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Outcomes and actions of two-day offsite to determine digital capability strategy for organisation

"Breadth of Capability": Land Rover celebrates 60 years

 

Text on plaque beneath sculpture:

 

"Since the very first Land Rover made its debut at the 1948 Amsterdam Motor Show, this celebrated British marque has set the standard for traversing any terrain and rising to any challenge.

 

Now - 60 years and four million vehicles later - its unique breadth of capabilities has ensured that the Land Rover name has entered everyday language as the generic term for go-anywhere vehicles.

 

This sculpture by Gerry Judah represents the firm foundations on which Land Rover builds a commitment to future growth in a changing world."

 

Vehicles displayed are: Land Rover Defender, Land Rover Discovery, Land Rover Freelander, and Range Rover.

 

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Goodwood Festival of Speed 2008

 

P7110745

Apparently Capability Brown turned down the opportunity to work on the gardens of Elvaston Castle and the commission was instead placed with William Barron who worked there from 1830 - 1860. The classic folly in the gardens is the Moorish Temple, but there are various other structures which we can allot to the category of folly, grottoe or garden building and in this set we have 3 such. First of which is this somewhat rakish arch for which I have singularly failed to find a reference or name, so the Elvaston Arch it is.

 

www.parksandgardens.org/places-and-people/person/94

www.derbyshire.gov.uk/leisure/countryside/countryside_sit...

Pictured: Dave Swan from Future Capability Group demonstrate Boston Dynamics at the Atlantic Future Forum.

 

ATLANTIC FUTURE FORUM 2022

 

The 2022 Atlantic Future Forum (AFF) took place on board HMS Queen Elizabeth, Thursday 29th September at anchor off New York City during her deployment to the USA.

 

The event, two day conference, brings together the brightest minds and most influential thinkers-from defence and beyond-to strengthen the US-UK special relationship and encourage collaboration between the public and private sector. Through a series of keynote speeches and panel discussions, the Forum will explore how both private and public sector and US and UK interests can work together to maximise the opportunities – and mitigate the risks – posed by current and future technologies.

 

The Forum will be an opportunity for senior politicians, policymakers, military leaders and academia, together with business leaders and entrepreneurs to discuss the new dimensions of international security and the future technologies which will define the next decade and beyond.

 

The Forum will be led by the Department for International Trade (DIT), working alongside the Ministry of Defence (MOD) and Foreign, Commonwealth and Development Office (FCDO) to strengthen the trade and economic pillars of the Euro-Atlantic alliance and reinforce our security and defence partnerships with like-minded, democratic allies. The AFF is chaired by Lord Sedwill and will be co-hosted by the First Sea Lord, Admiral Sir Ben Key and HM Ambassador Dame Karen Pierce.

 

HMS Queen Elizabeth sailed from Portsmouth on the 7th September 2022 for New York, United States of America, to host Atlantic Future Forum before continuing on operations.

Capability's Cutting - Burghley Horse Trials Cross Country, 2011

Gen. Kiyohumi Iwata, chief of staff of the Japan Ground Self-Defense Force visited the U.S. Army Japan and I Corps Forward headquarters at Camp Zama Nov. 19 for the first time since becoming chief of staff.

 

During his visit, Iwata received a briefing on the comprehensive capabilities of USARJ and its command center. He also attended an office call with USARJ Commander Maj. Gen. James C. Boozer Sr. and his staff, and visited MEDDAC-Japan to receive a briefing on their mission, capability and their resiliency program. (U.S. Army photos by Kiyoshi Tokeshi, U.S. Army Garrison Japan Public Affairs)

 

Glass etching by John Rothwell at County Hall Morpeth. Lancelot "Capability" Brown 1716- 1783 was the leading landscape gardener of his time.

