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Croome Court is a mid 18th century Neo-Palladian mansion surrounded by an extensive landscaped parkland at Croome D'Abitot, near Pershore in south Worcestershire. The mansion and park were designed by Lancelot "Capability" Brown for George Coventry, 6th Earl of Coventry, and was Brown's first landscape design and first major architectural project. Some of the internal rooms of the mansion were designed by Robert Adam.
The mansion house is owned by Croome Heritage Trust, and is leased to the National Trust who operate it, along with the surrounding parkland, as a tourist attraction. The National Trust own the surrounding parkland, which is also open to the public.
Location[edit]
Croome Court is located near to Croome D'Abitot, in Worcestershire,[1] near Pirton, Worcestershire.[2] The wider estate was established on lands that were once part of the royal forest of Horewell.[3] Traces of these older landscapes, such as unimproved commons and ancient woodlands, can be found across the former Croome Estate.[4]
House[edit]
Croome Court South Portico
History[edit]
The foundations and core of Croome Court, including the central chimney stack structure, date back to the early 1640s.[5] Substantial changes to this early house were made by Gilbert Coventry, 4th Earl of Coventry.[6]
In 1751, George Coventry, the 6th Earl, inherited the estate, along with the existing Jacobean house. He commissioned Lancelot "Capability" Brown, with the assistance of Sanderson Miller, to redesign the house and estate.[7][1] It was Brown's "first flight into the realms of architecture" and a "rare example of his architectural work",[8] and it is an important and seminal work.[9] It was built between 1751 and 1752, and it and Hagley Hall are considered to be the finest examples of Neo-Palladian architecture in Worcestershire. Notable Neo-Palladian features incorporated into Croome Court include the plain exterior and the corner towers with pyramidal roofs (a feature first used by Inigo Jones in the design of Wilton House in Wiltshire).[1] Robert Adam worked on the interior of the building from 1760 onwards.[10]
The house has been visited by George III,[2][11] as well as Queen Victoria[7] during summers when she was a child, and George V (then Duke of York).[11]
A jam factory was built by the 9th Earl of Coventry, near to Pershore railway station, in about 1880, to provide a market for Vale of Evesham fruit growers in times of surplus. Although the Croome connection with jam making had ceased, during the First World War, the building was leased by the Croome Estate Trust to the Huddersfield Fruit Preserving Company as a pulping station.[12]
The First World War deeply affected Croome, with many local casualties, although the house was not requisitioned for the war effort. This is possibly because it was the home of the Lord Lieutenant of the County, who needed a residence for his many official engagements.[13]
During the Second World War Croome Court was requisitioned by the Ministry of Works and leased for a year to the Dutch Government as a possible refuge for Queen Wilhelmina of the Netherlands; to escape the Nazi occupation of the Netherlands. However, evidence shows that they stayed two weeks at the most, perhaps because of the noise and fear created by the proximity of Defford Aerodrome. They later emigrated to Canada.[14]
In 1948 the Croome Estate Trust sold the Court, along with 38 acres (15 ha) of land, to the Roman Catholic Archdiocese of Birmingham, and the mansion became St Joseph's Special School, which was run by nuns[15] from 1950[11] until 1979.[15]
The house was listed on 11 August 1952; it is currently Grade I listed.[10]
In 1979 the hall was taken over by the International Society for Krishna Consciousness (Hare Krishna movement), who used it as their UK headquarters and a training college[16] called Chaitanya College,[15] run by 25 members of the movement.[16] During their tenure they repainted the Dining Room.[17] In 1984 they had to leave the estate for financial reasons. They held a festival at the hall in 2011.[16]
From 1984 onwards various owners tried to use the property as a training centre; apartments; a restaurant and conference centre; and a hotel and golf course,[15] before once more becoming a private family home,[2][15] with outbuildings converted to private houses.[15]
The house was purchased by the Croome Heritage Trust, a registered charity,[18] in October 2007,[19] and it is now managed by the National Trust as a tourist attraction. It opened to the public in September 2009, at which point six of the rooms had restored, costing £400,000, including the Saloon. It was estimated that another £4 million[2][20] to £4.8 million would be needed to restore the entire building. Fundraising activities for the restoration included a 2011 raffle for a Morgan sports car organised by Lord and Lady Flight. After the restoration is complete, a 999-year lease on the building will be granted to the National Trust.[21] An oral history project to record recollections about Croome was funded by the Heritage Lottery Fund.[15] As of 2009, the service wing was empty and in need of substantial repair.[22]
Exterior[edit]
The mansion is faced with Bath stone,[7] limestone ashlar, and has both north and south facing fronts. It has a basement and two stories, with three stories in the end pavilions. A slate roof, with pyramid roofs over the corner towers, tops the building, along with three pair-linked chimneys along the axis of the house.[10]
Both fronts have 11 bays, split into three central sets of three each, and one additional bay each side. The north face has a pedimented centre, with two balustraded staircases leading to a Roman Doric doorcase. The south face has a projecting Ionic tetrastyle portico and Venetian windows. It has a broad staircase, with cast stone sphinxes on each side, leading to a south door topped with a cornice on consoles. The wings have modillion cornice and balustrade.[10]
A two-story L-shaped service wing is attached to the east side of the mansion. It is made of red brick and stone, with slate roofs.[10] It was designed by Capability Brown in 1751-2.[22] On the far side of the service wing, a wall connects it to a stable court.[10]
Interior[edit]
The interior of the house was designed partially by Capability Brown, with plasterwork by G. Vassalli, and partially by Robert Adam, with plasterwork by J. Rose Jr. It has a central spine corridor. A stone staircase, with iron balusters, is at the east end.[10]
The entrance hall is on the north side of the building, and has four fluted Doric columns, along with moulded doorcases. To the east of the entrance hall is the dining room, which has a plaster ceiling and cornice, while to the west is a billiard room, featuring fielded panelling, a plaster cornice, and a rococo fireplace. The three rooms were probably decorated around 1758-59 by Capability Brown.[10] The dining room was vibrantly repainted by the Hare Krishnas in the 1970s-80s.[17]
The central room on the south side is a saloon, probably by Brown and Vassalli. It has an elaborate ceiling, with three panels, deep coving, and a cornice, along with two Ionic fireplaces, and Palladian doorcases.[10] George III was entertained by George Coventry, the 6th Earl, in the house's Saloon.[2] A drawing room is to the west of the saloon, and features rococo plasterwork and a marble fireplace.[10]
To the east of the saloon is the Tapestry Room.[10] This was designed in 1763-71, based on a design by Robert Adam, and contained tapestries and furniture covers possibly designed by Jacques Germain Soufflot, and made by Manufacture Nationale des Gobelins.[23] Around 1902 the ninth Earl sold the tapestries and seating to a Parisian dealer. In 1949 the Samuel H. Kress Foundation purchased the ceiling, floor, mantlepiece, chair rails, doors and the door surrounds, which were donated to the Metropolitan Museum of Art, New York, in 1958. In 1959 the Kress Foundation also helped the Metropolitan Museum acquire the chair and sofa frames, which they recovered using the original tapestry seats.[7][23] A copy of the ceiling was installed in place of the original.[10] As of 2016, the room is displayed as it would have looked after the tapestries had been sold, with a jug and ewer on display as the only original decoration of the room that remains in it. The adjacent library room is used to explain what happened to the tapestry room;[17] the former library was designed by Adam, and was dismantled except for the marble fireplace.[10]
At the west side of the building is a long gallery,[10] which was designed by Robert Adam and installed between 1761 and 1766. It is the best preserved of the original interior (little of the rest has survived in situ).[1] It has an octagonal panelled ceiling, and plaster reliefs of griffins. A half-hexagonal bay faces the garden. The room also contains a marble caryatid fireplace designed by J Wilton.[10] As of 2016, modern sculptures are displayed in empty niches along the Long Gallery
wikipedia
[1]
Broadway Tower was inspired by the famous Capability Brown and completed in 1799 from designs by the renowned architect James Wyatt. It was built for the Earl of Coventry as a folly to his Springhill Estate and dedicated to his wife Peggy.
Legend has it Broadway Tower was used as a signalling tower between Springhill Estate and Croome Court near Worcester, which can be seen from the roof platform.
Many famous people have had association with Broadway Tower, including Sir Thomas Phillips and the pre-Raphaelite artists William Morris, Edward Burne-Jones and Rosetti.
Broadway Tower is open to the public allowing you to travel into the past of this important building and visit the viewing platform constituting the highest point in the Cotswolds at 1089 feet or 331.6 metres altitude.
[2]
Broadway Tower is a folly located on Broadway Hill, near the village of Broadway, in the English county of Worcestershire, at the second highest point of the Cotswolds after Cleeve Hill. Broadway Tower's base is 1,024 feet (312 metres) above sea level. The tower itself stands 55 feet (17 metres) high.
The "Saxon" tower was designed by James Wyatt in 1794 to resemble a mock castle, and built for Lady Coventry in 1799. The tower was built on a "beacon" hill, where beacons were lit on special occasions. Lady Coventry wondered if a beacon on this hill could be seen from her house in Worcester - approximately 22 miles (35 km) away - and sponsored the construction of the folly to find out. The beacon could be seen clearly.
Over the years, the tower was home to the printing press of Sir Thomas Phillips, and served as a country retreat for artists including William Morris and Edward Burne-Jones who rented it together in the 1880s.
Today, the tower is a tourist attraction and the centre of a country park with various exhibitions open to the public at a fee as well as a gift shop. The place is on the Cotswold Way and can be reached by following the Cotswold Way from the A44 road at Fish Hill, or by a steep climb out of Broadway village. Near the tower is a memorial to the crew of an A.W.38 Whitley bomber that crashed there during a training mission in June 1943.
Croome Court is a mid 18th century Neo-Palladian mansion surrounded by an extensive landscaped parkland at Croome D'Abitot, near Pershore in south Worcestershire. The mansion and park were designed by Lancelot "Capability" Brown for George Coventry, 6th Earl of Coventry, and was Brown's first landscape design and first major architectural project. Some of the internal rooms of the mansion were designed by Robert Adam.
The mansion house is owned by Croome Heritage Trust, and is leased to the National Trust who operate it, along with the surrounding parkland, as a tourist attraction. The National Trust own the surrounding parkland, which is also open to the public.
