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Once a week, Peg goes away and claims to be making pottery. Never mind the 'evidence' that she constantly brings home in the form of cups and bowls!
So I figured that with the kids away for the week that I'd discreetly (in the same car) tag along to see what she's really been up to.
Turns out she was telling the truth the whole time! It did allow me to meet all the nice pottery ladies that she gossips with though.
Claiming the coast, bit by bit the ocean eats away at the coastline, I believe this natural arch is called London Bridge. Port Campbell Marine Park, Great Ocean Road, Victoria -Australia
"Fertile land is scarse in Garheim, and every bit of it is filled with rocks, making agriculture almost impossibe. Here we see some serfs who, with the help of their lord, are preparing the land for farming."
Quick build for LCC
Title.
Broadway, cars and men.
( LUMIX G3 shot )
Manhattan. New York. USA. 2017. … 4 / 7
(Today's photo. It's unpublished.)
Images.
Number_i … Rain or Shine
youtu.be/V8sfbWKiZYg?si=TBG_djh9VtYXkFVm
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Title:
“A.I. - About Apple’s Identity”
www.flickr.com/photos/stealaway/54271473379/in/dateposted...
Will Apple listen to Mark Zuckerberg’s criticism?
I don’t think so—especially not for someone like me who was captivated by the dream of Apple Vision Pro.
Mark Zuckerberg of Meta appeared on a popular podcast and criticized Apple, claiming they haven’t released an innovative product since the iPhone and that their sales have been declining.
While criticizing Apple on a podcast originating from Apple itself may sound like a light joke, I think he was quite serious about it. After all, he now wields the weapon of AR glasses.
Supported by various institutions and a talented team, he may have achieved some notable goals. Yet, as an old Apple fan who’s been using products since the PowerBook 540c, I can’t feel any sense of craftsmanship identity from him.
This critique extends to other leading tech companies of our time as well: Meta, Amazon, Tesla, Microsoft, and Google.
Simply listing these company names likely brings their logos and the faces of their leaders to mind for those reading this.
I once wrote that Steve Jobs wasn’t an artist.
He was skilled at weaving together scattered images from our current world, expanding them, and linking them to the future. That was his specialty.
The one who actually created was Jonathan Ive. There are probably others like me who share this minority opinion.
However, seeing how the IT leaders mentioned earlier change their company policies at the mere prospect of Trump regaining power, I can’t help but voice my opinion:
The AR glasses, cars, and other products they create lack a crucial concept. Whether you call it a profound ideology or a lighter term like identity, it’s missing.
True, Tim Cook and the current Apple team have become more prone to letting slip details about unreleased products.
As I’ve often written, I love music.
When artists isolate themselves from the world, locking themselves in studios to pour their anger, hatred, joy, and sorrow wholeheartedly into a single note, they entrust something to their work.
Once they finish an album and release it, they share what they felt while creating it. (The artist I admire, Prince, rarely explained his works, so I had to interpret his completed pieces on my own.)
Until the album is complete and released, these artists say nothing.
The ones who move me most are those kinds of artists.
The faint light of Apple’s innovation within me hasn’t been extinguished.
Not even last year’s Apple Vision Pro, criticized as a major failure, could extinguish it. On the contrary, it radiates an even stronger light than the iPhone.
This isn’t just a novel electronic device—it conveys a sense of ideology or thought beyond its intricate electronic components.
Unfortunately, I doubt I’ll ever feel that same sense of ideology or thought from Meta’s AR glasses or Tesla’s cars.
I’ve written at length, but here’s my conclusion:
“Apple CEO Tim Cook Donates Over $1.5 Million to Trump’s Inauguration”
gigazine.net/news/20250104-apple-ceo-tim-cook-donates-1-m...
At first glance, it might seem like Tim Cook, like other IT companies, has sold his soul. But that’s not the case.
While Tim Cook personally donates to Trump, Apple as a company has refrained from doing the same as other companies.
Apple didn’t bow to Trump.
If someone were to ask me what Apple’s ideology or thought is, I would answer:
Apple is a group of people who believe in themselves.
Steve Jobs is probably laughing at this overly serious piece I’ve written from somewhere up in heaven.
A company that doesn’t kowtow to Trump—that’s Apple for you. :)
January 15th
After reading a heartwarming article.
Mitsushiro Nakagawa
Addendum:
I have corrected it.
Before the correction, it appeared on Apple Podcasts,
After the correction, it appeared on podcasts originating from Apple,
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:
Photo Music and iTunes Playlist Link::
music.apple.com/jp/playlist/photo-music/pl.u-Eg8qefpy8Xz
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消えた境界線から生まれたもの ～ 去ってゆく川村記念美術館を振り返って ～
www.flickr.com/photos/stealaway/54020588671/in/dateposted...
What Emerged from the Vanishing Boundaries~ Reflecting on the Departing Kawamura Memorial Museum ~
www.flickr.com/photos/stealaway/54020588671/in/dateposted...
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Important Notices.
I have relaxed the following conditions.
I will distribute my T-shirt to the world for free.
m.flickr.com/photos/stealaway/50656401427/in/dateposted-p...
m.flickr.com/photos/stealaway/50613367691/in/dateposted-p...
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Exhibition in 2025
Theme
The Nightfly
Images
Donald Fagen … I.G.Y.
youtu.be/Ueivjr3f8xg?si=xmqGPQjyIKoTs4Q5
Live.
youtu.be/Di0_KYtmVKI?si=CLFpU2n0gXahqLPB
Mitsushiro - Nakagawa
Organizer
Design Festa
Location
Tokyo Big Sight
Date
Autumn 2025.
exhibition.mitsushiro.nakagawa@gmail.com
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Notice regarding "Lot No.402_”.
From now on I will host "Lot No.402_".
The work of Leonardo da Vinci who was sleeping.
That is the number when it was put up for auction.
No sign was written on the work.
So this work couldn't conclude that it was his work.
However # as a result of various appraisals # it was exposed to the sun.
A work that no one notices. A work that speaks quietly without a title.
I will continue to strive to provide it to many people in various ways.
October 24 2020 by Mitsushiro - Nakagawa.
Mitsushiro Nakagawa belong to Lot No. 402 _.Copyright©︎2025 Lot No.402_ All rights reserved.
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Profile.
In November 2014 # we caught the attention of the party selected to undertake the publicity for a mobile phone that changed the face of the world with just a single model # and will conclude a confidentiality agreement with them.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
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Interviews and novels.
About my book.
I published a book a long time ago.
At that time # I uploaded my interview as a PDF on the internet.
Its Japanese and English.
I will publish it for free.
For details # I explained to the Amazon site.
How to write a novel.
How to take a picture.
A sense of distance to the work.
All of these have something in common.
I wrote down what I felt and left it.
I hope my text will be read by many people.
Thank you.
Mitsushiro.
1 Interview in English
2 novels. unforgettable 'English version.(This book is Dedicated to the future artist.)
3 Interview Japanese version
4 novels. unforgettable ' JPN version.
5 A streamlined trajectory. only Japanese.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
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iBooks. Electronic Publishing. It is free now.
0.about the iBooks.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
1.unforgettable '(ENG.ver.)(This book is Dedicated to the future artist.)
itunes.apple.com/us/book/unforgettable/id1216576828?ls=1&...
2.unforgettable '(JNP.ver.)(This book is Dedicated to the future artist.)
itunes.apple.com/us/book/unforgettable/id1216584262?ls=1&...
3. Streamlined trajectory.(For Japanese only.)
itunes.apple.com/us/book/%E6%B5%81%E7%B7%9A%E5%BD%A2%E3%8... =11
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My Novel : Unforgettable'
(This book is Dedicated to the future artist.)
Synopsis
Kei Kitami, who is aiming for university, meets Kaori Uemura, an event companion who is 6 years older than her, on SNS.
Kaori's dream of coming to Tokyo is to become friends with a famous artist.
For that purpose, the radio station's producer, Ryo Osawa, was needed.
Osawa speaks to Kaori during a live radio broadcast.
"I have a wife and children. But I want to meet you."
Rika Sanjo, who is Kei's classmate and has feelings for him, has been looking into her girlfriend Kaori's movements. . . . .
Mitsushiro Nakagawa
All Translated by Yumi Ikeda .
images.
U2 - No Line On The Horizon Live in Dublin
www.youtube.com/watch?v=_oKwnkYFsiE&feature=related
Main story
There are two reasons why a person faces the sea.
One to enjoy a slice of shine in the sea like children bubbling over in the beach.
The other to brush the dust of memory like an old man who misses old days staring at the shine
quietly.
Those lead to only one meaning though they do not seem to overlap. It’s a rebirth.
I face myself to change tomorrow a vague day into something certain.
That is the meaning of a rebirth.
I had a very sweet girlfriend when I was 18.
After she left I knew the meaning of gentleness for the first time and also a true pain of loss. After
she left # how many times did I depend too much on her # doubt her # envy her and keep on telling lies
until I realized it is love?
I wonder whether a nobody like me could have given something to her who was struggling in the
daily life in those days. Giving something is arrogant conceit. It is nothing but self-satisfaction.
I had been thinking about such a thing.
However I guess what she saw in me was because I had nothing. That‘s why she tried to see
something in me. Perhaps she found a slight possibility in me # a guy filled with ambiguous unstable
tomorrow. But I wasted days depending too much on her gentleness.
Now I finally can convey how I felt in those days when we met.
1/9
www.flickr.com/photos/stealaway/24577016535/in/dateposted...
2/9
www.flickr.com/photos/stealaway/24209330259/in/dateposted...
3/9
www.flickr.com/photos/stealaway/23975215274/in/dateposted...
4/9
www.flickr.com/photos/stealaway/24515964952/in/dateposted...
5/9
www.flickr.com/photos/stealaway/24276473749/in/dateposted...
6/9
www.flickr.com/photos/stealaway/24548895082/in/dateposted...
7/9
www.flickr.com/photos/stealaway/24594603711/in/dateposted...
8/9
www.flickr.com/photos/stealaway/24588215562/in/dateposted...
9/9
www.flickr.com/photos/stealaway/24100804163/in/dateposted...
Fin.
images.
U2 - No Line On The Horizon
www.youtube.com/watch?v=_oKwnkYFsiE&feature=related
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Title of my book : unforgettable'
Author : Mitsushiro Nakagawa
Out Now.
ISBN978-4-86264-866-2
in Amazon.
Unforgettable’ amzn.asia/d/eG1wNc5
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The schedule of the next novel.
Still would stand all time. (Unforgettable '2)
(It will not go away forever)
Please give me some more time. That is Japanese.
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My Works.
1 www.flickr.com/photos/stealaway/48072442376/in/dateposted...
2 www.flickr.com/photos/stealaway/48078949821/in/dateposted...
3 www.flickr.com/photos/stealaway/48085863356/in/dateposted...
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Do you want to hear my voice?
:)
1
About the composition of the picture posted to Flicker. First type.
2
About the composition of the picture posted to Flicker. Second type.
3
About when I started Fotolog. Architect 's point of view.
4
Why did not you have a camera so far?
5
What is the coolest thing? The photo is as it is.
6
About the current YouTube bar. I also want to tell # I want to leave.
7
About Japanese photographers. Japanese YouTube bar is Pistols.
8
The composition of the photograph is sensibility. Meet the designers in Milan. Two questions.
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What is a good composition? What is a bad composition?
10
What is the time to point the camera? It is slow if you are looking into the viewfinder or display.
11
Family photos. I can not take pictures with others. The inside of the subject.
12
About YouTube 's photographer. Camera technology etc. Sensibility is polished by reading books.
13
About the Japanese newspaper. A picture of a good newspaper is Reuters. If you continue to look at useless photographs # it will be useless.
14
About Japanese photographers. About the exhibition.
Summary. I wrote a novel etc. What I want to tell the most.
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I talked about how to make a work.
About work production 1/2
About work production 2/2
1 Photo exhibition up to that point. Did you want to go?
2 Well # what is an exhibition that you want to visit even if you go there?
3 Challenge to exhibit one work every month before opening a solo exhibition at the Harajuku Design Festa.
4 works are materials and silhouettes. Similar to fashion.
5 Who is your favorite artist? What is it? Make it clear.
6 Creating a collage is exactly the same as taking photos. As I wrote in the interview # it is the same as writing a novel.
7 I want to show it to someone # but I do not make a piece to show it. Aim for the work you want to decorate your own room as in the photo.
8 What is copycat? Nowadays # it is suspected to be beaten. There is something called Mimesis?
kotobank.jp/word/Mimesis-139464
9 What is Individuality? What is originality?
www.youtube.com/user/mitsushiro/
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Explanation of composition. 2
1.Composition explanation 2 ... 1/4
2.Composition explanation 2 ... 2/4
3.Composition Explanation 2 ... 3/4
4.Composition Explanation 2 ... 4/4
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My shutter feeling.
Today's photo.
It is a photo taken from Eurostar.
This video is an explanation.
I went to Milan in 2005.
At that time # I went from Milan to Venice.
We took Eurostar into the transportation.
This photo was not taken from a very fast Eurostar.
When I changed the track # I took a picture at the moment I slowed down.
Is there a Japanese beside you?
Please have my video translated.
:)
In the Eurostar to Venice . 2005. shot ... 1 / 2
www.flickr.com/photos/stealaway/49127115021/in/dateposted...
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Miles Davis sheet 1955-1976.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
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flickr.
www.flickr.com/photos/stealaway/
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instagram.
www.instagram.com/mitsushiro_nakagawa/
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Pinterest.
www.pinterest.jp/MitsushiroNakagawa/
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YouPic
youpic.com/photographer/mitsushironakagawa/
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twitter.
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facebook.
www.facebook.com/mitsushiro.nakagawa
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threads.
www.threads.net/@mitsushiro_nakagawa
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Blue sky.
bsky.app/profile/mitsushironakagawa.bsky.social
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Amazon.
www.amazon.co.jp/gp/profile/amzn1.account.AHSKI3YMYPYE5UE...
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My statistics (as of December 15, 2024)
How many views have you had on Flickr and Youpic
Flickr 24,260,172 Views
Youpic 7,957,826 Views
x.com/mitsushiro/status/1868185157909582014
My statistics (as of August 1, 2024)
How many views have I had on Flickr and Youpic
Flickr 23,192,383 Views
Youpic 7,574,603 Views
My statistics. (As of February 7, 2024)
What is the number of accesses to Flickr and YouPic
Flickr 21,694,434 Views
Youpic 7,003,230 Views
What is the number of accesses to Flickr and YouPic?
(As of November 13, 2023)
Flickr 20,852,872 View
Youpic 6,671,486 View
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Japanese is the following.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
Title of my book unforgettable' Mitsushiro Nakagawa Out Now. ISBN978-4-86264-866-2
Mitsushiro Nakagawa belong to Lot No. 204 _ . Copyright©︎2024 Lot No.402_ All rights reserved.
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Title.
Broadwayと車と男性。
( LUMIX G3 shot )
マンハッタン。ニューヨーク。アメリカ。2017. … 4 / 7
(今日の写真。それは未発表です。）
Images.
Number_i … Rain or Shine
youtu.be/V8sfbWKiZYg?si=TBG_djh9VtYXkFVm
::写真の音楽とiTunesプレイリストをリンク::
music.apple.com/jp/playlist/photo-music/pl.u-Eg8qefpy8Xz
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重要なお知らせ。
僕は以下の条件を緩和します。
僕はTシャツを無料で世界中へ配布します。
m.flickr.com/photos/stealaway/50656401427/in/dateposted-p...
m.flickr.com/photos/stealaway/50613367691/in/dateposted-p...
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２０２5年の展示
テーマ
The Nightfly
Images
Donald Fagen … I.G.Y.
youtu.be/Ueivjr3f8xg?si=xmqGPQjyIKoTs4Q5
Live.
youtu.be/Di0_KYtmVKI?si=CLFpU2n0gXahqLPB
Mitsushiro - Nakagawa
主催
デザインフェスタ
場所
東京ビッグサイト
日程
2025年 秋。
exhibition.mitsushiro.nakagawa@gmail.com
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タイトル
“” A.I. アップルのアイデンティティについて””
www.flickr.com/photos/stealaway/54271473379/in/dateposted...
マークザッカーバーグ氏の批判に、アップルは耳を傾けるだろうか。
僕にはそう思えない。アップルヴィジョンプロに夢を見せられた僕には。
メタのマークザッカーバーグ氏は、有名なポッドキャストに出演し、アップルはアイフォン以来革新的な製品を発売せず、売り上げも落ちていると批判したようだ。
アップル発祥のポッドキャストに現れ、アップルを批判すると言うのは軽いジョークに思えるが、真剣に訴えたんだろうと僕は思う。
なぜなら、今の彼はARグラスという武器を手にしているからだ。
おそらく、さまざまな関係機関や優秀なスタッフが彼を支え、それなりの目標を達成したんだろうが、パワーブック５４０cから使い続けてきた僕のような古いアップルファンからしてみれば、まだ物作りのアイデンティを彼からはまったく感じない。
これは他の、現在世界を制覇しているIT企業らも含む。
メタ、アマゾン、テスラ。マイクロソフト。グーグル。
社名が並ぶだけで、このテキストを読まれている方は名前と顔をすでに浮かべているはずだ。
僕は以前、スティーブ・ジョブズはアーティストではないと書いた。
彼は、現世界に散らばったイメージを紡ぎ合わせ、それを膨らます。そして未来へリンクさせる。それが得意だっただけだ。
実際に創作していたのはジョナサンアイブだ。少数ながらも僕のような意見を持っている方もいるだろう。
しかし、先述したIT関連の面々が、トランプ氏に再び権力が戻るとなった途端に会社の方針を覆す様子を見ていると、僕は一言、どうしても意見したいのだ。
彼らが作ったARグラスや車などには、肝心な観念が欠けている。思想という重い言葉や、軽めのアイデンティティと言い換えてもいい。
確かに、ティムクック氏やアップルの現在のスタッフらは、発売前の商品に関して口を滑らせることが多くなった。
僕は、以前から書いているように音楽が大好きだ。
外界を断ち、アーティストらがスタジオにこもって、怒りや憎しみ、喜びや悲しみを一心不乱になって一音に吹き込む。何かを託すと言ってもいい。
そして、完成したアルバムを発表し、どんな思いを込めて制作したのかを語る。（僕が好きなプリンスはほとんど語らなかったので、完成された作品を理解する必要があった）
アルバムが完成し、発表するまで、彼らはひとことも語らない。
僕の胸を震わせたのは、そんなアーティストらだった。
僕の中に淡く灯っているアップルの革新性は、いまでも消えていない。
それは昨年、大失敗だと批判されたアップルヴィジョンプロでさえも消すことはできない。むしろ、アイフォン以上の強烈な光を放っている。
ただの斬新な電化製品ではなく、細かな電気部品の向こうに観念や思想を感じるからだ。
残念ながら、メタのARグラスやテスラの車に、僕がその観念や思想を感じることは今後もないだろう。
長々と書いてきたが、結論は以下の記事だ。
1.5億円超をAppleのティム・クックCEOがトランプの大統領就任式に寄付
gigazine.net/news/20250104-apple-ceo-tim-cook-donates-1-m...
一読すると、ティムクック氏も他のIT会社同様、魂を売ったのかと思われるがそうではない。
ティムクック氏は個人的にトランプ氏へ献金をするが、アップル社だけは他社と同じようには献金していない。
アップルは、トランプ氏になびかなかったのだ。
アップル社の観念や思想とは、具体的に何かと訊かれたら、僕はこう答える。
アップルとは、自分自身を信じる人間が集まっているグループだ。
たぶん、天国のスティーブ・ジョブズは、僕がクソ真面目に書いたテキストを、鼻で笑っていることだろう。
トランプ氏に媚びない会社。
それがAppleさ。:)
１月１５日
嬉しい記事を読んだ後で。
Mitsushiro Nakagawa.
追記。
修正しました。
修正前 アップルのポッドキャストに現れ、
修正後 アップル発祥のポッドキャストに現れ、
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” Lot No.402_ ” に関するお知らせ。
今後、僕は、” Lot No.402_ ”を主催します。
このロットナンバーは、眠っていたレオナルドダヴィンチの作品がオークションにかけらた際に付されたものです。
作品にはサインなどがいっさい記されていなかったため、彼の作品だと断定できませんでした。
しかし、様々な鑑定の結果、陽の光を浴びました。
誰にも気づかれない作品。肩書がなくとも静かに語りかける作品。
僕はこれから様々な形で、多くの皆様に提供できるよう努めてゆきます。
2020年10月24日 by Mitsushiro - Nakagawa.
Copyright©︎2021 Lot No.402_ All rights reserved.
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プロフィール
2014年11月、たった1機種で世界を塗り替えた携帯電話の広告を請け負った選考者の目に留まり、秘密保持同意書を結ぶ。
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
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インタビューと小説。
僕の本について。
僕は、昔に本を出版しました。
その際に、僕のインタビューをPDFでネット上へアップロードしていました。
その日本語と英語。
僕は、無料でを公開します。
詳細は、アマゾンのサイトへ解説しました。
小説の書き方。
写真の撮影方法。
作品への距離感。
これらはすべて共通項があります。
僕は、僕が感じたことを文章にして、残しました。
僕のテキストが多くの人に読んでもらえることを望みます。
ありがとう。
Mitsushiro.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
１ インタビュー 英語版
２ 小説。unforgettable’ 英語版。
３ インタビュー 日本語版
４ 小説。unforgettable’ 日本語版。(この小説は未来のアーティストへ捧げます)
(四百字詰め原稿用紙４５６枚)
あらすじ
大学を目指している北見ケイは、SNS上で、6歳年上のイベントコンパニオン、上村香織に出会う。
上京してきた香織の夢は、有名なアーティストの友達になるためだ。
そのためにはラジオ局のプロデューサー、大沢亮の存在が必要だった。
大沢は、ラジオの生放送中、香織へ語りかける。
「僕には妻子がある。しかし、僕は君に会いたいと思っている」
ケイの同級生で、彼を想っている三條里香は、香織の動向を探っていた。。。。。
本編
人が海へ向かう理由には、二つある。
ひとつは、波打ち際ではしゃぐ子供のように、今の瞬間の海の輝きを楽しむこと。
もうひとつは、その輝きを静かに見据えて、過ぎ去った日々を懐かしむ老人のように記憶の埃を払うこと。
二つは重なり合わないようではあるけれども、たったひとつの意味しか生まない。
再生だ。
明日っていう、曖昧な日を確実なものへと変えてゆくために、自分の存在に向き合う。
それが再生の意味だ。
十八歳だった僕には大切な人がいた。
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
５ 流線形の軌跡。 日本語のみ。
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
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iBooks.電子出版。（現在は無料）
0.about the iBooks.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
1.unforgettable’ ( ENG.ver.)(This book is Dedicated to the future artist.)
itunes.apple.com/us/book/unforgettable/id1216576828?ls=1&...
For Japanese only.
2.unforgettable’ ( JNP.ver.)(この小説は未来のアーティストへ捧げます)
itunes.apple.com/us/book/unforgettable/id1216584262?ls=1&...
3.流線形の軌跡。
itunes.apple.com/us/book/%E6%B5%81%E7%B7%9A%E5%BD%A2%E3%8...
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僕の小説。英語版
My Novel Unforgettable' (This book is Dedicated to the future artist.)
Mitsushiro Nakagawa
All Translated by Yumi Ikeda .
1/9
www.flickr.com/photos/stealaway/24577016535/in/dateposted...
2/9
www.flickr.com/photos/stealaway/24209330259/in/dateposted...
3/9
www.flickr.com/photos/stealaway/23975215274/in/dateposted...
4/9
www.flickr.com/photos/stealaway/24515964952/in/dateposted...
