion Alley Mural Project (CAMP). CAMP, directly inspired by Balmy Alley, was established in October 1992 with the dual goals of social inclusiveness and aesthetic variety by a volunteer collective of six North Mission residents: Aaron Noble, Michael O'Connor, Sebastiana Pastor, Rigo 92, Mary Gail Snyder, and Aracely Soriano.
Clarion Alley Project
en.wikipedia.org/wiki/Clarion_Alley_"""&qu...
Clarion Alley Mural Project (CAMP) is an artists' collective formed in 1992. Inspired by Balmy Alley and other murals and muralists of San Francisco's Mission District, CAMP came together to iniate a mural project on Clarion Alley, also the source of the collective's name. While the Balmy Alley mural project focused on the theme of Central American struggle, the stated goals of CAMP were social inclusiveness and aesthetic variety. CAMP went on to organize projects off site at the Redstone Building (in 1997), and the ILWU Building, as well as gallery installations at San Francisco Art Institute, New Langton Arts, and Intersection for the Arts.
In 2003, CAMP collaborated with Apotik Komik, an artists collective in Indonesia, and Intersection for the Arts to organize and present the project Sama-sama/Together, an international collaboration and exchange between community arts organizations and artists from San Francisco (U.S.A.) and Yogyakarta (Indonesia). The project was designed to foster understanding of recent world events and Muslim and non-Muslim cultures between the two communities through the creation of new works, as well as through cross-cultural dialogue between participating artists and the public at large."""""""
Clarion Alley is located in the block formed by 17th & 18th and Mission and Valencia Streets in the Inner Mission District of San Francisco, California. It has been an enchanted site of bohemian culture at least as far back as the early 1960's
Clarion Alley, one block over from 17th Street between Valencia and Mission Streets, is filled with contemporary-style murals organized by the Clarion Alley Mural Project (CAMP). CAMP, directly inspired by Balmy Alley, was established in October 1992 with the dual goals of social inclusiveness and aesthetic variety by a volunteer collective of six North Mission residents: Aaron Noble, Michael O'Connor, Sebastiana Pastor, Rigo 92, Mary Gail Snyder, and Aracely Soriano.
Clarion Alley, one block over from 17th Street between Valencia and Mission Streets, is filled with contemporary-style murals organized by the Clarion Alley Mural Project (CAMP). CAMP, directly inspired by Balmy Alley, was established in October 1992 with the dual goals of social inclusiveness and aesthetic variety by a volunteer collective of six North Mission residents: Aaron Noble, Michael O'Connor, Sebastiana Pastor, Rigo 92, Mary Gail Snyder, and Aracely Soriano.
Clarion Alley, one block over from 17th Street between Valencia and Mission Streets, is filled with contemporary-style murals organized by the Clarion Alley Mural Project (CAMP). CAMP, directly inspired by Balmy Alley, was established in October 1992 with the dual goals of social inclusiveness and aesthetic variety by a volunteer collective of six North Mission residents: Aaron Noble, Michael O'Connor, Sebastiana Pastor, Rigo 92, Mary Gail Snyder, and Aracely Soriano.
Clarion Alley Project
en.wikipedia.org/wiki/Clarion_Alley_"""&qu...
Clarion Alley Mural Project (CAMP) is an artists' collective formed in 1992. Inspired by Balmy Alley and other murals and muralists of San Francisco's Mission District, CAMP came together to iniate a mural project on Clarion Alley, also the source of the collective's name. While the Balmy Alley mural project focused on the theme of Central American struggle, the stated goals of CAMP were social inclusiveness and aesthetic variety. CAMP went on to organize projects off site at the Redstone Building (in 1997), and the ILWU Building, as well as gallery installations at San Francisco Art Institute, New Langton Arts, and Intersection for the Arts.
In 2003, CAMP collaborated with Apotik Komik, an artists collective in Indonesia, and Intersection for the Arts to organize and present the project Sama-sama/Together, an international collaboration and exchange between community arts organizations and artists from San Francisco (U.S.A.) and Yogyakarta (Indonesia). The project was designed to foster understanding of recent world events and Muslim and non-Muslim cultures between the two communities through the creation of new works, as well as through cross-cultural dialogue between participating artists and the public at large."""""""
by Iranian-born artists Shaghayegh Cyrous and Keyvan Shovir,
clarionalleymuralproject.org/know-street-art-memory/
The three women in this Clarion Alley mural In Memory Of are familiar to anyone steeped in Iranian literary history.