Location[edit]
Croome Court is located near to Croome D'Abitot, in Worcestershire,[1] near Pirton, Worcestershire.[2] The wider estate was established on lands that were once part of the royal forest of Horewell.[3] Traces of these older landscapes, such as unimproved commons and ancient woodlands, can be found across the former Croome Estate.[4]
House[edit]
Croome Court South Portico
History[edit]
The foundations and core of Croome Court, including the central chimney stack structure, date back to the early 1640s.[5] Substantial changes to this early house were made by Gilbert Coventry, 4th Earl of Coventry.[6]
In 1751, George Coventry, the 6th Earl, inherited the estate, along with the existing Jacobean house. He commissioned Lancelot "Capability" Brown, with the assistance of Sanderson Miller, to redesign the house and estate.[7][1] It was Brown's "first flight into the realms of architecture" and a "rare example of his architectural work",[8] and it is an important and seminal work.[9] It was built between 1751 and 1752, and it and Hagley Hall are considered to be the finest examples of Neo-Palladian architecture in Worcestershire. Notable Neo-Palladian features incorporated into Croome Court include the plain exterior and the corner towers with pyramidal roofs (a feature first used by Inigo Jones in the design of Wilton House in Wiltshire).[1] Robert Adam worked on the interior of the building from 1760 onwards.[10]
The house has been visited by George III,[2][11] as well as Queen Victoria[7] during summers when she was a child, and George V (then Duke of York).[11]
A jam factory was built by the 9th Earl of Coventry, near to Pershore railway station, in about 1880, to provide a market for Vale of Evesham fruit growers in times of surplus. Although the Croome connection with jam making had ceased, during the First World War, the building was leased by the Croome Estate Trust to the Huddersfield Fruit Preserving Company as a pulping station.[12]
The First World War deeply affected Croome, with many local casualties, although the house was not requisitioned for the war effort. This is possibly because it was the home of the Lord Lieutenant of the County, who needed a residence for his many official engagements.[13]
During the Second World War Croome Court was requisitioned by the Ministry of Works and leased for a year to the Dutch Government as a possible refuge for Queen Wilhelmina of the Netherlands; to escape the Nazi occupation of the Netherlands. However, evidence shows that they stayed two weeks at the most, perhaps because of the noise and fear created by the proximity of Defford Aerodrome. They later emigrated to Canada.[14]
In 1948 the Croome Estate Trust sold the Court, along with 38 acres (15 ha) of land, to the Roman Catholic Archdiocese of Birmingham, and the mansion became St Joseph's Special School, which was run by nuns[15] from 1950[11] until 1979.[15]
The house was listed on 11 August 1952; it is currently Grade I listed.[10]
In 1979 the hall was taken over by the International Society for Krishna Consciousness (Hare Krishna movement), who used it as their UK headquarters and a training college[16] called Chaitanya College,[15] run by 25 members of the movement.[16] During their tenure they repainted the Dining Room.[17] In 1984 they had to leave the estate for financial reasons. They held a festival at the hall in 2011.[16]
From 1984 onwards various owners tried to use the property as a training centre; apartments; a restaurant and conference centre; and a hotel and golf course,[15] before once more becoming a private family home,[2][15] with outbuildings converted to private houses.[15]
The house was purchased by the Croome Heritage Trust, a registered charity,[18] in October 2007,[19] and it is now managed by the National Trust as a tourist attraction. It opened to the public in September 2009, at which point six of the rooms had restored, costing £400,000, including the Saloon. It was estimated that another £4 million[2][20] to £4.8 million would be needed to restore the entire building. Fundraising activities for the restoration included a 2011 raffle for a Morgan sports car organised by Lord and Lady Flight. After the restoration is complete, a 999-year lease on the building will be granted to the National Trust.[21] An oral history project to record recollections about Croome was funded by the Heritage Lottery Fund.[15] As of 2009, the service wing was empty and in need of substantial repair.[22]
Exterior[edit]
The mansion is faced with Bath stone,[7] limestone ashlar, and has both north and south facing fronts. It has a basement and two stories, with three stories in the end pavilions. A slate roof, with pyramid roofs over the corner towers, tops the building, along with three pair-linked chimneys along the axis of the house.[10]
Both fronts have 11 bays, split into three central sets of three each, and one additional bay each side. The north face has a pedimented centre, with two balustraded staircases leading to a Roman Doric doorcase. The south face has a projecting Ionic tetrastyle portico and Venetian windows. It has a broad staircase, with cast stone sphinxes on each side, leading to a south door topped with a cornice on consoles. The wings have modillion cornice and balustrade.[10]
A two-story L-shaped service wing is attached to the east side of the mansion. It is made of red brick and stone, with slate roofs.[10] It was designed by Capability Brown in 1751-2.[22] On the far side of the service wing, a wall connects it to a stable court.[10]
Interior[edit]
The interior of the house was designed partially by Capability Brown, with plasterwork by G. Vassalli, and partially by Robert Adam, with plasterwork by J. Rose Jr. It has a central spine corridor. A stone staircase, with iron balusters, is at the east end.[10]
The entrance hall is on the north side of the building, and has four fluted Doric columns, along with moulded doorcases. To the east of the entrance hall is the dining room, which has a plaster ceiling and cornice, while to the west is a billiard room, featuring fielded panelling, a plaster cornice, and a rococo fireplace. The three rooms were probably decorated around 1758-59 by Capability Brown.[10] The dining room was vibrantly repainted by the Hare Krishnas in the 1970s-80s.[17]
The central room on the south side is a saloon, probably by Brown and Vassalli. It has an elaborate ceiling, with three panels, deep coving, and a cornice, along with two Ionic fireplaces, and Palladian doorcases.[10] George III was entertained by George Coventry, the 6th Earl, in the house's Saloon.[2] A drawing room is to the west of the saloon, and features rococo plasterwork and a marble fireplace.[10]
To the east of the saloon is the Tapestry Room.[10] This was designed in 1763-71, based on a design by Robert Adam, and contained tapestries and furniture covers possibly designed by Jacques Germain Soufflot, and made by Manufacture Nationale des Gobelins.[23] Around 1902 the ninth Earl sold the tapestries and seating to a Parisian dealer. In 1949 the Samuel H. Kress Foundation purchased the ceiling, floor, mantlepiece, chair rails, doors and the door surrounds, which were donated to the Metropolitan Museum of Art, New York, in 1958. In 1959 the Kress Foundation also helped the Metropolitan Museum acquire the chair and sofa frames, which they recovered using the original tapestry seats.[7][23] A copy of the ceiling was installed in place of the original.[10] As of 2016, the room is displayed as it would have looked after the tapestries had been sold, with a jug and ewer on display as the only original decoration of the room that remains in it. The adjacent library room is used to explain what happened to the tapestry room;[17] the former library was designed by Adam, and was dismantled except for the marble fireplace.[10]
At the west side of the building is a long gallery,[10] which was designed by Robert Adam and installed between 1761 and 1766. It is the best preserved of the original interior (little of the rest has survived in situ).[1] It has an octagonal panelled ceiling, and plaster reliefs of griffins. A half-hexagonal bay faces the garden. The room also contains a marble caryatid fireplace designed by J Wilton.[10] As of 2016, modern sculptures are displayed in empty niches along the Long Gallery
wikipedia
The Lockheed C-5 Galaxy is a large military transport aircraft originally designed and built by Lockheed, and now maintained and upgraded by its successor, Lockheed Martin. It provides the United States Air Force (USAF) with a heavy intercontinental-range strategic airlift capability, one that can carry outsize and oversize loads, including all air-certifiable cargo. The Galaxy has many similarities to its smaller Lockheed C-141 Starlifter predecessor, and the later Boeing C-17 Globemaster III. The C-5 is among the largest military aircraft in the world.
The C-5 Galaxy's development was complicated, including significant cost overruns, and Lockheed suffered significant financial difficulties. Shortly after entering service, cracks in the wings of many aircraft were discovered and the C-5 fleet was restricted in capability until corrective work was completed. The C-5M Super Galaxy is an upgraded version with new engines and modernized avionics designed to extend its service life beyond 2040.
The USAF has operated the C-5 since 1969. In that time, the airlifter supported US military operations in all major conflicts including Vietnam, Iraq, Yugoslavia and Afghanistan, as well as allied support, such as Israel during the Yom Kippur War and operations in the Gulf War. The Galaxy has also been used to distribute humanitarian aid and disaster relief, and supported the US Space Shuttle program.
The-Lockheed-Martin-HC-130-P-Hercules-The-Combat-K.I.N.G-1-I-is an extended-range version of the C-130 Hercules transport. HC-130 crews provide expeditionary, all weather personnel recovery capabilities to our Combatant Commanders and Joint/Coalitions partners worldwide.
Mission
The mission of the HC-130P/N "King" is to rapidly deploy to austere airfields and denied territory in order to execute , all weather personnel recovery operations anytime...anywhere. King crews routinely perform high and low altitude personnel & equipment airdrops, infiltration/exfiltration of personnel, helicopter air-to-air refueling, and forward area refueling point missions.
When tasked, the aircraft also conducts humanitarian assistance operations, disaster response, security cooperation/aviation advisory, emergency aeromedical evacuation, casualty evacuation, noncombatant evacuation operations, and, during the Space Shuttle program, space flight support for NASA.
Features
Modifications to the HC-130P/N are improved navigation, threat detection and countermeasures systems. The aircraft fleet has a fully-integrated inertial navigation and global positioning systems, and night vision goggle, or NVG, compatible interior and exterior lighting. It also has forward-looking infrared, radar and missile warning receivers, chaff and flare dispensers, satellite and data-burst communications.
The HC-130 can fly in the day; however, crews normally fly night at low to medium altitude levels in contested or sensitive environments, both over land or overwater. Crews use NVGs for tactical flight profiles to avoid detection to accomplish covert infiltration/exfiltration and transload operations. To enhance the probability of mission success and survivability near populated areas, crews employ tactics that include incorporating no external lighting or communications, and avoiding radar and weapons detection.
Drop zone objectives are done via personnel drops and equipment drops. Rescue bundles include illumination flares, marker smokes and rescue kits. Helicopter air-to-air refueling can be conducted at night, with blacked out communication with up to two simultaneous helicopters. Additionally, forward area refueling point operations can be executed to support a variety of joint and coalition partners.
Background
The HC-130P/N is the only dedicated fixed-wing combat search and rescue platform in the Air Force inventory. The 71st and 79th Rescue Squadrons in Air Combat Command, the 550th Special Operations Squadron in Air Education and Training Command, the 920th Rescue Group in Air Force Reserve Command and the 106th Rescue Wing, 129th RQW and 176th Wing in the Air National Guard operate the aircraft.
First flown in 1964, the aircraft has served many roles and missions. It was initially modified to conduct search and rescue missions, provide a command and control platform, in-flight-refuel helicopters and carry supplemental fuel for extending range and increasing loiter time during search operations.
In April 2006, the continental U.S. search and rescue mission was transferred back to Air Combat Command at Langley AFB, Va. From 2003 to 2006, the mission was under the Air Force Special Operations Command at Hurlburt Field, Fla. Previously, HC-130s were assigned to ACC from 1992 to 2003. They were first assigned to the Air Rescue Service as part of Military Airlift Command.
They have been deployed to Italy, Kyrgyzstan, Kuwait, Pakistan, Saudi Arabia, and Turkey in support of operations Southern and Northern Watch, Allied Force, Iraqi Freedom and Enduring Freedom. HC-130s also support continuous alert commitments in Alaska and the Horn of Africa.
General Characteristics
Primary function: Rescue platform
Contractor: Lockheed Aircraft Corp.
Power Plant: Four Allison T56-A-15 turboprop engines
Thrust: 4,910 shaft horsepower, each engine
Wingspan: 132 feet, 7 inches (40.4 meters)
Length: 98 feet, 9 inches (30.09 meters)
Height: 38 feet, 6 inches (11.7 meters)
Weight: 83,000 pounds (37,648 kilograms)
Maximum Takeoff Weight: 155,000 pounds (69,750 kilograms)
Fuel Capacity: 73,000 pounds (10,724 gallons)
Payload: 30,000 pounds (13,608 kilograms)
Speed: 289 miles per hour (464 kilometers per hour) at sea level
Range: beyond 4,000 miles (3,478 nautical miles)
Ceiling: 33,000 feet (10,000 meters)
Armament: countermeasures/flares, chaff
Crew: Three officers (pilot, co-pilot, navigator) and four enlisted (flight engineer, airborne communications specialist, two loadmasters). Additional crewmembers include a Guardian Angel team consisting of one combat rescue officer and three pararescuemen
Unit Cost: $77 million (fiscal 2008 replacement cost)
Initial operating capability: 1964
Inventory: Active force, 13; ANG, 13; Reserve, 10
The Lockheed Martin HC-130J Hercules The Combat King II is the U.S. Air Force's only dedicated fixed-wing personnel recovery platform and is flown by the Air Education and Training Command (AETC) and Air Combat Command (ACC). This C-130J variation specializes in tactical profiles and avoiding detection and recovery operations in austere environments. The HC-130J replaces HC-130P/Ns as the only dedicated fixed-wing Personnel Recovery platform in the Air Force inventory. It is an extended-range version of the C-130J Hercules transport. Its mission is to rapidly deploy to execute combatant commander directed recovery operations to austere airfields and denied territory for expeditionary, all weather personnel recovery operations to include airdrop, airland, helicopter air-to-air refueling, and forward area ground refueling missions. When tasked, the aircraft also conducts humanitarian assistance operations, disaster response, security cooperation/aviation advisory, emergency aeromedical evacuation, and noncombatant evacuation operations.
Features
Modifications to the HC-130J have improved navigation, threat detection and countermeasures systems. The aircraft fleet has a fully-integrated inertial navigation and global positioning systems, and night vision goggle, or NVG, compatible interior and exterior lighting. It also has forward-looking infrared, radar and missile warning receivers, chaff and flare dispensers, satellite and data-burst communications, and the ability to receive fuel inflight via a Universal Aerial Refueling Receptacle Slipway Installation (UARRSI).
The HC-130J can fly in the day; however, crews normally fly night at low to medium altitude levels in contested or sensitive environments, both over land or overwater. Crews use NVGs for tactical flight profiles to avoid detection to accomplish covert infiltration/exfiltration and transload operations. To enhance the probability of mission success and survivability near populated areas, crews employ tactics that include incorporating no external lighting or communications, and avoiding radar and weapons detection.
