I am good but not an angel. I do sin, but I am not the devil. I am just a small girl in a big world trying to find someone to love.

- Marilyn Monroe

canonet | cinestill800t

Cinestill 800T Film ~ Canon AE-1P 50mm f/1.4

Large at sea, the waves under the ferry.

Half a day aboard a ferry crossing the Mediterranean sea.

Film: expired CineStill 800T

See the full album at my LomoHome: bit.ly/shiptrip

Cinestill 800T Film ~ Canon AE-1P 50mm f/1.4

Nikon FM2n, Cinestill 800T

Cinestill 800T

Olympus OM-2n with Zuiko 50mm f/1.4 lens

Cinestill 800T Film ~ Canon AE-1P 50mm f/1.4

Cinestill 800T Film ~ Canon AE-1P 50mm f/1.4

canonet | cinestill800t

You know that phenomenon as a photographer where you never have as many photos of yourself as you do of your friends and family because you are always the one behind the camera? I know, some of you would quip that that is exactly why you are a photographer, to insure you are behind it and not in front of it. I have used that joke myself on occasion. But my cameras also often share the same condition. I don't generally photograph them because I am busy using them. Yet many of these cameras are like old friends. We have been on adventures together, traveled the world together. Had our scrapes and scraps. Anyway, this is just a quick post tonight of an image I made yesterday while out in the Gorge. I had just made a photo with my Pentax and was grabbing a borrowed Canon EOS 10S out of my bag and decided I just did not have enough portraits of this camera. I love my Pentax 67. Old friend, indeed.

Canon EOS 10S with Canon 50mm f1.0

Cinestill 800T

kiev-4a, jupiter-8m 50mm f2, cinestill 800t (push +2)

with her glowstick necklace

Minolta XD-7

MC Rokkor 58mm 1.4

Cinestill 800t

Cinestill 800T Film ~ Canon AE-1P 50mm f/1.4

Pentax K1000 - CineStill 800T - The accidentally exposed roll of film from winter of 2021.

Nikon F801s

AF Nikkor 24-120 f/3.5-5.6 D

Cinestill 800T

Developed with Cinestill CS41 kit

Digitised with Ion Slides2PC 35mm scanner

Processed with Affinity Photo

Italy Bari restaurant at night

Rolleiflex3.5F

Cinestill800 in CinestillC41

canonet | cinestill800t

Reet = Right

Si Thee = Goodbye

Nikon F801s

AF Nikkor 24-120 f/3.5-5.6 D

Cinestill 800T

Developed with Cinestill CS41 kit

Digitised with Ion Slides2PC 35mm scanner

Processed with Affinity Photo

Contax T2

Cinestill800t

38mm Carl Zeiss Sonnar

The Lightroom San Clemente

#classiclenses

#35mmfilm

#film

#filmphotography

#analog

#analogphotography

#Cinestill800t

#SanFrancisco

#negativepositives

#shootfilmbenice

#banalmag

#shootitwithfilm

only the finest ingredients

Fayetteville, Georgia

Frank's Old Mill pond reflection.

Canon IIB with Canon 50mm Serenar f/1.9 lens.

Cinestill 800T film

Contax T2

Cinestill800t

38mm Carl Zeiss Sonnar

The Lightroom San Clemente

#classiclenses

#35mmfilm

#film

#filmphotography

#analog

#analogphotography

#Cinestill800t

#SanFrancisco

#negativepositives

#shootfilmbenice

#banalmag

#shootitwithfilm

Double exposed on cinestill 800t 120 film shot on holga baby

Roll on Mississippi

The lyrics to the popular Charley Pride song “Roll on Mississippi” take on a new meaning as you spend an evening shooting a few photographs along the east bank of the Mississippi River while daylight slips into night. Four ocean-going bulk carrier ships are tied up along the river near Norco, LA, this particular evening. One of these boats, the Pacific Tulip, is only midway into a journey from Reserve, Louisiana, to Singapore that began the day after these photographs were made. The Pacific Tulip departed Reserve with a load of grain the morning of March 21st, and will arrive into Singapore on May the 9th. It is currently directly south of Kynysa, South Africa, working its way into the vast Indian Ocean. The incredible amount of time it takes for the ship to navigate the world’s waterways shows us just how dramatically large our planet is...

This photograph was shot on Cinestill 800T 35mm film with my Nikon F3. Film certainly isn’t the cleanest of mediums to capture photographs on like the clinical digital cameras of today. It does, however, capture images in a sort of pure, nostalgic, way that more than overcomes the imperfections. For my first time attempting night shots with 35mm film I’m pretty happy with these...

Thanks for looking!

Contax T2

Cinestill800t

38mm Carl Zeiss Sonnar

The Lightroom San Clemente

#classiclenses

#35mmfilm

#film

#filmphotography

#analog

#analogphotography

#Cinestill800t

#SanFrancisco

#negativepositives

#shootfilmbenice

#banalmag

#shootitwithfilm

www.instagram.com/jbehneke/

www.instagram.com/buchetteportraits/

neon love

canonet | cinestill800t

I have some prints available on my etsy page, probably the best way to support my work. I also can make available to print any photos you guys would like. Just google zianophoto etsy to find my shop since flickr goes stupid every time I put a link up. Thanks!

F100

Nikkor AF-D 50/1.8

Cinestill 800T EI400

Fayetteville, Georgia

Canon IIb camera with Canon Serenar 50mm f/1.9 lens. Cinestill 800T film.

Fayetteville, Georgia

Canon IIb with Canon Serenar 50mm f/1.9 lens. Hand held with Cinestill 800T film.

Canon 300v

50mm 1.8 stm

classic full set of cinestill 800t from 2015 with Gabrielle now on Patreon:

patreon.com/posts/76599326

canonet | cinestill800t

Nikon F6 | Nikon AF-D 80mm - 200 mm f/2.8 | Cinestill 800T

Shot on 2/27/21, second night before the neon sign was turned off and being replace with LED.

Shutter was held for approximately 1 minute, resulting in a teal color cast, almost looking like it came out of a anime.

buy the ticket, take the ride

canonet | cinestill800t

Assignment 16: Portfolio Candidate 1 of 4

Minolta XD11, Cinestill 800T

canonet | cinestill800t

F100

Nikkor AF-D 50/1.8

Cinestill 800T EI400

Olympus OM2N/ Cinestill 800T