Merlin on operations in Helmand A Flight, No 78 Squadron, Royal Air Force are currently deployed in Afghanistan. The Merlin Force has now declared Initial Operating Capability

Eduardo Garcia, engineer, U.S. Army Space and Missile Defense Command Space and Missile Defense Center of Excellence, retires at the command's Redstone Arsenal, Alabama, headquarters, after almost 40 years of federal civilian service. Col. Douglas Waddingham, director, U.S. Army Training and Doctrine Command Capability Manager for Space and Missile Defense, officiated the ceremony. (U.S. Army photo by Carrie David Campbell)

Informal landscape garden laid out in the 18th century by 'Capability' Brown.

Madingly Hall, Cambridgeshire. Lancelot 'Capability' Brown landscaped and de-formalised the grounds for Sir John Hynde Cotton, the 4th Baronet.

 

Madingley Hall was an elegant 16th-century country house, with a formal, Dutch-style garden. In 1756 Sir John employed Capability Brown to create a more naturalistic landscape. The redesigned park includes a lake with a sham bridge, sloping lawns, and views to the east and north of the house.

 

Now part of the University of Cambridge and used for short courses and continuing education ans as a hotel.

 

Communications capability was the primary focus for more than 50 Soldiers from the 29th Combat Aviation Brigade during their two-week annual training at Fort Indiantown Gap. In an elaborate configuration of tents, generators and specialized trailers, Maryland National Guard Soldiers set up classified and non-classified computer networks, switches, and routers all in a field environment.

State Senator Bryce E. Reeves, R-Spotsylvania, and Delegate Richard L. Anderson, R-District 51, visit Virginia National Guard Soldiers assigned to the Fredericksburg-based 116th Brigade Special Troops Battalion, 116th Infantry Brigade Combat Team as they conduct a live fire range with the MK-19 grenade launcher and prepare for a situational training lane during annual training June 24, 2014, at Fort Pickett, Va. Reeves and Anderson co-chair the Virginia General Assembly Military and Veterans Caucus. The live fire and training lane are part of the 10-day eXportable Combat Training Capability rotation designed to train and validate platoons on tasks that support offensive and defensive operations under daylight and hours of limited visibility. Units will concentrate on training selected mission essential tasks in a realistic field environment to refocus junior leaders on tactical field craft. The Army National Guard’s XCTC program provides an experience similar to a Combat Training Center to Guard Soldiers at a home station training center, minimizing cost and time away from home and jobs. XCTC is an instrumented field training exercise designed to certify unit proficiency in coordination with First Army. (Photo by Cotton Puryear, Virginia National Guard Public Affairs)

U.S. Army National Guard Soldiers with 4-118th Combined Arms Battalion, South Carolina National Guard, held a capability demonstration for trainees, Aug. 31, 2022 at McCrady Training Center in Eastover, South Carolina. Nearly 370 trainees attending Basic Training at Fort Jackson had the opportunity to see and touch equipment that they will see in their Advanced Individual Training and future units, as well as speak with and ask questions of Guard Soldiers to get more information about vehicles, equipment and weapons. (U.S. Army National Guard photo by Sgt. 1st Class Brad Mincey, South Carolina National Guard)

"Breadth of Capability": Land Rover celebrates 60 years

 

Text on plaque beneath sculpture:

 

"Since the very first Land Rover made its debut at the 1948 Amsterdam Motor Show, this celebrated British marque has set the standard for traversing any terrain and rising to any challenge.

 

Now - 60 years and four million vehicles later - its unique breadth of capabilities has ensured that the Land Rover name has entered everyday language as the generic term for go-anywhere vehicles.

 

This sculpture by Gerry Judah represents the firm foundations on which Land Rover builds a commitment to future growth in a changing world."

 

Vehicles displayed are: Land Rover Defender, Land Rover Discovery, Land Rover Freelander, and Range Rover.

 

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Goodwood Festival of Speed 2008

 

P7110735

Eduardo Garcia, engineer, U.S. Army Space and Missile Defense Command Space and Missile Defense Center of Excellence, retires at the command's Redstone Arsenal, Alabama, headquarters, after almost 40 years of federal civilian service. Col. Douglas Waddingham, director, U.S. Army Training and Doctrine Command Capability Manager for Space and Missile Defense, officiated the ceremony. (U.S. Army photo by Carrie David Campbell)

Croome Park is a landscaped country park surrounding Croome Court, in Worcestershire. It was Lancelot 'Capability' Brown's first complete landscape design, begun in 1751 for George Coventry, 6th Earl of Coventry. The mansion house was also designed by Brown and is a rare example of his architectural work.