Drop zone objectives are done via personnel drops and equipment drops. Rescue bundles include illumination flares, marker smokes and rescue kits. Helicopter air-to-air refueling can be conducted at night, with blacked out communication with up to two simultaneous helicopters. Additionally, forward area refueling point operations can be executed to support a variety of joint and coalition partners.
Background
The HC-130J is a result of the HC/MC-130 recapitalization program and replaces Air Combat Command's aging HC-130P/N fleet as the dedicated fixed-wing personnel recovery platform in the Air Force inventory. The 71st and 79th Rescue Squadrons in Air Combat Command, the 550th Special Operations Squadron in Air Education and Training Command, the 920th Rescue Group in Air Force Reserve Command and the 106th Rescue Wing, 129th RQW and 176th Wing in the Air National Guard will operate the aircraft.
First flight was 29 July 2010, and the aircraft will serve the many roles and missions of the HC-130P/Ns. It is a modified KC-130J aircraft designed to conduct personnel recovery missions, provide a command and control platform, in-flight-refuel helicopters and carry supplemental fuel for extending range or air refueling.
In April 2006, the personnel recovery mission was transferred back to Air Combat Command at Langley AFB, Va. From 2003 to 2006, the mission was under the Air Force Special Operations Command at Hurlburt Field, Fla. Previously, HC-130s were assigned to ACC from 1992 to 2003. They were first assigned to the Air Rescue Service as part of Military Airlift Command.
General Characteristics
Primary function: Fixed-wing Personnel Recovery platform
Contractor: Lockheed Aircraft Corp.
Power Plant: Four Rolls Royce AE2100D3 turboprop engines
Thrust: 4,591 Propeller Shaft Horsepower, each engine
Wingspan: 132 feet, 7 inches (40.4 meters)
Length: 97 feet, 9 inches (29.57 meters)
Height: 38 feet, 9 inches (11.58 meters)
Operating Weight: 89,000 pounds (40,369 kilograms)
Maximum Takeoff Weight: 164,000 pounds (74,389 kilograms)
Fuel Capacity: 61,360 pounds (9,024 gallons)
Payload: 35,000 pounds (15,875 kilograms)
Speed: 316 knots indicated air speed at sea level
Range: beyond 4,000 miles (3,478 nautical miles)
Ceiling: 33,000 feet (10,000 meters)
Armament: countermeasures/flares, chaff
Basic Crew: Three officers (pilot, co-pilot, combat system officer) and two enlisted loadmasters
Unit Cost: $66 million (fiscal 2010 replacement cost)
Initial operating capability: 2013
Left to right: Sébastien Lecornu (Minister Armed Forces, France); Christine Lambrecht (Minister of Defence, Germany); NATO Deputy Secretary General Mircea Geoană; Stacy A. Cummings (General Manager NSPA); Kajsa Ollengren (Minister of Defence, The Netherlands); Spiros Lambridis (NATO Permanent Representative, Greece); Francesco M. Talò (NATO Permanent Representative, Italy)
Pfc. Lance Gogue, left, and Pvt. Jeremy Cepeda of Delta Company, 1st Battalion, 294th Infantry Regiment, Guam Army National Guard, fire a M249 squad automatic weapon down range June 11 at Camp Roberts, California, during the Exportable Combat Training Capability. (U.S. Army National Guard photo/Staff Sgt. Eddie Siguenza)
Seattle, WA- Approximately 100 Soldiers from the 390th Transportation Company, U.S. Army Reserve-Puerto Rico are currently participating of the Big Logistics-Over-The-Shore-West 2018 exercise, at Seattle Washington, as part of their Annual Training.
During the mission, the Soldiers assigned to the largest federal U.S. Army command in the Caribbean, are demonstrating their unit’s flexibility and capability in discharging troops, vehicles, and materiel through austere ports, ship-to-ship, and over beaches.
@390th.SPOC.USAR.PR
170808-N-KB401-042 ATLANTIC OCEAN (Aug. 8, 2017) From left to right, the Royal Navy Duke-class frigate HMS Westminster (F 237), the Royal Navy Duke-class frigate HMS Iron Duke (F 234), the Royal Navy aircraft carrier HMS Queen Elizabeth (R08), the Royal Norwegian Navy frigate Helge Ingstad (F 313), the Nimitz-class aircraft carrier USS George H.W. Bush (CVN 77), the Arleigh Burke-class guided-missile destroyer USS Donald Cook (DDG 75), and the Ticonderoga-class guided-missile cruiser USS Philippine Sea (CG 58) sail in formation during exercise Saxon Warrior 2017, Aug. 8. Saxon Warrior is a United States and United Kingdom co-hosted carrier strike group exercise that demonstrates interoperability and capability to respond to crises and deter potential threats. (U.S. Navy photo by Mass Communication Specialist 2nd Class Michael B. Zingaro/Released)
Croome Court is a mid 18th century Neo-Palladian mansion surrounded by an extensive landscaped parkland at Croome D'Abitot, near Pershore in south Worcestershire. The mansion and park were designed by Lancelot "Capability" Brown for George Coventry, 6th Earl of Coventry, and was Brown's first landscape design and first major architectural project. Some of the internal rooms of the mansion were designed by Robert Adam.
The mansion house is owned by Croome Heritage Trust, and is leased to the National Trust who operate it, along with the surrounding parkland, as a tourist attraction. The National Trust own the surrounding parkland, which is also open to the public.
Location[edit]
Croome Court is located near to Croome D'Abitot, in Worcestershire,[1] near Pirton, Worcestershire.[2] The wider estate was established on lands that were once part of the royal forest of Horewell.[3] Traces of these older landscapes, such as unimproved commons and ancient woodlands, can be found across the former Croome Estate.[4]
House[edit]
Croome Court South Portico
History[edit]
The foundations and core of Croome Court, including the central chimney stack structure, date back to the early 1640s.[5] Substantial changes to this early house were made by Gilbert Coventry, 4th Earl of Coventry.[6]
In 1751, George Coventry, the 6th Earl, inherited the estate, along with the existing Jacobean house. He commissioned Lancelot "Capability" Brown, with the assistance of Sanderson Miller, to redesign the house and estate.[7][1] It was Brown's "first flight into the realms of architecture" and a "rare example of his architectural work",[8] and it is an important and seminal work.[9] It was built between 1751 and 1752, and it and Hagley Hall are considered to be the finest examples of Neo-Palladian architecture in Worcestershire. Notable Neo-Palladian features incorporated into Croome Court include the plain exterior and the corner towers with pyramidal roofs (a feature first used by Inigo Jones in the design of Wilton House in Wiltshire).[1] Robert Adam worked on the interior of the building from 1760 onwards.[10]
The house has been visited by George III,[2][11] as well as Queen Victoria[7] during summers when she was a child, and George V (then Duke of York).[11]
A jam factory was built by the 9th Earl of Coventry, near to Pershore railway station, in about 1880, to provide a market for Vale of Evesham fruit growers in times of surplus. Although the Croome connection with jam making had ceased, during the First World War, the building was leased by the Croome Estate Trust to the Huddersfield Fruit Preserving Company as a pulping station.[12]
The First World War deeply affected Croome, with many local casualties, although the house was not requisitioned for the war effort. This is possibly because it was the home of the Lord Lieutenant of the County, who needed a residence for his many official engagements.[13]
During the Second World War Croome Court was requisitioned by the Ministry of Works and leased for a year to the Dutch Government as a possible refuge for Queen Wilhelmina of the Netherlands; to escape the Nazi occupation of the Netherlands. However, evidence shows that they stayed two weeks at the most, perhaps because of the noise and fear created by the proximity of Defford Aerodrome. They later emigrated to Canada.[14]
In 1948 the Croome Estate Trust sold the Court, along with 38 acres (15 ha) of land, to the Roman Catholic Archdiocese of Birmingham, and the mansion became St Joseph's Special School, which was run by nuns[15] from 1950[11] until 1979.[15]
The house was listed on 11 August 1952; it is currently Grade I listed.[10]
In 1979 the hall was taken over by the International Society for Krishna Consciousness (Hare Krishna movement), who used it as their UK headquarters and a training college[16] called Chaitanya College,[15] run by 25 members of the movement.[16] During their tenure they repainted the Dining Room.[17] In 1984 they had to leave the estate for financial reasons. They held a festival at the hall in 2011.[16]
From 1984 onwards various owners tried to use the property as a training centre; apartments; a restaurant and conference centre; and a hotel and golf course,[15] before once more becoming a private family home,[2][15] with outbuildings converted to private houses.[15]
The house was purchased by the Croome Heritage Trust, a registered charity,[18] in October 2007,[19] and it is now managed by the National Trust as a tourist attraction. It opened to the public in September 2009, at which point six of the rooms had restored, costing £400,000, including the Saloon. It was estimated that another £4 million[2][20] to £4.8 million would be needed to restore the entire building. Fundraising activities for the restoration included a 2011 raffle for a Morgan sports car organised by Lord and Lady Flight. After the restoration is complete, a 999-year lease on the building will be granted to the National Trust.[21] An oral history project to record recollections about Croome was funded by the Heritage Lottery Fund.[15] As of 2009, the service wing was empty and in need of substantial repair.[22]
Exterior[edit]
The mansion is faced with Bath stone,[7] limestone ashlar, and has both north and south facing fronts. It has a basement and two stories, with three stories in the end pavilions. A slate roof, with pyramid roofs over the corner towers, tops the building, along with three pair-linked chimneys along the axis of the house.[10]
Both fronts have 11 bays, split into three central sets of three each, and one additional bay each side. The north face has a pedimented centre, with two balustraded staircases leading to a Roman Doric doorcase. The south face has a projecting Ionic tetrastyle portico and Venetian windows. It has a broad staircase, with cast stone sphinxes on each side, leading to a south door topped with a cornice on consoles. The wings have modillion cornice and balustrade.[10]
A two-story L-shaped service wing is attached to the east side of the mansion. It is made of red brick and stone, with slate roofs.[10] It was designed by Capability Brown in 1751-2.[22] On the far side of the service wing, a wall connects it to a stable court.[10]
Interior[edit]
The interior of the house was designed partially by Capability Brown, with plasterwork by G. Vassalli, and partially by Robert Adam, with plasterwork by J. Rose Jr. It has a central spine corridor. A stone staircase, with iron balusters, is at the east end.[10]
The entrance hall is on the north side of the building, and has four fluted Doric columns, along with moulded doorcases. To the east of the entrance hall is the dining room, which has a plaster ceiling and cornice, while to the west is a billiard room, featuring fielded panelling, a plaster cornice, and a rococo fireplace. The three rooms were probably decorated around 1758-59 by Capability Brown.[10] The dining room was vibrantly repainted by the Hare Krishnas in the 1970s-80s.[17]
The central room on the south side is a saloon, probably by Brown and Vassalli. It has an elaborate ceiling, with three panels, deep coving, and a cornice, along with two Ionic fireplaces, and Palladian doorcases.[10] George III was entertained by George Coventry, the 6th Earl, in the house's Saloon.[2] A drawing room is to the west of the saloon, and features rococo plasterwork and a marble fireplace.[10]
To the east of the saloon is the Tapestry Room.[10] This was designed in 1763-71, based on a design by Robert Adam, and contained tapestries and furniture covers possibly designed by Jacques Germain Soufflot, and made by Manufacture Nationale des Gobelins.[23] Around 1902 the ninth Earl sold the tapestries and seating to a Parisian dealer. In 1949 the Samuel H. Kress Foundation purchased the ceiling, floor, mantlepiece, chair rails, doors and the door surrounds, which were donated to the Metropolitan Museum of Art, New York, in 1958. In 1959 the Kress Foundation also helped the Metropolitan Museum acquire the chair and sofa frames, which they recovered using the original tapestry seats.[7][23] A copy of the ceiling was installed in place of the original.[10] As of 2016, the room is displayed as it would have looked after the tapestries had been sold, with a jug and ewer on display as the only original decoration of the room that remains in it. The adjacent library room is used to explain what happened to the tapestry room;[17] the former library was designed by Adam, and was dismantled except for the marble fireplace.[10]
At the west side of the building is a long gallery,[10] which was designed by Robert Adam and installed between 1761 and 1766. It is the best preserved of the original interior (little of the rest has survived in situ).[1] It has an octagonal panelled ceiling, and plaster reliefs of griffins. A half-hexagonal bay faces the garden. The room also contains a marble caryatid fireplace designed by J Wilton.[10] As of 2016, modern sculptures are displayed in empty niches along the Long Gallery
wikipedia
The Lockheed C-5 Galaxy is a large military transport aircraft originally designed and built by Lockheed, and now maintained and upgraded by its successor, Lockheed Martin. It provides the United States Air Force (USAF) with a heavy intercontinental-range strategic airlift capability, one that can carry outsize and oversize loads, including all air-certifiable cargo. The Galaxy has many similarities to its smaller Lockheed C-141 Starlifter predecessor, and the later Boeing C-17 Globemaster III. The C-5 is among the largest military aircraft in the world.
