View allAll Photos Tagged certainty
The earliest documentary evidence for local markets relates to those at Preston, Kersal, Warton and Clitheroe, and is dated around 1190 AD. Wigan market can be dated with certainty to 1245. In each of these cases it is highly likely that the surviving documents served merely to confirm traditions and practices that originated at much earlier dates.*
Ashton in Makerfield market can boast nothing like the antiquity of its Lancashire neighbours at Wigan, Preston and elsewhere. It originated in a procedure under the Public Health Act 1875 whereby a local board, a town council or improvement commissioners could, having obtained the necessary consents and agreements, provide a venue and “other conveniences” for the holding of a market. Certain provisions of the Markets and Fairs Clauses Act 1847 would then apply, although the consent of the Local Government Board would be needed for the levying of tolls etc. The process of establishing a market at Ashton was begun on 28 November 1877, when the Local Board's Sanitary & Highway Committee proposed that the necessary steps be taken “in order to obviate the nuisance caused by the obstruction of the streets on Saturday by the stalls which are placed there”. Despite this nuisance and the subsequent convening of a meeting of ratepayers as required by the 1875 Act, at which the necessary resolutions were carried, it was not until 12 October 1889 -more that a decade later- that the market was finally established.
*See, further, G H Tupling's “Markets and Fairs in Medieval Lancashire” in G Edwards (ed) “Historical Essays in Honour of James Tait”, Manchester UP 1933).
See ‘Force of nature’ on the Eye blog – new Kapitza book Organic replaces geometric certainty with organic structure.
A 16x20 C-Print from "Certainty Principle" an exhibition of photography, video, and installation by Michael David Murphy. Sept. 23rd, 2010 through Oct. 30th, 2010 at Spruill Gallery in Atlanta.
A reconciliation agreement between the Province and the Snuneymuxw First Nation will bring economic benefits to the Snuneymuxw, while increasing certainty for business in the Nanaimo region.
Learn more: www.newsroom.gov.bc.ca/2013/03/benefits-for-snuneymuxw-fi...
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Scientific Name: Suillus subaureus
Common Name: Unknown
Certainty: positive (notes)
Location: Southern Appalachians; Pisgah NF; Spivey Gap
Date: 20060711
Yup, I have proper literature at hand now. Clearly keys to S. subaureus, not S. hirtellus. The other similar one is S. americanus but it has wider tubes (1-2mm wide -vs- 0.5mm wide as here), and more slender stipe (rarely to 10mm wide -vs- 15mm wide as here). Thanks, "the weed one". Feel free to check my others, too!
This is one of the finest saws I have ever come across.
I cannot confirm the maker with absolute certainty, but the saw features a Warranted Superior medallion with the Disston keystone.
What is certain is that this saw was sold by the Supplee Hardware Co in Philadelphia. According to the etch this saw is "The Genuine and Original no 255" The etch is somewhat typical to American made Warranted saws. It features an eagle surrounded by two star spangled banners as well as the additional words:
"ROYAL STEEL
SPRING STEEL ~ WARRANTED
Patent Temper ~ Temper Ground"
The saw also has a secondary etch with the text:
"This saw was made specially for use of the most skilled Artisan. For quality style and finish it cannot be surpassed.
William H. Supplee"
I spotted this saw in an auction in the US and the handle looked so promising that I felt I had to place a bid. Luckily my small bid was enough.
But back to the origin of this saw. I'm quite sure this is a Disston made saw. But I have not been able to find a matching model in their catalogs or on disstonianinstitute.
The only official Disston model that comes close as far as the handle design is concerned, is the no 99, as designed from 1906 onwards:
www.disstonianinstitute.com/99page.html
I'm well aware of the fact that the no 99 was a straight back and mine is a skew back. So I'm not saying this is a no 99 in disguise. But the handles of the both saws are close matches.
Some of the Disston catalogs does include a short section of "Special saws etched to order". I don't have a complete collection of Disston catalogs, so I can't say if this saw is listed in one or several of them.
