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Close up of the cladding on the wall inside the church

 

Location: Makara, Wellington, New Zealand

 

© Gordon Anderson

Vues de la Fondation Carmignac. Les Jardins Nord et Sud présentent des sculptures In Situ d'artistes tels Ed Ruscha, Olaf Breuning, NILS-UDO. L'exposition inaugurale présente des oeuvres de la Collection Carmignac

 

L'exposition SEA OF DESIRE est présentée du 2 juin - 4 novembre 2018

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© CLAD / THE FARM

Août 2018

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[Photo réalisée dans le cadre de la mission de communication digitale de THE FARM pour son client]

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CLIENT : www.fondationcarmignac.com

AGENCE : www.thefarmcom.io

Metal sided building reflected in evening sun.

The Oregon pine cladding made from the old washback at Glenrothes distillery, needs preserving before fitting. Anybody handy with a paintbrush?

for someone who likes to cook, i'm just beginning to get nice cookware for myself. i'm slowly trying to replace the worn out teflon ones and cheap ikea ones.

 

i got this stock pot for super insane cheap! i doubt i'd pay for this regular price.

#upvc #soffits #fascias # white fascia #cladding #guttering #upvc houselift #upvc doors #upvc guttering www.upvchouselift.co.uk #fascia soffits

 

One fascia board on as well

Iron Clad Beetle - (Zopherus haldemani)

 

mmm, fae thing that I am i was terribly drawn to this rainbow outfit, shame it's not plus size

A motorcycle clad in leather

Taken from the old College of Air Training site to the rear of Eastleigh Mens Shed, now owned by Persimmon Homes

Recent Projects completed. LSFH - Light Steel Frame Houses. www.lightsteel.co.za

Los Angeles, 2008

on the side walls of the Scottish Parliament

Agency: Chillingworth/Radding. Shelf carton.

Cladding and shutter doors -

£741k engineering block for Abingdon & Witney College managed from the Stepnell Wantage office.

Vues de la Fondation Carmignac. Les Jardins Nord et Sud présentent des sculptures In Situ d'artistes tels Ed Ruscha, Olaf Breuning, NILS-UDO. L'exposition inaugurale présente des oeuvres de la Collection Carmignac

 

L'exposition SEA OF DESIRE est présentée du 2 juin - 4 novembre 2018

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© CLAD / THE FARM

Août 2018

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[Photo réalisée dans le cadre de la mission de communication digitale de THE FARM pour son client]

—

CLIENT : www.fondationcarmignac.com

AGENCE : www.thefarmcom.io

"Experience Music Project"

designed by Frank Gehry 1999-2000

Seattle, WA, USA

  

Construction: fabricated steel frame clad with shotcrete and sheet metal panels

  

January 2008

  

© Dirk HR Spennemann 2008

All Rights Reserved

  

Closed and undergoing renovation at time of photo

 

The Lakes Creek Hotel, incorporating elements of the Victoria Free Gothic style of architecture, is a two-storey timber building, clad predominantly with weatherboards. The building is generally L-shaped in plan, with twin faceted bays forming a symmetrical frontage with an asymmetric roof. The western bay has a gable with a decorative bargeboard featuring foil tracery. The eastern bay has a conical roof, with iron capping.

 

Externally, the principle, or southern elevation along Lakes Creek Road, has an enclosed frontage with a small portico front entrance framed by external exposed studs. Raised ground surface adjacent to entrance is bitumened, with cemented pathway with paving stones, leading to front entrance. External studs have some weathering near ground level. Original French doors are located in the front entry through the entrance portico. Providing access to the public area from the street are original French doors, which have been salvaged and used from internal renovations. Bay windows are located within original timber frames. Windows within the extension of the public bar (incorporating verandah space) on the western side are aluminium framed.

 

The first floor balcony, along the southern elevation, has been divided by both timber and plywood partitioning. Weathering has occurred to some balustrades and floor boards on the verandah. Two air-conditioning motors have been installed below the balcony to service ground floor areas. Some damage, including missing balusters, has occurred at the eastern end of the balcony.

 

Along the eastern elevation, of the ground floor verandah, is located sections of the original timber valance. Timber balustrading and valance continues northerly along the verandah to the garden lounge enclosure. Access to the hotel along the eastern elevation is through original timber French doors.

 

On the first floor balcony along the eastern elevation, new timber lattice board has been erected above the railing for added privacy for the private quarters. Another two timber partitions are located along the eastern elevation balcony to provide privacy between rooms. The verandah on eastern side has considerable damage, including missing balusters and water damage. Access to rooms is by original timber French doors.

 

On the ground floor of the northern elevation is located the garden lounge. The northern section, where the L-shape forms, is of single skin exposed stud weatherboard construction. At the western end of the northern elevation, where the building extends to form the L-shape, there is substantial movement of the verandah post as well as timber rot to the verandah boards and balusters. Timber valance and balusters remain substantially intact in this area. Three original timber French doors are located at the eastern side of the building. Two sliding glass doors also provide access along the northern elevation. One door provides access to the stairwell, the other to the dining room. The roof of the Garden lounge extension adjacent to verandah, has been adjoined to the original building. Air conditioning systems are located on the garden lounge roof with vents into the first floor of the hotel.

 

The drive through bottle shop is located along the western elevation. The ground floor section is single skin timber, whilst the first floor level is clad with weatherboards. Timber framed sash windows, with hoods with timber brackets, are located along the elevation. The chimney is cement rendered. The western verandah has been reduced to a small entry patio to make room for a new men's toilets and to allow a larger storage area/cold room facilities in the position of the original pantry.