The C-5 Galaxy's development was complicated, including significant cost overruns, and Lockheed suffered significant financial difficulties. Shortly after entering service, cracks in the wings of many aircraft were discovered and the C-5 fleet was restricted in capability until corrective work was completed. The C-5M Super Galaxy is an upgraded version with new engines and modernized avionics designed to extend its service life beyond 2040.
The USAF has operated the C-5 since 1969. In that time, the airlifter supported US military operations in all major conflicts including Vietnam, Iraq, Yugoslavia and Afghanistan, as well as allied support, such as Israel during the Yom Kippur War and operations in the Gulf War. The Galaxy has also been used to distribute humanitarian aid and disaster relief, and supported the US Space Shuttle program.
The-Lockheed-Martin-HC-130-P-Hercules-The-Combat-K.I.N.G-1-I-is an extended-range version of the C-130 Hercules transport. HC-130 crews provide expeditionary, all weather personnel recovery capabilities to our Combatant Commanders and Joint/Coalitions partners worldwide.
Mission
The mission of the HC-130P/N "King" is to rapidly deploy to austere airfields and denied territory in order to execute , all weather personnel recovery operations anytime...anywhere. King crews routinely perform high and low altitude personnel & equipment airdrops, infiltration/exfiltration of personnel, helicopter air-to-air refueling, and forward area refueling point missions.
When tasked, the aircraft also conducts humanitarian assistance operations, disaster response, security cooperation/aviation advisory, emergency aeromedical evacuation, casualty evacuation, noncombatant evacuation operations, and, during the Space Shuttle program, space flight support for NASA.
Features
Modifications to the HC-130P/N are improved navigation, threat detection and countermeasures systems. The aircraft fleet has a fully-integrated inertial navigation and global positioning systems, and night vision goggle, or NVG, compatible interior and exterior lighting. It also has forward-looking infrared, radar and missile warning receivers, chaff and flare dispensers, satellite and data-burst communications.
The HC-130 can fly in the day; however, crews normally fly night at low to medium altitude levels in contested or sensitive environments, both over land or overwater. Crews use NVGs for tactical flight profiles to avoid detection to accomplish covert infiltration/exfiltration and transload operations. To enhance the probability of mission success and survivability near populated areas, crews employ tactics that include incorporating no external lighting or communications, and avoiding radar and weapons detection.
Drop zone objectives are done via personnel drops and equipment drops. Rescue bundles include illumination flares, marker smokes and rescue kits. Helicopter air-to-air refueling can be conducted at night, with blacked out communication with up to two simultaneous helicopters. Additionally, forward area refueling point operations can be executed to support a variety of joint and coalition partners.
Background
The HC-130P/N is the only dedicated fixed-wing combat search and rescue platform in the Air Force inventory. The 71st and 79th Rescue Squadrons in Air Combat Command, the 550th Special Operations Squadron in Air Education and Training Command, the 920th Rescue Group in Air Force Reserve Command and the 106th Rescue Wing, 129th RQW and 176th Wing in the Air National Guard operate the aircraft.
First flown in 1964, the aircraft has served many roles and missions. It was initially modified to conduct search and rescue missions, provide a command and control platform, in-flight-refuel helicopters and carry supplemental fuel for extending range and increasing loiter time during search operations.
In April 2006, the continental U.S. search and rescue mission was transferred back to Air Combat Command at Langley AFB, Va. From 2003 to 2006, the mission was under the Air Force Special Operations Command at Hurlburt Field, Fla. Previously, HC-130s were assigned to ACC from 1992 to 2003. They were first assigned to the Air Rescue Service as part of Military Airlift Command.
They have been deployed to Italy, Kyrgyzstan, Kuwait, Pakistan, Saudi Arabia, and Turkey in support of operations Southern and Northern Watch, Allied Force, Iraqi Freedom and Enduring Freedom. HC-130s also support continuous alert commitments in Alaska and the Horn of Africa.
General Characteristics
Primary function: Rescue platform
Contractor: Lockheed Aircraft Corp.
Power Plant: Four Allison T56-A-15 turboprop engines
Thrust: 4,910 shaft horsepower, each engine
Wingspan: 132 feet, 7 inches (40.4 meters)
Length: 98 feet, 9 inches (30.09 meters)
Height: 38 feet, 6 inches (11.7 meters)
Weight: 83,000 pounds (37,648 kilograms)
Maximum Takeoff Weight: 155,000 pounds (69,750 kilograms)
Fuel Capacity: 73,000 pounds (10,724 gallons)
Payload: 30,000 pounds (13,608 kilograms)
Speed: 289 miles per hour (464 kilometers per hour) at sea level
Range: beyond 4,000 miles (3,478 nautical miles)
Ceiling: 33,000 feet (10,000 meters)
Armament: countermeasures/flares, chaff
Crew: Three officers (pilot, co-pilot, navigator) and four enlisted (flight engineer, airborne communications specialist, two loadmasters). Additional crewmembers include a Guardian Angel team consisting of one combat rescue officer and three pararescuemen
Unit Cost: $77 million (fiscal 2008 replacement cost)
Initial operating capability: 1964
Inventory: Active force, 13; ANG, 13; Reserve, 10
The Lockheed Martin HC-130J Hercules The Combat King II is the U.S. Air Force's only dedicated fixed-wing personnel recovery platform and is flown by the Air Education and Training Command (AETC) and Air Combat Command (ACC). This C-130J variation specializes in tactical profiles and avoiding detection and recovery operations in austere environments. The HC-130J replaces HC-130P/Ns as the only dedicated fixed-wing Personnel Recovery platform in the Air Force inventory. It is an extended-range version of the C-130J Hercules transport. Its mission is to rapidly deploy to execute combatant commander directed recovery operations to austere airfields and denied territory for expeditionary, all weather personnel recovery operations to include airdrop, airland, helicopter air-to-air refueling, and forward area ground refueling missions. When tasked, the aircraft also conducts humanitarian assistance operations, disaster response, security cooperation/aviation advisory, emergency aeromedical evacuation, and noncombatant evacuation operations.
Features
Modifications to the HC-130J have improved navigation, threat detection and countermeasures systems. The aircraft fleet has a fully-integrated inertial navigation and global positioning systems, and night vision goggle, or NVG, compatible interior and exterior lighting. It also has forward-looking infrared, radar and missile warning receivers, chaff and flare dispensers, satellite and data-burst communications, and the ability to receive fuel inflight via a Universal Aerial Refueling Receptacle Slipway Installation (UARRSI).
The HC-130J can fly in the day; however, crews normally fly night at low to medium altitude levels in contested or sensitive environments, both over land or overwater. Crews use NVGs for tactical flight profiles to avoid detection to accomplish covert infiltration/exfiltration and transload operations. To enhance the probability of mission success and survivability near populated areas, crews employ tactics that include incorporating no external lighting or communications, and avoiding radar and weapons detection.
Drop zone objectives are done via personnel drops and equipment drops. Rescue bundles include illumination flares, marker smokes and rescue kits. Helicopter air-to-air refueling can be conducted at night, with blacked out communication with up to two simultaneous helicopters. Additionally, forward area refueling point operations can be executed to support a variety of joint and coalition partners.
Background
The HC-130J is a result of the HC/MC-130 recapitalization program and replaces Air Combat Command's aging HC-130P/N fleet as the dedicated fixed-wing personnel recovery platform in the Air Force inventory. The 71st and 79th Rescue Squadrons in Air Combat Command, the 550th Special Operations Squadron in Air Education and Training Command, the 920th Rescue Group in Air Force Reserve Command and the 106th Rescue Wing, 129th RQW and 176th Wing in the Air National Guard will operate the aircraft.
First flight was 29 July 2010, and the aircraft will serve the many roles and missions of the HC-130P/Ns. It is a modified KC-130J aircraft designed to conduct personnel recovery missions, provide a command and control platform, in-flight-refuel helicopters and carry supplemental fuel for extending range or air refueling.
In April 2006, the personnel recovery mission was transferred back to Air Combat Command at Langley AFB, Va. From 2003 to 2006, the mission was under the Air Force Special Operations Command at Hurlburt Field, Fla. Previously, HC-130s were assigned to ACC from 1992 to 2003. They were first assigned to the Air Rescue Service as part of Military Airlift Command.
General Characteristics
Primary function: Fixed-wing Personnel Recovery platform
Contractor: Lockheed Aircraft Corp.
Power Plant: Four Rolls Royce AE2100D3 turboprop engines
Thrust: 4,591 Propeller Shaft Horsepower, each engine
Wingspan: 132 feet, 7 inches (40.4 meters)
Length: 97 feet, 9 inches (29.57 meters)
Height: 38 feet, 9 inches (11.58 meters)
Operating Weight: 89,000 pounds (40,369 kilograms)
Maximum Takeoff Weight: 164,000 pounds (74,389 kilograms)
Fuel Capacity: 61,360 pounds (9,024 gallons)
Payload: 35,000 pounds (15,875 kilograms)
Speed: 316 knots indicated air speed at sea level
Range: beyond 4,000 miles (3,478 nautical miles)
Ceiling: 33,000 feet (10,000 meters)
Armament: countermeasures/flares, chaff
Basic Crew: Three officers (pilot, co-pilot, combat system officer) and two enlisted loadmasters
Unit Cost: $66 million (fiscal 2010 replacement cost)
Initial operating capability: 2013
DPAC & UK Uncut protest against benefit cuts at DWP - 31.08.2012
Following their earlier joint protest that morning at the Euston headquarters of ATOS Origin - the French IT company which has sponsored the paralympics, despite its role in forcing tens of thousands of severely sick and disabled people off their life-saving benefits after declaring them "Fit for Work" following the seriously flawed Work Capability Assessment stipulated by the Dept. fo0r Work and Pensions (DWP), DPAC and UK Uncut activists descended on the Westminster headquarters of the DWP and protested outside.
Several activists managed to get inside the entrance foyer of the government building, which was the trigger for a short-but-overly-aggressive encounter with a large number of Territorial Support Group police who waded into the disabled and able-bodied protesters to force them away from the front of the building which houses the offices of Secretary for State for Work and Pensions Ian Duncan Smith and Minister for Disabled People Maria Miller.
During the quite unnecessary action against the peaceful protesters - several in wheelchairs - one disabled man was thrown out of his wheelchair to the ground, breaking his shoulder. Another man's motorised wheelchair was broken in the fracas, and one man was arrested.
Some of the protesters managed to speak to Maria Miller, MP, and told her to her facve how much misery and human despair her department's policies of demonisation of the disabled - portraying them publicly as workshy scroungers and benefits cheats, even though Disability Benefit fraud is extremely small, only 0.4% of the overall benefits budget, despite frequent, outrageous lies peddled by the DWP and minister Ian Duncan Smith as it behaves no better than the German government in the years running up to World War II as they turn the public against the very weakest, most vulnerable members of the British population, blaming disabled people for the country's economic misery - cause by corrupt bankers.
All photos © 2012 Pete Riches
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Croome Court is a mid 18th century Neo-Palladian mansion surrounded by an extensive landscaped parkland at Croome D'Abitot, near Pershore in south Worcestershire. The mansion and park were designed by Lancelot "Capability" Brown for George Coventry, 6th Earl of Coventry, and was Brown's first landscape design and first major architectural project. Some of the internal rooms of the mansion were designed by Robert Adam.
The mansion house is owned by Croome Heritage Trust, and is leased to the National Trust who operate it, along with the surrounding parkland, as a tourist attraction. The National Trust own the surrounding parkland, which is also open to the public.