Simin Daneshvar, Simin Behbahani, and Forough Farrokhzad are iconic figures in Iran, known for their poetry and fiction. In the West, Behbahani may be the best known: She was nominated for the Nobel Prize in 1997, and in 2008 was named the first recipient of Stanford’s Bita Prize for Literature and Freedom. She was affectionately called “the lioness of Iran.”
Clarion Alley, one block over from 17th Street between Valencia and Mission Streets, is filled with contemporary-style murals organized by the Clarion Alley Mural Project (CAMP). CAMP, directly inspired by Balmy Alley, was established in October 1992 with the dual goals of social inclusiveness and aesthetic variety by a volunteer collective of six North Mission residents: Aaron Noble, Michael O'Connor, Sebastiana Pastor, Rigo 92, Mary Gail Snyder, and Aracely Soriano.
Clarion Alley, one block over from 17th Street between Valencia and Mission Streets, is filled with contemporary-style murals organized by the Clarion Alley Mural Project (CAMP). CAMP, directly inspired by Balmy Alley, was established in October 1992 with the dual goals of social inclusiveness and aesthetic variety by a volunteer collective of six North Mission residents: Aaron Noble, Michael O'Connor, Sebastiana Pastor, Rigo 92, Mary Gail Snyder, and Aracely Soriano.
"The same wind that uproots trees makes the grasses shine....", the opening line from the poem "The Grasses" by Rumi, a 13th century Persian poet, philosopher, jurist, theologian, and Sufi mystic.
This outstanding mural was photographed in Clarion Alley, the Mission District, San Francisco, California.
Ricardo Richey has explored abstract letter forms for the past six years. His findings have resulted in site-specific installations and paintings in the form of public murals and exhibitions. This outstanding mural, which I call "Vibrant Garage" (for lack of knowing its real title), is located on a garage in Clarion Alley, a street in San Francisco's Mission District. Known as "APEX" to the graffiti world, Richey has curated the on-going graffiti mural projects on Bluxome Alley and in other parts of San Francisco. Part of the Gestalt Collective, he is also engaged in creating 3-dimensional interpretations of graffiti forms.
Ricardo Richey was born in San Francisco in 1978. He is a street artist who creates colorful abstract patterns through the use of spray paint. His work has been shown both in the Bay Area and abroad and he has been featured extensively in documentaries and publications regarding the Mission District in San Francisco.
This mural in Clarion Alley is by Jet Martinez.
Clarion Alley, one block over from 17th Street between Valencia and Mission Streets, is filled with contemporary-style murals organized by the Clarion Alley Mural Project (CAMP). CAMP, directly inspired by Balmy Alley, was established in October 1992 with the dual goals of social inclusiveness and aesthetic variety by a volunteer collective of six North Mission residents: Aaron Noble, Michael O'Connor, Sebastiana Pastor, Rigo 92, Mary Gail Snyder, and Aracely Soriano.
Clarion Alley Project
en.wikipedia.org/wiki/Clarion_Alley_"""&qu...
Clarion Alley Mural Project (CAMP) is an artists' collective formed in 1992. Inspired by Balmy Alley and other murals and muralists of San Francisco's Mission District, CAMP came together to iniate a mural project on Clarion Alley, also the source of the collective's name. While the Balmy Alley mural project focused on the theme of Central American struggle, the stated goals of CAMP were social inclusiveness and aesthetic variety. CAMP went on to organize projects off site at the Redstone Building (in 1997), and the ILWU Building, as well as gallery installations at San Francisco Art Institute, New Langton Arts, and Intersection for the Arts.
In 2003, CAMP collaborated with Apotik Komik, an artists collective in Indonesia, and Intersection for the Arts to organize and present the project Sama-sama/Together, an international collaboration and exchange between community arts organizations and artists from San Francisco (U.S.A.) and Yogyakarta (Indonesia). The project was designed to foster understanding of recent world events and Muslim and non-Muslim cultures between the two communities through the creation of new works, as well as through cross-cultural dialogue between participating artists and the public at large."""""""
Clarion Alley, one block over from 17th Street between Valencia and Mission Streets, is filled with contemporary-style murals organized by the Clarion Alley Mural Project (CAMP). CAMP, directly inspired by Balmy Alley, was established in October 1992 with the dual goals of social inclusiveness and aesthetic variety by a volunteer collective of six North Mission residents: Aaron Noble, Michael O'Connor, Sebastiana Pastor, Rigo 92, Mary Gail Snyder, and Aracely Soriano.