 

The Court has recently been acquired by the National Trust and is currently being renovated.

 

Croome Court is a grade 1 listed building.

Communications capability was the primary focus for more than 50 Soldiers from the 29th Combat Aviation Brigade during their two-week annual training at Fort Indiantown Gap. In an elaborate configuration of tents, generators and specialized trailers, Maryland National Guard Soldiers set up classified and non-classified computer networks, switches, and routers all in a field environment.

A visit to Charlecote Park for an afternoon visit to this National Trust property in Warwickshire. Near Stratford-upon-Avon. A deer park with a country house in the middle of it.

  

Charlecote Park (grid reference SP263564) is a grand 16th-century country house, surrounded by its own deer park, on the banks of the River Avon near Wellesbourne, about 4 miles (6 km) east of Stratford-upon-Avon and 5.5 miles (9 km) south of Warwick, Warwickshire, England. It has been administered by the National Trust since 1946 and is open to the public. It is a Grade I listed building.

 

The Lucy family owned the land since 1247. Charlecote Park was built in 1558 by Sir Thomas Lucy, and Queen Elizabeth I stayed in the room that is now the drawing room. Although the general outline of the Elizabethan house remains, nowadays it is in fact mostly Victorian. Successive generations of the Lucy family had modified Charlecote Park over the centuries, but in 1823, George Hammond Lucy (High Sheriff of Warwickshire in 1831) inherited the house and set about recreating the house in its original style.

 

Charlecote Park covers 185 acres (75 ha), backing on to the River Avon. William Shakespeare has been alleged to have poached rabbits and deer in the park as a young man and been brought before magistrates as a result.

 

From 1605 to 1640 the house was organised by Sir Thomas Lucy. He had twelve children with Lady Alice Lucy who ran the house after he died. She was known for her piety and distributing alms to the poor each Christmas. Her eldest three sons inherited the house in turn and it then fell to her grandchild Sir Davenport Lucy.

 

In the Tudor great hall, the 1680 painting Charlecote Park by Sir Godfrey Kneller, is said to be one of the earliest depictions of a black presence in the West Midlands (excluding Roman legionnaires). The painting, of Captain Thomas Lucy, shows a black boy in the background dressed in a blue livery coat and red stockings and wearing a gleaming, metal collar around his neck. The National Trust's Charlecote brochure describes the boy as a "black page boy". In 1735 a black child called Philip Lucy was baptised at Charlecote.

 

The lands immediately adjoining the house were further landscaped by Capability Brown in about 1760. This resulted in Charlecote becoming a hostelry destination for notable tourists to Stratford from the late 17th to mid-18th century, including Washington Irving (1818), Sir Walter Scott (1828) and Nathaniel Hawthorn (c 1850).

 

Charlecote was inherited in 1823 by George Hammond Lucy (d 1845), who married Mary Elizabeth Williams of Bodelwyddan Castle, from who's extensive diaries the current "behind the scenes of Victorian Charlecote" are based upon. GH Lucy's second son Henry inherited the estate from his elder brother in 1847. After the deaths of both Mary Elizabeth and Henry in 1890, the house was rented out by Henry's eldest daughter and heiress, Ada Christina (d 1943). She had married Sir Henry Ramsay-Fairfax, (d 1944), a line of the Fairfax Baronets, who on marriage assumed the name Fairfax-Lucy.

 

From this point onwards, the family began selling off parts of the outlying estate to fund their extensive lifestyle, and post-World War II in 1946, Sir Montgomerie Fairfax-Lucy, who had inherited the residual estate from his mother Ada, presented Charlecote to the National Trust in-lieu of death duties. Sir Montgomerie was succeeded in 1965 by his brother, Sir Brian, whose wife, Lady Alice, researched the history of Charlecote, and assisted the National Trust with the restoration of the house.