But I did spot an advertisement made b the Supple Hardware Co, where a saw very close to mine was listed:
www.ebay.co.uk/itm/1902-AD-Disston-Acme-Hand-Panel-Rip-Sa...
The only difference seems to be that the saw in the ad doesn't include wheat carving around the nuts.
As far as age goes, I firmly believe this saw was made rather early in the 20th century. Supplee Hardware merged with one Mr Biddle and became Supplee-Billdle Hardware Co in 1914. Although my saw doesn't feature the hardware company name, but only the signature of William H. Supplee, I think the saw could well have been made before 1914. The saw nuts have the narrow screw slots associated with earlier raised nuts. And the handle design is clearly more elegant and well rounded, something which also indicates an earlier design.
All in all this saw is a wonderful example of fine saw making. The spring steel is very hard and well tensioned. The handle has one of the best palm grips I have come across and after some jointing, reshaping and sharpening the saw has been at work for a couple of days now. It performs beautifully.
Tennis Pros Michal and Eric show the proper way to gain certainty by gradually warming up your groundstrokes. Confidence can be increased through success. Your initial objective is see consistency and feel the body warming up before executing your full effort on a stroke. Having a feeling of this confidence can enable your mind to gradually be engaged in a hitting session where your brain and body are focused and relaxed.
Get more details do visit our site: my10sfriends.com
To have any certainty of seeing the Komodo Dragons, you needed to have something to attract them. Sadly and to my eternal shame, this role fell to the poor goat seen here, which we bought from the village. (No, I don't still have the receipt for tax purposes).
We carted it on the boat from the village to this rather idyllic bay, and once ashore, the two local men withdrew quietly to one side and dispatched it. Then followed a trek of about half an hour into the island, to search for a likely place to wait and hopefully see the dragons.
Ektachrome scan, Nikon F. Komodo Island, Indonesia, 1978.
© David Hill.
A 16x20 C-Print from "Certainty Principle" an exhibition of photography, video, and installation by Michael David Murphy. Sept. 23rd, 2010 through Oct. 30th, 2010 at Spruill Gallery in Atlanta.
Know thou of a certainty that Love is the secret of God's holy Dispensation, the manifestation of the All-Merciful, the foundation of spiritual outpourings. Love is heaven's kindly light, the Holy Spirit's eternal breath that vivifieth the human soul. Love is the cause of God's revelation unto man, the vital bond inherent, in accordance with the divine creation, in the realities of things. Love is the one means that ensureth true felicity both in this world, and the next. Love is the light that guideth in darkness, the living link that uniteth God with man, that assureth the progress of every illumined soul. Love is the most great law that ruleth this mighty and heavenly cycle, the unique power that bindeth together the diverse elements of this material world, the supreme magnetic force that directeth the movements of the spheres in the celestial realms. Love revealeth with unfailing and limitless power the mysteries latent in the universe. Love is the spirit of life unto the adorned body of mankind, the establisher of true civilization in this mortal world..........
Abdu'l-Baha
It cannot be declared with certainty that the two distinctive pillars in Ilkeston Victoria Park were once a part of the long ago demolished manor house of Ilkeston's Old Park : but it has been suggested .
" Mondrian...? The constructivists...? They had certainties. They wanted a stable basis to work on, but I'm afraid that was enormous arrogance on their part. Nothing is stable and no certainties are possible"
[ Charles Juliet - Conversations with Samuel Beckett and Bram van Velde]
This is one of the finest saws I have ever come across.
I cannot confirm the maker with absolute certainty, but the saw features a Warranted Superior medallion with the Disston keystone.
What is certain is that this saw was sold by the Supplee Hardware Co in Philadelphia. According to the etch this saw is "The Genuine and Original no 255" The etch is somewhat typical to American made Warranted saws. It features an eagle surrounded by two star spangled banners as well as the additional words:
"ROYAL STEEL
SPRING STEEL ~ WARRANTED
Patent Temper ~ Temper Ground"
The saw also has a secondary etch with the text:
"This saw was made specially for use of the most skilled Artisan. For quality style and finish it cannot be surpassed.
