View allAll Photos Tagged chloride
Foto presa amb una Zeiss Ikon Super Ikonta 531, fabricada el 1938 i venuda a Budapest; Carl Zeiss Tessar f3.5 / 75mm; Fomapan 100 revelat "invers" amb HC110 dil. A, clorur ferric i amoniac.
La imatge encara ha quedat una mica bruta a la part del cel, però és el primer rodet que revelo com a positiu amb exit i de manera casolana.
L'església sabadellenca de l'Immaculat Cor de Maria, però que tots coneixiem com "els Padres". Apart de Sant Felix, és l'unica església del antic centre medieval de Sabadell (tot i que data de 1832).
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Photo taken with a Zeiss Ikon Super Ikonta 531, manufactured in 1938 and sold in Budapest; Carl Zeiss Tessar f3.5 / 75mm; Fomapan 100 reversal developed, with HC110 dil. A, and ferric chloride and ammonia double bleach.
The emulsion has some dirt, but it's my first home made reversal images using ferric chloride.
The Sabadell church of the Immaculate Heart of Mary, but which we all know as "the Fathers". Apart from Sant Felix, it is the only church in the old medieval center of Sabadell (although it dates from 1832).
Comparison of Oriental Seagull with (left) and without sea salt (right) added. Described here... remorseblog.blogspot.com/2022/01/lith-printing-foggy-oak-...
There is an intriguing surface unit in parts of the ancient Martian highlands that may consist of chloride salts (like NaCl, or table salt) which precipitated out of shallow lakes as in desert regions of Earth.
It has unusual thermal properties and distinctive morphologies, but lacks spectral absorption bands. All of these characteristics and the geologic settings are consistent with salt deposits. These deposits are often associated with clay minerals that do have distinctive absorption bands.
Image cutout is less than 1 km (under 1 mi) across and the spacecraft altitude was 266 km (165 mi). For full observation details including images with scale bars, visit the source link.
NASA/JPL-Caltech/University of Arizona
Inspired by a photo on Scott Thompsons' photostream www.flickr.com/photos/hooked_on_macro/ Also known as a Devil Flower Mantis, hand fabricated from solid brass bar and sheet, wing patterns are etched with ferric chloride using sharpie markers as a resist
Gravesite Statuary
Chloride, Arizona
...I think someone may have taken a couple of shots at this one night thinking it was real...hence the repairs.
In 1858, Amboy was founded by miners who were harvesting sodium chloride from the dry lake beds.
The Amboy Chloride Company is one on the companies that actively uses this area. As well as sodium chloride they also extract a lot of calcium chloride.
Please do not paste your images or links to your work in the comment boxes. I will delete them.
Olive grove in Lun.
Superpan200 in Rodinal, Lithprint SE5 30:30:500, 2nd Catechol + ammonium chloride 20:10:500 onto Bromesko WSG
Por fin me quité la espinita y pillé el Teifer Martorell - Irún de cloruro de vinilo, utilizado para hacer el policloruro de vinilo o PVC. 253-084. Bellvei (Tarragona)
The Bombardier 253-084 tows a train (with vinyl chloride inside the cisterns) from Martorell - Solvay (Barcelona) to Irun (Guipúzkoa). Bellvei (Tarragona)
Tryon Creek State Natural Area
August 6, 2017
Leica iiif, 35mm Summaron
Fomapan100 in caffenol
Albumen print August 9, 2017 from digital internegative
Exposed by uv light
5x7 in. Arches Platine Paper, 145gsm
Borax Gold Chloride Toner 6 min.
This one was an experiment with the borax gold toner that turned out a fairly pleasant brown. This one's not as detailed as it's companion Ikonta medium format shots on tripod but acceptable I think for 35mm hand held at 1/15 sec.
Murals of Chloride, Arizona. Roy Purcell painted them originally in 1966, and then retouched in 2006.
Ashcroft originally known as Castle Forks City and then Chloride until 1882, was a mining town located ten miles (16 km) south of Aspen near Castle Creek, in Pitkin County, Colorado, United States. A few buildings remain standing as a testament to the town's past.
(info courtesy of wikipedia)
IN ENGLISH BELOW THE LINE
Foto presa amb una Kodak Retina II (model 142), fabricada entre 1937 i 1939; objectiu Schneider-Kreuznach Xenon f2.8 / 50mm; Fomapan 100 revelat "invers" amb HC110 dil. A, clorur ferric i amoniac.
Per a aquesta partida de proves de revelat revers (és a dir, positiu directe/diapositiva), he fet servir HC110 dilució A com la majoria d'altres, però per la part final del procés hi he afegit un canvi. En comptes de re-exposar el negatiu a una bombeta durant un minut o més i després fixar-lo, he fet servir Iron Out com recomana el canal Analog Resurgence. Curiosament aquest producte en pols, dissolt a raó de 14 gr. per 300 ml. d'aigua destilada (SOBRETOT aigua destilada, el procés falla amb aigua de la aixeta) re-exposa i fixa d'una tirada el negatiu. I resulta que aquest producte (Iron Out) és... un desembussador de lavabos!!!