  

Parterre - the garden at the back of the house near the River Avon.

 

Charlecote Park House is a Grade I Listed Building

 

Charlecote Park

  

Listing Text

  

CHARLECOTE

 

SP2556 CHARLECOTE PARK

1901-1/10/19 Charlecote Park

06/02/52

(Formerly Listed as:

Charlecote Park House)

 

GV I

 

Formerly known as: Charlecote Hall.

Country house. Begun 1558; extended C19. Partly restored and

extended, including east range, 1829-34 by CS Smith;

north-east wing rebuilt and south wing extended 1847-67 by

John Gibson. For George and Mary Elizabeth Lucy.

MATERIALS: brick, that remaining from original building has

diapering in vitrified headers, but much has been replaced in

C19; ashlar dressings; tile roof with brick stacks with

octagonal ashlar shafts and caps.

PLAN: U-plan facing east, with later west range and south

wing.

EXTERIOR: east entrance front of 2 storeys with attic;

3-window range with long gabled projecting wings. Ashlar

plinth, continuous drip courses and coped gables with finials,

sections of strapwork balustrading between gables; quoins.

2-storey ashlar porch has round-headed entrance with flanking

pairs of Ionic pilasters and entablature, round-headed

entrance has panelled jambs, impost course and arch with lion

mask to key and 2 voussoirs, strapwork spandrels and stained

glass to fanlight over paired 4-panel doors; first floor has

Arms of Elizabeth I below projecting ovolo-moulded

cross-mullion window, with flanking pairs of Composite

detached columns; top balustrade with symmetrical balusters

supports Catherine wheel and heraldic beasts holding spears;

original diapered brick to returns.

3-light mullioned and transomed window to each floor to left,

that to first floor with strapwork apron. Large canted bay

window to right of 1:3:1 transomed lights with pierced

rosettes to parapet modelled on that to gatehouse (qv) and

flanked by cross-mullioned windows, all with moulded reveals

and small-paned sashes; C19 gables have 3-light

ovolo-mullioned windows with leaded glazing.

Wings similar, with 2 gables to 5-window inner returns,

ovolo-moulded cross-mullioned windows. Wing to south has much

diaper brickwork and stair window with strapwork apron.

East gable ends have 2-storey canted bay windows dated 1852 to

strapwork panels with Lucy Arms between 1:3:1-light transomed

windows; 3-light attic windows, that to north has patch of

reconstructed diaper brickwork to left.

Octagonal stair turrets to outer angles with 2-light windows,

top entablatures and ogival caps with wind vanes, that to

south mostly original, that to north with round-headed

entrance with enriched key block over studded plank door.

North side has turret to each end, that to west is wholly C19;

3 gables with external stacks with clustered shafts between;

cross-mullioned windows and 3-light transomed stair window on

strapwork apron; 2-light single-chamfered mullioned windows to

turrets.

Single-storey east range of blue brick has 2 bay windows with

octagonal pinnacles with pepper-pot finials and arcaded

balustrades over 1:4:1-light transomed windows; central panel

with Lucy Arms in strapwork setting has date 1833; coped

parapet with 3 gables with lights; returns similar with

3-light transomed windows.

Range behind has 3 renewed central gables and 2 lateral stacks

each with 6 shafts; gable to each end, that to south over

Tudor-arched verandah with arcaded balustrade to central arch

and above, entrance behind arch to left with half-glazed door,

blocked arch to right; first floor with cross-mullioned window

and blocked window, turret to right is wholly C19. South

return has cross-mullioned window to each floor and external

stack with clustered shafts.

South-west wing of 2 storeys; west side is a 7-window range;

recessed block to north end has window to each floor, the next

4 windows between octagonal pinnacles; gabled end breaks

forward under gable with turret to angle; rosette balustrade;

stacks have diagonal brick shafts, gable has lozenge with Lucy

Arms impaling Williams Arms (for Mary Elizabeth Lucy).