5/9
www.flickr.com/photos/stealaway/24276473749/in/dateposted...
6/9
www.flickr.com/photos/stealaway/24548895082/in/dateposted...
7/9
www.flickr.com/photos/stealaway/24594603711/in/dateposted...
8/9
www.flickr.com/photos/stealaway/24588215562/in/dateposted...
9/9
www.flickr.com/photos/stealaway/24100804163/in/dateposted...
Fin.
images.
U2 - No Line On The Horizon Live in Dublin
www.youtube.com/watch?v=_oKwnkYFsiE&feature=related
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Title of my book : unforgettable'
Author : Mitsushiro Nakagawa
Out Now.
ISBN978-4-86264-866-2
in Amazon.
Unforgettable’ amzn.asia/d/eG1wNc5
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僕の作品。
1 www.flickr.com/photos/stealaway/48072442376/in/dateposted...
2 www.flickr.com/photos/stealaway/48078949821/in/dateposted...
3 www.flickr.com/photos/stealaway/48085863356/in/dateposted...
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あなたは僕の声を聞きたいですか？
:)
1
フリッカーへ投稿した写真の構図について。１種類目。
2
フリッカーへ投稿した写真の構図について。２種類目。
3
Fotologを始めた時について。 建築家の視点。
4
なぜ、今までカメラを手にしなかったのか？
5
何が一番かっこいいのか？ 写真はありのままに。
6
現在のユーチューバーについて。僕も伝え、残したい。
7
日本人の写真家について。日本のユーチューバーはピストルズ。
8
写真の構図は、感性。ミラノのデザイナーに会って。二つの質問。
9
良い構図とは？ 悪い構図とは？
10
カメラを向ける時とは？ ファインダーやディスプレイを覗いていては遅い。
11
家族写真。他人では撮れない。被写体の内面。
12
ユーチューブの写真家について。カメラの技術等。感性は、本を読むことで磨く。
13
日本の新聞について。良い新聞の写真はロイター。ダメな写真を見続けるとダメになる。
14
日本の写真家について。その展示について。
まとめ。僕が書いた小説など。僕が最も伝えたいこと。
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作品制作について 1/2
作品制作について 2/2
１ それまでの写真展。自分は行きたいと思ったか？
２ じゃ、自分が足を運んででも行きたい展示とは何か？
３ 原宿デザインフェスタで個展を開くまでに、毎月ひとつの作品を展示することにチャレンジ。
４ 作品とは、素材とシルエット。ファッションと似ている。
５ 自分が好きなアーティストは誰か？ どんなものなのか？ そこをはっきりさせる。
６ コラージュの作成も写真の撮り方と全く同じ。インタビューに書いたように小説の書き方とも同じ。
７ 誰かに見せたい、見せるがために作品は作らない。写真と同じように自分の部屋に飾りたい作品を目指す。
８ パクリとは何か？ 昨今、叩かれるパクリ疑惑。ミメーシスとは？
https://ja.wikipedia.org/wiki/ミメーシス
https://kotobank.jp/word/ミメーシス-139464
９ 個性とはなにか？ オリジナリティってなに？
おまけ 眞子さまについて
という流れです。
お時間がある方は是非聴いてください。
:)
www.youtube.com/user/mitsushiro/
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構図の解説２
1.構図の解説２ ... 1/4
2.構図の解説２ ... 2/4
3.構図の解説２ ... 3/4
4.構図の解説２ ... 4/4
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僕のシャッター感覚
In the Eurostar to Venice . 2005. shot ... 1 / 2
www.flickr.com/photos/stealaway/49127115021/in/dateposted...
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Miles Davis sheet 1955-1976.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
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flickr.
www.flickr.com/photos/stealaway/
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YouTube.
www.youtube.com/user/mitsushiro/
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instagram.
www.instagram.com/mitsushiro_nakagawa/
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Pinterest.
www.pinterest.jp/MitsushiroNakagawa/
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YouPic
youpic.com/photographer/mitsushironakagawa/
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fotolog
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twitter.
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facebook.
www.facebook.com/mitsushiro.nakagawa
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threads.
www.threads.net/@mitsushiro_nakagawa
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Blue sky.
bsky.app/profile/mitsushironakagawa.bsky.social
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Amazon.
www.amazon.co.jp/gp/profile/amzn1.account.AHSKI3YMYPYE5UE...
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僕の統計。（2024年12月15日現在）
フリッカー、ユーピクのアクセス数は？
Flickr 24,260,172 View
Youpic 7,957,826 View
x.com/mitsushiro/status/1868185157909582014
僕の統計。（2024年8月1日現在）
フリッカー、ユーピクのアクセス数は？
Flickr 23,192,383 View
Youpic 7,574,603 View
僕の統計。（2024年2月7日現在）
フリッカー、ユーピクのアクセス数は？
Flickr 21,694,434 View
Youpic 7,003,230 View
僕の統計。（2023年11月13日現在）
フリッカー、ユーピクのアクセス数は？
Flickr 20,852,872 View
Youpic 6,671,486 View
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Japanese is the following.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
Title of my book unforgettable' Mitsushiro Nakagawa Out Now. ISBN978-4-86264-866-2
Mitsushiro Nakagawa belong to Lot no.204_ . Copyright©︎2020 Lot no.204_ All rights reserved.
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” Lot No.402_ ” に関するお知らせ。
今後、僕は、” Lot No.402_ ”を主催します。
このロットナンバーは、眠っていたレオナルドダヴィンチの作品がオークションにかけらた際に付されたものです。
作品にはサインなどがいっさい記されていなかったため、彼の作品だと断定できませんでした。
しかし、様々な鑑定の結果、陽の光を浴びました。
誰にも気づかれない作品。肩書がなくとも静かに語りかける作品。
僕はこれから様々な形で、多くの皆様に提供できるよう努めてゆきます。
2020年10月24日 by Mitsushiro - Nakagawa.
Copyright©︎2024 Lot No.402_ All rights reserved.
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I know my car is filthy and these roads have claimed one of its hubcaps but I thought this was worth uploading just for the sky that afternoon.
Batman is a superhero appearing in American comic books published by DC Comics. The character was created by artist Bob Kane and writer Bill Finger, and debuted in the 27th issue of the comic book Detective Comics on March 30, 1939. In the DC Universe continuity, Batman is the alias of Bruce Wayne, a wealthy American playboy, philanthropist, and industrialist who resides in Gotham City. Batman's origin story features him swearing vengeance against criminals after witnessing the murder of his parents Thomas and Martha as a child, a vendetta tempered with the ideal of justice. He trains himself physically and intellectually, crafts a bat-inspired persona, and monitors the Gotham streets at night. Kane, Finger, and other creators accompanied Batman with supporting characters, including his sidekicks Robin and Batgirl; allies Alfred Pennyworth, James Gordon, and Catwoman; and foes such as the Penguin, the Riddler, Two-Face, and his archenemy, the Joker.
Kane conceived Batman in early 1939 to capitalize on the popularity of DC's Superman; although Kane frequently claimed sole creation credit, Finger substantially developed the concept from a generic superhero into something more bat-like. The character received his own spin-off publication, Batman, in 1940. Batman was originally introduced as a ruthless vigilante who frequently killed or maimed criminals, but evolved into a character with a stringent moral code and strong sense of justice. Unlike most superheroes, Batman does not possess any superpowers, instead relying on his intellect, fighting skills, and wealth. The 1960s Batman television series used a camp aesthetic, which continued to be associated with the character for years after the show ended. Various creators worked to return the character to his darker roots in the 1970s and 1980s, culminating with the 1986 miniseries The Dark Knight Returns by Frank Miller.
DC has featured Batman in many comic books, including comics published under its imprints such as Vertigo and Black Label. The longest-running Batman comic, Detective Comics, is the longest-running comic book in the United States. Batman is frequently depicted alongside other DC superheroes, such as Superman and Wonder Woman, as a member of organizations such as the Justice League and the Outsiders. In addition to Bruce Wayne, other characters have taken on the Batman persona on different occasions, such as Jean-Paul Valley / Azrael in the 1993–1994 "Knightfall" story arc; Dick Grayson, the first Robin, from 2009 to 2011; and Jace Fox, son of Wayne's ally Lucius, as of 2021. DC has also published comics featuring alternate versions of Batman, including the incarnation seen in The Dark Knight Returns and its successors, the incarnation from the Flashpoint (2011) event, and numerous interpretations from Elseworlds stories.
One of the most iconic characters in popular culture, Batman has been listed among the greatest comic book superheroes and fictional characters ever created. He is one of the most commercially successful superheroes, and his likeness has been licensed and featured in various media and merchandise sold around the world; this includes toy lines such as Lego Batman and video games like the Batman: Arkham series. Batman has been adapted in live-action and animated incarnations, including the 1960s Batman television series played by Adam West and in film by Michael Keaton in Batman (1989), Batman Returns (1992), and The Flash (2023), Val Kilmer in Batman Forever (1995), George Clooney in Batman & Robin (1997), Christian Bale in The Dark Knight trilogy (2005–2012), Ben Affleck in the DC Extended Universe (2016–2023), and Robert Pattinson in The Batman (2022). Kevin Conroy, Diedrich Bader, Jensen Ackles, Troy Baker, and Will Arnett, among others, have provided the character's voice.
Graffiti (plural; singular graffiti or graffito, the latter rarely used except in archeology) is art that is written, painted or drawn on a wall or other surface, usually without permission and within public view. Graffiti ranges from simple written words to elaborate wall paintings, and has existed since ancient times, with examples dating back to ancient Egypt, ancient Greece, and the Roman Empire (see also mural).
Graffiti is a controversial subject. In most countries, marking or painting property without permission is considered by property owners and civic authorities as defacement and vandalism, which is a punishable crime, citing the use of graffiti by street gangs to mark territory or to serve as an indicator of gang-related activities. Graffiti has become visualized as a growing urban "problem" for many cities in industrialized nations, spreading from the New York City subway system and Philadelphia in the early 1970s to the rest of the United States and Europe and other world regions
"Graffiti" (usually both singular and plural) and the rare singular form "graffito" are from the Italian word graffiato ("scratched"). The term "graffiti" is used in art history for works of art produced by scratching a design into a surface. A related term is "sgraffito", which involves scratching through one layer of pigment to reveal another beneath it. This technique was primarily used by potters who would glaze their wares and then scratch a design into them. In ancient times graffiti were carved on walls with a sharp object, although sometimes chalk or coal were used. The word originates from Greek γράφειν—graphein—meaning "to write".
The term graffiti originally referred to the inscriptions, figure drawings, and such, found on the walls of ancient sepulchres or ruins, as in the Catacombs of Rome or at Pompeii. Historically, these writings were not considered vanadlism, which today is considered part of the definition of graffiti.
The only known source of the Safaitic language, an ancient form of Arabic, is from graffiti: inscriptions scratched on to the surface of rocks and boulders in the predominantly basalt desert of southern Syria, eastern Jordan and northern Saudi Arabia. Safaitic dates from the first century BC to the fourth century AD.
Some of the oldest cave paintings in the world are 40,000 year old ones found in Australia. The oldest written graffiti was found in ancient Rome around 2500 years ago. Most graffiti from the time was boasts about sexual experiences Graffiti in Ancient Rome was a form of communication, and was not considered vandalism.
Ancient tourists visiting the 5th-century citadel at Sigiriya in Sri Lanka write their names and commentary over the "mirror wall", adding up to over 1800 individual graffiti produced there between the 6th and 18th centuries. Most of the graffiti refer to the frescoes of semi-nude females found there. One reads:
Wet with cool dew drops
fragrant with perfume from the flowers
came the gentle breeze
jasmine and water lily
dance in the spring sunshine
side-long glances
of the golden-hued ladies
stab into my thoughts
heaven itself cannot take my mind
as it has been captivated by one lass
among the five hundred I have seen here.
Among the ancient political graffiti examples were Arab satirist poems. Yazid al-Himyari, an Umayyad Arab and Persian poet, was most known for writing his political poetry on the walls between Sajistan and Basra, manifesting a strong hatred towards the Umayyad regime and its walis, and people used to read and circulate them very widely.
Graffiti, known as Tacherons, were frequently scratched on Romanesque Scandinavian church walls. When Renaissance artists such as Pinturicchio, Raphael, Michelangelo, Ghirlandaio, or Filippino Lippi descended into the ruins of Nero's Domus Aurea, they carved or painted their names and returned to initiate the grottesche style of decoration.
There are also examples of graffiti occurring in American history, such as Independence Rock, a national landmark along the Oregon Trail.
Later, French soldiers carved their names on monuments during the Napoleonic campaign of Egypt in the 1790s. Lord Byron's survives on one of the columns of the Temple of Poseidon at Cape Sounion in Attica, Greece.
The oldest known example of graffiti "monikers" found on traincars created by hobos and railworkers since the late 1800s. The Bozo Texino monikers were documented by filmmaker Bill Daniel in his 2005 film, Who is Bozo Texino?.
In World War II, an inscription on a wall at the fortress of Verdun was seen as an illustration of the US response twice in a generation to the wrongs of the Old World:
During World War II and for decades after, the phrase "Kilroy was here" with an accompanying illustration was widespread throughout the world, due to its use by American troops and ultimately filtering into American popular culture. Shortly after the death of Charlie Parker (nicknamed "Yardbird" or "Bird"), graffiti began appearing around New York with the words "Bird Lives".
Modern graffiti art has its origins with young people in 1960s and 70s in New York City and Philadelphia. Tags were the first form of stylised contemporary graffiti. Eventually, throw-ups and pieces evolved with the desire to create larger art. Writers used spray paint and other kind of materials to leave tags or to create images on the sides subway trains. and eventually moved into the city after the NYC metro began to buy new trains and paint over graffiti.
While the art had many advocates and appreciators—including the cultural critic Norman Mailer—others, including New York City mayor Ed Koch, considered it to be defacement of public property, and saw it as a form of public blight. The ‘taggers’ called what they did ‘writing’—though an important 1974 essay by Mailer referred to it using the term ‘graffiti.’
Contemporary graffiti style has been heavily influenced by hip hop culture and the myriad international styles derived from Philadelphia and New York City Subway graffiti; however, there are many other traditions of notable graffiti in the twentieth century. Graffiti have long appeared on building walls, in latrines, railroad boxcars, subways, and bridges.
An early graffito outside of New York or Philadelphia was the inscription in London reading "Clapton is God" in reference to the guitarist Eric Clapton. Creating the cult of the guitar hero, the phrase was spray-painted by an admirer on a wall in an Islington, north London in the autumn of 1967. The graffito was captured in a photograph, in which a dog is urinating on the wall.
Films like Style Wars in the 80s depicting famous writers such as Skeme, Dondi, MinOne, and ZEPHYR reinforced graffiti's role within New York's emerging hip-hop culture. Although many officers of the New York City Police Department found this film to be controversial, Style Wars is still recognized as the most prolific film representation of what was going on within the young hip hop culture of the early 1980s. Fab 5 Freddy and Futura 2000 took hip hop graffiti to Paris and London as part of the New York City Rap Tour in 1983
Commercialization and entrance into mainstream pop culture
Main article: Commercial graffiti
With the popularity and legitimization of graffiti has come a level of commercialization. In 2001, computer giant IBM launched an advertising campaign in Chicago and San Francisco which involved people spray painting on sidewalks a peace symbol, a heart, and a penguin (Linux mascot), to represent "Peace, Love, and Linux." IBM paid Chicago and San Francisco collectively US$120,000 for punitive damages and clean-up costs.
In 2005, a similar ad campaign was launched by Sony and executed by its advertising agency in New York, Chicago, Atlanta, Philadelphia, Los Angeles, and Miami, to market its handheld PSP gaming system. In this campaign, taking notice of the legal problems of the IBM campaign, Sony paid building owners for the rights to paint on their buildings "a collection of dizzy-eyed urban kids playing with the PSP as if it were a skateboard, a paddle, or a rocking horse".
Tristan Manco wrote that Brazil "boasts a unique and particularly rich, graffiti scene ... [earning] it an international reputation as the place to go for artistic inspiration". Graffiti "flourishes in every conceivable space in Brazil's cities". Artistic parallels "are often drawn between the energy of São Paulo today and 1970s New York". The "sprawling metropolis", of São Paulo has "become the new shrine to graffiti"; Manco alludes to "poverty and unemployment ... [and] the epic struggles and conditions of the country's marginalised peoples", and to "Brazil's chronic poverty", as the main engines that "have fuelled a vibrant graffiti culture". In world terms, Brazil has "one of the most uneven distributions of income. Laws and taxes change frequently". Such factors, Manco argues, contribute to a very fluid society, riven with those economic divisions and social tensions that underpin and feed the "folkloric vandalism and an urban sport for the disenfranchised", that is South American graffiti art.
Prominent Brazilian writers include Os Gêmeos, Boleta, Nunca, Nina, Speto, Tikka, and T.Freak. Their artistic success and involvement in commercial design ventures has highlighted divisions within the Brazilian graffiti community between adherents of the cruder transgressive form of pichação and the more conventionally artistic values of the practitioners of grafite.
Graffiti in the Middle East has emerged slowly, with taggers operating in Egypt, Lebanon, the Gulf countries like Bahrain or the United Arab Emirates, Israel, and in Iran. The major Iranian newspaper Hamshahri has published two articles on illegal writers in the city with photographic coverage of Iranian artist A1one's works on Tehran walls. Tokyo-based design magazine, PingMag, has interviewed A1one and featured photographs of his work. The Israeli West Bank barrier has become a site for graffiti, reminiscent in this sense of the Berlin Wall. Many writers in Israel come from other places around the globe, such as JUIF from Los Angeles and DEVIONE from London. The religious reference "נ נח נחמ נחמן מאומן" ("Na Nach Nachma Nachman Meuman") is commonly seen in graffiti around Israel.
Graffiti has played an important role within the street art scene in the Middle East and North Africa (MENA), especially following the events of the Arab Spring of 2011 or the Sudanese Revolution of 2018/19. Graffiti is a tool of expression in the context of conflict in the region, allowing people to raise their voices politically and socially. Famous street artist Banksy has had an important effect in the street art scene in the MENA area, especially in Palestine where some of his works are located in the West Bank barrier and Bethlehem.
There are also a large number of graffiti influences in Southeast Asian countries that mostly come from modern Western culture, such as Malaysia, where graffiti have long been a common sight in Malaysia's capital city, Kuala Lumpur. Since 2010, the country has begun hosting a street festival to encourage all generations and people from all walks of life to enjoy and encourage Malaysian street culture.
The modern-day graffitists can be found with an arsenal of various materials that allow for a successful production of a piece. This includes such techniques as scribing. However, spray paint in aerosol cans is the number one medium for graffiti. From this commodity comes different styles, technique, and abilities to form master works of graffiti. Spray paint can be found at hardware and art stores and comes in virtually every color.
Stencil graffiti is created by cutting out shapes and designs in a stiff material (such as cardboard or subject folders) to form an overall design or image. The stencil is then placed on the "canvas" gently and with quick, easy strokes of the aerosol can, the image begins to appear on the intended surface.
Some of the first examples were created in 1981 by artists Blek le Rat in Paris, in 1982 by Jef Aerosol in Tours (France); by 1985 stencils had appeared in other cities including New York City, Sydney, and Melbourne, where they were documented by American photographer Charles Gatewood and Australian photographer Rennie Ellis
Tagging is the practice of someone spray-painting "their name, initial or logo onto a public surface" in a handstyle unique to the writer. Tags were the first form of modern graffiti.
Modern graffiti art often incorporates additional arts and technologies. For example, Graffiti Research Lab has encouraged the use of projected images and magnetic light-emitting diodes (throwies) as new media for graffitists. yarnbombing is another recent form of graffiti. Yarnbombers occasionally target previous graffiti for modification, which had been avoided among the majority of graffitists.
Theories on the use of graffiti by avant-garde artists have a history dating back at least to the Asger Jorn, who in 1962 painting declared in a graffiti-like gesture "the avant-garde won't give up"
Many contemporary analysts and even art critics have begun to see artistic value in some graffiti and to recognize it as a form of public art. According to many art researchers, particularly in the Netherlands and in Los Angeles, that type of public art is, in fact an effective tool of social emancipation or, in the achievement of a political goal
In times of conflict, such murals have offered a means of communication and self-expression for members of these socially, ethnically, or racially divided communities, and have proven themselves as effective tools in establishing dialog and thus, of addressing cleavages in the long run. The Berlin Wall was also extensively covered by graffiti reflecting social pressures relating to the oppressive Soviet rule over the GDR.
Many artists involved with graffiti are also concerned with the similar activity of stenciling. Essentially, this entails stenciling a print of one or more colors using spray-paint. Recognized while exhibiting and publishing several of her coloured stencils and paintings portraying the Sri Lankan Civil War and urban Britain in the early 2000s, graffitists Mathangi Arulpragasam, aka M.I.A., has also become known for integrating her imagery of political violence into her music videos for singles "Galang" and "Bucky Done Gun", and her cover art. Stickers of her artwork also often appear around places such as London in Brick Lane, stuck to lamp posts and street signs, she having become a muse for other graffitists and painters worldwide in cities including Seville.
Graffitist believes that art should be on display for everyone in the public eye or in plain sight, not hidden away in a museum or a gallery. Art should color the streets, not the inside of some building. Graffiti is a form of art that cannot be owned or bought. It does not last forever, it is temporary, yet one of a kind. It is a form of self promotion for the artist that can be displayed anywhere form sidewalks, roofs, subways, building wall, etc. Art to them is for everyone and should be showed to everyone for free.
Graffiti is a way of communicating and a way of expressing what one feels in the moment. It is both art and a functional thing that can warn people of something or inform people of something. However, graffiti is to some people a form of art, but to some a form of vandalism. And many graffitists choose to protect their identities and remain anonymous or to hinder prosecution.
With the commercialization of graffiti (and hip hop in general), in most cases, even with legally painted "graffiti" art, graffitists tend to choose anonymity. This may be attributed to various reasons or a combination of reasons. Graffiti still remains the one of four hip hop elements that is not considered "performance art" despite the image of the "singing and dancing star" that sells hip hop culture to the mainstream. Being a graphic form of art, it might also be said that many graffitists still fall in the category of the introverted archetypal artist.
Banksy is one of the world's most notorious and popular street artists who continues to remain faceless in today's society. He is known for his political, anti-war stencil art mainly in Bristol, England, but his work may be seen anywhere from Los Angeles to Palestine. In the UK, Banksy is the most recognizable icon for this cultural artistic movement and keeps his identity a secret to avoid arrest. Much of Banksy's artwork may be seen around the streets of London and surrounding suburbs, although he has painted pictures throughout the world, including the Middle East, where he has painted on Israel's controversial West Bank barrier with satirical images of life on the other side. One depicted a hole in the wall with an idyllic beach, while another shows a mountain landscape on the other side. A number of exhibitions also have taken place since 2000, and recent works of art have fetched vast sums of money. Banksy's art is a prime example of the classic controversy: vandalism vs. art. Art supporters endorse his work distributed in urban areas as pieces of art and some councils, such as Bristol and Islington, have officially protected them, while officials of other areas have deemed his work to be vandalism and have removed it.
Pixnit is another artist who chooses to keep her identity from the general public. Her work focuses on beauty and design aspects of graffiti as opposed to Banksy's anti-government shock value. Her paintings are often of flower designs above shops and stores in her local urban area of Cambridge, Massachusetts. Some store owners endorse her work and encourage others to do similar work as well. "One of the pieces was left up above Steve's Kitchen, because it looks pretty awesome"- Erin Scott, the manager of New England Comics in Allston, Massachusetts.