Cal deixar el Iron Out 5 minuts amb la pel·licula, remenant 10 seg. cada minut, i després ja es pot fer el rentat final com sempre.
Doncs funciona prou bé, com podeu veure, i també l'he provat amb revelat revers de pel·licula de 8mm, on treure-la de l'espiral per a re-exposar-la sembla molt més delicat i tediós.
www.youtube.com/watch?v=4XCOwOW1SKI
www.patreon.com/posts/61038241
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Photo taken with a Kodak Retina II (model 142) made c.1937-1939; Schneider-Kreuznach Xenon f2.8 / 50mm lens; Fomapan 100 reversal developed, with HC110 dil. A, and ferric chloride and ammonia double bleach.
For this batch of reverse (ie direct positive/slide) tests, I used HC110 dilution A like most others, but for the final part of the process I added a change. Instead of re-exposing the negative to a light bulb for a minute or so and then fixing it, I used Iron Out as recommended by the Analog Resurgence YouTube channel. Interestingly, this powder product, dissolved at a rate of 14 gr. per 300 ml. of distilled water (ESPECIALLY distilled water, does NOT work with tap water) re-exposes and fixes the negative in one run. Do it for 5 minutes and inversions every minute. And it turns out that this product (Iron Out) is... a toilet unclog!!!
It works well enough, as you can see, and I've also tried it with exposed 8mm cinema film reversal development, where removing it from the spiral to re-expose seems much more delicate and tedious.
www.youtube.com/watch?v=4XCOwOW1SKI
www.patreon.com/posts/61038241
No AI Training: Without in any way limiting the artist’s exclusive rights under copyright, any use of this photograph to “train” generative artificial intelligence (AI) technologies to produce images is expressly prohibited.
Amb l'objectiu d'arribar al positiu fotografic completament manual, estic barrejant processos arcaics de fotografia, negatius i positius.
Una tercera prova, comparant dos negatius de col·lodió, un de reprocessat (dalt) i un només revelat normal (baix). Queda clar que el reprocessat millora el negatiu, tot i que el "normal" també funciona, més o menys.
Paper salat amb clorur amonic i gelatina; paper Canson XL Aquarelle.
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In order to arrive at the goal of the photographic paper print (positive) completely made without digital elements, I am mixing archaic photography processes, negative and positive.
Another one, comparing two collodion negatives: in the bottom, one just developed and fixed, and on top another develeoped, fixed and redeveloped with iodine. The redevelopment improves the negative, but it's maybe not a life-or-death issue, as the "plain" also works, kind of.
Salt print sized with gelatine and salted with ammonium chloride; Canson XL Aquarelle.
- Durant bastants anys aquest va ser un tràfic habitual. Era el transport de clorur de vinil des de Tarragona a la planta d'Aiscondel de Monzón, tot i que el tren anava a l'apartador que aquesta industria tenia des de Selgua. Fa uns anys l'empresa va decidir emportar-se aquesta activitat a la seva planta de Tarragona i va desaparèixer aquest transport.
- Durante bastantes años este fué un tráfico habitual. Era el transporte de cloruro de vinilo desde Tarragona a la planta de Aiscondel en Monzón, aunque el tren iba al apartadero que esta industria tenía desde Selgua. Hace unos años la empresa decidió llevarse esta actividad a la planta que tiene en Tarragona y por tanto desapareció este tráfico.
- A daily train carrying vinyl chloride from Tarragona to Selgua was running during many years. But a few years ago, this enterprise transferred their activity to its factory in Tarragona, and this transportation ended.
269-297, Binéfar, 07-2005
In the early 1880s silver chloride was discovered in the Line of Lode in Broken Hill by Charles Rasp, a boundary rider from the Mount Gipps Station. A syndicate of miners floated a company, the Broken Hill Proprietary Company, or BHP as it is known today.
A township was soon surveyed. The main street was filled with hotels and flimsy offices and saloons. A two chain (40.3 metres) wide road knee deep in dust and crowded with men from all corners of the world selling shares at tremendous prices for alleged mines. Photographs of the township of Broken Hill and the mining activities were exhibited in London at the 1908 Franco-British exhibition.
Broken Hill was initially a shanty town with an entire suburb named 'Canvas Town' for its temporary buildings. The streets in the centre of the town were named after minerals, Argent (i.e. Silver) and Chloride being important cross streets. The south side streets that intersect are named for the Mining Companies: Bonanza, Central, Comstock and South. South of the massive Line of Lode the streets that run parallel to the lode record the early mine managers: Eyre, Piper, Hebbard, Patton, Wilson, Morish, Boughtman, and Jamieson. A 1937 plan shows the layout of the leases on the line of load and the street layout of South Broken Hill. The leases interrupted Eyre Street, extending to Piper Street.