YOKOSUKA, Japan (Apr. 02, 2018) Culinary Specialist 3rd Class Nesha Gray, from Chicago, cooks a main dish from the battle menu in the galley aboard the Navy's forward-deployed aircraft carrier, USS Ronald Reagan (CVN 76), during the ship’s battle mess. Battle Mess is a program designed to assess the ship’s capability to work with Military Sealift Command’s Combat Logistics Force during combat operations. Ronald Reagan, the flagship of Carrier Strike Group 5, provides a combat-ready force that protects and defends the collective maritime interests of its allies and partners in the Indo-Asia-Pacific region. (U.S. Navy photo by Mass Communication Specialist 2nd Class Janweb B. Lagazo)
Croome Court is a mid 18th century Neo-Palladian mansion surrounded by an extensive landscaped parkland at Croome D'Abitot, near Pershore in south Worcestershire. The mansion and park were designed by Lancelot "Capability" Brown for George Coventry, 6th Earl of Coventry, and was Brown's first landscape design and first major architectural project. Some of the internal rooms of the mansion were designed by Robert Adam.
The mansion house is owned by Croome Heritage Trust, and is leased to the National Trust who operate it, along with the surrounding parkland, as a tourist attraction. The National Trust own the surrounding parkland, which is also open to the public.
Croome Court is a mid 18th century Neo-Palladian mansion surrounded by an extensive landscaped parkland at Croome D'Abitot, near Pershore in south Worcestershire. The mansion and park were designed by Lancelot "Capability" Brown for George Coventry, 6th Earl of Coventry, and was Brown's first landscape design and first major architectural project. Some of the internal rooms of the mansion were designed by Robert Adam.
The mansion house is owned by Croome Heritage Trust, and is leased to the National Trust who operate it, along with the surrounding parkland, as a tourist attraction. The National Trust own the surrounding parkland, which is also open to the public.
Location[edit]
Croome Court is located near to Croome D'Abitot, in Worcestershire,[1] near Pirton, Worcestershire.[2] The wider estate was established on lands that were once part of the royal forest of Horewell.[3] Traces of these older landscapes, such as unimproved commons and ancient woodlands, can be found across the former Croome Estate.[4]
House[edit]
Croome Court South Portico
History[edit]
The foundations and core of Croome Court, including the central chimney stack structure, date back to the early 1640s.[5] Substantial changes to this early house were made by Gilbert Coventry, 4th Earl of Coventry.[6]
In 1751, George Coventry, the 6th Earl, inherited the estate, along with the existing Jacobean house. He commissioned Lancelot "Capability" Brown, with the assistance of Sanderson Miller, to redesign the house and estate.[7][1] It was Brown's "first flight into the realms of architecture" and a "rare example of his architectural work",[8] and it is an important and seminal work.[9] It was built between 1751 and 1752, and it and Hagley Hall are considered to be the finest examples of Neo-Palladian architecture in Worcestershire. Notable Neo-Palladian features incorporated into Croome Court include the plain exterior and the corner towers with pyramidal roofs (a feature first used by Inigo Jones in the design of Wilton House in Wiltshire).[1] Robert Adam worked on the interior of the building from 1760 onwards.[10]
The house has been visited by George III,[2][11] as well as Queen Victoria[7] during summers when she was a child, and George V (then Duke of York).[11]
A jam factory was built by the 9th Earl of Coventry, near to Pershore railway station, in about 1880, to provide a market for Vale of Evesham fruit growers in times of surplus. Although the Croome connection with jam making had ceased, during the First World War, the building was leased by the Croome Estate Trust to the Huddersfield Fruit Preserving Company as a pulping station.[12]
The First World War deeply affected Croome, with many local casualties, although the house was not requisitioned for the war effort. This is possibly because it was the home of the Lord Lieutenant of the County, who needed a residence for his many official engagements.[13]
During the Second World War Croome Court was requisitioned by the Ministry of Works and leased for a year to the Dutch Government as a possible refuge for Queen Wilhelmina of the Netherlands; to escape the Nazi occupation of the Netherlands. However, evidence shows that they stayed two weeks at the most, perhaps because of the noise and fear created by the proximity of Defford Aerodrome. They later emigrated to Canada.[14]
In 1948 the Croome Estate Trust sold the Court, along with 38 acres (15 ha) of land, to the Roman Catholic Archdiocese of Birmingham, and the mansion became St Joseph's Special School, which was run by nuns[15] from 1950[11] until 1979.[15]
The house was listed on 11 August 1952; it is currently Grade I listed.[10]
In 1979 the hall was taken over by the International Society for Krishna Consciousness (Hare Krishna movement), who used it as their UK headquarters and a training college[16] called Chaitanya College,[15] run by 25 members of the movement.[16] During their tenure they repainted the Dining Room.[17] In 1984 they had to leave the estate for financial reasons. They held a festival at the hall in 2011.[16]
From 1984 onwards various owners tried to use the property as a training centre; apartments; a restaurant and conference centre; and a hotel and golf course,[15] before once more becoming a private family home,[2][15] with outbuildings converted to private houses.[15]
The house was purchased by the Croome Heritage Trust, a registered charity,[18] in October 2007,[19] and it is now managed by the National Trust as a tourist attraction. It opened to the public in September 2009, at which point six of the rooms had restored, costing £400,000, including the Saloon. It was estimated that another £4 million[2][20] to £4.8 million would be needed to restore the entire building. Fundraising activities for the restoration included a 2011 raffle for a Morgan sports car organised by Lord and Lady Flight. After the restoration is complete, a 999-year lease on the building will be granted to the National Trust.[21] An oral history project to record recollections about Croome was funded by the Heritage Lottery Fund.[15] As of 2009, the service wing was empty and in need of substantial repair.[22]
Exterior[edit]
The mansion is faced with Bath stone,[7] limestone ashlar, and has both north and south facing fronts. It has a basement and two stories, with three stories in the end pavilions. A slate roof, with pyramid roofs over the corner towers, tops the building, along with three pair-linked chimneys along the axis of the house.[10]
Both fronts have 11 bays, split into three central sets of three each, and one additional bay each side. The north face has a pedimented centre, with two balustraded staircases leading to a Roman Doric doorcase. The south face has a projecting Ionic tetrastyle portico and Venetian windows. It has a broad staircase, with cast stone sphinxes on each side, leading to a south door topped with a cornice on consoles. The wings have modillion cornice and balustrade.[10]
A two-story L-shaped service wing is attached to the east side of the mansion. It is made of red brick and stone, with slate roofs.[10] It was designed by Capability Brown in 1751-2.[22] On the far side of the service wing, a wall connects it to a stable court.[10]
Interior[edit]
The interior of the house was designed partially by Capability Brown, with plasterwork by G. Vassalli, and partially by Robert Adam, with plasterwork by J. Rose Jr. It has a central spine corridor. A stone staircase, with iron balusters, is at the east end.[10]
The entrance hall is on the north side of the building, and has four fluted Doric columns, along with moulded doorcases. To the east of the entrance hall is the dining room, which has a plaster ceiling and cornice, while to the west is a billiard room, featuring fielded panelling, a plaster cornice, and a rococo fireplace. The three rooms were probably decorated around 1758-59 by Capability Brown.[10] The dining room was vibrantly repainted by the Hare Krishnas in the 1970s-80s.[17]
The central room on the south side is a saloon, probably by Brown and Vassalli. It has an elaborate ceiling, with three panels, deep coving, and a cornice, along with two Ionic fireplaces, and Palladian doorcases.[10] George III was entertained by George Coventry, the 6th Earl, in the house's Saloon.[2] A drawing room is to the west of the saloon, and features rococo plasterwork and a marble fireplace.[10]
To the east of the saloon is the Tapestry Room.[10] This was designed in 1763-71, based on a design by Robert Adam, and contained tapestries and furniture covers possibly designed by Jacques Germain Soufflot, and made by Manufacture Nationale des Gobelins.[23] Around 1902 the ninth Earl sold the tapestries and seating to a Parisian dealer. In 1949 the Samuel H. Kress Foundation purchased the ceiling, floor, mantlepiece, chair rails, doors and the door surrounds, which were donated to the Metropolitan Museum of Art, New York, in 1958. In 1959 the Kress Foundation also helped the Metropolitan Museum acquire the chair and sofa frames, which they recovered using the original tapestry seats.[7][23] A copy of the ceiling was installed in place of the original.[10] As of 2016, the room is displayed as it would have looked after the tapestries had been sold, with a jug and ewer on display as the only original decoration of the room that remains in it. The adjacent library room is used to explain what happened to the tapestry room;[17] the former library was designed by Adam, and was dismantled except for the marble fireplace.[10]
At the west side of the building is a long gallery,[10] which was designed by Robert Adam and installed between 1761 and 1766. It is the best preserved of the original interior (little of the rest has survived in situ).[1] It has an octagonal panelled ceiling, and plaster reliefs of griffins. A half-hexagonal bay faces the garden. The room also contains a marble caryatid fireplace designed by J Wilton.[10] As of 2016, modern sculptures are displayed in empty niches along the Long Gallery
wikipedia
Location: Sherborne, Dorset, England.
Sherborne Lodge, as it was originally called, was built by Sir Walter Raleigh in 1594, after the land had been leased to him in 1592 by Queen Elizabeth. There was already an old castle in the grounds but Raleigh elected to build a new property as a temporary home, to entertain his wealthy chums, rather than refurbish the old castle, which is now a ruin.
Raleigh later fell out of favour with the Royals and was carted off to the Tower of London. During Raleigh's imprisonment in the Tower, King James leased the estate to Robert Carr and then sold it to Sir John Digby, 1st Earl of Bristol in 1617.
Digby set about landscaping the gardens and had 'Capability' Brown design and create the lake. The castle has been the Digby family home ever since.
As for Walt, sadly he got the chop in 1618. Allegedly, his last words , whilst his head was on the block, were "strike man strike". However, he has recently been voted into the top 100 'Great Britons'
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The report "National Power Grid Simulation Capability: Needs and Issues" examines shortcomings in the nation's current capabilities for simulating the national power grid. The report details findings of a December 2008 conference, hosted at the U.S. Depaertment of Energy's Argonne National Laboratory and sponsored by the U.S. Department of Homeland Security's Science and Technology Directorate. Read the full story.
Compton Verney chapel, Warwickshire designed by Capability Brown in 1780 costing £981.10s.4d after he had demolished the medieval chapel to make way for a larger lake in his landscape design for John Peyto-Verney, 14th Baron Willoughby de Broke
The tombs of earlier Verneys were moved there.
Like the rest of the estate the chapel suffered from years of neglect and abuse from previous owners. The medieval glass was sold in the late 1920’s (some can be seen in Warwick museum in Warwick and at the Burrell Collection in Glasgow, the whereabouts of the rest is unknown) .
In 1988, the site’s former owner made a number of unauthorised alterations to the interior, including the removal of some of the pews and the pulpit.
During the restoration of the house and grounds in the late 1990s, the Chapel was structurally secured and repaired. However, the interior has essentially remained in the state in which it was left in 1988 until restoration was completed in summer 2016 in celebration of the 300th anniversary of the birth of Lancelot ‘Capability’ Brown.
Picture with thanks - church site
A walk around Minterne Gardens in Dorset.
The garden walk is about 1 mile in a horseshoe shape.
You can take different paths on the last leg of the walk, we went on the upper path.
Various paths.
Information below from leaflet from Minterne Gardens:
The Minterne Valley, landscapped in the manner of Capability Brown in the 18th century, has been the home of the Churchill and Digby families for 350 years. The gardens are laid out in a horseshoe below Minterne House, with a chain of small lakes, waterfalls and streams. They contain an important collection of Himalayan Rhodocdendrons and Azaleas, with Spring bulbs, Cherries, Maples and many fine and rare trees; the garden is noted for its Autumn colouring.
Of particular note are the large plants of Magnolia Campbellii which flower in March and April, together with a profusion of spring bulbs. Many flowering cherries were brought from Japan in 1920 and the Pieris Forrestii with their brilliant scarlet shoots, originally came from Wakehurst. A very fine collection of Davidia Involucrata (the pocket handkerchief tree) produce striking bracts in late May and early June, when the streams are lined with primulas, astilbes and other water plants.
Designed by Robert Adam for Capability Brown's landscape garden at Croome Park, the Panorama Tower now stands derelict in a field full of sheep. It is cut off from the rest of the estate by the M5, and can be seen clearly seen from the motorway a few miles south of junction 7. Standing on Knight's Hill, it commands magnificent views of the Malvern Hills to the west, and Bredon Hill and the Cotswolds to the east.
Knight's Hill, Worcestershire. [?]
