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Kenteken: CD-11-14
Merk / Model: MB S-Guard (V222F)
Pantser-klasse: VR9
Type: Onopvallend gepantserd dienstvoertuig
·Seen here:
1. Safety (1996)
2. Miles From (1997)
3. Lost Son (1999)
4. Winnemucca (2002)
5. Post to Wire (2004)
6. The Fitzgerald (2005)
To follow in Part 2:
7. Obliteration by Time (2006)
8. Thirteen Cities (2007)
9. We Used To Think The Freeway Sounded Like A River (2009)
10. The High Country (2011)
Formed in 1994, Richmond Fontaine started touring the Pacific Northwest live circuit to support their first three albums released on Cavity Search Records. Gradually gaining attention in the UK and Europe the band began regularly touring there. Most of the core musicians and producer JD Foster have worked together for a decade, and produced several albums. The band is named after an American expat, "a burned out hippy", that had helped bassist Dave Harding when his car was stuck in the desert in Baja Mexico.
Richmond Fontaine first gained exposure outside the USA through a song that was included on a Vinyl Junkie Records 'Loose' compilation released in the UK. This was followed by the band's self-released fourth album, Winnemucca. The band signed with Decor Records in Europe during 2003 with their next two releases proving pivotal to the band's success. Both were made "Albums of the Month" in influential magazine, Uncut, which named both their fifth album Post to Wire (2004) and sixth The Fitzgerald (2005) "masterpieces".U.S. critics have been generally complimentary but have also cited the band's musical similarity to Uncle Tupelo. Like many bands in this genre past and present such as Willard Grant Conspiracy, The Gun Club, and Green on Red, Richmond Fontaine are more popular abroad than in their own country.
Underpinned by lead singer and songwriter Willy Vlautin's lyrics, Richmond Fontaine songs often evoke imagery of Reno, Nevada, Portland, the Western United States and Mexico while telling stories in a style that critics have compared to Raymond Carver.Musically the group has cited influences such as Gram Parsons, X, Green on Red and Dave Alvin.
Vlautin is also a published writer. His first novel, The Motel Life was published in 2006, followed by Northline in 2008 and Lean on Pete in 2010. Northline included a soundtrack CD by Willy Vlautin and Paul Brainard. The novel was well-reviewed by George Pelecanos. Vlautin has also had stories published in literary journals such as Zembla, Cold Drill, Southeast Review, and Chiron Review.
The band's 2007 album, Thirteen Cities, received positive reviews across Europe.
On August 17, 2009 the band released their ninth studio album 'We Used To Think The Freeway Sounded Like A River'. In September 2011 the band released their tenth studio album "The High Country".
Well today I was notified by Flickr that I am now the admin for this group, as the original admin is gone. I want to extend an invitation to everyone here to join our little group. It is open to all the girls and admirers here.
www.flickr.com/groups/14843174@N20/
At this time things will stay as they are, with one exception. I've changed the posting rules, so that this group will not count against the 30/60 rule, which I believe is a positive move for everyone. What is the sense of posting if you can't get it out there for everyone to see? More to come.
My Christmas present to me - an all new outfit from wig down to the boots. Always wanted a pair of white boots
Hum, yes, the title is kind of oxymoron...
This is the setup used to make that shot.
Whatever, here is how I proceeded:
- dismantle microwave door to keep only the metallic grid (my door was with a tainted glass)
- remove turning plate
- put glass filled with water: it serves as support and water helps not running the microwave empty
- place CD against the glass
- I had to put a little paper strip on the floor to avoid the CD ripping on the floor
- hide microwave lamp, I used the plastic recipient that comes with the microwave for steam cleaning
- camera on a tripod
- proceed in dark room
- use torch to be able to focus manually on the CD ( use live preview with zoom helps focusing)
- I used a large aperture (2.8) because of the metallic grid of the door
- 1s pauses, in rafale mode (so we can keep shooting)
- we cannot sacrify aperture or exposure time so if you find the result too bright, you may try with a neutral density filter.
