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Super Isolette, Delta 400 @640 ASA, Finol,
Fomatone 132, exposed + 3 stops,
Easy Lith FT Special 50+50+1000ml 6 mins, followed by Siena (Glycin) + Potassium carbonate + Ammonium chloride + water 10+5+10+1000ml 1:30 mins.
Adox Nuance aka Fotokemika EMAKS
SE5 Lith 7 minutes, followed by Lith G 2,5 minutes.
Developer settings:
SE5 Lith A+B+D+water 50+50+40+900ml
Lith G: 800ml water + 10 Lith G + 20ml Ammonium chloride 20% + 2ml Lith D + 10ml Lith B
Wephota Baryt Brillant N111
SE5 Lith 9 minutes, followed by Lith G 3 minutes.
Developer settings:
SE5 Lith A+B+D+water 50+50+30+900ml
Lith G: 800ml water + 10 Lith G + 20ml Ammonium chloride 20% + 2ml Lith D + 10ml Lith B
Cнято с объективом Fujinon XF 23mm F2 WR + RAYNOX DCR-150 MACRO CLOSE-UP LENS, HDR. Освещение - ультрафиолетовый светодиод 365nm + светофильтр ZWB2
Guilleminot G3
SE5 Lith 7 minutes, followed by Lith G 3 minutes.
Developer settings:
SE5 Lith A+B+D+water 50+50+40+900ml
Lith G: 800ml water + 10 Lith G + 20ml Ammonium chloride 20% + 2ml Lith D + 10ml Lith B
Chloride silver gelatin emulsion on watercolour paper.
I forgot to curve the negative before printing it, but I don't mind the high contrast on this one.
“Macro Mondays” ,
“Redux 2020” ,
“Contained” ,
Vial,
Single (1),
Spilled,
Cork,
Salt,
Sodium Chloride,
Pink,
Himalayan,
Reflection,
Macro,
Stack 4,
United States,
Pennsylvania,
Winter.
FP4, eco film developer,
Varycon, two tray development
1st SE5 Lith 1+10,
2nd 600ml water + 5ml Catechol +5ml Lith C + 5ml Ammonium chloride 20% + 2,5ml Lith D
Fotokemika Varycon
SE5 Lith 7 minutes, followed by Lith G 4 minutes.
Developer settings:
SE5 Lith A+B+D+water 50+50+30+900ml
Lith G: 800ml water + 10 Lith G + 20ml Ammonium chloride 20% + 2ml Lith D + 10ml Lith B
Polychrome print on Record Rapid.
Easy Lith FT Special 50+50+900ml 7:30 mins,
2nd bath SE15 Siena + Ammonium chloride + Potassium carbonate 20+10+10+900ml 1 min.
Fomabrom 123
SE5 Lith 9 minutes, followed by Lith G 4 minutes.
Developer settings:
SE5 Lith A+B+D+water 50+50+30+900ml
Lith G: 800ml water + 10 Lith G + 20ml Ammonium chloride 20% + 2ml Lith D + 10ml Lith B
Select Shedlight (Forte),
two tray lith
1st SE5 Lith A+B+D+water 50+50+40+900ml 6 mins
2nd 800ml water + 10 Lith G + 20ml Ammonium chloride 20% + 2ml Lith D + 10ml Lith B 4 mins
Battery is 24.65mm (0.97 in.) tall and 14.44mm (0.57 in.) in diameter.
Nikon 55mm f/2.8 NIKKOR Micro w/ PK-13 (27.5mm) Extension Tube, 20 Image Focus Stack Shot at f 5.6.
Salt print on hahnemuhle platinum rag.
2% gelatin size. 2% ammonium chloride salt bath, 12% silver nitrate / 6% citric acid sensitiser.
Toned in Moersch MT10 gold toner
We were driving through the American south and came across this old service station in Chloride, Arizona.
Erlkönig, Lith paper made by Fotokemika.
Lith 7:45 mins followed by Lith G 3 mins.
Left untoned, right MT1 Selenium toner 1+10 2 mins.
Developer settings:
SE5 Lith A+B+D+water 40+40+50+900ml
Lith G: 800ml water + 10 Lith G + 20ml Ammonium chloride 20% + 2ml Lith D + 10ml Lith B
Road to Claunch New Mexico, April 1981
Original 35mm negative Afgapan 100, Rodinal 1:50
Salt print 12 x 20cm from digital internegative August 26, 2021
Hanemuhle Platinum Rag sized with gelatin
Salted w/ 2% ammonium chloride / 2% sodium citrate
Sensitized with 12% silver nitrate, 6% citric acid
Thiorea gold toner
A whack at a salt print from my travels of yesteryear. Claunch is a near ghost town in central New Mexico. If the Wikipedia article is up to date, there's still a post office there.
Select Ivory (PW17)
SE5 Lith 4 minutes, followed by Lith G 4 minutes.
Developer settings:
SE5 Lith A+B+D+water 50+50+50+900ml
Lith G: 800ml water + 10 Lith G + 20ml Ammonium chloride 20% + 2ml Lith D + 10ml Lith B
Lith paper made by Fotokemika ten years ago,
SE5 Lith 6,5 minutes, followed by Lith G 4 minutes.
Developer settings:
SE5 Lith A+B+D+water 50+50+40+900ml
Lith G: 800ml water + 10 Lith G + 20ml Ammonium chloride 20% + 2ml Lith D + 10ml Lith B
Chloride silver gelatin emulsion (potassium chloride, silver nitrate, gelatin) on watercolour paper.
The orchid is backlit by a softbox acting as a scrim - a snoot is providing additional light on the center of the main orchid.
Toyo 45G View Camera Fujinon A 240mm f/9. Ilford FP4+ @125. 1/60 sec f/16 ASA 125.
Standard development in Ilfosol-3 @1:9 dilution.
Printed on Ilford MG Fiber Classic - Glossy. Ilford MG Developer @1+9. Six seconds exposure with dodging of the central petals and 3 seconds burning of the leaves and stem.
Despite taking all of the expected measures, my developing time for this contact print was uncomfortably fast. I have ordered some silver chloride photo paper, which is much slower, and I may experiment with one of the old school developers...
Salt print on hahnemuhle platinum rag.
2% ammonium chloride salt bath, 12% silver nitrate sensitiser.
Hand coloured with pastel pencils and varnished.
Green Amethyst and Nickel Chloride
Macro Mondays, Theme: Green
For an image with scale, see here: www.flickr.com/gp/kuriyan/1g05Zn
Nine focus-stacked images, generated using a macro rail.
Still occupied in the small abandoned mining town of Chloride. The one bright and shiny space in the area.
Not the latest in window fashion and accessories but quite attractive just the same.
Impressió en paper salat d'una fotografia que vaig fer a Suïssa fa uns quants anys.
Paper Canson XL Aquarelle, salat amb gelatina i clorur amonic; rentat amb clorur de sodi i acid citric.
=============================================
Salt paper print using as digital negative a picture I took in Switzerland quite long ago.
Paper Canson XL Aquarelle, salted with gelatine + ammonium chloride. Washed with table salt and citric acid.
Chloride silver gelatin emulsion on hahnemühle platinum rag.
This particular bird took an immediate dislike to me and flew from the other side of the lagoon to dive bomb me a couple of times before returning. It's only when they get close you realise how big they are :-)