Cross-mullioned windows, but 2 southern ground-floor windows

are 3-light and transomed.

South end 4-window range between turrets has cross-mullioned

windows, but each end of first floor has bracketed oriel with

strapwork apron with Lucy/Williams Arms in lozenge and dated

1866, rosette balustrade with to each end a gable with 2-light

single-chamfered mullioned window with label, and 3 similar

windows to each turret, one to each floor.

East side has 3-window range with recessed range to right.

South end has Tudor-arched entrance and 3-light transomed

window, cross-mullioned window and 3-light transomed window to

first floor and gable with lozenge to south end; gable to

full-height kitchen to north has octagonal pinnacles flanking

4-light transomed window and gable above with square panel

with Lucy/Williams Arms to shield; recessed part to north has

loggia with entrance and flanking windows, to left a

single-storey re-entrant block with cross-mullioned windows;

first floor has 5 small sashed windows. South side of

south-east wing has varied brickwork with mullioned and

transomed windows, 2 external stacks and 2 gables with 3-light

windows.

INTERIOR: great hall remodelled by Willement with wood-grained

plaster ceiling with 4-centred ribs and Tudor rose bosses;

armorial glass attributed to Eiffler, restored and extended by

Willement; wainscoting and panelled doors; ashlar fireplace

with paired reeded pilasters and strapwork to entablature, and

fire-dogs; white and pink marble floor, Italian, 1845.

Dining room and library in west wing have rich wood panelling

by JM Willcox of Warwick and strapwork cornices, and strapwork

ceilings with pendants; wallpaper by Willement; dining room

has richly carved buffet, 1858, by Willcox and simple coloured

marble fireplace, the latter with bookshelves and fireplace

with paired pilasters and motto to frieze of fireplace, paired

columns and strapwork frieze to overmantel with armorial

bearings; painted arabesques to shutter backs.

Main staircase, c1700, but probably extensively reconstructed

in C19, open-well with cut string, 3 twisted balusters to a

tread, carved tread ends and ramped handrail;

bolection-moulded panelling in 2 heights, the upper panels and

panelled ceiling probably C19.

Morning room to south of hall has Willement decoration: white

marble Tudor-arched fireplace with cusped panels; plaster

ceiling with bands.

Ebony bedroom, originally billiard room, and drawing room to

north-east wing have 1856 scheme with cornices and

Jacobean-style plaster ceilings; white marble C18-style

fireplaces, that to Ebony Bedroom with Italian inserts with

Lucy crest. Drawing room has gilded and painted cornice and

ceiling, and large pier glasses.

Rooms to first floor originally guest bedrooms: doors with

egg-and-dart and eared architraves; C18-style fireplaces, that

to end room, originally Ebony Bedroom, has wood Rococo-style

fireplace with Chinoiserie panel; 1950s stair to attic.

South-east wing has c1700 stair, probably altered in C19, with

symmetrical balusters with acanthus, closed string; first

floor has wall and ceiling paintings: land and sea battle

scenes painted on canvas, male and female grisaille busts.

First floor has to west the Green Room, with Willement

wallpaper and simple Tudor-arched fireplace with

wallpaper-covered chimney board; adjacent room has marble

fireplace.

Death Room and its dressing room to east end have wallpaper of

gold motifs on white, painted 6-panel doors and architraves,

papier-mache ceilings; bedroom has fireplace with marble

architrave. Adjacent room has bolection-moulded panelling with

c1700 Dutch embossed leather. Stair to attic has c1700

balusters with club-form on acorn. Attics over great hall and

north-east and south-east wings have lime-ash floors and

servants' rooms, each with small annex and corner fireplace;

some bells.

South wing has kitchen with high ceiling and 2

segmental-arched recesses for C19 ranges; Tudor-arched recess

with latticed chamber for smoked meats over door.

Servants' hall has dark marble bolection-moulded fireplace and

cornice; scullery has bread oven, small range, pump and former

south window retaining glass.