Graffiti artists may become offended if photographs of their art are published in a commercial context without their permission. In March 2020, the Finnish graffiti artist Psyke expressed his displeasure at the newspaper Ilta-Sanomat publishing a photograph of a Peugeot 208 in an article about new cars, with his graffiti prominently shown on the background. The artist claims he does not want his art being used in commercial context, not even if he were to receive compensation.
Territorial graffiti marks urban neighborhoods with tags and logos to differentiate certain groups from others. These images are meant to show outsiders a stern look at whose turf is whose. The subject matter of gang-related graffiti consists of cryptic symbols and initials strictly fashioned with unique calligraphies. Gang members use graffiti to designate membership throughout the gang, to differentiate rivals and associates and, most commonly, to mark borders which are both territorial and ideological.
Graffiti has been used as a means of advertising both legally and illegally. Bronx-based TATS CRU has made a name for themselves doing legal advertising campaigns for companies such as Coca-Cola, McDonald's, Toyota, and MTV. In the UK, Covent Garden's Boxfresh used stencil images of a Zapatista revolutionary in the hopes that cross referencing would promote their store.
Smirnoff hired artists to use reverse graffiti (the use of high pressure hoses to clean dirty surfaces to leave a clean image in the surrounding dirt) to increase awareness of their product.
Graffiti often has a reputation as part of a subculture that rebels against authority, although the considerations of the practitioners often diverge and can relate to a wide range of attitudes. It can express a political practice and can form just one tool in an array of resistance techniques. One early example includes the anarcho-punk band Crass, who conducted a campaign of stenciling anti-war, anarchist, feminist, and anti-consumerist messages throughout the London Underground system during the late 1970s and early 1980s. In Amsterdam graffiti was a major part of the punk scene. The city was covered with names such as "De Zoot", "Vendex", and "Dr Rat". To document the graffiti a punk magazine was started that was called Gallery Anus. So when hip hop came to Europe in the early 1980s there was already a vibrant graffiti culture.
The student protests and general strike of May 1968 saw Paris bedecked in revolutionary, anarchistic, and situationist slogans such as L'ennui est contre-révolutionnaire ("Boredom is counterrevolutionary") and Lisez moins, vivez plus ("Read less, live more"). While not exhaustive, the graffiti gave a sense of the 'millenarian' and rebellious spirit, tempered with a good deal of verbal wit, of the strikers.
I think graffiti writing is a way of defining what our generation is like. Excuse the French, we're not a bunch of p---- artists. Traditionally artists have been considered soft and mellow people, a little bit kooky. Maybe we're a little bit more like pirates that way. We defend our territory, whatever space we steal to paint on, we defend it fiercely.
The developments of graffiti art which took place in art galleries and colleges as well as "on the street" or "underground", contributed to the resurfacing in the 1990s of a far more overtly politicized art form in the subvertising, culture jamming, or tactical media movements. These movements or styles tend to classify the artists by their relationship to their social and economic contexts, since, in most countries, graffiti art remains illegal in many forms except when using non-permanent paint. Since the 1990s with the rise of Street Art, a growing number of artists are switching to non-permanent paints and non-traditional forms of painting.
Contemporary practitioners, accordingly, have varied and often conflicting practices. Some individuals, such as Alexander Brener, have used the medium to politicize other art forms, and have used the prison sentences enforced on them as a means of further protest. The practices of anonymous groups and individuals also vary widely, and practitioners by no means always agree with each other's practices. For example, the anti-capitalist art group the Space Hijackers did a piece in 2004 about the contradiction between the capitalistic elements of Banksy and his use of political imagery.
Berlin human rights activist Irmela Mensah-Schramm has received global media attention and numerous awards for her 35-year campaign of effacing neo-Nazi and other right-wing extremist graffiti throughout Germany, often by altering hate speech in humorous ways.
In Serbian capital, Belgrade, the graffiti depicting a uniformed former general of Serb army and war criminal, convicted at ICTY for war crimes and crimes against humanity, including genocide and ethnic cleansing in Bosnian War, Ratko Mladić, appeared in a military salute alongside the words "General, thank to your mother". Aleks Eror, Berlin-based journalist, explains how "veneration of historical and wartime figures" through street art is not a new phenomenon in the region of former Yugoslavia, and that "in most cases is firmly focused on the future, rather than retelling the past". Eror is not only analyst pointing to danger of such an expressions for the region's future. In a long expose on the subject of Bosnian genocide denial, at Balkan Diskurs magazine and multimedia platform website, Kristina Gadže and Taylor Whitsell referred to these experiences as a young generations' "cultural heritage", in which young are being exposed to celebration and affirmation of war-criminals as part of their "formal education" and "inheritance".
There are numerous examples of genocide denial through celebration and affirmation of war criminals throughout the region of Western Balkans inhabited by Serbs using this form of artistic expression. Several more of these graffiti are found in Serbian capital, and many more across Serbia and Bosnian and Herzegovinian administrative entity, Republika Srpska, which is the ethnic Serbian majority enclave. Critics point that Serbia as a state, is willing to defend the mural of convicted war criminal, and have no intention to react on cases of genocide denial, noting that Interior Minister of Serbia, Aleksandar Vulin decision to ban any gathering with an intent to remove the mural, with the deployment of riot police, sends the message of "tacit endorsement". Consequently, on 9 November 2021, Serbian heavy police in riot gear, with graffiti creators and their supporters, blocked the access to the mural to prevent human rights groups and other activists to paint over it and mark the International Day Against Fascism and Antisemitism in that way, and even arrested two civic activist for throwing eggs at the graffiti.
Graffiti may also be used as an offensive expression. This form of graffiti may be difficult to identify, as it is mostly removed by the local authority (as councils which have adopted strategies of criminalization also strive to remove graffiti quickly). Therefore, existing racist graffiti is mostly more subtle and at first sight, not easily recognized as "racist". It can then be understood only if one knows the relevant "local code" (social, historical, political, temporal, and spatial), which is seen as heteroglot and thus a 'unique set of conditions' in a cultural context.
A spatial code for example, could be that there is a certain youth group in an area that is engaging heavily in racist activities. So, for residents (knowing the local code), a graffiti containing only the name or abbreviation of this gang already is a racist expression, reminding the offended people of their gang activities. Also a graffiti is in most cases, the herald of more serious criminal activity to come. A person who does not know these gang activities would not be able to recognize the meaning of this graffiti. Also if a tag of this youth group or gang is placed on a building occupied by asylum seekers, for example, its racist character is even stronger.
By making the graffiti less explicit (as adapted to social and legal constraints), these drawings are less likely to be removed, but do not lose their threatening and offensive character.
Elsewhere, activists in Russia have used painted caricatures of local officials with their mouths as potholes, to show their anger about the poor state of the roads. In Manchester, England, a graffitists painted obscene images around potholes, which often resulted in them being repaired within 48 hours.
In the early 1980s, the first art galleries to show graffitists to the public were Fashion Moda in the Bronx, Now Gallery and Fun Gallery, both in the East Village, Manhattan.
A 2006 exhibition at the Brooklyn Museum displayed graffiti as an art form that began in New York's outer boroughs and reached great heights in the early 1980s with the work of Crash, Lee, Daze, Keith Haring, and Jean-Michel Basquiat. It displayed 22 works by New York graffitists, including Crash, Daze, and Lady Pink. In an article about the exhibition in the magazine Time Out, curator Charlotta Kotik said that she hoped the exhibition would cause viewers to rethink their assumptions about graffiti.
From the 1970s onwards, Burhan Doğançay photographed urban walls all over the world; these he then archived for use as sources of inspiration for his painterly works. The project today known as "Walls of the World" grew beyond even his own expectations and comprises about 30,000 individual images. It spans a period of 40 years across five continents and 114 countries. In 1982, photographs from this project comprised a one-man exhibition titled "Les murs murmurent, ils crient, ils chantent ..." (The walls whisper, shout and sing ...) at the Centre Georges Pompidou in Paris.
In Australia, art historians have judged some local graffiti of sufficient creative merit to rank them firmly within the arts. Oxford University Press's art history text Australian Painting 1788–2000 concludes with a long discussion of graffiti's key place within contemporary visual culture, including the work of several Australian practitioners.
Between March and April 2009, 150 artists exhibited 300 pieces of graffiti at the Grand Palais in Paris.
Spray paint has many negative environmental effects. The paint contains toxic chemicals, and the can uses volatile hydrocarbon gases to spray the paint onto a surface.
Volatile organic compound (VOC) leads to ground level ozone formation and most of graffiti related emissions are VOCs. A 2010 paper estimates 4,862 tons of VOCs were released in the United States in activities related to graffiti.
In China, Mao Zedong in the 1920s used revolutionary slogans and paintings in public places to galvanize the country's communist movement.
Based on different national conditions, many people believe that China's attitude towards Graffiti is fierce, but in fact, according to Lance Crayon in his film Spray Paint Beijing: Graffiti in the Capital of China, Graffiti is generally accepted in Beijing, with artists not seeing much police interference. Political and religiously sensitive graffiti, however, is not allowed.
In Hong Kong, Tsang Tsou Choi was known as the King of Kowloon for his calligraphy graffiti over many years, in which he claimed ownership of the area. Now some of his work is preserved officially.
In Taiwan, the government has made some concessions to graffitists. Since 2005 they have been allowed to freely display their work along some sections of riverside retaining walls in designated "Graffiti Zones". From 2007, Taipei's department of cultural affairs also began permitting graffiti on fences around major public construction sites. Department head Yong-ping Lee (李永萍) stated, "We will promote graffiti starting with the public sector, and then later in the private sector too. It's our goal to beautify the city with graffiti". The government later helped organize a graffiti contest in Ximending, a popular shopping district. graffitists caught working outside of these designated areas still face fines up to NT$6,000 under a department of environmental protection regulation. However, Taiwanese authorities can be relatively lenient, one veteran police officer stating anonymously, "Unless someone complains about vandalism, we won't get involved. We don't go after it proactively."
In 1993, after several expensive cars in Singapore were spray-painted, the police arrested a student from the Singapore American School, Michael P. Fay, questioned him, and subsequently charged him with vandalism. Fay pleaded guilty to vandalizing a car in addition to stealing road signs. Under the 1966 Vandalism Act of Singapore, originally passed to curb the spread of communist graffiti in Singapore, the court sentenced him to four months in jail, a fine of S$3,500 (US$2,233), and a caning. The New York Times ran several editorials and op-eds that condemned the punishment and called on the American public to flood the Singaporean embassy with protests. Although the Singapore government received many calls for clemency, Fay's caning took place in Singapore on 5 May 1994. Fay had originally received a sentence of six strokes of the cane, but the presiding president of Singapore, Ong Teng Cheong, agreed to reduce his caning sentence to four lashes.
In South Korea, Park Jung-soo was fined two million South Korean won by the Seoul Central District Court for spray-painting a rat on posters of the G-20 Summit a few days before the event in November 2011. Park alleged that the initial in "G-20" sounds like the Korean word for "rat", but Korean government prosecutors alleged that Park was making a derogatory statement about the president of South Korea, Lee Myung-bak, the host of the summit. This case led to public outcry and debate on the lack of government tolerance and in support of freedom of expression. The court ruled that the painting, "an ominous creature like a rat" amounts to "an organized criminal activity" and upheld the fine while denying the prosecution's request for imprisonment for Park.
In Europe, community cleaning squads have responded to graffiti, in some cases with reckless abandon, as when in 1992 in France a local Scout group, attempting to remove modern graffiti, damaged two prehistoric paintings of bison in the Cave of Mayrière supérieure near the French village of Bruniquel in Tarn-et-Garonne, earning them the 1992 Ig Nobel Prize in archeology.
In September 2006, the European Parliament directed the European Commission to create urban environment policies to prevent and eliminate dirt, litter, graffiti, animal excrement, and excessive noise from domestic and vehicular music systems in European cities, along with other concerns over urban life.
In Budapest, Hungary, both a city-backed movement called I Love Budapest and a special police division tackle the problem, including the provision of approved areas.
The Anti-social Behaviour Act 2003 became Britain's latest anti-graffiti legislation. In August 2004, the Keep Britain Tidy campaign issued a press release calling for zero tolerance of graffiti and supporting proposals such as issuing "on the spot" fines to graffiti offenders and banning the sale of aerosol paint to anyone under the age of 16. The press release also condemned the use of graffiti images in advertising and in music videos, arguing that real-world experience of graffiti stood far removed from its often-portrayed "cool" or "edgy'" image.
To back the campaign, 123 Members of Parliament (MPs) (including then Prime Minister Tony Blair), signed a charter which stated: "Graffiti is not art, it's crime. On behalf of my constituents, I will do all I can to rid our community of this problem."
In the UK, city councils have the power to take action against the owner of any property that has been defaced under the Anti-social Behaviour Act 2003 (as amended by the Clean Neighbourhoods and Environment Act 2005) or, in certain cases, the Highways Act. This is often used against owners of property that are complacent in allowing protective boards to be defaced so long as the property is not damaged.
In July 2008, a conspiracy charge was used to convict graffitists for the first time. After a three-month police surveillance operation, nine members of the DPM crew were convicted of conspiracy to commit criminal damage costing at least £1 million. Five of them received prison sentences, ranging from eighteen months to two years. The unprecedented scale of the investigation and the severity of the sentences rekindled public debate over whether graffiti should be considered art or crime.
Some councils, like those of Stroud and Loerrach, provide approved areas in the town where graffitists can showcase their talents, including underpasses, car parks, and walls that might otherwise prove a target for the "spray and run".
Graffiti Tunnel, University of Sydney at Camperdown (2009)
In an effort to reduce vandalism, many cities in Australia have designated walls or areas exclusively for use by graffitists. One early example is the "Graffiti Tunnel" located at the Camperdown Campus of the University of Sydney, which is available for use by any student at the university to tag, advertise, poster, and paint. Advocates of this idea suggest that this discourages petty vandalism yet encourages artists to take their time and produce great art, without worry of being caught or arrested for vandalism or trespassing.[108][109] Others disagree with this approach, arguing that the presence of legal graffiti walls does not demonstrably reduce illegal graffiti elsewhere. Some local government areas throughout Australia have introduced "anti-graffiti squads", who clean graffiti in the area, and such crews as BCW (Buffers Can't Win) have taken steps to keep one step ahead of local graffiti cleaners.
Many state governments have banned the sale or possession of spray paint to those under the age of 18 (age of majority). However, a number of local governments in Victoria have taken steps to recognize the cultural heritage value of some examples of graffiti, such as prominent political graffiti. Tough new graffiti laws have been introduced in Australia with fines of up to A$26,000 and two years in prison.
Melbourne is a prominent graffiti city of Australia with many of its lanes being tourist attractions, such as Hosier Lane in particular, a popular destination for photographers, wedding photography, and backdrops for corporate print advertising. The Lonely Planet travel guide cites Melbourne's street as a major attraction. All forms of graffiti, including sticker art, poster, stencil art, and wheatpasting, can be found in many places throughout the city. Prominent street art precincts include; Fitzroy, Collingwood, Northcote, Brunswick, St. Kilda, and the CBD, where stencil and sticker art is prominent. As one moves farther away from the city, mostly along suburban train lines, graffiti tags become more prominent. Many international artists such as Banksy have left their work in Melbourne and in early 2008 a perspex screen was installed to prevent a Banksy stencil art piece from being destroyed, it has survived since 2003 through the respect of local street artists avoiding posting over it, although it has recently had paint tipped over it.
In February 2008 Helen Clark, the New Zealand prime minister at that time, announced a government crackdown on tagging and other forms of graffiti vandalism, describing it as a destructive crime representing an invasion of public and private property. New legislation subsequently adopted included a ban on the sale of paint spray cans to persons under 18 and increases in maximum fines for the offence from NZ$200 to NZ$2,000 or extended community service. The issue of tagging become a widely debated one following an incident in Auckland during January 2008 in which a middle-aged property owner stabbed one of two teenage taggers to death and was subsequently convicted of manslaughter.
Graffiti databases have increased in the past decade because they allow vandalism incidents to be fully documented against an offender and help the police and prosecution charge and prosecute offenders for multiple counts of vandalism. They also provide law enforcement the ability to rapidly search for an offender's moniker or tag in a simple, effective, and comprehensive way. These systems can also help track costs of damage to a city to help allocate an anti-graffiti budget. The theory is that when an offender is caught putting up graffiti, they are not just charged with one count of vandalism; they can be held accountable for all the other damage for which they are responsible. This has two main benefits for law enforcement. One, it sends a signal to the offenders that their vandalism is being tracked. Two, a city can seek restitution from offenders for all the damage that they have committed, not merely a single incident. These systems give law enforcement personnel real-time, street-level intelligence that allows them not only to focus on the worst graffiti offenders and their damage, but also to monitor potential gang violence that is associated with the graffiti.
Many restrictions of civil gang injunctions are designed to help address and protect the physical environment and limit graffiti. Provisions of gang injunctions include things such as restricting the possession of marker pens, spray paint cans, or other sharp objects capable of defacing private or public property; spray painting, or marking with marker pens, scratching, applying stickers, or otherwise applying graffiti on any public or private property, including, but not limited to the street, alley, residences, block walls, and fences, vehicles or any other real or personal property. Some injunctions contain wording that restricts damaging or vandalizing both public and private property, including but not limited to any vehicle, light fixture, door, fence, wall, gate, window, building, street sign, utility box, telephone box, tree, or power pole.
To help address many of these issues, many local jurisdictions have set up graffiti abatement hotlines, where citizens can call in and report vandalism and have it removed. San Diego's hotline receives more than 5,000 calls per year, in addition to reporting the graffiti, callers can learn more about prevention. One of the complaints about these hotlines is the response time; there is often a lag time between a property owner calling about the graffiti and its removal. The length of delay should be a consideration for any jurisdiction planning on operating a hotline. Local jurisdictions must convince the callers that their complaint of vandalism will be a priority and cleaned off right away. If the jurisdiction does not have the resources to respond to complaints in a timely manner, the value of the hotline diminishes. Crews must be able to respond to individual service calls made to the graffiti hotline as well as focus on cleanup near schools, parks, and major intersections and transit routes to have the biggest impact. Some cities offer a reward for information leading to the arrest and prosecution of suspects for tagging or graffiti related vandalism. The amount of the reward is based on the information provided, and the action taken.
When police obtain search warrants in connection with a vandalism investigation, they are often seeking judicial approval to look for items such as cans of spray paint and nozzles from other kinds of aerosol sprays; etching tools, or other sharp or pointed objects, which could be used to etch or scratch glass and other hard surfaces; permanent marking pens, markers, or paint sticks; evidence of membership or affiliation with any gang or tagging crew; paraphernalia including any reference to "(tagger's name)"; any drawings, writing, objects, or graffiti depicting taggers' names, initials, logos, monikers, slogans, or any mention of tagging crew membership; and any newspaper clippings relating to graffiti crime.
Claimed to be the deepest valley in the world with the peaks of Annapurna (8,091 metres (26,545 ft) and Dhaulagiri (8,167 metres (26,795 ft) on either side.
Pretty blonde Adrian Flux promo girls Rachelle Parkin (Left) Megan Jennifer Stewart (Right) at the Autosport International show, NEC, Birmingham UK.
Nikon D-300, Nikkor 18-200mm f3.5/5.6 ED, Speedlite SB-800.
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An amazing historical fake: the so-called Pennelli Sarcophagus. This was claimed to have been excavated in Caere but is now regarded as a forgery. The inscription on its lid was derived in part from a gold brooch in the Louvre, while another inscription, which had been misread, was indicated later as another possible source. Several elements are unlike anything from the Etruscans: the poses of the couple, the nudity of the man, and the nineteenth century undergarments of the woman
This remarkable piece is first heard of in a letter of 26 January 1873 from Antonio Castellani, an Italian dealer, to Charles Newton, the Keeper of the Department of Greek and Roman Antiquities in the British Museum. Castellani had been embroiled in lengthy negotiations over the sale of his large collection of jewelry, bronzes, terracottas, and vases. This is the letter translation.
«Truly now, through not having ready funds, I may have to let slip through my hands an important Etruscan monument for which negotiations had already opened be tween Helbig and the owner of the object in question. It is a terracotta sarcophagus of Phoenicio-Etruscan style of the same kind as the one in the Campana collection. A large bier (or bed) decorated all around in low relief, on which are lying two people, a man and a woman. It is archaism purer than I have ever known: it is an object of the first rank and is worthy of us. But, what am I to do? You keep me disarmed, and I am beaten by the Prussians. However I do not yet despair: I induced the owner to keep Helbig [Wolfgang Helbig, appointed Second Secretary in the German “Instituto di Corrispondenza” in Roma] at sea until you are here in Rome. Let us go and see the monument, and, if it pleases you, who knows but that we cannot make it ours.»
Castellani succeeded in acquiring the sarcophagus and Newton saw it in Rome in February, for it is specifically mentioned in his report to the Museum once more extolling the importance of the collection. It eventually became part of the huge purchase by the British Museum sanctioned in May of the same year.
Epigraphers were already doubting the Etruscan inscription on the side of the sarcophagus by 1874 and the whole piece by the following year, when one Enrico Pennelli, a restorer in the Louvre, began claiming that he and his brother, Pietro, had made the sarcophagus and then broken it up and buried it. There then followed a flurry of letters various people, as Newton tried to discover the truth of these rumors. Pietro Penelli denied the rumor and, eventually, Enrico seems to have recanted, although was to repeat it again later. Thus, despite Reinach's memorable comment on the piece in 1886, "C'est un chef d'oeuvre, mais dont les auteurs vivent encore", the sarcophagus remained on exhibition in the British Museum until 1936. Today the Pennelli Sarcophagus is stored in the British Museum deposits.
Most modern commentators have thought Castellani the mind behind this forged Etruscan sarcophagus, but Charles Newton, the Keeper of the Greek and Roman Department at the time, never accused Castellani. Newton and Castellani knew each other very well and Newton had already bought a great deal from Castellani. There was no need for Castellani to risk all by knowingly passing on such a fake.
Source: Dyfri Williams, “The Brygos Tomb Reassembled and 19th-Century Commerce in Capuan Antiquities” - American Journal of Archaeology 96, No. 4, pp. 617-636.
Terracotta sarcophagus
Height: 118 centimetres (Lid 78 cm. - Chest 40 cm. - Feet 21 cm.)
Length: 158 centimetres
Width: 72 centimetres
London, The British Museum Museum
Title.
Neon and pedicabs.
( LUMIX G3 shot )
Manhattan. New York. USA. 2017. … 7 / 7
(Today's photo. It's unpublished.)
Images.
Number_i … Rain or Shine
youtu.be/V8sfbWKiZYg?si=TBG_djh9VtYXkFVm
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Title:
“A.I. - About Apple’s Identity”
www.flickr.com/photos/stealaway/54271473379/in/dateposted...
Will Apple listen to Mark Zuckerberg’s criticism?
I don’t think so—especially not for someone like me who was captivated by the dream of Apple Vision Pro.
Mark Zuckerberg of Meta appeared on a popular podcast and criticized Apple, claiming they haven’t released an innovative product since the iPhone and that their sales have been declining.
While criticizing Apple on a podcast originating from Apple itself may sound like a light joke, I think he was quite serious about it. After all, he now wields the weapon of AR glasses.
Supported by various institutions and a talented team, he may have achieved some notable goals. Yet, as an old Apple fan who’s been using products since the PowerBook 540c, I can’t feel any sense of craftsmanship identity from him.
This critique extends to other leading tech companies of our time as well: Meta, Amazon, Tesla, Microsoft, and Google.
Simply listing these company names likely brings their logos and the faces of their leaders to mind for those reading this.
I once wrote that Steve Jobs wasn’t an artist.