William H. Supplee"
I spotted this saw in an auction in the US and the handle looked so promising that I felt I had to place a bid. Luckily my small bid was enough.
But back to the origin of this saw. I'm quite sure this is a Disston made saw. But I have not been able to find a matching model in their catalogs or on disstonianinstitute.
The only official Disston model that comes close as far as the handle design is concerned, is the no 99, as designed from 1906 onwards:
www.disstonianinstitute.com/99page.html
I'm well aware of the fact that the no 99 was a straight back and mine is a skew back. So I'm not saying this is a no 99 in disguise. But the handles of the both saws are close matches.
Some of the Disston catalogs does include a short section of "Special saws etched to order". I don't have a complete collection of Disston catalogs, so I can't say if this saw is listed in one or several of them.
But I did spot an advertisement made b the Supple Hardware Co, where a saw very close to mine was listed:
www.ebay.co.uk/itm/1902-AD-Disston-Acme-Hand-Panel-Rip-Sa...
The only difference seems to be that the saw in the ad doesn't include wheat carving around the nuts.
As far as age goes, I firmly believe this saw was made rather early in the 20th century. Supplee Hardware merged with one Mr Biddle and became Supplee-Billdle Hardware Co in 1914. Although my saw doesn't feature the hardware company name, but only the signature of William H. Supplee, I think the saw could well have been made before 1914. The saw nuts have the narrow screw slots associated with earlier raised nuts. And the handle design is clearly more elegant and well rounded, something which also indicates an earlier design.
All in all this saw is a wonderful example of fine saw making. The spring steel is very hard and well tensioned. The handle has one of the best palm grips I have come across and after some jointing, reshaping and sharpening the saw has been at work for a couple of days now. It performs beautifully.
The Parish Church of St. Matthew or, more fully, of St. Matthew and St. Wardrede, was built in 1833-34 during the reign of William IV. It was consecrated by the Bishop as a chapel-of-ease in the Parish of llfracombe on St. Matthew’s day 1835, and became a Parish Church in 1869, when Lee became a separate ecclesiastical parish carved out of the parishes of llfracombe and Mortehoe.
The association with St. Wardrede is of uncertain origin, but the name is of interest in that it may point to an earlier Celtic missionary influence in Lee in the 6th century. “it is not known with certainty who St. Wardrede was” writes Mr. R. Barnes, formerly of the University of Leicester, who has investigated the matter. He “believes that he was a Celtic Saint, whose name is embodied in the Cornish name ” Tywardreath ” and that the Champernowne family, who were the lords of Tywardreath, as well as patrons of Ilfracombe, were probably responsible for the dedication.” Like many other Celtic Saints he may have been known or remembered anonymously and simply as “Saint”= the holy man, “war”= on or near, “drede”=the beach.
Notable Features
WOOD-WORK. Items of interest, of much greater antiquity than the building itself, include 16th 17th century carved oak panelling, carved choir gallery-front, pulpit, box-pew, front pews and pew ends, carved oak frame to the memorial to Wm. Fisher MacMichael, at one time Vicar of the Parish, and the quaint projecting oak piscina on the north side of the chancel, these Jacobean carvings are said to have been a gift from the squire: see the DRAKE-CUTCLIFFE memorial on the south wall and compare the carved beasts on the choir gallery-front with those on the coat of arms on the memorial. The wooden panel in the small arch (north side of chancel) in the front of the barrel organ formerly in the choir-gallery.