See more in this set here
This image is excerpted from a U.S. GAO report:
www.gao.gov/products/GAO-17-331
SOUTHWEST BORDER SECURITY: Additional Actions Needed to Better Assess Fencing's Contributions to Operations and Provide Guidance for Identifying Capability Gaps
This magnificent informal landscape garden was laid out in the 18th century by 'Capability' Brown and further developed in the early years of the 20th century by its owner, Arthur G. Soames. The original four lakes form the centrepiece. There are dramatic shows of daffodils and bluebells in spring, and the rhododendrons and azaleas are spectacular in early summer. Autumn brings stunning colours from the many rare trees and shrubs, and winter walks can be enjoyed in this garden for all seasons. Visitors can now also explore South Park, 107 hectares (265 acres) of historic parkland, with stunning views.
Built between 1754 and 1760, Croome Park is a National Trust property set perfectly in Capability Brown's very first landscape and is the site of a secret Second World War air base.
[1]
Broadway Tower was inspired by the famous Capability Brown and completed in 1799 from designs by the renowned architect James Wyatt. It was built for the Earl of Coventry as a folly to his Springhill Estate and dedicated to his wife Peggy.
Legend has it Broadway Tower was used as a signalling tower between Springhill Estate and Croome Court near Worcester, which can be seen from the roof platform.
Many famous people have had association with Broadway Tower, including Sir Thomas Phillips and the pre-Raphaelite artists William Morris, Edward Burne-Jones and Rosetti.
Broadway Tower is open to the public allowing you to travel into the past of this important building and visit the viewing platform constituting the highest point in the Cotswolds at 1089 feet or 331.6 metres altitude.
[2]
Broadway Tower is a folly located on Broadway Hill, near the village of Broadway, in the English county of Worcestershire, at the second highest point of the Cotswolds after Cleeve Hill. Broadway Tower's base is 1,024 feet (312 metres) above sea level. The tower itself stands 55 feet (17 metres) high.
The "Saxon" tower was designed by James Wyatt in 1794 to resemble a mock castle, and built for Lady Coventry in 1799. The tower was built on a "beacon" hill, where beacons were lit on special occasions. Lady Coventry wondered if a beacon on this hill could be seen from her house in Worcester - approximately 22 miles (35 km) away - and sponsored the construction of the folly to find out. The beacon could be seen clearly.
Over the years, the tower was home to the printing press of Sir Thomas Phillips, and served as a country retreat for artists including William Morris and Edward Burne-Jones who rented it together in the 1880s.
Today, the tower is a tourist attraction and the centre of a country park with various exhibitions open to the public at a fee as well as a gift shop. The place is on the Cotswold Way and can be reached by following the Cotswold Way from the A44 road at Fish Hill, or by a steep climb out of Broadway village. Near the tower is a memorial to the crew of an A.W.38 Whitley bomber that crashed there during a training mission in June 1943.
Ugbrooke House
Ugbrooke House is a stately home in the parish of Chudleigh, Devon, England, situated in a valley between Exeter and Newton Abbot.
It dates back over 900 years, having featured in the Domesday Book. Before the Reformation the land belonged to the Church and the house was occupied by Precentors to the Bishop of Exeter. It has been the seat of the Clifford family for over four hundred years, and the owners have held the title Baron Clifford of Chudleigh since 1672.
The 9th Baron Clifford was an aide-de-camp to Edward VII and entertained royalty, both Edward VII and George V, at Ugbrooke Park.
The house, now a Grade I listed building, was remodelled by Robert Adam, while the grounds were redesigned by Capability Brown in 1761.The grounds featured what were possibly the earliest plantings of the European White Elm Ulmus laevis in the UK.The gardens are now Grade II* listed in the National Register of Historic Parks and Gardens.[4] The house and gardens are open to the public for a limited number of days each summer.
Baron Clifford of Chudleigh
Baron Clifford of Chudleigh, of Chudleigh in the County of Devon, is a title in the Peerage of England. It was created in 1672 for Thomas Clifford. The title was created as "Clifford of Chudleigh" rather than simply "Clifford" to differentiate it from several other Clifford Baronies previously created for members of this ancient family, including the Barony of de Clifford (1299), which is extant but now held by a branch line of the Russell family, having inherited through several female lines.
Baron Clifford of Chudleigh is the major surviving male representative of the ancient Norman family which later took the name de Clifford which arrived in England during the Norman Conquest of 1066, feudal barons of Clifford, first seated in England at Clifford Castle in Herefordshire, created Baron de Clifford by writ in 1299. The family seat is Ugbrooke Park, near Chudleigh, Devon.
Notable members of this branch of the Clifford family include antiquarian Arthur Clifford (grandson of the 3rd Baron), Victoria Cross recipient Sir Henry Hugh Clifford (son of the 7th Baron), Catholic clergyman William Clifford (son of the 7th Baron) and colonial administrators Sir Bede Clifford (son of the 10th Baron) and Sir Hugh Clifford (grandson of the 7th Baron). The family is also related to the notable recusant Weld family, of Lulworth Castle, through the 7th Baron's marriage to the daughter of Cardinal Thomas Weld.
Barons Clifford of Chudleigh (1672)
Thomas Clifford, 1st Baron Clifford of Chudleigh (1630–1673)
Hugh Clifford, 2nd Baron Clifford of Chudleigh (1663–1730)
Hugh Clifford, 3rd Baron Clifford of Chudleigh (1700–1732)
Hugh Clifford, 4th Baron Clifford of Chudleigh (1726–1783)
Hugh Edward Henry Clifford, 5th Baron Clifford of Chudleigh (1756–1793)
Charles Clifford, 6th Baron Clifford of Chudleigh (1759–1831)
Hugh Charles Clifford, 7th Baron Clifford of Chudleigh (1790–1858)
Charles Hugh Clifford, 8th Baron Clifford of Chudleigh (1819–1880)
Lewis Henry Hugh Clifford, 9th Baron Clifford of Chudleigh (1851–1916)
William Hugh Clifford, 10th Baron Clifford of Chudleigh (1858–1943)
Charles Oswald Hugh Clifford, 11th Baron Clifford of Chudleigh (1887–1962)
Lewis Joseph Hugh Clifford, 12th Baron Clifford of Chudleigh (1889–1964)
Lewis Hugh Clifford, 13th Baron Clifford of Chudleigh (1916–1988)
Thomas Hugh Clifford, 14th Baron Clifford of Chudleigh (b. 1948)
The heir apparent is the present holder's son Hon. Alexander Thomas Hugh Clifford (b. 1985)
From Wikipedia, the free encyclopedia
This is a view of Frampton Court, Dorset from the north (just south of St Mary’s Church) across the parkland. The east garden front ‘portico-room’ to the left is obscured by an extension to the lower and upper ground levels. This had extensive views across the parkland.
John Browne acquired the ‘manor’ of Frampton in 1572 and he or a descendant built a house on the site of a Priory dating back to before 1077, founded by William the Conqueror. Following the dissolution of the monasteries from 1536 it was not uncommon for building materials and old foundations to be reused in domestic dwellings. The River Frome and nearby woodland were also valuable resources, ideal for the new estate in Frampton.
John’s descendant, Robert Browne built Frampton Court in 1704 and is recorded as using Portland stone which was quarried just over 10 miles away. This modern structure may have incorporated elements of the manor but was soon to expand in size itself to include service wings and 40 bedrooms. By 1790 the house enlargement scheme continued with new Portland stone facing and a park designed by Lancelot ‘Capability’ Brown. By now all the wings were completed to make the house the largest size it would be. Around 1840 after the family name had changed through marriage to Sheridan, the main front of the house was swapped from east to west and a pillared portico added to the new main entrance. The wings may have been rebuilt in the next century as one is currently dated as early C19th now surviving and converted into two private residences.
The estate was eventually split up and sold off in 1932 and the house demolished for building materials by 1935.
PictionID:41567040 - Title:Republic P-47D Thunderbolt This is a P-47D-4-RA, 42-22794. All early Thunderbolts used the R-2800-21 engine. Water injection capability was added to this engine beginning with the D-4-RA and D-5-RE production blocks. - Catalog:15_002926 - Filename:15_002926.TIF - Image from the Charles Daniels Photo Collection album "Seversky, Republic and P-47"----PLEASE TAG this image with any information you know about it, so that we can permanently store this data with the original image file in our Digital Asset Management System.----SOURCE INSTITUTION: San Diego Air and Space Museum Archive
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[1]
Broadway Tower was inspired by the famous Capability Brown and completed in 1799 from designs by the renowned architect James Wyatt. It was built for the Earl of Coventry as a folly to his Springhill Estate and dedicated to his wife Peggy.
Legend has it Broadway Tower was used as a signalling tower between Springhill Estate and Croome Court near Worcester, which can be seen from the roof platform.
Many famous people have had association with Broadway Tower, including Sir Thomas Phillips and the pre-Raphaelite artists William Morris, Edward Burne-Jones and Rosetti.
Broadway Tower is open to the public allowing you to travel into the past of this important building and visit the viewing platform constituting the highest point in the Cotswolds at 1089 feet or 331.6 metres altitude.
[2]
Broadway Tower is a folly located on Broadway Hill, near the village of Broadway, in the English county of Worcestershire, at the second highest point of the Cotswolds after Cleeve Hill. Broadway Tower's base is 1,024 feet (312 metres) above sea level. The tower itself stands 55 feet (17 metres) high.
The "Saxon" tower was designed by James Wyatt in 1794 to resemble a mock castle, and built for Lady Coventry in 1799. The tower was built on a "beacon" hill, where beacons were lit on special occasions. Lady Coventry wondered if a beacon on this hill could be seen from her house in Worcester - approximately 22 miles (35 km) away - and sponsored the construction of the folly to find out. The beacon could be seen clearly.
Over the years, the tower was home to the printing press of Sir Thomas Phillips, and served as a country retreat for artists including William Morris and Edward Burne-Jones who rented it together in the 1880s.
Today, the tower is a tourist attraction and the centre of a country park with various exhibitions open to the public at a fee as well as a gift shop. The place is on the Cotswold Way and can be reached by following the Cotswold Way from the A44 road at Fish Hill, or by a steep climb out of Broadway village. Near the tower is a memorial to the crew of an A.W.38 Whitley bomber that crashed there during a training mission in June 1943.
Ugandan People’s Defense Forces Brig. Gen. Silver Kayemba (left), exercise director and chief of training and operations, and Lt. Col. Jeffrey Dickerson, exercise deputy director and commander of Task Force Atlas, answer media questions following the Atlas Drop 11 opening ceremony at the Soroti Airfield April 13.
U.S. Army photo by Sgt. 1st Class Brock Jones, 128th Mobile Public Affairs Detachment, Utah Army National Guard
Atlas Drop 2011 officially began with a morning ceremony at the Soroti Airfield in Eastern Uganda, April 13.
Atlas Drop 11, an annual joint aerial-delivery exercise sponsored by U.S. Army Africa (USARAF), brings together U.S. service members with counterparts from the Ugandan People’s Defense Forces (UPDF), and is designed to enhance the readiness of both countries’ resupply and logistical capabilities.
The two-week training will consist of classroom instruction and a field training exercise. Atlas Drop 11 will increase the capability of both UPDF and U.S. forces to resupply Soldiers operating in remote areas.
Local civic leaders and dignitaries, UPDF leadership, and the Ugandan and U.S. forces involved in the exercise gathered on the airfield tarmac to commemorate the exercise's official start. Maj. Gen. Andrew Gutti, commandant of the UPDF’s Senior Command and Staff College, was the ceremony’s guest of honor.
UPDF Brig. Gen. Silver Kayemba, exercise director and chief of training and operations, and Lt. Col. Jeffrey Dickerson, exercise deputy director and commander of Task Force Atlas, both expressed gratitude for the opportunity for Ugandan and U.S. forces to work together.
“I welcome you all to exercise Atlas Drop 11,” said Kayemba. “This is one of a series of exercises in which we jointly train together. Atlas Drop 11 is going to be an aerial resupply exercise that is directed to giving services to isolated platoons that are working in unfriendly environments.”
“Training is a continuous operation. If you fail to prepare, you have prepared to fail,” he said.
Kayemba then invited Dickerson to speak.
“I first would like to say to you all, eyalama noi noi (thank you very much) for inviting all of us to come to Uganda — to come to the Teso area — to partner with the UPDF,” said Dickerson. “It’s and honor, and it’s a privilege.