He was skilled at weaving together scattered images from our current world, expanding them, and linking them to the future. That was his specialty.
The one who actually created was Jonathan Ive. There are probably others like me who share this minority opinion.
However, seeing how the IT leaders mentioned earlier change their company policies at the mere prospect of Trump regaining power, I can’t help but voice my opinion:
The AR glasses, cars, and other products they create lack a crucial concept. Whether you call it a profound ideology or a lighter term like identity, it’s missing.
True, Tim Cook and the current Apple team have become more prone to letting slip details about unreleased products.
As I’ve often written, I love music.
When artists isolate themselves from the world, locking themselves in studios to pour their anger, hatred, joy, and sorrow wholeheartedly into a single note, they entrust something to their work.
Once they finish an album and release it, they share what they felt while creating it. (The artist I admire, Prince, rarely explained his works, so I had to interpret his completed pieces on my own.)
Until the album is complete and released, these artists say nothing.
The ones who move me most are those kinds of artists.
The faint light of Apple’s innovation within me hasn’t been extinguished.
Not even last year’s Apple Vision Pro, criticized as a major failure, could extinguish it. On the contrary, it radiates an even stronger light than the iPhone.
This isn’t just a novel electronic device—it conveys a sense of ideology or thought beyond its intricate electronic components.
Unfortunately, I doubt I’ll ever feel that same sense of ideology or thought from Meta’s AR glasses or Tesla’s cars.
I’ve written at length, but here’s my conclusion:
“Apple CEO Tim Cook Donates Over $1.5 Million to Trump’s Inauguration”
gigazine.net/news/20250104-apple-ceo-tim-cook-donates-1-m...
At first glance, it might seem like Tim Cook, like other IT companies, has sold his soul. But that’s not the case.
While Tim Cook personally donates to Trump, Apple as a company has refrained from doing the same as other companies.
Apple didn’t bow to Trump.
If someone were to ask me what Apple’s ideology or thought is, I would answer:
Apple is a group of people who believe in themselves.
Steve Jobs is probably laughing at this overly serious piece I’ve written from somewhere up in heaven.
A company that doesn’t kowtow to Trump—that’s Apple for you. :)
January 15th
After reading a heartwarming article.
Mitsushiro Nakagawa
Addendum:
I have corrected it.
Before the correction, it appeared on Apple Podcasts,
After the correction, it appeared on podcasts originating from Apple,
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Photo Music and iTunes Playlist Link::
music.apple.com/jp/playlist/photo-music/pl.u-Eg8qefpy8Xz
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消えた境界線から生まれたもの ～ 去ってゆく川村記念美術館を振り返って ～
www.flickr.com/photos/stealaway/54020588671/in/dateposted...
What Emerged from the Vanishing Boundaries~ Reflecting on the Departing Kawamura Memorial Museum ~
www.flickr.com/photos/stealaway/54020588671/in/dateposted...
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Important Notices.
I have relaxed the following conditions.
I will distribute my T-shirt to the world for free.
m.flickr.com/photos/stealaway/50656401427/in/dateposted-p...
m.flickr.com/photos/stealaway/50613367691/in/dateposted-p...
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Exhibition in 2025
Theme
The Nightfly
Images
Donald Fagen … I.G.Y.
youtu.be/Ueivjr3f8xg?si=xmqGPQjyIKoTs4Q5
Live.
youtu.be/Di0_KYtmVKI?si=CLFpU2n0gXahqLPB
Mitsushiro - Nakagawa
Organizer
Design Festa
Location
Tokyo Big Sight
Date
Autumn 2025.
exhibition.mitsushiro.nakagawa@gmail.com
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Notice regarding "Lot No.402_”.
From now on I will host "Lot No.402_".
The work of Leonardo da Vinci who was sleeping.
That is the number when it was put up for auction.
No sign was written on the work.
So this work couldn't conclude that it was his work.
However # as a result of various appraisals # it was exposed to the sun.
A work that no one notices. A work that speaks quietly without a title.
I will continue to strive to provide it to many people in various ways.
October 24 2020 by Mitsushiro - Nakagawa.
Mitsushiro Nakagawa belong to Lot No. 402 _.Copyright©︎2025 Lot No.402_ All rights reserved.
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Profile.
In November 2014 # we caught the attention of the party selected to undertake the publicity for a mobile phone that changed the face of the world with just a single model # and will conclude a confidentiality agreement with them.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
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Interviews and novels.
About my book.
I published a book a long time ago.
At that time # I uploaded my interview as a PDF on the internet.
Its Japanese and English.
I will publish it for free.
For details # I explained to the Amazon site.
How to write a novel.
How to take a picture.
A sense of distance to the work.
All of these have something in common.
I wrote down what I felt and left it.
I hope my text will be read by many people.
Thank you.
Mitsushiro.
1 Interview in English
2 novels. unforgettable 'English version.(This book is Dedicated to the future artist.)
3 Interview Japanese version
4 novels. unforgettable ' JPN version.
5 A streamlined trajectory. only Japanese.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
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iBooks. Electronic Publishing. It is free now.
0.about the iBooks.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
1.unforgettable '(ENG.ver.)(This book is Dedicated to the future artist.)
itunes.apple.com/us/book/unforgettable/id1216576828?ls=1&...
2.unforgettable '(JNP.ver.)(This book is Dedicated to the future artist.)
itunes.apple.com/us/book/unforgettable/id1216584262?ls=1&...
3. Streamlined trajectory.(For Japanese only.)
itunes.apple.com/us/book/%E6%B5%81%E7%B7%9A%E5%BD%A2%E3%8... =11
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My Novel : Unforgettable'
(This book is Dedicated to the future artist.)
Synopsis
Kei Kitami, who is aiming for university, meets Kaori Uemura, an event companion who is 6 years older than her, on SNS.
Kaori's dream of coming to Tokyo is to become friends with a famous artist.
For that purpose, the radio station's producer, Ryo Osawa, was needed.
Osawa speaks to Kaori during a live radio broadcast.
"I have a wife and children. But I want to meet you."
Rika Sanjo, who is Kei's classmate and has feelings for him, has been looking into her girlfriend Kaori's movements. . . . .
Mitsushiro Nakagawa
All Translated by Yumi Ikeda .
images.
U2 - No Line On The Horizon Live in Dublin
www.youtube.com/watch?v=_oKwnkYFsiE&feature=related
Main story
There are two reasons why a person faces the sea.
One to enjoy a slice of shine in the sea like children bubbling over in the beach.
The other to brush the dust of memory like an old man who misses old days staring at the shine
quietly.
Those lead to only one meaning though they do not seem to overlap. It’s a rebirth.
I face myself to change tomorrow a vague day into something certain.
That is the meaning of a rebirth.
I had a very sweet girlfriend when I was 18.
After she left I knew the meaning of gentleness for the first time and also a true pain of loss. After
she left # how many times did I depend too much on her # doubt her # envy her and keep on telling lies
until I realized it is love?
I wonder whether a nobody like me could have given something to her who was struggling in the
daily life in those days. Giving something is arrogant conceit. It is nothing but self-satisfaction.
I had been thinking about such a thing.
However I guess what she saw in me was because I had nothing. That‘s why she tried to see
something in me. Perhaps she found a slight possibility in me # a guy filled with ambiguous unstable
tomorrow. But I wasted days depending too much on her gentleness.
Now I finally can convey how I felt in those days when we met.
1/9
www.flickr.com/photos/stealaway/24577016535/in/dateposted...
2/9
www.flickr.com/photos/stealaway/24209330259/in/dateposted...
3/9
www.flickr.com/photos/stealaway/23975215274/in/dateposted...
4/9
www.flickr.com/photos/stealaway/24515964952/in/dateposted...
5/9
www.flickr.com/photos/stealaway/24276473749/in/dateposted...
6/9
www.flickr.com/photos/stealaway/24548895082/in/dateposted...
7/9
www.flickr.com/photos/stealaway/24594603711/in/dateposted...
8/9
www.flickr.com/photos/stealaway/24588215562/in/dateposted...
9/9
www.flickr.com/photos/stealaway/24100804163/in/dateposted...
Fin.
images.
U2 - No Line On The Horizon
www.youtube.com/watch?v=_oKwnkYFsiE&feature=related
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Title of my book : unforgettable'
Author : Mitsushiro Nakagawa
Out Now.
ISBN978-4-86264-866-2
in Amazon.
Unforgettable’ amzn.asia/d/eG1wNc5
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The schedule of the next novel.
Still would stand all time. (Unforgettable '2)
(It will not go away forever)
Please give me some more time. That is Japanese.
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My Works.
1 www.flickr.com/photos/stealaway/48072442376/in/dateposted...
2 www.flickr.com/photos/stealaway/48078949821/in/dateposted...
3 www.flickr.com/photos/stealaway/48085863356/in/dateposted...
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Do you want to hear my voice?
:)
1
About the composition of the picture posted to Flicker. First type.
2
About the composition of the picture posted to Flicker. Second type.
3
About when I started Fotolog. Architect 's point of view.
4
Why did not you have a camera so far?
5
What is the coolest thing? The photo is as it is.
6
About the current YouTube bar. I also want to tell # I want to leave.
7
About Japanese photographers. Japanese YouTube bar is Pistols.
8
The composition of the photograph is sensibility. Meet the designers in Milan. Two questions.
9
What is a good composition? What is a bad composition?
10
What is the time to point the camera? It is slow if you are looking into the viewfinder or display.
11
Family photos. I can not take pictures with others. The inside of the subject.
12
About YouTube 's photographer. Camera technology etc. Sensibility is polished by reading books.
13
About the Japanese newspaper. A picture of a good newspaper is Reuters. If you continue to look at useless photographs # it will be useless.
14
About Japanese photographers. About the exhibition.
Summary. I wrote a novel etc. What I want to tell the most.
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I talked about how to make a work.
About work production 1/2
About work production 2/2
1 Photo exhibition up to that point. Did you want to go?
2 Well # what is an exhibition that you want to visit even if you go there?
3 Challenge to exhibit one work every month before opening a solo exhibition at the Harajuku Design Festa.
4 works are materials and silhouettes. Similar to fashion.
5 Who is your favorite artist? What is it? Make it clear.
6 Creating a collage is exactly the same as taking photos. As I wrote in the interview # it is the same as writing a novel.
7 I want to show it to someone # but I do not make a piece to show it. Aim for the work you want to decorate your own room as in the photo.
8 What is copycat? Nowadays # it is suspected to be beaten. There is something called Mimesis?
kotobank.jp/word/Mimesis-139464
9 What is Individuality? What is originality?
www.youtube.com/user/mitsushiro/
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Explanation of composition. 2
1.Composition explanation 2 ... 1/4
2.Composition explanation 2 ... 2/4
3.Composition Explanation 2 ... 3/4
4.Composition Explanation 2 ... 4/4
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My shutter feeling.
Today's photo.
It is a photo taken from Eurostar.
This video is an explanation.
I went to Milan in 2005.
At that time # I went from Milan to Venice.
We took Eurostar into the transportation.
This photo was not taken from a very fast Eurostar.
When I changed the track # I took a picture at the moment I slowed down.
Is there a Japanese beside you?
Please have my video translated.
:)
In the Eurostar to Venice . 2005. shot ... 1 / 2
www.flickr.com/photos/stealaway/49127115021/in/dateposted...
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Miles Davis sheet 1955-1976.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
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flickr.
www.flickr.com/photos/stealaway/
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instagram.
www.instagram.com/mitsushiro_nakagawa/
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Pinterest.
www.pinterest.jp/MitsushiroNakagawa/
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YouPic
youpic.com/photographer/mitsushironakagawa/
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twitter.
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facebook.
www.facebook.com/mitsushiro.nakagawa
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threads.
www.threads.net/@mitsushiro_nakagawa
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Blue sky.
bsky.app/profile/mitsushironakagawa.bsky.social
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Amazon.
www.amazon.co.jp/gp/profile/amzn1.account.AHSKI3YMYPYE5UE...
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My statistics (as of December 15, 2024)
How many views have you had on Flickr and Youpic
Flickr 24,260,172 Views
Youpic 7,957,826 Views
x.com/mitsushiro/status/1868185157909582014
My statistics (as of August 1, 2024)
How many views have I had on Flickr and Youpic
Flickr 23,192,383 Views
Youpic 7,574,603 Views
My statistics. (As of February 7, 2024)
What is the number of accesses to Flickr and YouPic
Flickr 21,694,434 Views
Youpic 7,003,230 Views
What is the number of accesses to Flickr and YouPic?
(As of November 13, 2023)
Flickr 20,852,872 View
Youpic 6,671,486 View
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Japanese is the following.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
Title of my book unforgettable' Mitsushiro Nakagawa Out Now. ISBN978-4-86264-866-2
Mitsushiro Nakagawa belong to Lot No. 204 _ . Copyright©︎2024 Lot No.402_ All rights reserved.
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Title.
ネオンとペディキャブ。
( LUMIX G3 shot )
マンハッタン。ニューヨーク。アメリカ。2017. … 7 / 7
(今日の写真。それは未発表です。）
Images.
Number_i … Rain or Shine
youtu.be/V8sfbWKiZYg?si=TBG_djh9VtYXkFVm
::写真の音楽とiTunesプレイリストをリンク::
music.apple.com/jp/playlist/photo-music/pl.u-Eg8qefpy8Xz
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重要なお知らせ。
僕は以下の条件を緩和します。
僕はTシャツを無料で世界中へ配布します。
m.flickr.com/photos/stealaway/50656401427/in/dateposted-p...
m.flickr.com/photos/stealaway/50613367691/in/dateposted-p...
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２０２5年の展示
テーマ
The Nightfly
Images
Donald Fagen … I.G.Y.
youtu.be/Ueivjr3f8xg?si=xmqGPQjyIKoTs4Q5
Live.
youtu.be/Di0_KYtmVKI?si=CLFpU2n0gXahqLPB
Mitsushiro - Nakagawa
主催
デザインフェスタ
場所
東京ビッグサイト
日程
2025年 秋。
exhibition.mitsushiro.nakagawa@gmail.com
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タイトル
“” A.I. アップルのアイデンティティについて””
www.flickr.com/photos/stealaway/54271473379/in/dateposted...
マークザッカーバーグ氏の批判に、アップルは耳を傾けるだろうか。
僕にはそう思えない。アップルヴィジョンプロに夢を見せられた僕には。
メタのマークザッカーバーグ氏は、有名なポッドキャストに出演し、アップルはアイフォン以来革新的な製品を発売せず、売り上げも落ちていると批判したようだ。
アップル発祥のポッドキャストに現れ、アップルを批判すると言うのは軽いジョークに思えるが、真剣に訴えたんだろうと僕は思う。
なぜなら、今の彼はARグラスという武器を手にしているからだ。
おそらく、さまざまな関係機関や優秀なスタッフが彼を支え、それなりの目標を達成したんだろうが、パワーブック５４０cから使い続けてきた僕のような古いアップルファンからしてみれば、まだ物作りのアイデンティを彼からはまったく感じない。
これは他の、現在世界を制覇しているIT企業らも含む。
メタ、アマゾン、テスラ。マイクロソフト。グーグル。
社名が並ぶだけで、このテキストを読まれている方は名前と顔をすでに浮かべているはずだ。
僕は以前、スティーブ・ジョブズはアーティストではないと書いた。
彼は、現世界に散らばったイメージを紡ぎ合わせ、それを膨らます。そして未来へリンクさせる。それが得意だっただけだ。
実際に創作していたのはジョナサンアイブだ。少数ながらも僕のような意見を持っている方もいるだろう。
しかし、先述したIT関連の面々が、トランプ氏に再び権力が戻るとなった途端に会社の方針を覆す様子を見ていると、僕は一言、どうしても意見したいのだ。
彼らが作ったARグラスや車などには、肝心な観念が欠けている。思想という重い言葉や、軽めのアイデンティティと言い換えてもいい。
確かに、ティムクック氏やアップルの現在のスタッフらは、発売前の商品に関して口を滑らせることが多くなった。
僕は、以前から書いているように音楽が大好きだ。
外界を断ち、アーティストらがスタジオにこもって、怒りや憎しみ、喜びや悲しみを一心不乱になって一音に吹き込む。何かを託すと言ってもいい。
そして、完成したアルバムを発表し、どんな思いを込めて制作したのかを語る。（僕が好きなプリンスはほとんど語らなかったので、完成された作品を理解する必要があった）
アルバムが完成し、発表するまで、彼らはひとことも語らない。
僕の胸を震わせたのは、そんなアーティストらだった。
僕の中に淡く灯っているアップルの革新性は、いまでも消えていない。
それは昨年、大失敗だと批判されたアップルヴィジョンプロでさえも消すことはできない。むしろ、アイフォン以上の強烈な光を放っている。
ただの斬新な電化製品ではなく、細かな電気部品の向こうに観念や思想を感じるからだ。
残念ながら、メタのARグラスやテスラの車に、僕がその観念や思想を感じることは今後もないだろう。
長々と書いてきたが、結論は以下の記事だ。
1.5億円超をAppleのティム・クックCEOがトランプの大統領就任式に寄付
gigazine.net/news/20250104-apple-ceo-tim-cook-donates-1-m...
一読すると、ティムクック氏も他のIT会社同様、魂を売ったのかと思われるがそうではない。
ティムクック氏は個人的にトランプ氏へ献金をするが、アップル社だけは他社と同じようには献金していない。
アップルは、トランプ氏になびかなかったのだ。
アップル社の観念や思想とは、具体的に何かと訊かれたら、僕はこう答える。
アップルとは、自分自身を信じる人間が集まっているグループだ。
たぶん、天国のスティーブ・ジョブズは、僕がクソ真面目に書いたテキストを、鼻で笑っていることだろう。
トランプ氏に媚びない会社。
それがAppleさ。:)
１月１５日
嬉しい記事を読んだ後で。
Mitsushiro Nakagawa.
追記。
修正しました。
修正前 アップルのポッドキャストに現れ、
修正後 アップル発祥のポッドキャストに現れ、
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” Lot No.402_ ” に関するお知らせ。
今後、僕は、” Lot No.402_ ”を主催します。
このロットナンバーは、眠っていたレオナルドダヴィンチの作品がオークションにかけらた際に付されたものです。
作品にはサインなどがいっさい記されていなかったため、彼の作品だと断定できませんでした。
しかし、様々な鑑定の結果、陽の光を浴びました。
誰にも気づかれない作品。肩書がなくとも静かに語りかける作品。
僕はこれから様々な形で、多くの皆様に提供できるよう努めてゆきます。
2020年10月24日 by Mitsushiro - Nakagawa.
Copyright©︎2021 Lot No.402_ All rights reserved.
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プロフィール
2014年11月、たった1機種で世界を塗り替えた携帯電話の広告を請け負った選考者の目に留まり、秘密保持同意書を結ぶ。
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
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インタビューと小説。
僕の本について。
僕は、昔に本を出版しました。
その際に、僕のインタビューをPDFでネット上へアップロードしていました。
その日本語と英語。
僕は、無料でを公開します。
詳細は、アマゾンのサイトへ解説しました。
小説の書き方。
写真の撮影方法。
作品への距離感。
これらはすべて共通項があります。
僕は、僕が感じたことを文章にして、残しました。
僕のテキストが多くの人に読んでもらえることを望みます。
ありがとう。
Mitsushiro.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
１ インタビュー 英語版
２ 小説。unforgettable’ 英語版。
３ インタビュー 日本語版
４ 小説。unforgettable’ 日本語版。(この小説は未来のアーティストへ捧げます)
(四百字詰め原稿用紙４５６枚)
あらすじ
大学を目指している北見ケイは、SNS上で、6歳年上のイベントコンパニオン、上村香織に出会う。
上京してきた香織の夢は、有名なアーティストの友達になるためだ。
そのためにはラジオ局のプロデューサー、大沢亮の存在が必要だった。
大沢は、ラジオの生放送中、香織へ語りかける。
「僕には妻子がある。しかし、僕は君に会いたいと思っている」
ケイの同級生で、彼を想っている三條里香は、香織の動向を探っていた。。。。。
本編
人が海へ向かう理由には、二つある。
ひとつは、波打ち際ではしゃぐ子供のように、今の瞬間の海の輝きを楽しむこと。
もうひとつは、その輝きを静かに見据えて、過ぎ去った日々を懐かしむ老人のように記憶の埃を払うこと。
二つは重なり合わないようではあるけれども、たったひとつの意味しか生まない。
再生だ。
明日っていう、曖昧な日を確実なものへと変えてゆくために、自分の存在に向き合う。
それが再生の意味だ。
十八歳だった僕には大切な人がいた。
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
５ 流線形の軌跡。 日本語のみ。
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
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iBooks.電子出版。（現在は無料）
0.about the iBooks.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
1.unforgettable’ ( ENG.ver.)(This book is Dedicated to the future artist.)
itunes.apple.com/us/book/unforgettable/id1216576828?ls=1&...
For Japanese only.
2.unforgettable’ ( JNP.ver.)(この小説は未来のアーティストへ捧げます)
itunes.apple.com/us/book/unforgettable/id1216584262?ls=1&...
3.流線形の軌跡。
itunes.apple.com/us/book/%E6%B5%81%E7%B7%9A%E5%BD%A2%E3%8...
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僕の小説。英語版
My Novel Unforgettable' (This book is Dedicated to the future artist.)
Mitsushiro Nakagawa
All Translated by Yumi Ikeda .
1/9
www.flickr.com/photos/stealaway/24577016535/in/dateposted...
2/9
www.flickr.com/photos/stealaway/24209330259/in/dateposted...
3/9
www.flickr.com/photos/stealaway/23975215274/in/dateposted...
4/9
www.flickr.com/photos/stealaway/24515964952/in/dateposted...
5/9
www.flickr.com/photos/stealaway/24276473749/in/dateposted...
6/9
www.flickr.com/photos/stealaway/24548895082/in/dateposted...
7/9
www.flickr.com/photos/stealaway/24594603711/in/dateposted...
8/9
www.flickr.com/photos/stealaway/24588215562/in/dateposted...
9/9
www.flickr.com/photos/stealaway/24100804163/in/dateposted...
Fin.
images.
U2 - No Line On The Horizon Live in Dublin
www.youtube.com/watch?v=_oKwnkYFsiE&feature=related
_________________________________
_________________________________
Title of my book : unforgettable'
Author : Mitsushiro Nakagawa
Out Now.
ISBN978-4-86264-866-2
in Amazon.
Unforgettable’ amzn.asia/d/eG1wNc5
_________________________________
_________________________________
_________________________________
_________________________________
僕の作品。
1 www.flickr.com/photos/stealaway/48072442376/in/dateposted...
2 www.flickr.com/photos/stealaway/48078949821/in/dateposted...
3 www.flickr.com/photos/stealaway/48085863356/in/dateposted...
