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The Philharmonie de Paris made in 2015 by Jean Nouvel, client of THE FARM.
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© CLAD / THE FARM
Août 2018
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[Photo réalisée dans le cadre de la mission de communication digitale de THE FARM pour son client]
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CLIENT : www.jeannouvel.com
AGENCE : www.thefarmcom.io
Wall and Cladding coating project at Rutherford Tower, Southall, Ealing, London, UK completed by bridge gap Limited. Photos by our photographer Gerald Mclean
The final part is the wooden cladding (This was a planning requirement as all existing openings had to look as if they were still openings!!!) We're very nearly finished almost 3 years after we started.
In level pasture, on the N shore of Templehouse Lake. A rectangular two-storey structure, standing on the W side of a complex of ruined buildings, built of uncoursed limestone in a lime mortar, with a distinct base batter. The partially ivy-clad walls stand to full height except the W wall which, apart from short returns at either end, does not survive. The structure was refurbished in the 15th/16th century and again in the 19th century. In the former case, vaulting was inserted over the ground floor and the floor levels changed slightly. In the latter case, parts of the interior were used for farm buildings and a bellcote was erected on top of the N wall; It suggests that the bellcote indicates a religious function for the building but bellcotes of this form are typical of 18th/19th-century demesne farmyards.
The vaulting covered the entire ground floor and consisted of two segmental wicker-centred vaults springing from the E and W walls and an inserted medial wall which was arcaded. Only fragments of the vaulting and the medial wall now survive. There are four inserted 15th/16th-century embrasures at ground-floor level: one each in the N and E walls and two in the S wall. These were probably all windows; the best preserved is that in the N wall which has wicker-centred vaulting over the embrasure and a single light. Each one was adapted in the 19th century to take either a wooden door or window frame, fragments of which are still in situ.
Slightly N of centre in the E wall, at 1st-floor level, is the original doorway; the inserted vaulting blocked the lower part of this doorway. The door-surround is composed of plain limestone blocks and has a bluntly pointed arch; the rear embrasure is square-set and has a tall pointed arch. South of the doorway is a very ruined embrasure and there are two further such embrasures in the S wall. There is a better preserved window embrasure in the N wall but this is now covered with ivy. From the E side of this window a narrow mural stairs rises to the NE corner where it is lit by two small slit windows. The stairs rises further through the E wall to wall-top level. The outside face of the E wall shows many repairs and alterations, including the plaster-scar of a building which stood against its S end.
The earliest reference to a castle here is dated 1271 when it was 'broken down by Hugh O'Connor'. The identification of this structure as belonging to a Knights Templar foundation is extremely speculative though the base of an early medieval high cross lies within the ruin. The original form of the building is much more typical of a 13th-century hall-house than a religious foundation.
Artist Brian Howe applies finishing touches to art piece Chantilly Clad on vacant lot at Ocean Blvd and Lime in time for same night dedication and SAM (Summer and Music) performance.
One of some of the houses built in the Kents Hill area of Milton Kenyes during the mid 1990s, for the future-world using a wide variety advanced technology housing.
Participants:
Project: Coast, Bournemouth
Client: Taylor Wimpey Southern Counties
Architect/Interior Designer: WADP
Specialist Cladding Contractor: ICEE
Zinc: elZinc Slate Advance supplied by SIG Zinc and Copper
Photos: Terrence Smith Photography
Looking for Aluminium wall cladding tiles designs? Everest Industries in India offers solutions which help in designing technologically advanced buildings that reflect style>> www.everestind.com/products/cladding.aspx.
Da Vinci designed this mechanical knight so that its mouth could open and close, wave its arms and move its head. No one knows exactly how he planned to power what is perhaps the first humanoid robot ever designed.
MARBLE WALL CLADDING
COLOR : CREAM MARBLE
CODE : WC05
SIZE : 9X50CM ( PER SHEET )
CONSIST 11 SHEET PER BOX
1 SQMT CONSIST 22 PCS
WEIGHT EACH SQMT : 50 KGS
LOAD CAPACITY 526 SQMT / 20FT
PRODUCTION TIME 5 WEEKS
price ....contact us
I think we should buy some stock in all-clad, not only because I love them, but because it was pretty much the only brand that lined their shelves (and they've got A LOT)
My favourite thing about this photo is how there's two smiling, coffee cup holding, PJ clad ladies in the foreground and some metal band in the background.
Artist Freya Bardell applies final touches to art piece Chantilly Clad on vacant lot at Ocean Blvd. and Lime in time for same night dedication and SAM (Summer and Music) performance.
DK Photonics is a one stop solution for optical passive components like cladding power stripper and many more which are used in high power fiber laser & amplifier systems. www.dkphotonics.com/product/cladding-power-stripper.html