- cable shutter to avoid shaking the camera
- after all, make sure to clean the microwave because reflective layer gets spilled out of the CDs
片名：King Kong
译名：金刚
杰克·布莱克Jack Black
杰米·贝尔Jamie Bell
类型：动作/冒险/剧情/奇幻/科幻/惊悚
片长：--
发行：环球
上映日期：2005年12月14日(美国)
官方网站：http://www.kingkongmovie.com/
剧情简介 第一次世界大战的欧洲战场。“关键时刻”参战的美国空军在法国的上空正忙着与德国人周旋。在这场空战中让观众认识了才华横溢的美国飞行员杰克。时间瞬息转到十五年后，早已在空军退役的杰克已经来到了位于东南亚的苏门达腊到打工。
一支来自英国的考古队在队长罗德的带领下已经来到这片神奇的热带丛林很久了，队中还包括队长的千金，美丽的安。南太平洋阴郁、神秘的岛屿地貌和茂密森林同样吸引着这位性感的金发女郎。
来自美国本土电影之都好莱坞的导演卡尔·丹姆带着他的摄制组也不远万里、漂洋过海地来到这里寻找着他新片的灵感和最佳拍摄地。
然而，就是这三方看起来毫不相干的人们逐渐地被这荒蛮之地吸引到了一起。当这些人“团结”到一起组成全新的拍摄考察队伍，美丽的安成为卡尔导演最新的女一号的同时，在一座全新的岛屿上，这个似乎预谋已久的传奇故事便慢慢拉开了无法再次还原的序幕。数十米高的巨型黑猩猩、凶残的史前恐龙、无人踏及的原始森林、虔诚愚昧的土著人……都令这队来自文明世界的现代人始料不及。但利欲熏心的导演发现并导演了一场惊世骇俗的“人猩恋”。将美女安以土著人独特的“艺术形式”许配给了那个叫“刚”的大黑猩猩。然而，这一荒诞的行为却早就了一场惊心动魄的“人猩大战”……
幕后花絮 1933年版的《金刚》在影迷们当中有着很高的人气。因为它不仅仅是代表一部单纯的电影作品，它甚至带动了电影艺术的一个潮流。自七十二年前那只威猛的大黑猩猩首次登上帝国大厦，就已经在数不胜数的影视剧中亮相，就连近日横扫北美票房的迪斯尼动画片《四眼天鸡》中也可以看到那再熟悉不过的经典桥段。
还记得1976年，约翰?吉尔勒明耗费相当于当今6500万美元巨资翻拍的《金刚》，除了将金刚大战战机的场景从帝国大厦搬到在“9?11”中被覆灭的“世贸双子”外，其它故事发展和场景设置几乎与原版相同，但是，这部使用了当时最为先进的电影特技的《金刚》被观众斥为“简单的幻想片”，与原版的《金刚》完全没可比之处，这或许是观众对原版《金刚》爱护有加的表现之一吧。想当初梅里安?库珀仅消耗了68万美元拍出那部传世的黑白经典《金刚》，银幕上的大猩猩实际仅有十几米高，而用来拍摄握住安的近镜却由一只8米长的“巨臂”完成，那强壮的躯体也只由塑料加上兔毛粘制而成，可想而知这只大怪物有多“简陋”。然而，在观众心目中，这只金刚好得无可比拟。实在佩服大半个世纪前威利斯?布里恩为该片做出的有史以来第一个振奋人心的视觉特效。可惜当初奥斯卡还没有最佳视觉特效奖，凭1933版《金刚》天马行空的想法和特效，丝毫不比当今的好莱坞CG电影差多少……
影片简评 早在七十二年前的1933年，一只巨大的猩猩就已经一只手握着一位性感女郎，令一只手攀在纽约帝国大厦的尖顶上，像世人宣誓着自己对爱情的忠贞不渝和永往无前了。而野蛮的人们却用他们高傲的姿态、嘲笑的声音和他们引以为傲的战机，欲征服这只来自原始部落的强悍动物……
《金刚》影片的诞生可以说是电影史上的必然，亦是偶然。先说必然，在电影这类特殊的艺术表现形式发展到那个年代的时候，已经有越来越纷繁的表现形式和另类题材被聪明的电影人引入大银幕。曾风靡一时的巨大怪物哥斯拉，《捉鬼队》中巨大的棉花糖人等已经越来越受到影迷们的关注和喜爱。因此像金刚这样来自我们人类平行世界中的近亲便不期而至地走上了大银幕。另外，电影制作技术的不断创新也使得此类电影特技日臻成熟地运用在了实际的电影作品当中，从而能越来越带动人们对此类电影的兴趣
曲目及下载：
· Something Monstrous... Neither Beast Nor Man
· Captured
Classic Days Schloss Dyck
The Bitter CD was equipped with the 8-cylinder V-engine with 5354 cc of the Opel Diplomat B
169 kW (230 hp) at 4.700 rpm
427 Nm at 3000 rpm
0 - 100 km/h in 9.6 sec
top speed 210 km/h
Motorwagen CD 854 007-2 heeft zojuist als trein Sp 1728 het station van Uherské Hradiště verlaten op weg naar Brno. Uherské Hradiště, 18 september 2018
Motorcarriage CD 854 007-2 has just left as train Sp 1728 the station of Uherské Hradiště on it's way to Brno. Uherské Hradiště, the 18th of September 2018
THE BEATLES ACETATE COLLECTION - Unicorn - 2 CDS
Two CDS of upgrades and new find - all acetates of The Beatles from 1961-1970! Excellent quality! New for 2012 - all die hards will find something new on this, besides upgrades!