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あなたは僕の声を聞きたいですか？
:)
1
フリッカーへ投稿した写真の構図について。１種類目。
2
フリッカーへ投稿した写真の構図について。２種類目。
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Fotologを始めた時について。 建築家の視点。
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なぜ、今までカメラを手にしなかったのか？
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何が一番かっこいいのか？ 写真はありのままに。
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現在のユーチューバーについて。僕も伝え、残したい。
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日本人の写真家について。日本のユーチューバーはピストルズ。
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写真の構図は、感性。ミラノのデザイナーに会って。二つの質問。
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良い構図とは？ 悪い構図とは？
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カメラを向ける時とは？ ファインダーやディスプレイを覗いていては遅い。
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家族写真。他人では撮れない。被写体の内面。
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ユーチューブの写真家について。カメラの技術等。感性は、本を読むことで磨く。
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日本の新聞について。良い新聞の写真はロイター。ダメな写真を見続けるとダメになる。
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日本の写真家について。その展示について。
まとめ。僕が書いた小説など。僕が最も伝えたいこと。
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作品制作について 1/2
作品制作について 2/2
１ それまでの写真展。自分は行きたいと思ったか？
２ じゃ、自分が足を運んででも行きたい展示とは何か？
３ 原宿デザインフェスタで個展を開くまでに、毎月ひとつの作品を展示することにチャレンジ。
４ 作品とは、素材とシルエット。ファッションと似ている。
５ 自分が好きなアーティストは誰か？ どんなものなのか？ そこをはっきりさせる。
６ コラージュの作成も写真の撮り方と全く同じ。インタビューに書いたように小説の書き方とも同じ。
７ 誰かに見せたい、見せるがために作品は作らない。写真と同じように自分の部屋に飾りたい作品を目指す。
８ パクリとは何か？ 昨今、叩かれるパクリ疑惑。ミメーシスとは？
https://ja.wikipedia.org/wiki/ミメーシス
https://kotobank.jp/word/ミメーシス-139464
９ 個性とはなにか？ オリジナリティってなに？
おまけ 眞子さまについて
という流れです。
お時間がある方は是非聴いてください。
:)
www.youtube.com/user/mitsushiro/
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構図の解説２
1.構図の解説２ ... 1/4
2.構図の解説２ ... 2/4
3.構図の解説２ ... 3/4
4.構図の解説２ ... 4/4
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僕のシャッター感覚
In the Eurostar to Venice . 2005. shot ... 1 / 2
www.flickr.com/photos/stealaway/49127115021/in/dateposted...
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Miles Davis sheet 1955-1976.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
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flickr.
www.flickr.com/photos/stealaway/
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YouTube.
www.youtube.com/user/mitsushiro/
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instagram.
www.instagram.com/mitsushiro_nakagawa/
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Pinterest.
www.pinterest.jp/MitsushiroNakagawa/
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YouPic
youpic.com/photographer/mitsushironakagawa/
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fotolog
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twitter.
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facebook.
www.facebook.com/mitsushiro.nakagawa
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threads.
www.threads.net/@mitsushiro_nakagawa
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Blue sky.
bsky.app/profile/mitsushironakagawa.bsky.social
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Amazon.
www.amazon.co.jp/gp/profile/amzn1.account.AHSKI3YMYPYE5UE...
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僕の統計。（2024年12月15日現在）
フリッカー、ユーピクのアクセス数は？
Flickr 24,260,172 View
Youpic 7,957,826 View
x.com/mitsushiro/status/1868185157909582014
僕の統計。（2024年8月1日現在）
フリッカー、ユーピクのアクセス数は？
Flickr 23,192,383 View
Youpic 7,574,603 View
僕の統計。（2024年2月7日現在）
フリッカー、ユーピクのアクセス数は？
Flickr 21,694,434 View
Youpic 7,003,230 View
僕の統計。（2023年11月13日現在）
フリッカー、ユーピクのアクセス数は？
Flickr 20,852,872 View
Youpic 6,671,486 View
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Japanese is the following.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
Title of my book unforgettable' Mitsushiro Nakagawa Out Now. ISBN978-4-86264-866-2
Mitsushiro Nakagawa belong to Lot no.204_ . Copyright©︎2020 Lot no.204_ All rights reserved.
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” Lot No.402_ ” に関するお知らせ。
今後、僕は、” Lot No.402_ ”を主催します。
このロットナンバーは、眠っていたレオナルドダヴィンチの作品がオークションにかけらた際に付されたものです。
作品にはサインなどがいっさい記されていなかったため、彼の作品だと断定できませんでした。
しかし、様々な鑑定の結果、陽の光を浴びました。
誰にも気づかれない作品。肩書がなくとも静かに語りかける作品。
僕はこれから様々な形で、多くの皆様に提供できるよう努めてゆきます。
2020年10月24日 by Mitsushiro - Nakagawa.
Copyright©︎2024 Lot No.402_ All rights reserved.
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Brief History of Mt Gambier – the second city of SA after Adelaide (region population nearly 35,000, urban 28,000).
Lieutenant James Grant aboard the Lady Nelson sighted and named Mt Gambier in 1800 after a Lord of the Admiralty. The first white man to traverse the area was Stephen Henty of Portland in 1839 when he sighted the Blue Lake. He returned with cattle and stockmen in 1841. He later claimed that had he known the lake and volcano he had discovered in 1839 was in SA he would have immediately applied for an 1839 Special Survey. But Henty thought he was squatting on land in NSW and he was not an official SA settler so the government ordered him off the land in 1844. Thus the first official white settler of the South East and the Mt Gambier district became Evelyn Sturt, brother to Captain Charles Sturt, who took up an occupational license in March 1844 and a property he named Compton just north of the present city. In April 1844 Governor Grey and a party of assistants including the Assistant Surveyor General Thomas Burr and artist George French Angas explored the South East naming Robe and doing the first surveys. Evelyn Sturt became the first to have an occupational license to squat and the first purchase freehold land near Mt Gambier which he did in 1847- a section of 77 acres when 80 acres was the norm. He left the district in 1854 selling his freehold land to Hastings Cunningham who in 1855 subdivided some of this land thus creating the town of Gambierton. The town lands were adjacent to the site of the first police station selected near what is now Cave Gardens by the government in 1845. A small bush inn also operated at this spot. The first streets were named after early locals such as Evelyn Sturt, Compton, Ferrers and Crouch (built the first general store before the town was created) etc. The town grew quickly because of the mild climate, fertile soils, plentiful water and the influx of settlers from across the border in what was to become the colony of Victoria. Cunningham himself was a great benefactor and donated land for the first school in 1856. In 1861 the town name was changed by act of parliament to Mt Gambier. The Hundred of Mt Gambier (along with three other hundreds) was declared in 1858 and began the closer settlement of the South East.
Unlike other areas of SA the South East was seen as paradise for pastoralists and the optimistic pastoralists flocked to the area with their flocks in 1845. The large runs locked up the land and prevented farmers from settling in the region except for the fertile lands around Mount Gambier. Here small scale farmers had small properties and grew potatoes, hops, and later had dairy cows as well as growing wheat and oats. Land acts in the early 1870s designed to break up the big runs only partially succeeded in the South East where most station owners bought up their lands freehold. It was after 1905 before the big pastoral estates were really broken up for farmers and closer settlement, except for near Mt Gambier. Apart from Evelyn Sturt the other early white settlers of the South East in 1845 were Alexander Cameron at Penola, John Robertson at Struan, William Macintosh and George Ormerod at Naracoorte, the Austin brothers at Yallum Park (later John Riddoch), the Arthur brothers (nephews of Governor Arthur of Van Diemen’s Land) at Mt Schanck( now Mt Schank) and the Leake brothers at Glencoe. In fact in 1845 nineteen leasehold runs were taken up in the South East with a further thirty runs in 1846 and most had several 80 acres sections of freehold land near the main homestead. Most had got to the South East from Casterton and Portland in Victoria as the swamps near the coast were too difficult to traverse except for the country near Robe. Many of the estates were huge. Evelyn Sturt on the Compton/Mt Gambier run had 85 square miles as well as his freehold land; Robertson had 135 square miles at Struan; George Glen (and William Vansittart) of Mayurra had 110 square miles; the SA Company had 159 square miles on the Benara run; the Leake brothers had 194 square miles on Glencoe; Hunter had 56 square miles on Kalangadoo; Neil Black of Noorat Victoria had 45 square miles on Kongorong run and 101 square miles at Port MacDonnell and the Arthur brothers had a huge run at Mt Schanck. By 1851 almost 5,000 square miles of the South East was occupied by Occupational License and most licenses were converted to 14 year leases in that year. A third of all leasehold land in SA was taken up in the South East because of its higher rainfall and suitability for pastoralism and a third of all sheep in the colony were in the South East. When Hundreds were declared in the South East in the late 1850s and early 1860s pastoralists bought up the land. In one case John Riddoch of Yallum Park owned the entire Hundred of Monbulla. Another pastoralist W. Clarke who had purchased Mt Schancke station from the Arthur brothers in 1861 owned SA land valued at £1.25 million when he died in 1874 and he had 120,000 acres freehold in Victoria, 75,000 acres freehold in SA( Mt Schank) and 50,000 acres freehold in each of NSW and Tasmania! Mt Schanck was changed in Schank in 1917 when German place names in SA were changed as Schank without the second “c” is an old English name!
In the 1850s Mt Gambier was a shanty village as the South East was a region of large pastoral estates and little agricultural farming and very low population numbers. It was far from Adelaide and remote and it was only after the Princeland episode in 1862 with the threat of possible secession to a new state that the Adelaide government began to invest in the South East and really encourage settlement there. The Border Watch newspaper was established in 1861, the Mt Gambier Hotel opened in 1862 and the Mt Gambier Council was formed in 1863.By the early 1860s Mt Gambier had almost 1,000 residents making it one of the largest towns in SA after the copper mining centres of Burra, Kadina and Moonta. By the 1881 SA census Mt Gambier had 2,500 residents making it the biggest town outside of Adelaide. In 1865 four iconic historic buildings were erected-the Courthouse, the Gaol, Christ Church Anglican and the Post Office and Telegraph Station. The flourmill which later became the Oat Mill opened in 1867 as wheat farmers had now taken up lands around the Mount. Mt Gambier was growing into a fine prosperous looking town with churches, stores, banks, hotels and fine residences. In the 1870s the rural population increased dramatically with tenant potato farmers on Browne’s Moorak estate and intensive hop growing in several localities such as Yahl and OB Flat and Glenburnie etc. Also in 1876 the first commercial forestry was started at the behest of George Goyder. A tree nursery was established on the edge of Leg of Mutton Lake in 1876 on a site selected by George Goyder himself. A stone cottage for the first nurseryman Charles Beale was constructed and it survived until demolished in 1969 but the nursery closed in 1929. The nursery propagated eucalypts, Oak, Elm, Ash, Sycamore, and North American pines. Pinus radiata was first grown at Leg of Mutton Lake and was being dispersed to other areas by 1878. Pinus canariensis was also grown in the 1880s. Pinus radiata is now the most commonly grown commercial forest tree in SA and Australia. Also in the 1870s the first hospital was erected and Dr Wehl, the town’s doctor for many years was in residence.
In the mid 1880s the first rail line was laid as the railway lines pushed out from Mt Gambier to Naracoorte. The service to Naracoorte began in 1887 and connected on with the line to Bordertown and Adelaide. By 1897 a railway connected Mt Gambier to Millicent and the port at Beachport. The railway line across the border to Heywood and Melbourne was not completed until 1917 as the SA government resisted a line that would take goods and passengers from Mt Gambier to Port Melbourne rather than to Port Adelaide. Mt Gambier railway station used to be a hive of activity with daily trains to Adelaide and an overnight sleeper services several times a week. Passenger trains to Mt Gambier from Adelaide stopped in 1990 after Australian National took over the SA railway network. Freight services stopped in 1995 and the railway line and station was formally closed. The railyards and other buildings were cleared in 2013.
The Buandik Aboriginal People.
The Buandik people are commemorated in a city street but by little else. Yet they were resilient and determined fighters opposed to the white settlement of the South East. Their occupation of the Mt Gambier district stretches back to around 20,000+ years but their dated occupation from archaeological sites goes back to about 11,000 years with their myths and legends including stories about volcanic activity at Mt Gambier. The last volcanic explosions were about 4,000 years ago. Both Mt Schank and Mt Gambier were important places to the Buandik for ceremonies, hunting, access to water and stone implement making. A government report in 1867 noted that the Buandik people in government care were few in number mainly sickly and elderly. The younger people had presumably moved out into the white community. But back in the 1840s the Buandik were a force to be reckoned with. There are no common stories of Aboriginal massacres but white pastoralists certainly retaliated when sheep were stolen. On Mt Schank station the Buandik were so troublesome that shepherds would not venture out to care for sheep alone and the Arthur brothers gave this trouble as their reason for them selling the run in 1845. In 1845 the government established a police station at Mt Gambier, which the Protector of Aboriginals visited, to ensure that pastoralists did not massacre the Buandik.
William Vansittart and Vansittart Park.
Vansittart Park has been a focal point of Mt Gambier since 1884 for activities such as family picnics, political rallies and speeches, bike racing, band rotunda concerts, bowling greens, sport oval, grandstand (1927) and Anzac memorial services. But who was William Vansittart? He was an Anglican reverend from England (Vansittart is a noble and political Anglo-Irish family in the UK) who arrived in SA in 1847 as a young bachelor. He was never licensed as a minister in SA but he developed his passions for making money and horse racing here. He mixed with the elite of Adelaide like Sir Samuel Davenport, the Governor and was a friend of Hurtle Fisher and he was Master of the Hounds. In 1850 he purchased 35 acres at Beaumont where he built Tower House and 80 acres at Mt Gambier. He imported a thoroughbred horse from Hobart called Lucifer. Ironic that a minister of religion would have a horse called Lucifer! His horses raced in Adelaide, Salisbury, Gawler, Brighton and Clare as well as in Mt Gambier and Penola. In 1851 he also took over the 110 square mile 14 year lease of Mayurra run with George Glen of Millicent. In 1852 he returned to England for a short time and on his return he purchased more freehold land bringing his estate to around 800 acres. Not long after in 1854 his horse shied, he was thrown against a tree and died of head injuries but he died intestate with an estate worth over £10,000. Glen bought out his share of Mayurra; the Beaumont house and property was sold in 1867 as were his race horses and his brother Captain Spencer Vansittart eventually inherited the Mt Gambier property. In accordance with William’s wishes 115 acres were set aside to provide income for a scholarship for boarders at St Peters Boys College which happened from 1859. Later in 1883 Spencer Vansittart offered 20 acres to the Mt Gambier Council for a memorial park at the “nominal” sum of £400 which hardly seems “nominal”. The Council raised a loan and purchased the land and the park is still enjoyed by the city’s residents and visitors. Captain Spencer’s widow sold the last package of 300 acres of land in 1912 thus ending the Vansittart links with Mt Gambier. The Vansittart scholarship is still available for boarders from the South East and is operated by a group of College trustees.
Some Historic Buildings in Mt Gambier and a town walk.
Your town walk is basically straight ahead along Penola Road towards the Mount itself which becomes Bay Road( the bay is at Port MacDonnell) once you cross Commercial Street which is the Main Street. There are just a few diversions to the left as you face the Mount. The coach will collect you at the Mount end of the walk near the Old Courthouse.
If you a good walker check out the fine houses in Jardine Street at numbers 1, 7, 9, 11, 12, 17 and 22. They range from cottages to Gothic and turreted mansions including the home of Jens the hotelier. This detour will add another 10 minutes to the walk if you elect to do it.
1.Catholic Covent. Sisters of Mercy setup a convent school in 1880. This wonderful convent was not built until 1908 in local dolomite stone & limestone quoins. Note the fine stone gables with small niches for statuary, the well proportioned arched colonnades and upstairs oriel windows – the projecting bay windows with stone supports. This is one of the finest buildings in Mt Gambier. The convent closed in 1986. Now Auspine.
2.Wesleyan Methodist Church Hall/Sunday School. Across the street is pink dolomite neo-classical style Wesleyan Methodist Sunday School Hall. Hundreds of children attended Sunday School in those days. It opened in 1904. It is now commercial offices. (If you want to walk up Wyatt Street beside the Sunday School and turn right at second street which is at Gray you will see the old two storey Methodist Manse at 101 Gray St. It was built in 1868 and sold 1941. As you turn into Gray Street the Salvation Army Hall is on your left. Allow 10 minutes for this detour before returning to Penola Road).
3.Methodist Church now Liberty Church. A Gothic large church built in 1862 by the Wesleyans. Opened by minister from Portland. Additions made 1877 with new entrance. The old lecture hall and Sunday School was beneath the church. Note the buttress on corners and sides. Became Uniting Church 1977 and closed 1994 when services moved to St Andrews Presbyterian Church. Behind the church (walk through the car park) in Colhurst Place is LLandovery two storey mansion now a B&B. Built 1878 for a flour and oat miller who had his mill in Percy Street.
4.St Paul’s Catholic Church. This impressive Gothic church with huge tower with crenulations was opened in 1884 and will be open today. There are 1966 extensions to the rear of it. The Presbytery is behind the church facing Alexander St. it was built in 1901 when the church was free of building debt. The first thatched bush church was built in another location in 1855. From 1857 the priest was Father Julian Tenison Woods, explorer, academic, horseman etc. A second church opened in 1861 in Sturt St and is now demolished. It closed in 1885 as this church opened. The bells came from Dublin. The church fence and gates built 1936.
5.The Mount Gambier Club. Across the street is the Club. It was built in 1904 for a local distiller as chambers for lease. The wealthy pastoralists of the South East formed an exclusive men only club in 1913 and it has used the upper floor of Engelbrecht’s chambers ever since. They purchased the whole building in 1920. The Club is a beautifully proportioned classical style building with pediments, balustrades, window entablature, and perfect symmetry. Look down the sides and you can see it is made of Mt Gambier limestone blocks.
6.Mt Gambier Caledonian Hall. Next door is the Scots Club. Its prominence signifies the Scottish links of many Gambier residents. The hall was opened in 1914 and opened by the former Prime Minister Sir George Reid, another Scot. It has classical features but is rather ugly and neglected these days. It is now a night club.
7.The Trustees Building. Next to the Caledonian is the Trustee Building erected in 1958. Its blue and bone tiled façade is typical of 1950s architecture yet the rectangular appearance has a slight classical look about it. It is on the SA Heritage Register. Accountants now occupy it.
8.Turn left into Percy Street and go along here beyond KFC for one town block to the next corner for the Oatmills (now a coffee shop and cinemas). Milling and brewing were two of Mt Gambier’s prime 19th century industries. The 4 storey complex here was started in 1867 for Welsh Thomas Williams who eventually had five flour mills. His mill was called Commercial Flourmills. A new owner converted the mill from wheat milling to oat milling. A new oatmill was built in 1901 and operated until 1975 producing Scottish porridge oats. The mill has now been restored with café, shops and cinemas. Return to Penola Rd.
9. Mt Gambier Hotel. No hotel could have a more remarkable origin than the Mt Gambier. An African American John Byng built a weatherboard hotel near here in 1847. The third licensee Alexander Mitchell, another Scot, took it over and moved the hotel to this corner site in 1862 as an impressive two storey hotel which was unusual at that time. The western wing was added in 1883 and balconies affixed in 1902.
10.Cross towards the Mount with the traffic lights then turn left into Commercial Street East.
11.Mt Gambier Town Hall. Marked as the Riddoch Gallery this fine Venetian Gothic style building is impressive with its coloured stone work contrasting well with cement rendered horizontal lines and vertical panels around windows and doors. The upper windows are mullioned with stone divisions between the glass. It was built in 1882 with the clock tower added in 1883 after a donation. The first Council meeting was in 1863 with Dr Wehl as chairman held in a hotel. Later the Council hired a room at the Foresters Hall and then they purchased this site in 1868 with a weatherboard room. This was used until 1882.
12.Mt Gambier old Institute. The Literary Institute was formed in 1862 and a foundation stone laid for a reading room/hall in 1868 by John Riddoch. The single storey institute opened in 1869. The upper floor was added in 1887, so that it would match the new Town Hall. It is built in a similar style- Venetian Romanesque as the windows and rounded and not arched as with a gothic structure.
13.Captain Gardiner Memorial Fountain 1884. The fountain was presented by Captain Robert Gardiner the grandfather of Sir Robert Helpman (his name was originally Helpmann). The fountain was made in Melbourne .Gardiner was also a benefactor of St Andrew’s Presbyterian -he donated the pipe organ in 1885.
14.Jens Hotel. After demolishing an earlier hotel (the 1847 hotel of John Byng) Johannes Jens had the first section of his Jens Hotel built on this corner in 1884. An almost identical eastern wing was erected in 1904 and the Spanish Art Deco section in 1927. Turn right here and go behind the Town hall to the Cave Gardens.
15.Cave Gardens. This spot was an early water supply. A garden was created in 1893 and then improved and reconstructed in 1925. This sink hole has recently been upgraded again and it is lit at night.
16.Post Office. This important communications centre was erected in 1865 as a telegraph office/post office. This is till one of the finest buildings in Mt Gambier and a rare example of the Georgian style for the city. . The single storey side wings were added in 1906 in a sympathetic style. It is still the main city Post Office.
17.Norris Agency Building. This superb Italianate building was completed in 1900 as chambers for businessmen. Owner was Alexander Norris who died in 1917. The façade is pink dolomite with cement quoins and unusual lined decoration work above the windows and door each contained within a triangular classical pediment.
18.Farmers Union Building. Another classical style building built when this style was out of fashion in 1914.Erected for Farmers Union as a large two storey building. It has none of the grace of the Norris building next door. FU was formed in 1888 in Jamestown by Thomas Mitchell, a Scot and others to provide cheap rates for grains, seeds and superphosphate but in the early 1900s they branched into products for dairy farmers and the marketing of milk products. The Mt Gambier district had plenty of dairy farmers. It is now owned by a Japanese company Kirin but it still markets its chocolate milk drinks as Farmers Union. Upper floor has double pilasters (flattened pillars) with top volutes but little other decoration.
19.Savings Bank Building on the corner. The former Savings Bank in Gothic style is unusual for commercial premises in Mt Gambier. It is constructed of weathered local limestone and was built in 1906. Note the different cut stone for the foundations, simulated turrets on the corners and by the door to break the façade appearance and the stone line above the lower window which then divides the façade into equal thirds.
20.Macs Hotel. This hotel was built in 1864 and is largely unchanged except that the upper floor was added in 1881. The first licensee was a Scot named John MacDonald. The double veranda supports are very elegant.
21.Roller flourmill now a painted hardware store. Built 1885 as a steam flourmill in pink dolomite. Note the small 12 paned windows set in much larger indented niches in the walls on the northern wall. (Sturt St.)
22.Christ Church Anglican Church and hall. Dr Browne of Moorak donated half the money for the construction of Christ Church in pink dolomite and with an unusual gabled tower. Church and tower completed in 1866. Adjacent is the Jubilee Hall built in 1915, destroyed by fire in 1951, and rebuilt exactly the same in weathered local limestone blocks with the original foundation stone still in place. It has the single Gothic window in the street facing gable and a crenulated square tower. Adjoining it is the 1869 Sunday School with the narrow double pointed Gothic windows. It was extended in 1892. The lychgate is more recent as a memorial to a regular church goer, Margaret French who died in 1927.
23.The old railway station just visible along the rail lines to your right. The first rail line was to Beachport in 1879 and the second to Naracoorte (and so to Adelaide) in 1887. Portland and Melbourne line opened 1917. A spur line to Glencoe was completed in 1904. First station was erected in 1879. It was demolished for the erection of the current station in 1918 which is similar in design to those in Tailem Bend, Bordertown, Moonta etc. Bluebird rail cars started on the Mt Gambier run in 1953 when the old 3’6” gauge line to Wolseley was converted to 5’3”. The last passenger service to Adelaide finished in 1990 and the station closed for freight in 1995. The railyards were cleared in 2013 and the future of the station is bleak. The rail lines to Beachport and Glencoe closed in 1956/57.
24.The Old Courthouse, 42 Bay Rd. It has a great low wall suitable for sitting on. This well designed Georgian style Courthouse opened in 1865 and the similarly styled side wings were added in 1877. The front veranda, which is not Georgian in style, was added in 1880. In 1975 the Courthouse was granted to the National Trust for a museum. The adjoining new Courthouse opened in 1975 at the same time. Note the “blind” windows to the façade but the same rounded Georgian shaped, 16 paned windows on the sides.