“Our coming together here represents not just the partnership between our militaries but the partnership and the bonds between our nations, our governments, and most importantly, our people,” he said. “We are so fortunate and very excited to be partnered with our UPDF brothers here in the Teso area.”
Gutti then spoke and declared the exercise officially open.
“I would like, on behalf of the UPDF, to sincerely thank the U.S. government and her Army in particular for availing us the opportunity to train and practice together these very important operations,” he said. “With these remarks I would like, on behalf of the Chief of Defense Forces, to flag off this exercise and wish you all a very successful exercise.”
Following the ceremony, Ugandan and U.S. Soldiers began training together on rigging aerial-delivery resupply systems, establishing drop zones in remote locations, and various military staff leadership skills such as decision-making processes.
Atlas Drop 11 will end April 20 following three days of live, aerial resupply practice missions to various drop zones established north of Soroti. Distinguished Ugandan and U.S. visitors will attend the final air drops and the closing ceremony at one of the drop zones to marking the exercise's official end.
To learn more about U.S. Army Africa visit our official website at www.usaraf.army.mil
Official Twitter Feed: www.twitter.com/usarmyafrica
Official Vimeo video channel: www.vimeo.com/usarmyafrica
Designer: Zhou Zhaokan, Wu Xuexiong (周昭坎，吴雪熊)
1965, April
Painstakingly concentrate your efforts and skilfully study your capability
Xiaku gongfu xueqiao benling (下苦功夫学巧本领)
Call nr.: PC-1965-014 (Private collection)
More Chinese propaganda posters? See: chineseposters.net/
Claire Glasman from WinVisible sits in her wheelchair, draped in large placards condemning government benefit cuts to people with disabilities.
DPAC, Mental Health Resistance Network & WinVisible vigil at High Court supporting judicial review of Work Capability Assessment (WCA) London - 08.07.2014
Disabled activists representing Disabled People Against Cuts (DPAC), the Mental Health Resistance Network (MHRN) and WinVisible (Women With Invisible Disabilities held a dignified vigil on the steps of the Royal Courts of Justice to show support for the judicial review taking place this week intended to make the Dept. for Work and Pensions (DWP) prove to the court that they are abiding by a previous court order that they make reasonable adjustments to the Work Capability Assessment testing process to make it fit for purpose and to abide by the Equalities Act 2010.
A previous judicial review had ruled that the WCA was clearly biased against people with mental health disabilities, and great harm has been done to many people as the DWP has refused to take into consideration any medical evidence or evidence crucial to any understanding of how a claimant's mental illness affects their daily lives and their ability to work. This cruel process has put people with mental health problems at a substantial disadvantage. The testing process has caused a great deal of distress, anxiety and fear, and there is clear evidence that there has been a significant number of suicides by claimants going through the Work Capability Assessment process, run up till now by disgraced French IT firm ATOS.
This photo © Pete Riches
Do not reproduce, alter, re-transmit, blog or otherwise exploit my images without my written permission. I remain at all times the copyright owner of this image.
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A visit to Charlecote Park for an afternoon visit to this National Trust property in Warwickshire. Near Stratford-upon-Avon. A deer park with a country house in the middle of it.
Charlecote Park (grid reference SP263564) is a grand 16th-century country house, surrounded by its own deer park, on the banks of the River Avon near Wellesbourne, about 4 miles (6 km) east of Stratford-upon-Avon and 5.5 miles (9 km) south of Warwick, Warwickshire, England. It has been administered by the National Trust since 1946 and is open to the public. It is a Grade I listed building.
The Lucy family owned the land since 1247. Charlecote Park was built in 1558 by Sir Thomas Lucy, and Queen Elizabeth I stayed in the room that is now the drawing room. Although the general outline of the Elizabethan house remains, nowadays it is in fact mostly Victorian. Successive generations of the Lucy family had modified Charlecote Park over the centuries, but in 1823, George Hammond Lucy (High Sheriff of Warwickshire in 1831) inherited the house and set about recreating the house in its original style.
Charlecote Park covers 185 acres (75 ha), backing on to the River Avon. William Shakespeare has been alleged to have poached rabbits and deer in the park as a young man and been brought before magistrates as a result.
From 1605 to 1640 the house was organised by Sir Thomas Lucy. He had twelve children with Lady Alice Lucy who ran the house after he died. She was known for her piety and distributing alms to the poor each Christmas. Her eldest three sons inherited the house in turn and it then fell to her grandchild Sir Davenport Lucy.
In the Tudor great hall, the 1680 painting Charlecote Park by Sir Godfrey Kneller, is said to be one of the earliest depictions of a black presence in the West Midlands (excluding Roman legionnaires). The painting, of Captain Thomas Lucy, shows a black boy in the background dressed in a blue livery coat and red stockings and wearing a gleaming, metal collar around his neck. The National Trust's Charlecote brochure describes the boy as a "black page boy". In 1735 a black child called Philip Lucy was baptised at Charlecote.
The lands immediately adjoining the house were further landscaped by Capability Brown in about 1760. This resulted in Charlecote becoming a hostelry destination for notable tourists to Stratford from the late 17th to mid-18th century, including Washington Irving (1818), Sir Walter Scott (1828) and Nathaniel Hawthorn (c 1850).
Charlecote was inherited in 1823 by George Hammond Lucy (d 1845), who married Mary Elizabeth Williams of Bodelwyddan Castle, from who's extensive diaries the current "behind the scenes of Victorian Charlecote" are based upon. GH Lucy's second son Henry inherited the estate from his elder brother in 1847. After the deaths of both Mary Elizabeth and Henry in 1890, the house was rented out by Henry's eldest daughter and heiress, Ada Christina (d 1943). She had married Sir Henry Ramsay-Fairfax, (d 1944), a line of the Fairfax Baronets, who on marriage assumed the name Fairfax-Lucy.
From this point onwards, the family began selling off parts of the outlying estate to fund their extensive lifestyle, and post-World War II in 1946, Sir Montgomerie Fairfax-Lucy, who had inherited the residual estate from his mother Ada, presented Charlecote to the National Trust in-lieu of death duties. Sir Montgomerie was succeeded in 1965 by his brother, Sir Brian, whose wife, Lady Alice, researched the history of Charlecote, and assisted the National Trust with the restoration of the house.
Orangery Tea Room - had a drink in the outside area.
Grade II Listed Building
Listing Text
CHARLECOTE
SP2556 CHARLECOTE PARK
1901-1/10/29 Orangery
18/03/97
GV II
Orangery, now tea room. 1857 with late C20 kitchen added to
rear. Probably by John Gibson. Brick with ashlar dressings;
hipped parapeted roof with skylight.
EXTERIOR: single-storey; symmetrical 5-bay range. Top
bracketed cornice and parapet with pierced strapwork patterns
similar to that on south wing of Charlecote Park (qv). Large
ovolo-moulded cross-mullion windows with pairs of narrow
plate-glass sashes, the entrance with similar overlight to
paired glazed doors.
INTERIOR: 4 cast-iron posts down centre support tie-beam
trusses with spine beam and raking struts; boarded roof with
central skylight; rear wall pierced by 2 C20 openings; large
round plaque with grotesque mask to one end.
Property of the National Trust.
(The National Trust: Charlecote Park: 1991-: 45).
Listing NGR: SP2598956489
This text is from the original listing, and may not necessarily reflect the current setting of the building.
The Royal Air Force Museum Cosford - 13th March 2015.
Mikoyan-Gurevich MiG 21PF No. 7105.
The MiG-21 was the first Soviet fighter capable of flying faster than twice the speed of sound and is an iconic aircraft of the Cold War years. MiG-21s saw extensive combat action in such diverse conflicts as Vietnam, the Arab-Israeli Wars, the Iran-Iraq War, Afghanistan and Desert Storm.
This aircraft is typical of the early 'First Generation' variants of the MiG-21 'Fishbed' which was first designed as a simple, lightweight jet fighter, first flown as a pre-production prototype in 1957.
Following on from the initial MiG-21F 'Fishbed-C' production variant, in 1960 the new MiG-21P variant (NATO reporting name 'Fishbed-D') dispensed with the original internal cannon armament completely in favour of air-air missiles or rocket pods and introduced a modified fuselage with a longer nose, and modified canopy and spine with a distinctive bulge immediately aft of the cockpit. This was followed in production from 1962 to 1964 by the MiG-21PF, as seen here, with updated afterburning engine and the pitot probe relocated to the top of the nose. This variant also introduced a new system for controlling the variable intake centrebody at the nose, whose larger intake accommodated new RP-21 search/track radar, giving all-weather capability. The MiG-21 PFM for the Soviet Air Force was produced between 1964 and 1965, and the Mig-21 PFS version was produced for export from 1966-68.
A visit to Charlecote Park for an afternoon visit to this National Trust property in Warwickshire. Near Stratford-upon-Avon. A deer park with a country house in the middle of it.
Charlecote Park (grid reference SP263564) is a grand 16th-century country house, surrounded by its own deer park, on the banks of the River Avon near Wellesbourne, about 4 miles (6 km) east of Stratford-upon-Avon and 5.5 miles (9 km) south of Warwick, Warwickshire, England. It has been administered by the National Trust since 1946 and is open to the public. It is a Grade I listed building.
The Lucy family owned the land since 1247. Charlecote Park was built in 1558 by Sir Thomas Lucy, and Queen Elizabeth I stayed in the room that is now the drawing room. Although the general outline of the Elizabethan house remains, nowadays it is in fact mostly Victorian. Successive generations of the Lucy family had modified Charlecote Park over the centuries, but in 1823, George Hammond Lucy (High Sheriff of Warwickshire in 1831) inherited the house and set about recreating the house in its original style.
Charlecote Park covers 185 acres (75 ha), backing on to the River Avon. William Shakespeare has been alleged to have poached rabbits and deer in the park as a young man and been brought before magistrates as a result.
From 1605 to 1640 the house was organised by Sir Thomas Lucy. He had twelve children with Lady Alice Lucy who ran the house after he died. She was known for her piety and distributing alms to the poor each Christmas. Her eldest three sons inherited the house in turn and it then fell to her grandchild Sir Davenport Lucy.
In the Tudor great hall, the 1680 painting Charlecote Park by Sir Godfrey Kneller, is said to be one of the earliest depictions of a black presence in the West Midlands (excluding Roman legionnaires). The painting, of Captain Thomas Lucy, shows a black boy in the background dressed in a blue livery coat and red stockings and wearing a gleaming, metal collar around his neck. The National Trust's Charlecote brochure describes the boy as a "black page boy". In 1735 a black child called Philip Lucy was baptised at Charlecote.
The lands immediately adjoining the house were further landscaped by Capability Brown in about 1760. This resulted in Charlecote becoming a hostelry destination for notable tourists to Stratford from the late 17th to mid-18th century, including Washington Irving (1818), Sir Walter Scott (1828) and Nathaniel Hawthorn (c 1850).
Charlecote was inherited in 1823 by George Hammond Lucy (d 1845), who married Mary Elizabeth Williams of Bodelwyddan Castle, from who's extensive diaries the current "behind the scenes of Victorian Charlecote" are based upon. GH Lucy's second son Henry inherited the estate from his elder brother in 1847. After the deaths of both Mary Elizabeth and Henry in 1890, the house was rented out by Henry's eldest daughter and heiress, Ada Christina (d 1943). She had married Sir Henry Ramsay-Fairfax, (d 1944), a line of the Fairfax Baronets, who on marriage assumed the name Fairfax-Lucy.
From this point onwards, the family began selling off parts of the outlying estate to fund their extensive lifestyle, and post-World War II in 1946, Sir Montgomerie Fairfax-Lucy, who had inherited the residual estate from his mother Ada, presented Charlecote to the National Trust in-lieu of death duties. Sir Montgomerie was succeeded in 1965 by his brother, Sir Brian, whose wife, Lady Alice, researched the history of Charlecote, and assisted the National Trust with the restoration of the house.
The Slaughter Bridge crossed the River Dene and leads out into the West Park. I only briefly popped into this area before leaving. Mostly just deer park beyond.
Grade II Listed
Park Bridge at Ngr Sp 259 562 to South of Park
Listing Text
CHARLECOTE
SP2556 CHARLECOTE PARK
1901-1/10/30 Park Bridge at NGR SP 259 562, to
18/03/97 south of Park
GV II
Bridge over River Dene. 1867. Ashlar and wrought-iron.