The living and working conditions of the miners were harsh, largely due to the climatic extremes of the outback. In contrast, the mine managers lived in substantial residences with elegant wrap-around verandas.
Block 9 of the lode was an irregular wedge shape between Blocks 8 and 10 which eventually became known as the Central Mine. Originally leased by Thomas Nutt in 1884, Nutt sold his lease to the Central Broken Hill Company in 1886. During the depression of the 1890s the company changed hands and was acquired in 1895 by the Sulphide Corporation Ltd. The Sulphide Corporation leased other blocks on the lode as well as Block 9.
The Central Mine had its share of industrial disputes and fatalities. A strike occurred in 1918, and a ballad 'Blue Whiskers' survives recording the use of scab labour in September 1918, a version of the Scabbers hymn. The Memorial to Mullockers records the death of two young workers at the Central Mine. The Central Mine was also subject to a series of 'creeps' resulting in subsidence and the destruction of the above ground plant. In 1923 an underground fire resulted in the closure of the mine for two years. The Central Mine continued to operate until 1940, having produced 6 million tones of ore, and eight millions in dividends. Part of the lease was acquired by Minerals, Mining and Metallurgy Ltd in 1972.
The original mining leases of the Line of Lode have now been amalgamated. The South Mine includes 11 of the original leases, incorporating the Central Mine (Block 9), the British Mine (Blocks 15 and 16), and the Junction Mine (Block 39). Mining activities still occur at the Line of Lode. Structures and evidence of the mining leases survives.
The southern side of the Line of Lode, particularly Eyre Street, has been described as 'The closest almost complete precinct of the mining scene as it existed at the beginning of the twentieth century. Commencing with the Broken Hill South Mine workings, the magnificent offices of the Broken Hill South adjoin the Central Power Station and its offices, followed by the mine workings of the Central Mine, including the former Assay Office of that mine.'
Source: New South Wales Heritage Register.
Chloride City in Death Valley National Park is one of the oldest mining sites/ghost towns in DV. Not much remains here today.
Lumen Print 1612 Fiddle Head Ferns. Printed on Collodio POP collodion chloride 8.5x 105 in. DW FB paper.
Foto presa amb una Zeiss Ikon Super Ikonta 531, fabricada el 1938 i venuda a Budapest; Carl Zeiss Tessar f3.5 / 75mm; Fomapan 100 revelat "invers" amb HC110 dil. A, clorur ferric i amoniac.
La imatge encara ha quedat una mica bruta a la part del cel, però és el primer rodet que revelo com a positiu amb exit i de manera casolana.
La Mulassa de Sabadell, un diumenge que estaven per la Plaça Sant Roc. Es tracta d'una reproducció moderna d'una de similar que està documentada a Sabadell des de fa 400 anys.
www.bestiari.cat/figura/mulassa-de-sabadell/
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Photo taken with a Zeiss Ikon Super Ikonta 531, manufactured in 1938 and sold in Budapest; Carl Zeiss Tessar f3.5 / 75mm; Fomapan 100 reversal developed, with HC110 dil. A, and ferric chloride and ammonia double bleach.
The emulsion has some dirt, but it's my first home made reversal images using ferric chloride.
This is the "Mulassa" (mule) of Sabadell, part of the town's "bestiary", which is typical here in Catalonia. They are used for the main festivals, usually with fireworks. This one is quite modern, but wants to emulate the one documented in Sabadell at least 400 years ago.
Two shots of a baby mule deer. We were trying to drive up a dirt road to look at some murals and petroglyphs just outside of the town of Chloride, AZ. The road had been washed out by the recent storms, and I'd stopped the car to see how bad the damage was, and if we could drive through the debris. This little creatures' curiosity got the better of her, and she came to investigate.
Just a few feet away from where we parked is this big dry fall. I'm guessing it's about 40 feet or so. Even more impressive - to me, anyway - is that giant intrusive quartz dike.
See the next photo for a wider view.
Photo by @Chris Toumanian
Camera: Shen Hao 5x7
Lens: Fujinon 180mm
Film: Kodak TMY
Developer: Pyrocat-MC
Print: Adox Lupex Silver Chloride
Toner: Selenum
These are crystals of table salt. Sodium chloride forms very nice cuboid crystals when it formed from supersaturated solutions. I did apply a bit of split toning. I think the edges are rounded as a result of abrasion during processing and handling.
56038 "Westerm Mail" hauls Vinyl Chloride Monomer pressure tanks through Barry No 2 dock on 5th June 1996. The tanks forming 6M45, the 18:00 to Burn Naze at Fleetwood came from the Dow Corning tank farm in the distance and within the docks complex. This extremely toxic traffic ended in the late 90's, the wagons sent to back to Europe whilst the Burn Naze branch was shut. The photo is taken from an old coal conveyer which was dismantled shortly after the shot, the dock cranes are also long gone. The line is still open though for container traffic.
Pentax 6 x 7 Scan