The Blue Lake, Mt Schank and Volcanoes.
The jewel in the crown of Mt Gambier is undoubtedly the volcanic cone, the crater lakes especially the Blue Lake and the surrounding Botanic Gardens and parklands. The Botanic Garden on the north side was approved in 1872 but nothing happened about plantings and care until 1882. The first pleasure road through the saddle between the Blue Lake and the Valley Lake was created in the 1861 as a more direct road to the then newly created international port named Port MacDonnell. That is why the road is called the Bay road. Surveyor General George Goyder explored the lake surrounds himself in 1876 when he selected the site for the government tree nursery. Later the government established the first sawmill on the edge of the crater reserve near Moorak homestead in the early 1920s. The Centenary Tower was initiated in 1900 to celebrate the centenary of Captain Grant sighting Mt Gambier. It took several years to complete and was opened by the Chief Justice of SA Sir Samuel Way in 1907 but it was completed in 1904. The whole complex is a maar geomorphological formation which originated during a volcanic era about 28,000 years ago but in a second phase of volcanic activity 4,000 to 6,000 years ago the cones and lakes of Mt Gambier were created along with the cones of Mt Schank and Mt Burr near Millicent. Mt Gambier was the most recent volcanic explosion in Australia. The crater lakes are: Blue Lake, Valley Lake, Leg of Mutton Lake and Browne’s Lake (dry). The Blue Lake is linked to the aquifers beneath the deep layers of limestone which underlay the entire South East. Blue Lake is about 72 metres deep and some of the water in it is estimated to be about 500 years old but it is mixed with rain runoff each year as well. The Lake provides the water supply for Mt Gambier. Deep in the lake are examples of the oldest living organisms on earth- stromatalites. The lake changes colour from grey to vivid blue each November and reverts in the following April. The change in colour is related to the position of the sun and reflected light from suspended particles in the lake which reflect blue green light rather than brown grey light. Secondly the suspended matter only occurs because the water near the surface rises in temperature in the spring and it is this which causes the particles to precipitate out of the water. The precipitated matter settles on the bottom of the lake ready for a new cycle the following spring. Like the Blue Lake various sink holes in the district have linkages to the underlying aquifer through the layers of limestone too and they include Cave Gardens, Umpherstone, Piccaninni Ponds, etc.
Moorak Station and Tenison Woods College.
Moorak station as originally known as Mount Gambier Station established by George Glen in the 1840s. The leasehold was later taken over by David Power who in turn sold it to Fisher and Rochford who in turn sold the estate as freehold to the Scottish Dr William Browne who had established Booborowie run with his brother in 1843 north of Burra. The Browne brothers dissolved their partnership around 1865 and John went to live at Buckland Park and William took up residence at Moorak. William had purchased Moorak Station in 1862 and built the grand Moorak homestead in impressive Georgian style onto a smaller house there. William died in 1894 and the Moorak Estate passed to his son Colonel Percival Browne who was to disappear on the ill-fated voyage of the new steamer the Waratah in 1909 which disappeared during a storm off Durban, South Africa. Also on that voyage was Mrs. Agnes Hay (nee Gosse) of Mt Breckan Victor Harbor and Linden Park Estate Adelaide and some 200 other poor souls. Around 1909 the Moorak Station was subdivided for closer settlement and in the 1920s the Marist Brothers purchased the homestead with a little land for their and monastery and opened the Marist Brothers Agricultural College for boys in 1931. That college in turn merged with the Mater Christi College in 1972 to become Tenison College. (Mater Christi College had been formed in 1952 by the merger of the St Josephs Convent School (1880) and St Peters Parish School but the primary section of St Peters broke away in 1969 from Mater Christi College and formed a separate St Peters Primary School. This primary school in turn merged with Tenison College in 2001 to form Tenison Woods College!) The College name commemorates the work of Father Julian Tenison Woods who arrived in Mt Gambier in 1857 to work in Penola and Mt Gambier. It was he who encouraged Mary MacKillop to take her vows and establish her Sisters of St Joseph.
Dr Browne’s manager of Moorak Estate in 1868 introduced hops as a viable crop in the South East and large quantities were grown for about 20 years. Other early experimental crops grown included tobacco, cotton and flax. Dr Browne and Moorak were also important in the potato industry. Dr Browne leased around 830 acres to 20 tenants for the express purpose of growing potatoes. He was keen to emulate the British aristocracy although he was a good Scot with being a manorial style landlord with tenant farmers. Potatoes were also grown from the early years at Yahl, OB Flat and Compton near Mt Gambier. The potatoes were carted down to Port MacDonnell and shipped to Adelaide for consumers. As one of the major wool producers of Australia William Browne contributed roughly half of the funds for the erection of Christ Church Anglican in Mt Gambier. The Moorak estate consisted of around 11,000 acres of the most fertile volcanic soil in SA with another 2,000 acres in a nearby property, German Creek near Carpenter’s Rocks. Dr Browne ran Silky Lincolns on Moorak for their wool as Merinos did not fare well on the damp South East pastures. About 2,000 acres was in wheat, about 2,500 acres was tenanted to other farmers and around 4,000 acres were in lucerne, clover, rye and other pasture grasses. William Browne returned to live in England in 1866 so his sons could attend Eton and military training colleges there. He made regular trips to SA about every second year to oversee his many pastoral properties here. When he died in 1894 he left 100,000 acres of freehold land in SA to his children who all resided here as well as leasehold land. He was an extremely wealthy man. Son Percival took control of Moorak. Before Percival’s death Moorak Estate was partly purchased by the SA government in 1904 for closer settlement when they acquired around 1,000 acres. After Percival’s death a further 6,300 acres was acquired for closer settlement and the remainder of the estate was sold to other farmers. The government paid between £10 and £31 per acre for the land. Percival Browne was highly respected in Mt Gambier and a reserve around the Blue Lake is named after him. The fourth of the crater lakes of Mt Gambier is also named Browne’s Lake after the family but it has been dry for decades. In 1900 Colonel Browne planted the ring of English Oaks around what was to become the oval of the Marist Brothers College.
Moorak.
There is a memorial by the station to William Browne as founder of the Coriadale Sheep Stud. The great Moorak woolshed was demolished in 1939. The Union church which opened in 1920 was used by the Methodists and the Anglicans. It is now a private residence. Moorak hall was opened in 1926. New classrooms were added to the Moorak School in 1928 and the first rooms opened in 1913. The cheese factory in Moorak opened in 1913 as a cooperative and was sold to Farmers Union in 1949. They closed the factory in 1979. Most of the cheese produced at Moorak went to the Melbourne market. The first cheese maker at Moorak was trained at Lauterbach’s cheese factory at Woodside. Moorak was one of a circle of settlements around Mt Gambier that had butter/cheese factories. These towns were: Kongorong; Glencoe East; Glencoe West; Suttontown; Glenburnie; Mil Lel; Yahl; OB Flat; Moorak; Mt Schank; and Eight Mile Creek.
Yahl.
In the 1860s this tiny settlement was a tobacco, hop and potato growing district and it persisted with potatoes up until recent times. Today Yahl is little more than a suburban village of Mt Gambier with a Primary school with approx 120 students. The old government school was erected in 1879. It had a Methodist church built in 1880 which operated as a church until 1977 and it had a large butter factory which had opened in 1888. The butter and cheese factory was taken over by the OB Flat cheese factory in 1939 and the two operated in conjunction with each other. The OB Flat cheese factory closed in 1950 and all production moved to Yahl. The factory finally closed in 1971. The township of Yahl also had a General Store and a Salvation Army Hall which was built in 1919.
Sink Holes: Umpherston Gardens and Cave Gardens.
James Umpherston purchased land near Mt Gambier in 1864 which included a large sink hole or collapsed cavern with a lake in the bottom. He was born in Scotland in 1812 and came to SA in the 1850s with his brother William. William purchased his first land at Yahl in 1859. James Umpherston was a civic minded chap being a local councilor, a parliamentarian in Adelaide for two years and President of the Mt Gambier Agricultural and Horticultural Society for 13 years. When he retired from civic life and farming in 1884 he decided to create a garden in his sinkhole. He beautified it and encouraged visitors and even provided a boat in the lake for boat rides. Access was gained by steps and a path carved into the sinkhole walls. However after he died in 1900 the garden was ignored, became overgrown and was largely forgotten in 1949 when the Woods and Forests Department obtained the land for a new sawmill at Mt Gambier. By then the lake had dried up as the water table had fallen over the decades. In 1976 staff, rather than the government, decided to restore the Umpherstone gardens. The cleared out the rubbish that had been dumped in the sinkhole, restored the path access, trimmed the ivy and replanted the hydrangeas and tree ferns. In 1994 the Woos and Forests Department handed over the land around the sinkhole to the City of Mt Gambier. It was added to the SA Heritage Register in 1995.
Raphael Tuck & Sons Postcard
The Vulcan Motor and Engineering Company of Crossens, Southport, Lancashire produced commercial vehicles from 1904
1904 The company commenced in business
WWI maker of aeroplanes
1920 October. Exhibited at the Commercial Motor Exhibition at Olympia with several lorries all with a 20 hp engine. One was a 30cwt tipping wagon claimed to be the lowest price in its class.
1936 The company was in financial difficulties and was sold to J. Brockhouse, a trailer manufacturer, who only wanted the works and the land. Therefore the production rights were old to Tilling-Stevens and production transferred to the Maidstone works
1953 Tilling-Stevens was taken over by the Rootes Group and the business was absorbed in to the Commer and Karrier ranges and the name dropped. At that time the range included a 6 ton fitted with a Perkins P6 diesel engine
Luftwaffe attack our peaceful Southport Brockhouse factory
For the first and only time, the Luftwaffe attacked the town a second time the same day, within seven hours, to visit another district – it was Crossens’ turn to suffer.
At around 9.30pm a squadron of bombers was heading south (probably to Liverpool) over Southport when a pilot turned back after seeing glowing from the firebox door of a railway engine as it was being stoked up on the bank between Crossens and Churchtown, so he attempted to bomb the railway line (if not residential areas) as they often did.
Vulcan Motor Works
The pilot may also have been aiming at Crossens Railway Station, as at least eight bombs fell in this vicinity. Although none hit the railway, two struck the large ‘Brockhouse Engineering Works’ which, probably unknown to the pilot was busy making equipment for the war effort. These premises were originally built and used by the Vulcan Motor Works.
Young fatality
One bomb descended into the tool room blasting a crater in the concrete floor, and unfortunately 18-year old John Thomas Wareing of 204 Rufford Road, was killed.
While lying injured inside the crater a large lathe fell on top of him. At least nine other workmen were injured by flying bench vices and tools which blew up in the blast.
www.southportvisiter.co.uk/news/nostalgia-luftwaffe-attac...
Although the Crossens works didn’t manufacture vacuum tubes, it did produce ferrite pot cores and magnets for loudspeakers, motors, telephones and cathode-ray tubes (television and oscillsocope screens) and was one of several Mullard ‘feeder’ factories situated in the north of England. These feeder factories supplied electrode sub-assemblies and other specialised components to Mullard’s mighty Blackburn facility in Lancashirewho subsequently utilised them in the fabrication of vacuum tubes.
Back in the day, the Crossens works was home to dozens of red-brick workshops (built in 1907), which were packed closely together on the site just like in those paintings of urban industrial landscapes by Lowry. Mullard took over the site from Vulcan Motor and Engineering Co. in 1955 and the workshops became home to specialised mills, presses, kilns and bespoke tooling for grinding powders, making pastes, baking, shaping and machining the magnets and ferrites.
Manufacturing magnets was dirty work, but it did create jobs—Mullard were one of the town’s largest employers of engineers, technicians, assemblers and all kinds of skilled craftsmen, and frequently advertised positions of employment nationally in magazines such as ‘New Scientist’. They also employed accountants, typists, secretaries and other admin staff whom were based in the relatively modern building (constructed by ‘Philips’ in the late 1950s) on the west border of the site running along Balmoral Drive.
A contractor cutting down BNSF poles pauses at a fence to someone’s backyard. The railroad goes through a rock cut here, and these people have claimed their backyard all the way to the edge. The pole line cut right through the yard. These guys had to remove two poles from the yard, and there was a “Beware of Dog” sign on the fence. After no canine type response, the chainsaw dude went into the yard and worked his magic. A couple minutes later these poles were on the ground, and I swooped in to remove the glass.
A friend and I followed this pair of contractors a lot in the 2000s. They got the contract to remove the pole lines, then sold the poles to locals, if the particular railroad allowed for that. BNSF did not want any of the material, so these guys sold poles, and often found farmers who would allow them to dump the crossarms and metal on their land.
As for the insulators, the guy by the fence told me some time well before this “the more of these G@# damn things you take, the less I have to fuck with.” So we took several thousand over the course of a few years, including this dreary December day nearly 19 years ago. More pics from this day will be posted eventually.
Also of note here is an example of Frisco’s pole numbering. The three horizontal bands represent three tens and the vertical is a five. This was mile 75 pole 35. A half hour later when the 76 mile post pole was cut, the homemade, hand painted 76 mile sign was also liberated. We got as many of these signs as possible as well.
12/20/2005
Bourbon, MO
Chicago Legal Advocacy for Incarcerated Mothers (CLAIM) celebrates 25 years. CLAIM is a not-for-profit agency founded in 1985 to help women prisoners and their children maintain contact. It provides legal and educational services to maintain the bonds between imprisoned mothers and their children. CLAIM advocates for policies and programs that benefit families of imprisoned mothers and reduce incarceration of women and girls. To learn more, visit www.claim-il.org/
© Susan D. Phillips 2010 All rights reserved
Back in those days, during the brief open camping season, it was first come, first served...
and watch out for the free range chickens.
City of Mystic Beach
Treasure Cove Beach Park (Treasure Cove Preserve)
Olympus OM-D E-M5 Mark II
Olympus M.14-42mm F3.5-5.6 II R
For more info about the dioramas, check out the FAQ: 1stPix FAQ
Brief History of Mt Gambier – the second city of SA after Adelaide (region population nearly 35,000, urban 28,000).
Lieutenant James Grant aboard the Lady Nelson sighted and named Mt Gambier in 1800 after a Lord of the Admiralty. The first white man to traverse the area was Stephen Henty of Portland in 1839 when he sighted the Blue Lake. He returned with cattle and stockmen in 1841. He later claimed that had he known the lake and volcano he had discovered in 1839 was in SA he would have immediately applied for an 1839 Special Survey. But Henty thought he was squatting on land in NSW and he was not an official SA settler so the government ordered him off the land in 1844. Thus the first official white settler of the South East and the Mt Gambier district became Evelyn Sturt, brother to Captain Charles Sturt, who took up an occupational license in March 1844 and a property he named Compton just north of the present city. In April 1844 Governor Grey and a party of assistants including the Assistant Surveyor General Thomas Burr and artist George French Angas explored the South East naming Robe and doing the first surveys. Evelyn Sturt became the first to have an occupational license to squat and the first purchase freehold land near Mt Gambier which he did in 1847- a section of 77 acres when 80 acres was the norm. He left the district in 1854 selling his freehold land to Hastings Cunningham who in 1855 subdivided some of this land thus creating the town of Gambierton. The town lands were adjacent to the site of the first police station selected near what is now Cave Gardens by the government in 1845. A small bush inn also operated at this spot. The first streets were named after early locals such as Evelyn Sturt, Compton, Ferrers and Crouch (built the first general store before the town was created) etc. The town grew quickly because of the mild climate, fertile soils, plentiful water and the influx of settlers from across the border in what was to become the colony of Victoria. Cunningham himself was a great benefactor and donated land for the first school in 1856. In 1861 the town name was changed by act of parliament to Mt Gambier. The Hundred of Mt Gambier (along with three other hundreds) was declared in 1858 and began the closer settlement of the South East.
Unlike other areas of SA the South East was seen as paradise for pastoralists and the optimistic pastoralists flocked to the area with their flocks in 1845. The large runs locked up the land and prevented farmers from settling in the region except for the fertile lands around Mount Gambier. Here small scale farmers had small properties and grew potatoes, hops, and later had dairy cows as well as growing wheat and oats. Land acts in the early 1870s designed to break up the big runs only partially succeeded in the South East where most station owners bought up their lands freehold. It was after 1905 before the big pastoral estates were really broken up for farmers and closer settlement, except for near Mt Gambier. Apart from Evelyn Sturt the other early white settlers of the South East in 1845 were Alexander Cameron at Penola, John Robertson at Struan, William Macintosh and George Ormerod at Naracoorte, the Austin brothers at Yallum Park (later John Riddoch), the Arthur brothers (nephews of Governor Arthur of Van Diemen’s Land) at Mt Schanck( now Mt Schank) and the Leake brothers at Glencoe. In fact in 1845 nineteen leasehold runs were taken up in the South East with a further thirty runs in 1846 and most had several 80 acres sections of freehold land near the main homestead. Most had got to the South East from Casterton and Portland in Victoria as the swamps near the coast were too difficult to traverse except for the country near Robe. Many of the estates were huge. Evelyn Sturt on the Compton/Mt Gambier run had 85 square miles as well as his freehold land; Robertson had 135 square miles at Struan; George Glen (and William Vansittart) of Mayurra had 110 square miles; the SA Company had 159 square miles on the Benara run; the Leake brothers had 194 square miles on Glencoe; Hunter had 56 square miles on Kalangadoo; Neil Black of Noorat Victoria had 45 square miles on Kongorong run and 101 square miles at Port MacDonnell and the Arthur brothers had a huge run at Mt Schanck. By 1851 almost 5,000 square miles of the South East was occupied by Occupational License and most licenses were converted to 14 year leases in that year. A third of all leasehold land in SA was taken up in the South East because of its higher rainfall and suitability for pastoralism and a third of all sheep in the colony were in the South East. When Hundreds were declared in the South East in the late 1850s and early 1860s pastoralists bought up the land. In one case John Riddoch of Yallum Park owned the entire Hundred of Monbulla. Another pastoralist W. Clarke who had purchased Mt Schancke station from the Arthur brothers in 1861 owned SA land valued at £1.25 million when he died in 1874 and he had 120,000 acres freehold in Victoria, 75,000 acres freehold in SA( Mt Schank) and 50,000 acres freehold in each of NSW and Tasmania! Mt Schanck was changed in Schank in 1917 when German place names in SA were changed as Schank without the second “c” is an old English name!
In the 1850s Mt Gambier was a shanty village as the South East was a region of large pastoral estates and little agricultural farming and very low population numbers. It was far from Adelaide and remote and it was only after the Princeland episode in 1862 with the threat of possible secession to a new state that the Adelaide government began to invest in the South East and really encourage settlement there. The Border Watch newspaper was established in 1861, the Mt Gambier Hotel opened in 1862 and the Mt Gambier Council was formed in 1863.By the early 1860s Mt Gambier had almost 1,000 residents making it one of the largest towns in SA after the copper mining centres of Burra, Kadina and Moonta. By the 1881 SA census Mt Gambier had 2,500 residents making it the biggest town outside of Adelaide. In 1865 four iconic historic buildings were erected-the Courthouse, the Gaol, Christ Church Anglican and the Post Office and Telegraph Station. The flourmill which later became the Oat Mill opened in 1867 as wheat farmers had now taken up lands around the Mount. Mt Gambier was growing into a fine prosperous looking town with churches, stores, banks, hotels and fine residences. In the 1870s the rural population increased dramatically with tenant potato farmers on Browne’s Moorak estate and intensive hop growing in several localities such as Yahl and OB Flat and Glenburnie etc. Also in 1876 the first commercial forestry was started at the behest of George Goyder. A tree nursery was established on the edge of Leg of Mutton Lake in 1876 on a site selected by George Goyder himself. A stone cottage for the first nurseryman Charles Beale was constructed and it survived until demolished in 1969 but the nursery closed in 1929. The nursery propagated eucalypts, Oak, Elm, Ash, Sycamore, and North American pines. Pinus radiata was first grown at Leg of Mutton Lake and was being dispersed to other areas by 1878. Pinus canariensis was also grown in the 1880s. Pinus radiata is now the most commonly grown commercial forest tree in SA and Australia. Also in the 1870s the first hospital was erected and Dr Wehl, the town’s doctor for many years was in residence.
In the mid 1880s the first rail line was laid as the railway lines pushed out from Mt Gambier to Naracoorte. The service to Naracoorte began in 1887 and connected on with the line to Bordertown and Adelaide. By 1897 a railway connected Mt Gambier to Millicent and the port at Beachport. The railway line across the border to Heywood and Melbourne was not completed until 1917 as the SA government resisted a line that would take goods and passengers from Mt Gambier to Port Melbourne rather than to Port Adelaide. Mt Gambier railway station used to be a hive of activity with daily trains to Adelaide and an overnight sleeper services several times a week. Passenger trains to Mt Gambier from Adelaide stopped in 1990 after Australian National took over the SA railway network. Freight services stopped in 1995 and the railway line and station was formally closed. The railyards and other buildings were cleared in 2013.
The Buandik Aboriginal People.
The Buandik people are commemorated in a city street but by little else. Yet they were resilient and determined fighters opposed to the white settlement of the South East. Their occupation of the Mt Gambier district stretches back to around 20,000+ years but their dated occupation from archaeological sites goes back to about 11,000 years with their myths and legends including stories about volcanic activity at Mt Gambier. The last volcanic explosions were about 4,000 years ago. Both Mt Schank and Mt Gambier were important places to the Buandik for ceremonies, hunting, access to water and stone implement making. A government report in 1867 noted that the Buandik people in government care were few in number mainly sickly and elderly. The younger people had presumably moved out into the white community. But back in the 1840s the Buandik were a force to be reckoned with. There are no common stories of Aboriginal massacres but white pastoralists certainly retaliated when sheep were stolen. On Mt Schank station the Buandik were so troublesome that shepherds would not venture out to care for sheep alone and the Arthur brothers gave this trouble as their reason for them selling the run in 1845. In 1845 the government established a police station at Mt Gambier, which the Protector of Aboriginals visited, to ensure that pastoralists did not massacre the Buandik.
William Vansittart and Vansittart Park.
Vansittart Park has been a focal point of Mt Gambier since 1884 for activities such as family picnics, political rallies and speeches, bike racing, band rotunda concerts, bowling greens, sport oval, grandstand (1927) and Anzac memorial services. But who was William Vansittart? He was an Anglican reverend from England (Vansittart is a noble and political Anglo-Irish family in the UK) who arrived in SA in 1847 as a young bachelor. He was never licensed as a minister in SA but he developed his passions for making money and horse racing here. He mixed with the elite of Adelaide like Sir Samuel Davenport, the Governor and was a friend of Hurtle Fisher and he was Master of the Hounds. In 1850 he purchased 35 acres at Beaumont where he built Tower House and 80 acres at Mt Gambier. He imported a thoroughbred horse from Hobart called Lucifer. Ironic that a minister of religion would have a horse called Lucifer! His horses raced in Adelaide, Salisbury, Gawler, Brighton and Clare as well as in Mt Gambier and Penola. In 1851 he also took over the 110 square mile 14 year lease of Mayurra run with George Glen of Millicent. In 1852 he returned to England for a short time and on his return he purchased more freehold land bringing his estate to around 800 acres. Not long after in 1854 his horse shied, he was thrown against a tree and died of head injuries but he died intestate with an estate worth over £10,000. Glen bought out his share of Mayurra; the Beaumont house and property was sold in 1867 as were his race horses and his brother Captain Spencer Vansittart eventually inherited the Mt Gambier property. In accordance with William’s wishes 115 acres were set aside to provide income for a scholarship for boarders at St Peters Boys College which happened from 1859. Later in 1883 Spencer Vansittart offered 20 acres to the Mt Gambier Council for a memorial park at the “nominal” sum of £400 which hardly seems “nominal”. The Council raised a loan and purchased the land and the park is still enjoyed by the city’s residents and visitors. Captain Spencer’s widow sold the last package of 300 acres of land in 1912 thus ending the Vansittart links with Mt Gambier. The Vansittart scholarship is still available for boarders from the South East and is operated by a group of College trustees.