Laura Nenzi (2008, p189) uses the above image by way of conclusion to her excellent book on travel in Japan. She writes "But dreams and aspirations (collective and individual alike) are slippery subjects that more often than not hide between lines or amid icons alread dense with meaning. Difficult to verbalize, difficult to grasp, they are impossible tricky for the historian to recover with any sense of certainty. Leave it then to Isoda Koryuusai (1735-1790) to come to the rescue of the text-bound historian with a mesmerizing image that, in the limited space of one woodblock print (19.1cm x 25.4com), concisely summarizes what countless travelers (as well as the historian in question) have spilled rivers of ink attempting to articulate (Figure 14). Dreaming of Walking near Fuji (1770-1773) captures and freezes in time the hopes and desires of two characters from the floating world...What the dream of movement meant to these two is clear: liberation from the everyday. Out of the house, away from all that is predictable and commonplace, they have finally achieved that state of complete disengagement that is the prerequisite for re-creation.
As the juxtaposition of movement and immobility in this image suggests, motion is, in a sense, the antithesis of order: it displaces what ought to stay put; it frees what ought to be contained." (p 187-188. Image on page 189, emphasis mine.)
Bearing in mind her subject matter - Japanese travellers who go to see sights where there is nothing to see - this is a fabulous choice of image to close with. Prof Nenzi is on the money, but I wish she had spilt a little more ink, at least in the interrogative. Do "collective" dreams exist? Can we share our dreams like these dreamers, in some way, in any way? Why are these Japanese dreamers dreaming autoscopically (Masuda,Gonzalez, Kwan, Nisbett, 2008; Cohen and Gunz, 2002) each seeing the image of themselves in their own dream - the dream is doubly double? From whose perspective is the dream seen? Perhaps the most important question for a theory of travel is, have the dreamers seen mount Fuji? And the million dollar question, bearing in mind the genre of the artwork, when they wake up will the erstwhile dreamers then share the same picture of the floating world.?
To be honest I can't answer these questions for myself let alone the Japanese. But at least, I think that there is considerable cultural difference at least in degree, and that these differences help explain cultural differences in travel behaviour.
The position of these (as Nenzi notes) sexually ambiguous lovers, reminds me of the cover of "The Postcard." (Derrida, 1987) which I consider to have been self, or intra-psychologically addressed. It is also reminiscent of the many pictures of the floating world that Kitayama (2005) uses to illustrate the, he argues, psychologically important trope of "looking together." Furthermore, if the Japanese are capable of autoscopy even when awake ( as my research, Heine, et al., 2008, shows), the picture may be illustrative not only of Japanese travel behavior, but also of the Japanese self".
The Japanese are always dreaming that someone else is looking with them Kitayama (2005) and that what they see is in the world.
Image credits: Isoda Koryuusai, Dreaming of Walking near Fuji, 1770-1773. Woodblock print, ink and color on paper, 19.1 b 25.4cm. M. Sackler Gallery, Smithsonian Institution, Washington, DC (The Anne van Biema Collection, S2004.3.23)
Bibliography Created by Zotero
Cohen, D., & Gunz, A. (2002). As seen by the other...: perspectives on the self in the memories and emotional perceptions of Easterners and Westerners. Psychological Science, 13(1), 55–59. Retrieved from web.missouri.edu/~ajgbp7/personal/Cohen_Gunz_2002.pdf
Derrida, J. (1987). The Post Card: From Socrates to Freud and Beyond. (A. Bass, Trans.) (First ed.). University Of Chicago Press.
Heine, S. J., Takemoto, T., Moskalenko, S., Lasaleta, J., & Henrich, J. (2008). Mirrors in the head: Cultural variation in objective self-awareness. Personality and Social Psychology Bulletin, 34(7), 879–887.
Kitayama, O. 北山修. (2005). 共視論. 講談社.
Masuda, T., Gonzalez, R., Kwan, L., & Nisbett, R. E. (2008). Culture and aesthetic preference: comparing the attention to context of East Asians and Americans. Personality and Social Psychology Bulletin, 34(9), 1260–1275.