 

Internally, through the main entrance, the public bar is located on the western side of the building. The bar has a flagstone floor, timber bar with modern chrome and glass fixtures and fittings. The front verandah has been reduced to one-third its original size, with entry now through the old bar entrance. A partition has been built to close off the adjoining entrance from the verandah to the original bar-room, and the bay doorway has been converted into a window. The bay area of the old bar-room has been partitioned off to provide a small office space for the management.

 

The public bar has been relocated to the western side of the hotel, allowing for the previously enclosed eastern rooms to be opened up [creating a more open and tropical atmosphere, in contrast to the early European fashion of smaller, separate rooms]. The new location of the bar room takes in the original position of the public lounge, store room, original entry passage and two-thirds of the front verandah, allowing for a larger public area which can accommodate a billiard table and bench room for patrons. A small servery area has been built between the new bar and dining room, directly in front of the internal cold room. The new bar area provides modern TAB and KENO facilities.

 

A false ceiling has been built in the new lounge area that once housed the bar rooms and provides SKY-Channel viewing for guests. Access is still available to the eastern verandah from this new lounge, and its area is defined by placement of lattice work, which runs down one side of the old passageway. The old proprietors quarters, which had been converted into guest lounges, then a lounge and office area, have been opened up with the removal of all internal partitions, and now houses an assortment of gaming machines. At the end of the original passageway, a female toilet has been built onto the verandah, with dual access to both the lounge area and garden lounge via the verandah.

 

The dining room has been enlarged by removing the partition to the adjacent store room on the western side of the building, with a new doorway to the back verandah added and the old under-stair doorway closed off. The kitchen has been updated by replacing the original brick fireplace with a modern gas appliance.

 

The scullery has been converted to male and female toilet facilities, the washroom updated to a modern laundry and storage room and the man's room converted to men's toilets. A smaller cold room has been built adjacent to this wash room for service to the outside garden lounge servery. An ATM has been installed within the stairwell.

 

Access to the first floor is via the original red cedar turning timber staircase with turned newel and balusters. In the stairwell is located six windows grouped to form a picture or feature window. Three smaller windows, two square on either side of a rectangular window, are located above a group of three large rectangular windows. The glass panes have been painted. The larger group, two narrow rectangular windows on either side of a wider rectangular windows, are timber framed, sash with original glass panes.

 

The first floor has a central hallway with room opening off. The floor also has verandas running intermittently around the four sides, adjacent to the rooms. The rooms are all timber lined, some with original ceiling roses. An original brick chimney is located in a room along the northern wing and is easily seen extending from the roof-line. A modern exhaust vent exists externally and parallel to the original chimney structure. The timber verandah posts have simple, decorative brackets, with simple timber balustrade.

 

The first floor rooms have remained relatively unchanged, with twelve apartments, a store room, linen room and two bathrooms. The most notable additions to the apartments are plumbing and electrical, in the form of ensuites in all rooms, and kitchenettes in some. The two front bay bedrooms are reserved for the proprietors and the hallway that led onto the front balcony has been closed off.

 

External grounds to the western side and rear of the hotel are now covered by asphalt, and the street level has been raised to abut the verandah, a height of three feet from the original ground level, creating an all-purpose access. The surrounding verandahs remain as raised on stumps from the ground surface. The hotel has some landscaping along the creek on the eastern side.

 

*Wikipedia

Iniwood Cladding

Developed in response to the growing popularity of mixed material building designs, Oakio Composite Cladding provides a warming design element to balance cold materials like metal and concrete.

Iniwood wall cladding is the ultimate solution for exterior. We capture the beauty and warmth of natural hardwoods, complete with subtle streaking, varied grain patterns and rich color palettes. Iniwood cladding doesn’t fade or degrade like wood, so the inspired aesthetic you envisioned will endure year after year.

 

Proshield Cladding

The beauty of wood meets composite technology. Oakio Proshield wood plastic composite cladding combines the beauty and warmth of wood with the durability of low-maintenance, high-performance composite materials.

Proshield composite cladding systems are an effective, eco-friendly way to manage moisture in the building envelope. A key element is durable cladding that deflects water and adds aesthetic appeal. Oakio Proshield composite cladding is the answer.

The cap is actually the same material of golf ball, the core is Iniwood materials. That is why Proshield is the second generation of Iniwood. More of the co extrusion decking in the market is made by PE for the cap only, which is not as stable as the Proshield cap.

 

www.oakio.com/en/all-products/wpc-cladding

MARBLE WALL CLADDING

COLOR : GREY MARBLE

CODE : WC04

SIZE : 20X40CM ( PER SHEET )

CONSIST 6 SHEET PER BOX

1 SQMT CONSIST 12 PCS

WEIGHT EACH SQMT : 50 KGS

LOAD CAPACITY 500 SQMT / 20FT

PRODUCTION TIME 5 WEEKS

 

price ....contact us

Vues du parc de sculptures de la Fondation Pierre Gianadda dans le Valais Suisse, à Martigny

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© CLAD / THE FARM

Juin 2018

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[Photo réalisée dans le cadre de la mission de communication digitale de THE FARM pour son client]

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CLIENT : www.gianadda.ch

AGENCE : www.thefarmcom.io

The Philharmonie de Paris made in 2015 by Jean Nouvel, client of THE FARM.

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© CLAD / THE FARM

Août 2018

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[Photo réalisée dans le cadre de la mission de communication digitale de THE FARM pour son client]

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CLIENT : www.jeannouvel.com

AGENCE : www.thefarmcom.io

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