CD 1:
1. Aint She Sweet (MGM/Verve Acetate)
2. Kansas City (Dick James Acetate)
3. And I Love Her (Take 21 RM2)
4. If I Fell (Take 15 RM1)
5. A Hard Days Night (Take 9 RM10)
6. She’s A Woman (Emidisc Acetate Take 6)
7. She’s A Woman (Emidisc Acetate Take 7/8)
8. Another Girl (Take 1)
9. The Night Before (Take 2)
10. I Need You (Take 5)
11. Ticket To Ride (Take 2)
12. Yes It Is (Take 14)
13. You Like Me Too Much (Take 8)
14. You’ve Got To Hide Your Love Away (Take 9)
15. You’re Going To Lose That Girl (Take 3)
16. Help! (Take 12 RM4)
17. 12 Bar Original (Emidisc RM1 Take 2)
18. Paperback Writer (Capitol Acetate)
19. Strawberry Fields (Emidisc Take 7 RM3)
20. A Day In The Life (Take 6 RM1)
21. Sgt Peppers Lonely Hearts Club Band (Take 10 RM1)
22. Magical Mystery Tour (Take 9 RM7)
23. Your Mother Should Know (Take 8)
24. The Fool On The Hill (Take 1)
25. Blue Jay Way (Emidisc Alt Mix)
26. I Am The Walrus (Take 17 RM4)
CD 2:
1. Across The Universe (Emidisc Acetate)
2. Intervista (Emidisc Acetate)
3. Kenny Everett Workshop (Apple Acetate)
4. Everybody’s Got Something To Hide (RM5)
5. Yer Blues (Takes 16/17 RM3)
6. Back In The Ussr (Take 6 RM1)
7. Revolution 9 (Apple Acetate Take 1 Rs1 21.6.68)
8. Helter Skelter (Take 21 RM1)
9. Birthday (Take 22 RM1)
10. I’m So Tired (Take 14 RM1)
11. Mary Jane - Master - Rs4 (Cutting Room Acetate)
12. Mary Jane - Overdub - Rs5 (Cutting Room Acetate)
13. Mary Jane - Edit-Version (Cutting Room Acetate)
14. Mary Jane (Single Edit Rs4 & 5)8
15. Long & Winding Road (Apple Acetate)
16. Let It Be (Apple Acetate)
All Tracks Remastered For This New Edition. Declicked, Pitch,
Phase & Levels Corrected From Best Possible Sources.
ALL TRACKS REMASTERED FOR THIS NEW EDITION. DECLICKED, PITCH,
PHASE & LEVELS CORRECTED FROM BEST POSSIBLE SOURCES.
Liner Notes:
This CD brings together a collection of Acetates from 1961-69, some you may have seen before on previous releases,
but some discs here make their debut to CD and have remained previously unreleased until now. Firstly an MGM/Verve
Acetate of The Beatles June 24, 1961 recording of "Aint She Sweet", followed by an acetate made from a recording of
"Kanas City" performed at the Cavern Club on September the 5th 1962, this first appeared on the Anthology series but is
included here with voice over completely removed.
There were a number of production film acetates made from The Beatles first two movies, A Hard Days Night and Help!
soundtracks, the first three here are "And I Love Her", with Paul's single tracked vocal, "If I Fell" and "A Hard Days
Night", which are the same as the UK mono mixes. This Is followed by two 7", 1 sided Emidisc Mono Acetates of
"She's A Woman". The first being take 6, the released take, but the second compiles a false start and take 7, these
acetates were probably cut the same day as the mono mixing for "She's A Woman" on October 12, 1964.
More production film acetates follow, this time from the Help! soundtrack. "Another Girl" with Paul's count-in,
"The Night Before" with drums mixed further back and less echo, "I Need You" vocal tracks mixed forward with less
echo, "Ticket To Ride" with second vocal track mixed back, "Yes It Is" with vocals more prominent, "You Like Me Too
Much" with no echo and vocals brought forward, "You've Got To Hide Your Love Away" with count in, "You're Gonna
Lose That Girl" rough mono mix with count in, and finally "Help" a rough mono mix with tambourine present during
the chorus not heard on the official mono released mix.
"12-Bar original" was an instrumental based around the twelve bar riff, originally only two takes were recorded, and
some rehearsals survive from the master tapes, here we have an Emidisc cut on the 13th of December 1965 of Remix
mono 2 of the second take. The acetate was auctioned in 1988 for £1300 and found it's way onto many bootleg releases,
here we have the cleanest source available. This Is followed by an 8" stereo Capitol Acetate of "Paperback Writer", take
2, the same as the released take.