First floor has to south end a pair of rooms added for Mary

Elizabeth Lucy in her widowhood; bedroom to east with deep

coved cornice and Adam-style fireplace, sitting room to west

similar, with gold on white wallpaper, white marble fireplace

with painted glass armorial panels and 1830s-40s carpet; door

to spiral timber turret staircase.

Nursery has fireplace with faceted panels and C19 Delft tiles;

probably 1920s wallpaper.

Other rooms with similar fireplaces and coloured glazed tiles.

While dating back to the C16, the house is one of the best

examples of the early C19 Elizabethan Revival style. Property

of National Trust.

(The Buildings of England: Pevsner, N & Wedgwood, A:

Warwickshire: Harmondsworth: 1966-: 227-9; The National Trust

Guide to Charlecote Park: 1991-; Wainwright C: The Romantic

Interior).

 

Listing NGR: SP2590656425

 

This text is from the original listing, and may not necessarily reflect the current setting of the building.

 

A pleasant walk in Ickworth Park, Horringer, Nr Bury St. Edmunds, Suffolk.

A National Trust Property

The Park - The extensive 1,800 acres of wooded parkland, created in part by 'Capability' Brown, is a living landscape rich in plant, animal, and bird life. Some parts cultivated and grazed, yet much can be explored and enjoyed.

The Gardens - The gardens surrounding the house were created in the first half of the 19th century by the First Marquess of Bristol. Those in the formal Italian style to the south of the house feature the Gold and Silver Gardens, a Victorian Stumpery and the Temple Rose Garden. A raised terrace walk separates the south garden from the park.

Beyond the church (recently reopened) are the remnants of an 18th-century garden created by the First Earl. His summerhouse (circa.1703) and ornamental canal still survive. The kitchen garden, protected by high brick walls, which was until 2013 a vineyard, is now being reinstated to its original use as a kitchen garden, to provide vegetables etc for the restaurant. Part of the walled garden is used as an allotment and is tended by Ickworth Park Primary School, the children aided by parents and teachers grow vegetables to take back to school for lunches, or to sell to the restaurant in the west wing at Ickworth.

Belvoir Castle, near Grantham. The grounds were laid out by Lancelot "Capability" Brown in 1780 and were extensively restored to his plans over a three year scheme completed for the 2016 season.

 

Belvoir Castle Gardens, near Grantham, but in Leicestershire.

April 2016

Part of one of the mostly concealed Verney monuments that remain in the disused chapel at Compton Verney.

 

Compton Verney's Chapel was built in 1772 by Lancelot 'Capability' Brown to replace the medieval church that stood by the lake nearby. It has not been used for services since the Verney family left in 1921.

 

Inside the rectangular room has plaster decoration influenced by Robert Adam's work. The main items of interest are the Verney monuments including a large centrally placed tomb with effigies of Sir Richard & wife by Nicholas Stone c1630. However given the long term disuse of the building most of the monuments have been boxed in for protection. They will remain hidden until funding is found to restore and re-open the chapel as part of the visitor attraction here,

 

The 16th century glass once contained here was sold in the 1920s and is now in New York. Nobody seems to know what's become of the brasses. They may still be there under all the clutter that the building's mothballed state has generated.

 

Compton Verney House stands in a beautiful setting overlooking a lake. The grounds were landscaped by Capability Brown who also built the chapel.

 

The House itself is largely the work of Robert Adam, who in the 1760s who added extra ranges to an existing west range of 1714,

 

From the early 20th century the house passed through various owners, and after requisitioning in World War II was never lived in again, and thus remained in a state of disuse, slowly falling apart, until rescued and converted into a highly successful art gallery in the 1990s.

www.comptonverney.org.uk/?page=home

 

The house is now almost fully restored and in use. The chapel however remains closed and awaits proper restoration.