Metzinger, T. (2009). The Ego Tunnel: The Science of the Mind and the Myth of the Self (1st ed.). Basic Books. (I have not read this but it sounded like Nishida and uses the word "autoscopy" so it is on my reading list)
Nenzi, L. N. D. (2008). Excursions in identity: travel and the intersection of place, gender, and status in Edo Japan. University of Hawaii Press.
Good Friday Sunset...
"As evening drew near, the Lord yielded up His soul upon the cross in the certainty of receiving it back again. It was not wrested from Him against His will. But we too were represented there. Christ had nothing to hang upon the cross except the body He had received from us. And in doing so He nailed our human weakness to the cross." (excerpt from Commentary on Psalm 140,5)
A Daily Quote for Lent: Christ nailed our weakness to the cross, by Augustine of Hippo, 430-543 A.D.
Following the Son...
Blessings,
Sharon 🌻
God's Beauty in Nature is calling us into a deeper relationship with Him...
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Filename - "As evening drew near…” - DSC_4062 Good Fri NR ClSE 2014
Following the Son...
Blessings,
Sharon 🌻
God's Beauty In Nature is calling us into a deeper relationship with Him...
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Bloggers are welcome to use my artwork with, “Image from Art4TheGlryOfGod by Sharon under Creative Commons license”, and a link back to the images you use, and please let me know in the comment section below, thank you...
Art4TheGlryOfGod Photography by Sharon
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Faith, Hope & Love in daily Art meditations...
X ~ www.twitter.com/Art4ThGlryOfGod
Flickr (complete portfolio) ~ www.Flickr.com/4ThGlryOfGod
Purchase images on (Giclée canvas, metal prints, throw pillows, tote bags, cards, etc.)
Fine Art America ~ fineartamerica.com/profiles/sharon-soberon
Redbubble ~ www.Redbubble.com/people/Art4ThGlryOfGod
Pixoto (awards) ~ www.pixoto.com/4thegloryofgod/awards
Music Videos (from my Art Photography) ~
www.youtube.com/user/4ThGlryOfGod
#prints available upon request
"For my part I know nothing with any certainty, but the sight of the stars makes me dream."
= Vincent van Gogh =
PS: This is an open note book and a lil necklase star in the middle . Done by Merging two shots together! btw this is my first ever good macro! for me at least :)
Relegation certainties Denaby United (red strip) and Denaby Main rise to the challenge during a Premier Division derby in the Pete's Patisserie Sheffield County Senior League. United won 5-2 at Balby Academy of Sport. The hosts' third league victory of the season kept them a place above bottom team Main, who had substitute sent off in the 88th minute for a headbutt.
Match statistics:
Admission: free. Programme: £1 (28 pages). Attendance: 74. Scoring sequence: 1-0 (10mins); 2-0 (14mins); 3-0 (25mins); 4-0 (49mins); 4-1 (70mins); 4-2 (85mins); 90+3 (5-2).
Lai-Seung Au-Yeung, Coodinator of Wikipeace Woman, Dr. Fernando Ponce León, S.J.; Rector Pontificia Universidad Católica del Ecuador.
Taken from "Recession in 2008 a Certainty" posted at inspecie.co.uk/2007/10/20/recession-in-2008-a-certainty/ on October 20th 2007. GDP Channels confirm recession in 2008.
"Science has proof without any certainty. Creationists have certainty without any proof."
-- Ashley Montague
Journal challenge at HummiesWorld
Hi there Little One, its Yiayia
I know you’re not even thought of yet but hopefully one day we will get to meet each other and I know with absolute certainty that when that time arrives you will become the most precious gift I could ever imagine. From the moment you take your first breath and open your tiny eyes you will steal my heart and I promise to nurture, care for and shower you with all the love and affection you deserve.
You are probably wondering who I am so I’d better introduce myself properly before we go any further. I am your Moms Mother and I am hoping you will call me Yiayia, which is the Greek word for Grandmother. Let me explain….. Grandpa and I retired in 2006 and came to live in Crete where we built our own house. I tried to learn Greek but it is a difficult language and I only speak a few sentences. When I heard the children shouting out for their Yiayia’s I thought it sounded like a nice easy word to learn and if I was lucky enough to become one myself then that’s what I would like to be called.