The third of three mono remixes for "Strawberry Fields Forever" Take 7, was chosen for acetate cutting on November 29,
1966. These rough mixes were later scrapped In favour of a re-make of the recording, takes 9-24 on December 9, 1966.
The 6th take of "A Day In The Life" was chosen for acetate cutting from the first mono mix, what's presented here is the
infamous 'Oh, shit' version, with no orchestra and Mal Evans' bar counting is clearly evident. When the acetate of
"Sgt.Peppers Lonely Hearts Club Band" first appeared, the first mono mix of take 10, we caught a glimpse to how the end
of the song originally was played without "With A Little Help From My Friends" graphed in, this is a unique mix without
any brass overdubs.
The final five tracks on disc one are from the soundtrack to Magical Mystery Tour, firstly the title track "Magical Mystery
Tour" is presented here as a 7" Emidisc, remix mono 7 of take 9, presented here in it's cleanest form to date.
“Your Mother Should Know" a rough mix of take 8, "The Fool On The Hill" take 1 with no flute or recorder overdubs,
"Blue Jay Way" a white label Emidisc with hand written notes, this Is quite a bazaar stereo mix, which Is totally
different to the disc that appeared on Yellow Dog's 'Acetates' CD In 1991. Since it's initial inclusion on the first edition
of this CD, much scepticism has been widely thought about this acetate's authenticity, according to Doug Sulpy, it seems
the verdict is still out on this one. Finally, the last of the Magical Mystery Tour discs "I Am The Walrus", remix mono 4 of
take 17, a basic mix with no overdubs.
"Across The Universe" was originally recorded as early as February 1968 for Inclusion as a single release (In which
"Lady Madonna" was chosen Instead) this was later used on a charity compilation album "No One's Gonna Change Our
World" In December 1969, then released on the "Let It Be" album with an orchestra accompaniment and new overdubs.
Presented here Is an Emidisc acetate of the original 1968 recording, take 8 with no overdubs or speed variants. This disc
was cut on February 8, 1968 from one of two mono mixes made that day.
What follows Is the Infamous "Intervista" acetate, a Kenny Everett Interview with John, Paul and Ringo for Inclusion on
his Radio show aired that Sunday, the 9th of June. This was recorded at EMI Studio Two on June 6, 1968. This Is a 1 sided
10" Emidisc which clocks In at over 14 Minutes. Continuing on the Everett madness, we have Included a rare 2 sided 8"
Apple acetate, "Kenny Everett Musical Workshop" which contains various jingles from his radio program, some of which
were used In his Beatles broadcasts.
We have included seven acetates from the White Album, "Everybody's Got Something To Hide" remix mono 5 of take 12
with John's vocals brought forward, "Yer Blues" Takes 16/17 edit RM3 and edit piece take 1, features an edited-on count-in
from Ringo, "Back In The USSR" remix mono 1 of take 6 with different jet noises, "Revolution 9" was mixed for stereo on
June 21 & 25, 1968, an Apple Mono 2 Sided Acetate is included here, this also appeared on Vigotone's 'Revolution' CD In
1994, but sounds a little cleaner here. "Helter Skelter" remix mono 1 of take 21, this is one minute shorter than stereo
version, and has no fade down and up within the song, no Ringo "blisters" shout at the end. "Birthday" remix mono 1 of
take 22, and "I'm So Tired" remix mono 1of take 14.
Tracks 11, 12 & 13 have been taken from a 'Cutting Room Inc.' 1 sided stereo acetate. The first two recordings from this
disc have appeared on previous Bootlegs over the years, most notably on "What A Shame, Mary Jane Had A Pain At The
Party", a 12" Bootleg E.P released In 1979 on a fake EMI label. For some unknown reason the third song was not Included
here and has remained unreleased. We have Included that 'Edit-Version' of "What's The New Mary Jane". On the first
edition of this release this track appeared in mp3 form, since the release of 'Yellow Dog's' 2CD set 'Acetates' in 2002, we
have upgraded the source to a far superior recording. As a bonus to this revised edition of 'Acetate Collection' we have
included a single edit of "Mary Jane" as mixed for commercial release, although this never happened, it remained
unreleased for 27 years until it appeared on the Anthology series.
To bring this revised set of acetates to a close, the final two Apple acetates, "Let It Be" & "The Long And Winding Road"
are the released takes, but sound like uncompressed mixes, with high dynamics opposed to the official versions.
All tracks on this new edition have been declicked, pitch, phase and levels corrected to bring you
the best possible quality recordings possible.
Yinnon's leaving! :-( I made a CD of all the photos I've taken of him and Masha over the years. I printed the label, too.
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Just another little experiment...
Take a CD spray some water on it and see what this is going to look like...
#24 @ 366 (more or less)
21.04.2011
Cd en vente des demain soir aux Disquaires pour la soirée Myth is murder, avec vernissage du clip Bad Boy du même artiste, fait par Seb Houis.
Photo prise à la flèche d'or by me
Design Seb Houis