Some Historic Buildings in Mt Gambier and a town walk.
Your town walk is basically straight ahead along Penola Road towards the Mount itself which becomes Bay Road( the bay is at Port MacDonnell) once you cross Commercial Street which is the Main Street. There are just a few diversions to the left as you face the Mount. The coach will collect you at the Mount end of the walk near the Old Courthouse.
If you a good walker check out the fine houses in Jardine Street at numbers 1, 7, 9, 11, 12, 17 and 22. They range from cottages to Gothic and turreted mansions including the home of Jens the hotelier. This detour will add another 10 minutes to the walk if you elect to do it.
1.Catholic Covent. Sisters of Mercy setup a convent school in 1880. This wonderful convent was not built until 1908 in local dolomite stone & limestone quoins. Note the fine stone gables with small niches for statuary, the well proportioned arched colonnades and upstairs oriel windows – the projecting bay windows with stone supports. This is one of the finest buildings in Mt Gambier. The convent closed in 1986. Now Auspine.
2.Wesleyan Methodist Church Hall/Sunday School. Across the street is pink dolomite neo-classical style Wesleyan Methodist Sunday School Hall. Hundreds of children attended Sunday School in those days. It opened in 1904. It is now commercial offices. (If you want to walk up Wyatt Street beside the Sunday School and turn right at second street which is at Gray you will see the old two storey Methodist Manse at 101 Gray St. It was built in 1868 and sold 1941. As you turn into Gray Street the Salvation Army Hall is on your left. Allow 10 minutes for this detour before returning to Penola Road).
3.Methodist Church now Liberty Church. A Gothic large church built in 1862 by the Wesleyans. Opened by minister from Portland. Additions made 1877 with new entrance. The old lecture hall and Sunday School was beneath the church. Note the buttress on corners and sides. Became Uniting Church 1977 and closed 1994 when services moved to St Andrews Presbyterian Church. Behind the church (walk through the car park) in Colhurst Place is LLandovery two storey mansion now a B&B. Built 1878 for a flour and oat miller who had his mill in Percy Street.
4.St Paul’s Catholic Church. This impressive Gothic church with huge tower with crenulations was opened in 1884 and will be open today. There are 1966 extensions to the rear of it. The Presbytery is behind the church facing Alexander St. it was built in 1901 when the church was free of building debt. The first thatched bush church was built in another location in 1855. From 1857 the priest was Father Julian Tenison Woods, explorer, academic, horseman etc. A second church opened in 1861 in Sturt St and is now demolished. It closed in 1885 as this church opened. The bells came from Dublin. The church fence and gates built 1936.
5.The Mount Gambier Club. Across the street is the Club. It was built in 1904 for a local distiller as chambers for lease. The wealthy pastoralists of the South East formed an exclusive men only club in 1913 and it has used the upper floor of Engelbrecht’s chambers ever since. They purchased the whole building in 1920. The Club is a beautifully proportioned classical style building with pediments, balustrades, window entablature, and perfect symmetry. Look down the sides and you can see it is made of Mt Gambier limestone blocks.
6.Mt Gambier Caledonian Hall. Next door is the Scots Club. Its prominence signifies the Scottish links of many Gambier residents. The hall was opened in 1914 and opened by the former Prime Minister Sir George Reid, another Scot. It has classical features but is rather ugly and neglected these days. It is now a night club.
7.The Trustees Building. Next to the Caledonian is the Trustee Building erected in 1958. Its blue and bone tiled façade is typical of 1950s architecture yet the rectangular appearance has a slight classical look about it. It is on the SA Heritage Register. Accountants now occupy it.
8.Turn left into Percy Street and go along here beyond KFC for one town block to the next corner for the Oatmills (now a coffee shop and cinemas). Milling and brewing were two of Mt Gambier’s prime 19th century industries. The 4 storey complex here was started in 1867 for Welsh Thomas Williams who eventually had five flour mills. His mill was called Commercial Flourmills. A new owner converted the mill from wheat milling to oat milling. A new oatmill was built in 1901 and operated until 1975 producing Scottish porridge oats. The mill has now been restored with café, shops and cinemas. Return to Penola Rd.
9. Mt Gambier Hotel. No hotel could have a more remarkable origin than the Mt Gambier. An African American John Byng built a weatherboard hotel near here in 1847. The third licensee Alexander Mitchell, another Scot, took it over and moved the hotel to this corner site in 1862 as an impressive two storey hotel which was unusual at that time. The western wing was added in 1883 and balconies affixed in 1902.
10.Cross towards the Mount with the traffic lights then turn left into Commercial Street East.
11.Mt Gambier Town Hall. Marked as the Riddoch Gallery this fine Venetian Gothic style building is impressive with its coloured stone work contrasting well with cement rendered horizontal lines and vertical panels around windows and doors. The upper windows are mullioned with stone divisions between the glass. It was built in 1882 with the clock tower added in 1883 after a donation. The first Council meeting was in 1863 with Dr Wehl as chairman held in a hotel. Later the Council hired a room at the Foresters Hall and then they purchased this site in 1868 with a weatherboard room. This was used until 1882.
12.Mt Gambier old Institute. The Literary Institute was formed in 1862 and a foundation stone laid for a reading room/hall in 1868 by John Riddoch. The single storey institute opened in 1869. The upper floor was added in 1887, so that it would match the new Town Hall. It is built in a similar style- Venetian Romanesque as the windows and rounded and not arched as with a gothic structure.
13.Captain Gardiner Memorial Fountain 1884. The fountain was presented by Captain Robert Gardiner the grandfather of Sir Robert Helpman (his name was originally Helpmann). The fountain was made in Melbourne .Gardiner was also a benefactor of St Andrew’s Presbyterian -he donated the pipe organ in 1885.
14.Jens Hotel. After demolishing an earlier hotel (the 1847 hotel of John Byng) Johannes Jens had the first section of his Jens Hotel built on this corner in 1884. An almost identical eastern wing was erected in 1904 and the Spanish Art Deco section in 1927. Turn right here and go behind the Town hall to the Cave Gardens.
15.Cave Gardens. This spot was an early water supply. A garden was created in 1893 and then improved and reconstructed in 1925. This sink hole has recently been upgraded again and it is lit at night.
16.Post Office. This important communications centre was erected in 1865 as a telegraph office/post office. This is till one of the finest buildings in Mt Gambier and a rare example of the Georgian style for the city. . The single storey side wings were added in 1906 in a sympathetic style. It is still the main city Post Office.
17.Norris Agency Building. This superb Italianate building was completed in 1900 as chambers for businessmen. Owner was Alexander Norris who died in 1917. The façade is pink dolomite with cement quoins and unusual lined decoration work above the windows and door each contained within a triangular classical pediment.
18.Farmers Union Building. Another classical style building built when this style was out of fashion in 1914.Erected for Farmers Union as a large two storey building. It has none of the grace of the Norris building next door. FU was formed in 1888 in Jamestown by Thomas Mitchell, a Scot and others to provide cheap rates for grains, seeds and superphosphate but in the early 1900s they branched into products for dairy farmers and the marketing of milk products. The Mt Gambier district had plenty of dairy farmers. It is now owned by a Japanese company Kirin but it still markets its chocolate milk drinks as Farmers Union. Upper floor has double pilasters (flattened pillars) with top volutes but little other decoration.
19.Savings Bank Building on the corner. The former Savings Bank in Gothic style is unusual for commercial premises in Mt Gambier. It is constructed of weathered local limestone and was built in 1906. Note the different cut stone for the foundations, simulated turrets on the corners and by the door to break the façade appearance and the stone line above the lower window which then divides the façade into equal thirds.
20.Macs Hotel. This hotel was built in 1864 and is largely unchanged except that the upper floor was added in 1881. The first licensee was a Scot named John MacDonald. The double veranda supports are very elegant.
21.Roller flourmill now a painted hardware store. Built 1885 as a steam flourmill in pink dolomite. Note the small 12 paned windows set in much larger indented niches in the walls on the northern wall. (Sturt St.)
22.Christ Church Anglican Church and hall. Dr Browne of Moorak donated half the money for the construction of Christ Church in pink dolomite and with an unusual gabled tower. Church and tower completed in 1866. Adjacent is the Jubilee Hall built in 1915, destroyed by fire in 1951, and rebuilt exactly the same in weathered local limestone blocks with the original foundation stone still in place. It has the single Gothic window in the street facing gable and a crenulated square tower. Adjoining it is the 1869 Sunday School with the narrow double pointed Gothic windows. It was extended in 1892. The lychgate is more recent as a memorial to a regular church goer, Margaret French who died in 1927.
23.The old railway station just visible along the rail lines to your right. The first rail line was to Beachport in 1879 and the second to Naracoorte (and so to Adelaide) in 1887. Portland and Melbourne line opened 1917. A spur line to Glencoe was completed in 1904. First station was erected in 1879. It was demolished for the erection of the current station in 1918 which is similar in design to those in Tailem Bend, Bordertown, Moonta etc. Bluebird rail cars started on the Mt Gambier run in 1953 when the old 3’6” gauge line to Wolseley was converted to 5’3”. The last passenger service to Adelaide finished in 1990 and the station closed for freight in 1995. The railyards were cleared in 2013 and the future of the station is bleak. The rail lines to Beachport and Glencoe closed in 1956/57.
24.The Old Courthouse, 42 Bay Rd. It has a great low wall suitable for sitting on. This well designed Georgian style Courthouse opened in 1865 and the similarly styled side wings were added in 1877. The front veranda, which is not Georgian in style, was added in 1880. In 1975 the Courthouse was granted to the National Trust for a museum. The adjoining new Courthouse opened in 1975 at the same time. Note the “blind” windows to the façade but the same rounded Georgian shaped, 16 paned windows on the sides.
The Blue Lake, Mt Schank and Volcanoes.
The jewel in the crown of Mt Gambier is undoubtedly the volcanic cone, the crater lakes especially the Blue Lake and the surrounding Botanic Gardens and parklands. The Botanic Garden on the north side was approved in 1872 but nothing happened about plantings and care until 1882. The first pleasure road through the saddle between the Blue Lake and the Valley Lake was created in the 1861 as a more direct road to the then newly created international port named Port MacDonnell. That is why the road is called the Bay road. Surveyor General George Goyder explored the lake surrounds himself in 1876 when he selected the site for the government tree nursery. Later the government established the first sawmill on the edge of the crater reserve near Moorak homestead in the early 1920s. The Centenary Tower was initiated in 1900 to celebrate the centenary of Captain Grant sighting Mt Gambier. It took several years to complete and was opened by the Chief Justice of SA Sir Samuel Way in 1907 but it was completed in 1904. The whole complex is a maar geomorphological formation which originated during a volcanic era about 28,000 years ago but in a second phase of volcanic activity 4,000 to 6,000 years ago the cones and lakes of Mt Gambier were created along with the cones of Mt Schank and Mt Burr near Millicent. Mt Gambier was the most recent volcanic explosion in Australia. The crater lakes are: Blue Lake, Valley Lake, Leg of Mutton Lake and Browne’s Lake (dry). The Blue Lake is linked to the aquifers beneath the deep layers of limestone which underlay the entire South East. Blue Lake is about 72 metres deep and some of the water in it is estimated to be about 500 years old but it is mixed with rain runoff each year as well. The Lake provides the water supply for Mt Gambier. Deep in the lake are examples of the oldest living organisms on earth- stromatalites. The lake changes colour from grey to vivid blue each November and reverts in the following April. The change in colour is related to the position of the sun and reflected light from suspended particles in the lake which reflect blue green light rather than brown grey light. Secondly the suspended matter only occurs because the water near the surface rises in temperature in the spring and it is this which causes the particles to precipitate out of the water. The precipitated matter settles on the bottom of the lake ready for a new cycle the following spring. Like the Blue Lake various sink holes in the district have linkages to the underlying aquifer through the layers of limestone too and they include Cave Gardens, Umpherstone, Piccaninni Ponds, etc.
Moorak Station and Tenison Woods College.
Moorak station as originally known as Mount Gambier Station established by George Glen in the 1840s. The leasehold was later taken over by David Power who in turn sold it to Fisher and Rochford who in turn sold the estate as freehold to the Scottish Dr William Browne who had established Booborowie run with his brother in 1843 north of Burra. The Browne brothers dissolved their partnership around 1865 and John went to live at Buckland Park and William took up residence at Moorak. William had purchased Moorak Station in 1862 and built the grand Moorak homestead in impressive Georgian style onto a smaller house there. William died in 1894 and the Moorak Estate passed to his son Colonel Percival Browne who was to disappear on the ill-fated voyage of the new steamer the Waratah in 1909 which disappeared during a storm off Durban, South Africa. Also on that voyage was Mrs. Agnes Hay (nee Gosse) of Mt Breckan Victor Harbor and Linden Park Estate Adelaide and some 200 other poor souls. Around 1909 the Moorak Station was subdivided for closer settlement and in the 1920s the Marist Brothers purchased the homestead with a little land for their and monastery and opened the Marist Brothers Agricultural College for boys in 1931. That college in turn merged with the Mater Christi College in 1972 to become Tenison College. (Mater Christi College had been formed in 1952 by the merger of the St Josephs Convent School (1880) and St Peters Parish School but the primary section of St Peters broke away in 1969 from Mater Christi College and formed a separate St Peters Primary School. This primary school in turn merged with Tenison College in 2001 to form Tenison Woods College!) The College name commemorates the work of Father Julian Tenison Woods who arrived in Mt Gambier in 1857 to work in Penola and Mt Gambier. It was he who encouraged Mary MacKillop to take her vows and establish her Sisters of St Joseph.
Dr Browne’s manager of Moorak Estate in 1868 introduced hops as a viable crop in the South East and large quantities were grown for about 20 years. Other early experimental crops grown included tobacco, cotton and flax. Dr Browne and Moorak were also important in the potato industry. Dr Browne leased around 830 acres to 20 tenants for the express purpose of growing potatoes. He was keen to emulate the British aristocracy although he was a good Scot with being a manorial style landlord with tenant farmers. Potatoes were also grown from the early years at Yahl, OB Flat and Compton near Mt Gambier. The potatoes were carted down to Port MacDonnell and shipped to Adelaide for consumers. As one of the major wool producers of Australia William Browne contributed roughly half of the funds for the erection of Christ Church Anglican in Mt Gambier. The Moorak estate consisted of around 11,000 acres of the most fertile volcanic soil in SA with another 2,000 acres in a nearby property, German Creek near Carpenter’s Rocks. Dr Browne ran Silky Lincolns on Moorak for their wool as Merinos did not fare well on the damp South East pastures. About 2,000 acres was in wheat, about 2,500 acres was tenanted to other farmers and around 4,000 acres were in lucerne, clover, rye and other pasture grasses. William Browne returned to live in England in 1866 so his sons could attend Eton and military training colleges there. He made regular trips to SA about every second year to oversee his many pastoral properties here. When he died in 1894 he left 100,000 acres of freehold land in SA to his children who all resided here as well as leasehold land. He was an extremely wealthy man. Son Percival took control of Moorak. Before Percival’s death Moorak Estate was partly purchased by the SA government in 1904 for closer settlement when they acquired around 1,000 acres. After Percival’s death a further 6,300 acres was acquired for closer settlement and the remainder of the estate was sold to other farmers. The government paid between £10 and £31 per acre for the land. Percival Browne was highly respected in Mt Gambier and a reserve around the Blue Lake is named after him. The fourth of the crater lakes of Mt Gambier is also named Browne’s Lake after the family but it has been dry for decades. In 1900 Colonel Browne planted the ring of English Oaks around what was to become the oval of the Marist Brothers College.
Moorak.
There is a memorial by the station to William Browne as founder of the Coriadale Sheep Stud. The great Moorak woolshed was demolished in 1939. The Union church which opened in 1920 was used by the Methodists and the Anglicans. It is now a private residence. Moorak hall was opened in 1926. New classrooms were added to the Moorak School in 1928 and the first rooms opened in 1913. The cheese factory in Moorak opened in 1913 as a cooperative and was sold to Farmers Union in 1949. They closed the factory in 1979. Most of the cheese produced at Moorak went to the Melbourne market. The first cheese maker at Moorak was trained at Lauterbach’s cheese factory at Woodside. Moorak was one of a circle of settlements around Mt Gambier that had butter/cheese factories. These towns were: Kongorong; Glencoe East; Glencoe West; Suttontown; Glenburnie; Mil Lel; Yahl; OB Flat; Moorak; Mt Schank; and Eight Mile Creek.
Yahl.
In the 1860s this tiny settlement was a tobacco, hop and potato growing district and it persisted with potatoes up until recent times. Today Yahl is little more than a suburban village of Mt Gambier with a Primary school with approx 120 students. The old government school was erected in 1879. It had a Methodist church built in 1880 which operated as a church until 1977 and it had a large butter factory which had opened in 1888. The butter and cheese factory was taken over by the OB Flat cheese factory in 1939 and the two operated in conjunction with each other. The OB Flat cheese factory closed in 1950 and all production moved to Yahl. The factory finally closed in 1971. The township of Yahl also had a General Store and a Salvation Army Hall which was built in 1919.
Sink Holes: Umpherston Gardens and Cave Gardens.
James Umpherston purchased land near Mt Gambier in 1864 which included a large sink hole or collapsed cavern with a lake in the bottom. He was born in Scotland in 1812 and came to SA in the 1850s with his brother William. William purchased his first land at Yahl in 1859. James Umpherston was a civic minded chap being a local councilor, a parliamentarian in Adelaide for two years and President of the Mt Gambier Agricultural and Horticultural Society for 13 years. When he retired from civic life and farming in 1884 he decided to create a garden in his sinkhole. He beautified it and encouraged visitors and even provided a boat in the lake for boat rides. Access was gained by steps and a path carved into the sinkhole walls. However after he died in 1900 the garden was ignored, became overgrown and was largely forgotten in 1949 when the Woods and Forests Department obtained the land for a new sawmill at Mt Gambier. By then the lake had dried up as the water table had fallen over the decades. In 1976 staff, rather than the government, decided to restore the Umpherstone gardens. The cleared out the rubbish that had been dumped in the sinkhole, restored the path access, trimmed the ivy and replanted the hydrangeas and tree ferns. In 1994 the Woos and Forests Department handed over the land around the sinkhole to the City of Mt Gambier. It was added to the SA Heritage Register in 1995.
A pair staking claim to a Bluebird Box.
Thanks go to Connie for pointing out the action.
Here's a video. You can hear the mate chatting in the backgound...
The Black Stone (called الحجر الأسود al-Hajr e Aswad in Arabic) is a Muslim relic, which according to Islamic tradition dates back to the time of Adam and Eve. Historical research claims that the Black Stone marked the Kaaba as a place of worship during pre-Islamic pagan times.[1] It is the eastern cornerstone of the Kaaba, the ancient stone building towards which Muslims pray, in the center of the Grand Mosque in Mecca, Saudi Arabia.[2] The Stone is a dark rock, polished smooth by the hands of millions of pilgrims, that has been broken into a number of fragments cemented into a silver frame in the side of the Kaaba. Although it has often been described as a meteorite, this hypothesis is still under consideration.[3]
Muslim pilgrims circle the Kaaba as part of the Tawaf ritual of the Hajj. Many of them try, if possible, to stop and kiss the Black Stone, emulating the kiss that Islamic tradition records that it received from the Prophet Muhammad.[4] If they cannot reach it, they point to it on each of their seven circuits around the Kaaba.[5]
Contents [hide]
1 Physical description
2 History and tradition
3 Ritual role
4 Scientific origins
5 Notes
6 References
7 External links
[edit] Physical description
The Black Stone, surrounded by its silver frame and the black cloth kiswah on the Kaaba in Mecca.The Black Stone consists of a number of fragments held together by a silver frame, which is fastened by silver nails to the Stone.[6] Some of the smaller fragments have been cemented together to form the seven or eight fragments visible today. The Stone's exposed face measures about 20 centimetres (7.9 in) by 16 centimetres (6.3 in). Its original size is unclear; its recorded dimensions have changed considerably over time, as the stone has been remodelled. In the 10th century, an observer described it as being one cubit (slightly over 2 feet (0.61 m) long). By the early 17th century, it was recorded as measuring 1.5 yards (1.4 m) by 1.33 yards (1.22 m). According to Ali Bey in the 18th century, it was 42 inches (110 cm) high, and Muhammad Ali reported it as being 2.5 feet (0.76 m) long by 1.5 feet (0.46 m) wide.[3]
The Black Stone was first described in Western literature in the 19th and early 20th centuries by European travelers in Arabia, who visited the Kaaba in the guise of pilgrims. Swiss traveler Johann Ludwig Burckhardt visited Mecca in 1814, and provided a detailed description in his 1829 book Travels in Arabia:
It is an irregular oval, about seven inches in diameter, with an undulating surface, composed of about a dozen smaller stones of different sizes and shapes, well joined together with a small quantity of cement, and perfectly well smoothed; it looks as if the whole had been broken into as many pieces by a violent blow, and then united again. It is very difficult to determine accurately the quality of this stone which has been worn to its present surface by the millions of touches and kisses it has received. It appeared to me like a lava, containing several small extraneous particles of a whitish and of a yellow substance. Its colour is now a deep reddish brown approaching to black. It is surrounded on all sides by a border composed of a substance which I took to be a close cement of pitch and gravel of a similar, but not quite the same, brownish colour. This border serves to support its detached pieces; it is two or three inches in breadth, and rises a little above the surface of the stone. Both the border and the stone itself are encircled by a silver band, broader below than above, and on the two sides, with a considerable swelling below, as if a part of the stone were hidden under it. The lower part of the border is studded with silver nails.[7]
Visiting the Kaaba in 1853, Sir Richard Francis Burton noted that:
The colour appeared to me black and metallic, and the centre of the stone was sunk about two inches below the metallic circle. Round the sides was a reddish brown cement, almost level with the metal, and sloping down to the middle of the stone. The band is now a massive arch of gold or silver gilt. I found the aperture in which the stone is, one span and three fingers broad.[7]
Ritter von Laurin, the Austrian consul-general in Egypt, was able to inspect a fragment of the Stone removed by Muhammad Ali in 1817 and reported that it had a pitch-black exterior and a silver-grey, fine-grained interior in which tiny cubes of a bottle-green material were embedded. There are reportedly a few white or yellow spots on the face of the Stone, and it is officially described as being white with the exception of the face.[3]
[edit] History and tradition
A 1315 illustration from the Jami al-Tawarikh, inspired by the Sirah Rasul Allah story of Muhammad and the Meccan clan elders lifting the Black Stone into place.[8]The Black Stone, in Muslim belief, has its origins since the time of Adam. According to the Hadith, "it descended from Paradise whiter than milk, but the sins of the sons of Adam made it black".[9] According to belief, an angel spoke to the great prophet Abraham, and told him to institute the rite of the stone in the Pilgrimage at Mecca.[10]
The Black Stone was revered well before the preaching of Islam by Muhammad. By the time of Muhammad, it was already associated with the Kaaba, a pre-Islamic shrine that was revered as a sacred sanctuary and a site of pilgrimage. In her book, Islam: A Short History, Karen Armstrong asserts that the Kaaba was dedicated to Hubal, a Nabatean deity, and contained 360 idols which either represented the days of the year, or were effigies of the Arabian pantheon. The Semitic cultures of the Middle East had a tradition of using unusual stones to mark places of worship, a phenomenon which is reflected in the Hebrew Bible as well as the Qur'an.[11] A "red stone" was for the deity of the south Arabian city of Ghaiman, and there was a "white stone" in the Ka'ba of al-Abalat (near the city of Tabala, south of Mecca). Worship at that time period was often associated with stone reverence, mountains, special rock formations, or distinctive trees.[12] The Kaaba marked the location where the sacred world intersected with the profane, and the embedded Black Stone was a further symbol of this as an object that linked heaven and earth.[13]
Islamic tradition holds that the Stone fell from Heaven to show Adam and Eve where to build an altar, which became the first temple on Earth. Muslims believe that the stone was originally pure and dazzling white, but has since turned black because of the sins of the people.[14] Adam's altar and the stone were said to have been lost during Noah's Flood and forgotten. Ibrahim was said to have later found the Black Stone at the original site of Adam's altar when the angel Jibrail revealed it to him.[11] Ibrahim ordered his son Ismael - who was an ancestor of Muhammad - to build a new temple, the Kaaba, in which to embed the Stone.