When you arrive you will only be on loan to me occasionally but I will have lots of stories to tell you about our family, especially ones about Grandpa and me and how much we love each other, your Mom and now you too. We will learn new things together, play games, bake cakes, laugh and have fun and although I know the returns policy is ‘as new’ I hope I will encourage you to meet a challenge head on and to never give up the chance of a new experience.
There might be quiet times when we will sit and talk, sharing secrets that I promise never to tell, reading books together, slipping into a world of make believe but trust in me because I will always be here for you
I don’t know what the future has in store for you, I hope that I will be part of it in some small way and that its as perfect as can be but you must learn independence, follow your own dreams and make each moment count
All my love until we meet
yaaay,finally there is certainty: ....after months of building (more slow than fast *lol*) and stuff organized -JoHaDeZ- "Poetic Furniture" will reopen on Wednesday 10/17 2012 8pm MET / 11 PDT!
I'm looking happy forward....
This is one of the finest saws I have ever come across.
I cannot confirm the maker with absolute certainty, but the saw features a Warranted Superior medallion with the Disston keystone.
What is certain is that this saw was sold by the Supplee Hardware Co in Philadelphia. According to the etch this saw is "The Genuine and Original no 255" The etch is somewhat typical to American made Warranted saws. It features an eagle surrounded by two star spangled banners as well as the additional words:
"ROYAL STEEL
SPRING STEEL ~ WARRANTED
Patent Temper ~ Temper Ground"
The saw also has a secondary etch with the text:
"This saw was made specially for use of the most skilled Artisan. For quality style and finish it cannot be surpassed.
William H. Supplee"
I spotted this saw in an auction in the US and the handle looked so promising that I felt I had to place a bid. Luckily my small bid was enough.
But back to the origin of this saw. I'm quite sure this is a Disston made saw. But I have not been able to find a matching model in their catalogs or on disstonianinstitute.
The only official Disston model that comes close as far as the handle design is concerned, is the no 99, as designed from 1906 onwards:
www.disstonianinstitute.com/99page.html
I'm well aware of the fact that the no 99 was a straight back and mine is a skew back. So I'm not saying this is a no 99 in disguise. But the handles of the both saws are close matches.
Some of the Disston catalogs does include a short section of "Special saws etched to order". I don't have a complete collection of Disston catalogs, so I can't say if this saw is listed in one or several of them.
But I did spot an advertisement made b the Supple Hardware Co, where a saw very close to mine was listed:
www.ebay.co.uk/itm/1902-AD-Disston-Acme-Hand-Panel-Rip-Sa...
The only difference seems to be that the saw in the ad doesn't include wheat carving around the nuts.
As far as age goes, I firmly believe this saw was made rather early in the 20th century. Supplee Hardware merged with one Mr Biddle and became Supplee-Billdle Hardware Co in 1914. Although my saw doesn't feature the hardware company name, but only the signature of William H. Supplee, I think the saw could well have been made before 1914. The saw nuts have the narrow screw slots associated with earlier raised nuts. And the handle design is clearly more elegant and well rounded, something which also indicates an earlier design.
All in all this saw is a wonderful example of fine saw making. The spring steel is very hard and well tensioned. The handle has one of the best palm grips I have come across and after some jointing, reshaping and sharpening the saw has been at work for a couple of days now. It performs beautifully.
Ho bisogno di leggere una storia che so già come andrà a finire...
[I need to read a story that I know how it ends ... ]
Please don't use this image without my explicit permission.
© All rights reserved Chiara D.
Okay, so it seems to be my destiny to document the moments before the rain, during the rain, after the rain, and in between rain showers - since my schedule is strangely synchronized with the daily downpour! Why fight it. On occasion, it does provide some moments of spectacular lighting. Maybe I should've gotten an underwater camera, though ...