U.S. Army National Guard Soldiers with 4-118th Combined Arms Battalion, South Carolina National Guard, held a capability demonstration for trainees, Aug. 31, 2022 at McCrady Training Center in Eastover, South Carolina. Nearly 370 trainees attending Basic Training at Fort Jackson had the opportunity to see and touch equipment that they will see in their Advanced Individual Training and future units, as well as speak with and ask questions of Guard Soldiers to get more information about vehicles, equipment and weapons. (U.S. Army National Guard photo by Sgt. 1st Class Brad Mincey, South Carolina National Guard)

Croome Court was transformed in the second half of the 18th-century, the house refaced and the grounds landscaped to satisfy the Palladian vision of Robert Adam and Lancelot "Capability" Brown.

 

Since that time Croome has been many things, including the wartime home of RAF Defford and radar research and, later, of the Hare Krishna movement.

State Senator Bryce E. Reeves, R-Spotsylvania, and Delegate Richard L. Anderson, R-District 51, visit Virginia National Guard Soldiers assigned to the Fredericksburg-based 116th Brigade Special Troops Battalion, 116th Infantry Brigade Combat Team as they conduct a live fire range with the MK-19 grenade launcher and prepare for a situational training lane during annual training June 24, 2014, at Fort Pickett, Va. Reeves and Anderson co-chair the Virginia General Assembly Military and Veterans Caucus. The live fire and training lane are part of the 10-day eXportable Combat Training Capability rotation designed to train and validate platoons on tasks that support offensive and defensive operations under daylight and hours of limited visibility. Units will concentrate on training selected mission essential tasks in a realistic field environment to refocus junior leaders on tactical field craft. The Army National Guard’s XCTC program provides an experience similar to a Combat Training Center to Guard Soldiers at a home station training center, minimizing cost and time away from home and jobs. XCTC is an instrumented field training exercise designed to certify unit proficiency in coordination with First Army. (Photo by Cotton Puryear, Virginia National Guard Public Affairs)

Compton Verney's Chapel was built in 1772 by Lancelot 'Capability' Brown to replace the medieval church that stood by the lake nearby. It has not been used for services since the Verney family left in 1921.

 

Inside the rectangular room has plaster decoration influenced by Robert Adam's work. The main items of interest are the Verney monuments including a large centrally placed tomb with effigies of Sir Richard & wife by Nicholas Stone c1630. However given the long term disuse of the building most of the monuments have been boxed in for protection. They will remain hidden until funding is found to restore and re-open the chapel as part of the visitor attraction here,

 

The 16th century glass once contained here was sold in the 1920s and is now in New York. Nobody seems to know what's become of the brasses. They may still be there under all the clutter that the building's mothballed state has generated.

 

Compton Verney House stands in a beautiful setting overlooking a lake. The grounds were landscaped by Capability Brown who also built the chapel.

 

The House itself is largely the work of Robert Adam, who in the 1760s who added extra ranges to an existing west range of 1714,

 

From the early 20th century the house passed through various owners, and after requisitioning in World War II was never lived in again, and thus remained in a state of disuse, slowly falling apart, until rescued and converted into a highly successful art gallery in the 1990s.

www.comptonverney.org.uk/?page=home

 

The house is now almost fully restored and in use. The chapel however remains closed and awaits proper restoration.

'Capability' Brown landscaped deer park in West Sussex.

"Breadth of Capability": Land Rover celebrates 60 years

 

Text on plaque beneath sculpture:

 

"Since the very first Land Rover made its debut at the 1948 Amsterdam Motor Show, this celebrated British marque has set the standard for traversing any terrain and rising to any challenge.

 

Now - 60 years and four million vehicles later - its unique breadth of capabilities has ensured that the Land Rover name has entered everyday language as the generic term for go-anywhere vehicles.

 

This sculpture by Gerry Judah represents the firm foundations on which Land Rover builds a commitment to future growth in a changing world."

 

Vehicles displayed are: Land Rover Defender, Land Rover Discovery, Land Rover Freelander, and Range Rover.

 

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Goodwood Festival of Speed 2008

 

P7110719

TOPJACK is a modular Jack Up barge with 250 tonne lift

capability complete with 36m legs. Capable for supporting a wide

range of disciplines including port construction, safe investigation

and piling operations.