Muhammad is credited with setting the Black Stone in place in the wall of the Kaaba. A story found in Ibn Ishaq's Sirah Rasul Allah tells how the clans of Mecca renovated the Kaaba following a major fire which had partly destroyed the structure. The Black Stone had been temporarily removed to facilitate the rebuilding work. The clans could not agree on which one of them should have the honour of setting the Black Stone back in its place. They decided to wait for the next man to come through the gate and ask him to make the decision. That individual happened to be the 35-year-old Muhammad, five years before his prophethood. He asked the elders of the clans to bring him a cloth and put the Black Stone in its centre. Each of the clan leaders held the corners of the cloth and carried the Black Stone to the right spot. Then Muhammad himself set the stone in place, satisfying the honour of all of the clans.[15]
The Stone has suffered desecrations and significant damage over the centuries. It is said to have been struck and smashed to pieces by a stone fired from a catapult during the Umayyad siege of Mecca in 756. The fragments were rejoined by 'Abd Allah ibn Zubayr using a silver ligament.[15] In January 930 it was stolen by the Qarmatians, who carried the Black Stone away to their base in Hajar (modern Bahrain). According to Ottoman historian Qutb al-Din, writing in 1857, Qarmatian leader Abu Tahir al-Qarmati set the Black Stone up in his own mosque, the Masjid al-Dirar, with the intention of redirecting the Hajj away from Mecca. However, this failed, and pilgrims continued to venerate the spot where the Black Stone had been.[16]
According to historian Al-Juwayni, the Stone was returned twenty-three years later, in 952. The Qarmatians held the Black Stone for ransom, and forced the Abbasids to pay a huge sum for its return. It was wrapped in a sack and thrown into the Friday Mosque of Kufa, accompanied by a note saying "By command we took it, and by command we have brought it back." Its abduction and removal caused further damage, breaking the stone into seven pieces.[11][17][18] Its abductor, Abu Tahir, is said to have met a terrible fate; according to Qutb al-Din, "the filthy Abu Tahir was afflicted with a gangrenous sore, his flesh was eaten away by worms, and he died a most terrible death."[16]
The Stone has been subjected to other indignities during its history. In the 11th century, a man allegedly sent by the Fatimid Caliph Al-Hakim bi-Amr Allah attempted to smash the Black Stone, but was killed on the spot, having caused only slight damage.[16] In 1674, according to Johann Ludwig Burckhardt, someone smeared the Black Stone with excrement so that "every one who kissed it retired with a sullied beard". The Shi'ite Persians were suspected of being responsible and were the target of curses from other Muslims for centuries afterwards, though explorer Sir Richard Francis Burton doubted that they were the culprits; he attributed the act to "some Jew or Greek, who risked his life to gratify a furious bigotry."[19]
[edit] Ritual role
Muslim pilgrims jostle for a chance to kiss the Black Stone; if they are unable to kiss the stone because of the crowds, they can point towards the stone on each circuit with their right hand. In each complete circuit a person says "In the name of God, God is Great, God is Great, God is Great and praise be to God". Once people have kissed the stone a guard stands ready to push them away.The Black Stone plays an important role in the central ritual of the Hajj, when pilgrims must walk seven times around the Kaaba in a counter-clockwise direction. They attempt to kiss the Black Stone seven times, once for each circumambulation of the Kaaba, emulating the actions of Muhammad. In modern times, large crowds make it practically impossible for everyone to kiss the stone, so it is currently acceptable for pilgrims to simply point in the direction of the Stone on each of their circuits around the building. Some even say that the Stone is best considered simply as a marker, useful in keeping count of the ritual circumambulations (tawaf) that one has performed.[20] Its black color is deemed to symbolize the essential spiritual virtue of detachment and poverty for God (faqr) and the extinction of ego required to progress towards God (qalb).[11]
Islam strictly prohibits idolatry. Muslims believe that the Stone's role in hajj is simply representative and symbolic nature, not related to belief in the stone itself as having any special power. A well-known hadith records that, when second Caliph Umar ibn al-Khattab (580-644) came to kiss the Stone, he said in front of all assembled: "No doubt, I know that you are a stone and can neither harm anyone nor benefit anyone. Had I not seen Allah's Messenger [Muhammad] kissing you, I would not have kissed you."[21] Most Muslims follow the example of Umar: they pay their respects to the Stone in a spirit of trust in Muhammad, not with any inherent belief in the Stone. This, however, does not indicate their disrespect to the Black Stone, but their belief that harm and benefit are in the hands of God, and nothing else. Muhammad Labib al-Batanuni, writing in 1911, commented that the pre-Islamic practice of venerating stones (including the Black Stone) arose not because such stones are "sacred for their own sake, but because of their relation to something holy and respected." [22]
In recent years, however, literalist views of the Black Stone have emerged. A small minority accepts as literally true an allegorical hadith which asserts that "the Stone will appear on the Day of Judgement (Qiyamah) with eyes to see and a tongue to speak, and give evidence in favor of all who kissed it in true devotion, but speak out against whoever indulged in gossip or profane conversations during his circumambulation of the Kaaba".[22]
Writing in Dawn in Madinah: A Pilgrim's Progress, Muzaffar Iqbal described his experience of venerating the Black Stone during a pilgrimage to Mecca:
At the end of the second [circumabulation of the Kaaba], I was granted one of those extraordinary moments which sometimes occur around the Black Stone. As I approached the Corner the large crowd was suddenly pushed back by a strong man who had just kissed the Black Stone. This push generated a backward current, creating a momentary opening around the Black Stone as I came to it; I swiftly accepted the opportunity reciting, Bismillahi Allahu akbar wa lillahi-hamd ["In the name of God, God is great, all praise to God"], put my hands on the Black Stone and kissed it. Thousands of silver lines sparkled, the Stone glistened, and something stirred deep inside me. A few seconds passed. Then I was pushed away by the guard.[23]
[edit] Scientific originsThe nature of the Black Stone has been much debated. It has been described variously as basalt stone, an agate, a piece of natural glass or — most popularly — a stony meteorite. Paul Partsch, the curator of the Austro-Hungarian imperial collection of minerals, published the first comprehensive history of the Black Stone in 1857 in which he favoured a meteoritic origin for the Stone. Robert Dietz and John McHone proposed in 1974 that the Black Stone was actually an agate, judging from its physical attributes and a report by an Arab geologist that the Stone contained clearly discernable diffusion banding characteristic of agates.[3] A significant clue to its nature is provided by an account of the Stone's recovery in 951 AD after it had been stolen 21 years earlier; according to a chronicler, the Stone was identified by its ability to float in water. If this account is accurate, it would rule out the Black Stone being an agate, basalt lava or stony meteorite, though it would be compatible with it being glass or pumice.[6]
Elsebeth Thomsen of the University of Copenhagen proposed a different hypothesis in 1980. She suggested that the Black Stone may be a glass fragment from the impact of a fragmented meteorite that fell some 6,000 years ago at Wabar, a site in the Rub' al Khali desert some 1,100 km east of Mecca. The craters at Wabar are notable for the presence of blocks of silica glass, fused by the heat of the impact and impregnated by beads of nickel-iron alloy from the meteorite (most of which was destroyed in the impact). Some of the glass blocks are made of shiny black glass with a white or yellow interior and gas-filled hollows, which allow them to float on water. Although scientists did not become aware of the Wabar craters until 1932, they were located near a caravan route from Oman and were very likely known to the inhabitants of the desert. The wider area was certainly well-known; in ancient Arabic poetry, Wabar or Ubar (also known as "Iram of the Pillars") was the site of a fabulous city that was destroyed by fire from the heavens because of the wickedness of its king. If the estimated age of the crater is accurate, it would have been well within the period of human habitation in Arabia and the impact itself may have been witnessed.[6] However, a recent (2004) scientific analysis of the Wabar site suggests that the impact event happened much more recently than first thought and might have occurred only within the last 200–300 years.[24] The meteoritic hypothesis is now seen as doubtful, and the British Natural History Museum suggests that it may be a pseudometeorite, i.e., a terrestrial rock mistakenly attributed to a meteoritic origin.[25]
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Portuguese
Oscar Ribeiro de Almeida de Niemeyer Soares GCSE • ComIH (Rio de Janeiro, 15 de dezembro de 1907 — Rio de Janeiro, 5 de dezembro de 2012) foi o arquiteto brasileiro de nome mais influente na arquitetura moderna. Foi pioneiro na exploração das possibilidades construtivas e plásticas do concreto armado, e por esse motivo teve grande fama nacional e internacional desde a decada de 1940
Seus trabalhos mais conhecidos são os edifícios públicos que projetou para a cidade de Brasília, embora possua um grande corpo de trabalho desde sua graduação pela Escola Nacional de Belas Artes do Rio de Janeiro em 1934.
English
Oscar Ribeiro de Almeida Niemeyer Soares Filho (15 December 1907 – 5 December 2012), known as Oscar Niemeyer, was a Brazilian architect who is considered one of the key figures in the development of modern architecture. Niemeyer was best known for his design of civic buildings for Brasília, a planned city which became Brazil's capital in 1960, as well as his collaboration with other architects on the United Nations Headquarters in New York City. His exploration of the aesthetic possibilities of reinforced concrete was highly infuential on the architecture of the late 20th and early 21st centuries.
Both lauded and criticized for being a "sculptor of monuments", Niemeyer was praised for being a great artist and one of the greatest architects of his generation by his supporters. He claimed his architecture was strongly influenced by Le Corbusier, but in an interview, assured that this "didn't prevent [his] architecture from going in a different direction". Niemeyer was most famous for his use of abstract forms and curves that characterize most of his works, and wrote in his memoirs:
“I am not attracted to straight angles or to the straight line, hard and inflexible, created by man. I am attracted to free-flowing, sensual curves. The curves that I find in the mountains of my country, in the sinuousness of its rivers, in the waves of the ocean, and on the body of the beloved woman. Curves make up the entire Universe, the curved Universe of Einstein.”
Born in Rio de Janeiro, Niemeyer was schooled at the city's Escola Nacional de Belas Artes, and after graduating worked at his father's typography house, as well as as a draftsman for local architectural firms. In the 1930s, he interned with Lúcio Costa, with the pair collaborating on the design for the Palácio Gustavo Capanema in Rio de Janeiro. Niemeyer's first major project was the design of a series of buildings for Pampulha, a planned suburb north of Belo Horizonte. His work, especially on the Church of Saint Francis of Assisi, received critical acclaim, and drew Niemeyer international attention. Throughout the 1940s and 1950s, Niemeyer became one of Brazil's most prolific architects, designing a range of buildings both within the country and overseas. This included the design of the Edifício Copan (a large residential building in São Paulo), and a collaboration with Le Corbusier (and others) on the design of the United Nations Headquarters, which provoked invitations to teach at Yale University and the Harvard Graduate School of Design.
In 1956, Niemeyer was invited by Brazil's new president, Juscelino Kubitschek, to design the civic buildings for Brazil's new capital, which was to be built in the centre of the country, far from any existing cities. His designs for the National Congress of Brazil, the Cathedral of Brasília, the Cultural Complex of the Republic, the Palácio da Alvorada, the Palácio do Planalto, and the Supreme Federal Court, all completed by 1960, were largely experimental in nature, and were linked by common design elements. This work led to his appointment as inaugural head of architecture at the University of Brasília, as well as honorary membership of the American Institute of Architects. Due to his largely leftist ideology, and involvement with the Brazilian Communist Party (PCB), Niemeyer left the country after the 1964 military coup, and subsequently opened an office in Paris. He returned to Brazil in 1985, and was awarded the prestigious Pritzker Architecture Prize in 1988. A socialist and atheist from an early age, Niemeyer had spent time in both Cuba and the Soviet Union during his exile, and on his return served as the PCB's president from 1992 to 1996. Niemeyer continued working well into the early 21st century, notably designing the Niterói Contemporary Art Museum (1996) and the Novo Museu (2002). He died in Rio de Janeiro in December 2012, at the age of 104.
Wikipedia
About the Settlers
According to the sign at Sarah Helmick State Park:
"Sarah and Henry Helmick traveled the Oregon Trail by wagon train from Iowa and established their claim on this land in 1846. Seventy six later, on February 15, 1922, 'Grandma Helmick,' as she was affectionately known, donated 5 acres of the original claim to the state. This gift was the first land deeded to the Oregon Highway Commission for park purposes."
"Through additional acquisitions from family members, Sarah Helmick state park was expanded to 30 acres."
========================================================
About the Native Americans There
This raises the question how settlers from Iowa were able to make a "claim" on this land. Weren't these lands already occuppied?
The answer is yes, but European diseases struck the Native American inhabitants in the 1830s, killing almost 90 percent of them. This excerpt from a study titled "Polk County, Oregon: An HIstorical Context" provides details:
----------------------------------------------------------------------------------------------
Prior to Euro-American settlement of the Willamette Valley the region was inhabited by a linguistically distinct Native American population known as the Kalapuyan Indians. Ethnographic
studies have identified no less than nine separate tribal units, two of which inhabited the Polk County region.
The Yamhills, or Yamel Indians, were composed of as many as five autonomous bands speaking the Tualatin-Yamhill dialect. Their geographic range extended from the Willamette River west to the Coast Range, and from Rickreall Creek north to the McMinnville- Dayton area in Yamhill County.
Of the five identified bands, the Champile and Chinchal lived along the Rickreall, while the Andshankualth, Andshimmampak and Chamiwi inhabited the Yamhill River area.
'The second tribal unit in the Polk County region was the Luckiamutes who spoke the Central Kalapuyan dialect. From three to as many as six bands resided west of the Willamette River along the Luckiamute and Linle Luckiamute Rivers, north to Rickraeall Creek and south into Benton County.
Hunters and gatherers, the Kalapuyans depended largely on the native camas root that grew in the wet praires and bottomlands of the valley.
They augmented this staple with a collection of seeds, nuts, berries and insects. Field burning encouraged the growth of several of their primary food sources and forced small game into traps and hunting circles. Excellent bowmen, they hunted deer and bear and augmented their diet with fish from below the falls.
While the various Kalapuyan bands had identifiable territorial ranges, their tribal movements in seasonal hunting, fishing and
gathering created a system of trails extending throughout the valley.
Living quarters were of impermanent nature. During the summer the natives lived outdoors beneath tree canopies, occasionally in glass houses or shelters of fir boughs overlaid with grass.
Winter homes were usually shallow earth pits with walls of standing forked sticks secured in the ground with cross-pieces supporting grass mats; the shelters were roofed with both bark and grass.
Lean-to's made of grass mats and planks were also used. Sweat houses were usually constructed over a shallow pit by bending poles overlain with grass or bark and covered with
successive layers of dirt.
The impermanence of these structures precluded their survival beyond the early historic period. Population estimates of the Kalapuyans before the arrival of Euro-Americans range from 5,000 to 10,000.
Estimates of the Yamhill and Luckimute vary from 500 to 2,000.
By the mid-1830s diseases introduced into the native population by traders and fur trappers had reduced their numbers by as much as 90 percent. Rampant disease coupled with the increasing immigration of the 1840s continued to reduce the dwindling native population:
"Surrounded as many of the tribes and bands now are by whites, whose arts of civilization, by destoying the resources of the Indians, doom them to poverty, want, misery and crime, the extinguishment of their title by purchase, and locating them in a district removed from the settlements is a measure of the most vital importance to them." (Gov. Lane 1849)
On January, 4, 1855, a treaty between the various bands of Kalapuyans and Oregon Superintendent of Indian Affairs Joel Palmer was effected, calling for the various bands to remove to a reservation to be established by the government.
For this purpose the Grand Ronde Indian Reservation was
opened on June 30, 1857, covering 60,000 acres in northwest Polk and southwest Yamhill counties.
A census conducted in 1870 reported only 47 Yamels and 36 Luckiamutes on the reservation; in 1910 the Yamels numbered five, the Luckiamutes, eight. By the end of the historic period the Kalapuyan people no longer existed as a distinct cultural-racial entity.
www.oregon.gov/oprd/HCD/OHC/docs/polk_polkcounty_historic...
The Library Congress Wheaton, Lolita
I claim no rights other than colorizing this image if you wish to use let me know and always give due credit to The Library of Congress I have no commercial gain in publishing this image.
Title
Wheaton, Lolita
Contributor Names
C.M. Bell (Firm : Washington, D.C.), photographer
Created / Published
[between February 1894 and February 1901]
Format Headings
Glass negatives.
Portrait photographs.
Genre
Portrait photographs
Glass negatives
Notes
- Title is unverified name of sitter or person who ordered the photograph, from handwritten label on negative sleeve or negative.
- Date from photographer's logbook.
- Gift; American Genetic Association, 1975.
- General information about the C.M. Bell Collection is available at hdl.loc.gov/loc.pnp/pp.bellcm
- Temp note: Batch 24.
Medium
1 negative : glass ; 5 x 7 in.
Call Number/Physical Location
LC-B5- 46796B [P&P]
Source Collection
C.M. Bell Studio Collection (Library of Congress)
Repository
Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA hdl.loc.gov/loc.pnp/pp.print
Digital Id
bellcm 11216 //hdl.loc.gov/loc.pnp/bellcm.11216
Library of Congress Control Number
2016698655
Reproduction Number
LC-DIG-bellcm-11216 (digital file from original)
Rights Advisory
No known restrictions on publication.
Online Format
image
Description
1 negative : glass ; 5 x 7 in.
Notting Hill Carnival 2021 has been cancelled in last week's UK Government announcement - another year of absence in addition to 2020, thanks to Covid-19. The much anticipated June 21st. 'Full Unlocking of Lockdown' has subsequently been put back a month until July 19th. as the Delta variant takes a hold but, with the vaccination programme progressing apace, it is hoped that in July we will enjoy much freedom again... but too late to resurrect the Carnival, come August.
Here is an image from 3 years ago as the Carnival wound to a close and revellers started to make their way home - 27/08/2018
Nikon D7200
ƒ/2.5
35.0 mm
1/400 @ ISO 100
Flash (off, did not fire)
Claims of massive fraud and corruption in the recent American election are still believed by millions of voters. Missing, unfortunately, was credible evidence in the dozens of lawsuits that were rejected by the courts and electoral officials.
After a preliminary investigation, I have uncovered a crooked, duplicitous vermin who has mickey-moused with the sanctity of the election.
This photo was taken by a Kowa/SIX medium format film camera and KOWA LENS-S 1:3.5/150 lens attached to a T/1 extension tube (75mm) with a Kowa L39•3C(UV) ø67 filter using Kodak Portra 400 film, the negative scanned by an Epson Perfection V600 and digitalized using Photoshop.
Kim claims that these shoes are actually magenta, but I beg to differ.
Sharon, MA - Thanksgiving Break 2007
I'm not sure why, but this photo made Explore! Highest position: 469 on 6/28/08.
Although proving medical malpractice in court can be a daunting process, it is made substantially easier with the help of knowledgeable Charleston medical malpractice lawyers. If you’re unsure of whether or not your situation qualifies for one of the several types of medical malpractice...
freemanandchiartas.com/three-categories-medical-malpracti...
Photo taken before a game in July 2018, between the Milroy Yankees and the Raymond Rockets. Both are Town Ball teams, or Minnesota Amateur baseball teams. Milroy won the game 1-0. The below is taken from the Milroy Yankees Website, located at www.milroyyankees.com:
Baseball was Milroy’s claim to fame after the tremendous 1954 season. The state champs had brought notoriety to the small community, and Milroy would forever be linked with baseball.
With pride overflowing, the community of Milroy decided to back the team in a new way that fall by building a new baseball field. Milroy’s original diamond was on Highway 68, or what is considered main street in Milroy. Home plate on the old field rested where Kirsh Korner is today, with right field straight south alongside the road. This location had presented problems for the ticket takers because the park was not enclosed, and people would wander in from any direction. According to the 1951 manager of the Milroy Yankees, John Kagel, “with the old field right along the highway you would have a problem collecting tickets. You needed six to eight guys, I mean you would not believe the crowds.”
The old field not only presented problems for the ticket takes, but parking was a problem as well. Many stories were told of people going to church at ten o’clock, and parking their car alongside the field, then walking home, just to have a parking spot for the game later that afternoon. Another story, probably a tall tale, had people parking their cars on the highway the night before to insure a spot.
In the fall of 1954, the town of Milroy took donations from thirty-five people and some businesses and purchased a plot of land from Carl Rolland. The plot is located on the southern edge of Milroy at the intersection of Highway 68 and Redwood County Road 32. The donations the team received ranged anywhere from ten to one hundred dollars.
The money raised was enough to buy the land, but much work was still needed to be done. Once again the community pitched in and formed work groups to supply the labor. Louis Dolan remembers:
"The baseball players were up there [at the site of the new field], the townspeople were there and then after six farmers would come in. They would get together in groups and decide on a time and a whole bunch of them would come on up. The farmers would work in their fields until six, and then a group of twenty or so would meet at the field. There was people that hadn’t played baseball a day in their life up there helping."
“It was a community thing as far as the work on the land,” recalls John Kagel. “I know that my part of it was sodding the infield. And I got a group of businessmen together and we rented a machine and went out about six miles south of town. Then from a farmer by the name of Hicks, we got sod out of his pasture, and the local implement dealer had trucks and trailers and we hauled it in. This was in the spring of the year and us amateurs laid the sod and watered the infield like crazy, that was the year we had a really dry spring, but it stayed.”
The entire field, the grandstand, and the wooden outfield fence, with painted on ads were all built within six months. “The old diamond was a fair diamond, but nothing like this. It sits out here by the road where everybody can see it, and everybody was proud of it coming through on the highway. The whole community was proud of it,” remembers Louis Dolan. Even today, the field stands pretty much as it did that spring of 1955. The adds on the fence have been repainted and the scoreboard is different, but the field still brings smiles to the face of the originators of Milroy baseball.
Several different locations claim to possess the severed head of John the Baptist. The current official place for the Catholic Church is the Shrine of Saint John the Baptiste inside the Umayyad Mosque in Damascus. The place was visited by Pope John Paul II in 2001 who "paused for a minute's silent meditation at the tomb of St John the Baptist".
Previously, the Catholic Church believed that it was kept in the San Silvestro in Capite in Rome; and then that it was held by the Knights Templar at Amiens Cathedral in France (brought home by Wallon de Sarton from the Fourth Crusade in Constantinople), at Antioch in Turkey (fate uncertain).
Other traditions assume that it was in Residenz Museum in Munich, Germany (official residence of the Wittelsbach rulers of Bavaria from 1385 to 1918). or even the parish church at Tenterden in Kent, where it was preserved up until the Reformation.