  

Ravestein Container Pontoon B.V.

 

TYPE RCP-250 – MODULAR SELF ELEVATING PLATFORM

 

Specification Jacking System

 

 Type : Hydraulic cylinders

 Jacking Capacity (4x) : 250 Ton at 250 bar

 Locking : By means of hydraulic activated rotating locks Hydraulic Power Unit

 Type : Electric Hydraulic driven powerpack

 Controls : Remote control (incl. second cable control box)

 Capacity HPU : 2x 55 kW

 Location : In deck container, with small store Generator

 Type : Silenced packed Caterpillar or equal, self supporting

 Capacity : 220 kVa - On top of deck Container Classification:

 German Lloyds : GL 100A5 K(20) Self Elevating Unit, Coastal Water (or equal)

 

Options (not included)

 

 Positioning winches / Deck Crane / RCP Boarding System

 Swim end units / Spud Cans

 Additional Tanks and piping systems

 Backhoe Configuration

 

Contact

David Ravestein / Aernout Goedbloed

Ravestein Container Pontoon B.V.

Waalbandijk 26; 6669 MB Dodewaard (Holland)

Tel +31 (0)488 - 41 18 01

Fax +31 (0)488 - 41 26 47

E-mail info@rcpbv.com

Website www.rcpbv.com

 

Local Notice to Mariners

 

Number: 10/25. Date: 13th May 2025

Exmouth Outfall - Marine Operations - ABCO Divers

Notice is hereby given that ABCO Divers intend to commence work on the Exmouth Outfall Diffuser Pit Excavations and Install on the earliest date of 17th May 2025 on behalf of South West Water Ltd. The works are programmed to be completed by July 2025.

Jack Up Barge “Top Jack 1” in Teignmouth Port, will be towed from Teignmouth as early as Saturday to the outfall site to the east of Exmouth, which is off Straight Point.

Position:

50°36'14.43" N

003°21'30.90" W

The support vessels “Jenny D” and “Celtic Avenger” will be assisting the project throughout the operation. Works will involve excavations from the Jack Up Barge, diving activities and lifting operations to support the install of the outfall diffusers.

All marine users are asked to observe a 500m exclusion zone around the Jack Up Barge.

Vessels

“Topjack 1” – 250t Jack Up Barge – 17m x 24m

“Jenny D” – 21.6m LOA, 9.04m Beam – Multicat and Tug Vessel - IMO 9570905, MMSI 235075339

“Celtic Avenger” – 14m Crew Transfer and Survey Vessel – MMSI 232055392

A Philippine Coast Guard (PCG) Bo-105 Helicopter conducting a Capability Demonstration during the 22nd Philippine International Hot Air Balloon Festival at the Clark Field in Pampanga.

Optomap Ultra-Widefield Retinal Images

 

optomap® fa creates the ability to perform high-resolution dynamic retinal disease analysis in the periphery as well as the central pole. Optos believes that the optomap fa will offer practitioners the capability of analyzing the performance of the retinal vascular structure in a series of sequential images. The intention is for the optomap® fa examination to be performed on a new platform technology, which received CE marking in December 2005.

 

Optos expects optomap® fa to be commercially available early 2006.

 

Simultaneous evaluation of the peripheral and central retina allows clinicians to look at retinal disease, including proliferative diabetic retinopathy, diabetic macular edema, vascular occlusive disease and ocular tumors as well as other ocular pathologies. Visualization of the periphery has tremendous potential for early identification of patients at higher risk of disease progression.

 

A dynamic ultra-widefield offers clinicians enhanced angiographic information to help monitor and diagnose eye conditions and to assist in treatment determinations. This new product has the potential to emerge as a highly effective method for identifying and documenting retinal disease that may otherwise go undetected.

 

optomap® fa is defining new standards in diagnosis with dynamic, ultra-widefield angiography, enabling a simultaneous pole and peripheral view of the retina, which supports practitioners in diagnosing ocular pathology that may first present in the periphery of the retina.

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