Segmental arch with fluted key flanked by similar flood
arches; roll-moulded cornice extends over abutments with curve
forward either side; parapets with intersecting arcading and
fluted console-piers, ending in scrolls. Wrought-iron gates to
south end of bridge.
Property of the National Trust.
(Charlecote Park leaflet on the deer park: 1993-).
Listing NGR: SP2591656257
This text is from the original listing, and may not necessarily reflect the current setting of the building.
A look at the River Dene.
Four DPAC protest groups converge on DWP - London 04.09.2013
As a conclusion to Disabled People Against Cuts (DPAC) "Reclaiming Our Futures" national week of action which saw disabled people from all over the UK publicly protesting against the devastating damage done by the Conservatives in the name of so-called 'austerity', a disabled activists from all over the UK came to London and protested at the four government departments which have had the most severe impact on their lives - Energy, Transport, Education and Health - and then later converged the Department for Work and Pensions (DWP) for their final protest of this campaign.
The protesters at the DWP were joined by comedy actor Jolyon Rubinstein from BBC 3's "The Revolution Will Be Televised", who appeared as "The ATOS Miracle Healer" and, with his three-part gospel choir proceeded to go through the bemused protesters, invoking the name of DWP minister (and architect of the punitive policies against disabled people) Iain Duncan Smith and promising people that by simply attending an ATOS Work Capability Assessment or by filling in an ATOS assessment form, they would be miraculously cured of their life-long disabilities and would become 'fit for work' - stacking shelves in a supermarket as Workfare slaves for no wages.
All photos © 2013 Pete Riches
Do not reproduce, alter, re-transmit or blog my images without my written permission. I remain at all times the copyright owner of this image.
Hi-Res, un-watermarked versions of these files are available on application solely at my discretion
If you want to use any image found in my Flickr Photostream, please Email me directly.
Media buyers and publications can access this story on Demotix
Standard industry rates apply.
A visit to Charlecote Park for an afternoon visit to this National Trust property in Warwickshire. Near Stratford-upon-Avon. A deer park with a country house in the middle of it.
Charlecote Park (grid reference SP263564) is a grand 16th-century country house, surrounded by its own deer park, on the banks of the River Avon near Wellesbourne, about 4 miles (6 km) east of Stratford-upon-Avon and 5.5 miles (9 km) south of Warwick, Warwickshire, England. It has been administered by the National Trust since 1946 and is open to the public. It is a Grade I listed building.
The Lucy family owned the land since 1247. Charlecote Park was built in 1558 by Sir Thomas Lucy, and Queen Elizabeth I stayed in the room that is now the drawing room. Although the general outline of the Elizabethan house remains, nowadays it is in fact mostly Victorian. Successive generations of the Lucy family had modified Charlecote Park over the centuries, but in 1823, George Hammond Lucy (High Sheriff of Warwickshire in 1831) inherited the house and set about recreating the house in its original style.
Charlecote Park covers 185 acres (75 ha), backing on to the River Avon. William Shakespeare has been alleged to have poached rabbits and deer in the park as a young man and been brought before magistrates as a result.
From 1605 to 1640 the house was organised by Sir Thomas Lucy. He had twelve children with Lady Alice Lucy who ran the house after he died. She was known for her piety and distributing alms to the poor each Christmas. Her eldest three sons inherited the house in turn and it then fell to her grandchild Sir Davenport Lucy.
In the Tudor great hall, the 1680 painting Charlecote Park by Sir Godfrey Kneller, is said to be one of the earliest depictions of a black presence in the West Midlands (excluding Roman legionnaires). The painting, of Captain Thomas Lucy, shows a black boy in the background dressed in a blue livery coat and red stockings and wearing a gleaming, metal collar around his neck. The National Trust's Charlecote brochure describes the boy as a "black page boy". In 1735 a black child called Philip Lucy was baptised at Charlecote.
The lands immediately adjoining the house were further landscaped by Capability Brown in about 1760. This resulted in Charlecote becoming a hostelry destination for notable tourists to Stratford from the late 17th to mid-18th century, including Washington Irving (1818), Sir Walter Scott (1828) and Nathaniel Hawthorn (c 1850).
Charlecote was inherited in 1823 by George Hammond Lucy (d 1845), who married Mary Elizabeth Williams of Bodelwyddan Castle, from who's extensive diaries the current "behind the scenes of Victorian Charlecote" are based upon. GH Lucy's second son Henry inherited the estate from his elder brother in 1847. After the deaths of both Mary Elizabeth and Henry in 1890, the house was rented out by Henry's eldest daughter and heiress, Ada Christina (d 1943). She had married Sir Henry Ramsay-Fairfax, (d 1944), a line of the Fairfax Baronets, who on marriage assumed the name Fairfax-Lucy.
From this point onwards, the family began selling off parts of the outlying estate to fund their extensive lifestyle, and post-World War II in 1946, Sir Montgomerie Fairfax-Lucy, who had inherited the residual estate from his mother Ada, presented Charlecote to the National Trust in-lieu of death duties. Sir Montgomerie was succeeded in 1965 by his brother, Sir Brian, whose wife, Lady Alice, researched the history of Charlecote, and assisted the National Trust with the restoration of the house.
I think this was a swan. Seen in the courtyard between the house and the gatehouse.
A walk around Minterne Gardens in Dorset.
The garden walk is about 1 mile in a horseshoe shape.
You can take different paths on the last leg of the walk, we went on the upper path.
Various paths.
Trees
Information below from leaflet from Minterne Gardens:
The Minterne Valley, landscapped in the manner of Capability Brown in the 18th century, has been the home of the Churchill and Digby families for 350 years. The gardens are laid out in a horseshoe below Minterne House, with a chain of small lakes, waterfalls and streams. They contain an important collection of Himalayan Rhodocdendrons and Azaleas, with Spring bulbs, Cherries, Maples and many fine and rare trees; the garden is noted for its Autumn colouring.
Of particular note are the large plants of Magnolia Campbellii which flower in March and April, together with a profusion of spring bulbs. Many flowering cherries were brought from Japan in 1920 and the Pieris Forrestii with their brilliant scarlet shoots, originally came from Wakehurst. A very fine collection of Davidia Involucrata (the pocket handkerchief tree) produce striking bracts in late May and early June, when the streams are lined with primulas, astilbes and other water plants.
Miami Beach Patrol currently stations 29 lifeguard stands from South Point Park up to 85th Street. These stations are supported by lifeguard personnel in four-wheel drive vehicles. Additional support is provided by all-terrain cycles, a twenty-seven foot rescue vessel, and other smaller jet-driven watercraft. All personnel are in contact with each other by radio transmitters which have the capability of communicating with the City's Police and Fire/Rescue departments.
Statewide beach warning flag system
No, the lifeguards aren’t just being festive. The colors tell beachgoers about the surf conditions. Green means the conditions are safe; yellow signifies a moderate danger, and red warns you that there are strong, dangerous currents and/or high surf. Purple means dangerous marine life. Most of the time, when the purple flags are out, it means jellyfish are in the water. There is also another flag with a “man of war” jellyfish emblem on it, as they’re particularly annoying. Sharks, however, aren’t a major problem in the waters off Miami Beach. In fact, the last fatal shark attack in Miami-Dade County was in 1961!
Think you’ve got what it takes to keep the waters safe? You can apply as a Miami-Dade lifeguard here --> web.miamibeachfl.gov/hr/recruitment/list.aspx (click on “Lifeguard 1”). These are the job requirements and pay for the position of “lifeguard 1”:
Salary: minimum of $15.44 per hour; maximum of $20.74 per hour.
Nature of Work: General lifesaving work in the preservation of safety and order at an assigned station on a public beach.
ILLUSTRATIVE EXAMPLES OF ESSENTIAL DUTIES
* Stands watch in a designated section of the public beaches
* Patrols assigned areas for compliance with state and local laws
* Effects water rescue on public beach areas and other waterways within the city limits
* Sets up lifeguard stands and emergency equipment at headquarter areas
* Renders first aid
* Assists in and maintains rescue and safety equipment including lifeline and buoy installations
* Keeps abreast of latest developments in water safety and rescue methods
* Answers questions of beach patrons
* Answers questions of beach visitors
* Takes beach attendance counts
* Participates in training and drill programs
* Operates emergency vehicles when assigned
* Assists in and maintains necessary safety and rescue equipment to do related work as required
KNOWLEDGE, SKILLS AND ABILITIES
* Some knowledge of first aid and lifesaving techniques
* Considerable skill as swimmer
* Ability to swim long distances under adverse conditions
* Ability to learn lifesaving and water safety procedures
* Ability to learn to operate a rescue paddle boat in rough turf
* Ability to establish and maintain effective working relationships with beach patrons
* Ability to understand and carry out written and oral instructions
* Ability to perform effectively In emergency situations
* Requirements as may be prescribed by the Personnel Board
* Ability to obtain certification in Red Cross Senior Lifesaving and advanced first aid
* Willingness to participate in a training program in order to maintain proper physical fitness
MINIMUM REQUIREMENTS
* Current Certification in Red Cross Standard First Aid
* Current Certification in Red Cross Lifeguard Training
* Current Certification in American Heart or Red Cross Basic Life Support
* Obtain and maintain Certifications as required by the Division
* Driver’s License
PHYSICAL REQUIREMENTS
* Must have interpersonal skills to effectively communicate and interact with other employees
* Significant standing, walking, moving, climbing, carrying, bending, or kneeling
* Some crawling, reaching, handling, sitting, standing, pushing, and pulling
* Ability to pass the Beach Patrol’s physical requirements test (e.g., prolonged running in ankle deep sand,swimming through “crashing surf,” pulling, lifting and carrying unconscious victims, etc.)
* Physical capability to effectively use and operate various items of office related equipment, such as, but not limited to, word processor, calculator, copier, and fax machine.
Hurricane Andrew all but leveled the former stands when it passed through in 1992, and the city of Miami Beach desperately needed some replacements. Even as the Art Deco district was blossoming anew under the renovations led by Barbara Capitman, the city also felt the need to bring a little artistic flair to the beach itself, and so began a project that would redefine beach rescue architecture as we know it.
Artists were called in, including the notable Brooklyn-based painter Kenny Scharf, and the Property Management Department set up shop on the then-abandoned basketball courts of Flamingo Park. Scharf, a star player in the East Village art scene of the 1980’s, was well-known for his pop-culture inspired motifs, creations with scientific themes and imagery appropriated from 60s cartoons such as The Jetsons and The Flintsones.
Beginning in the early 1960s, the USAF sought a replacement for the F-105 Thunderchief: while the F-105 was a good aircraft, it needed long runways that would be vulnerable in wartime and was not as long-ranged as the USAF might like. Simultaneously, the US Navy noticed that Soviet antiship missiles were becoming more advanced and longer-ranged, which would put their current fleet defense aircraft, the F-4 Phantom II, at a disadvantage. The Navy was especially interested in the AIM-54 Phoenix that provided very long-range capability. Though the two services wanted vastly different aircraft, Secretary of Defense Robert McNamara ordered that both seek a common aircraft to save money and development time, as had been done with the F-4; McNamara’s order came over the objections of both USAF and Navy researchers. Nonetheless, the Tactical Fighter Experimental (TFX) project began work in 1961.
Immediately, TFX ran into trouble. The Navy wanted side-by-side seating with a maximum speed of Mach 2 and a fuselage length adequate for carrier operations; the USAF wanted tandem seating with a maximum speed of Mach 2.5 and a long fuselage for better performance. About the only things the two services could agree on was the need for two engines and variable sweep wings, which would satisfy both services’ need for shorter distance takeoffs and landings. Only Boeing and General Dynamics’ proposals reached mockup stage, and McNamara personally ordered the General Dynamics design based on its better commonality of parts, despite the services preference for the Boeing version and the fact that General Dynamics had never built a naval fighter before. The new aircraft was designated F-111, in theory making it the last of the Century Series.
The problems with the F-111 now compounded. The F-111B carrier defense fighter was inadequate in every way, lacked the performance the Navy wanted, and it was too heavy for carrier operations. The F-111B was cancelled in 1967—though its AWG-9 fire control system and the Phoenix missile would live on in the F-14 Tomcat. The USAF’s F-111A had somewhat easier development, flying first in December 1964. Wing cracks and intake issues were addressed, and the F-111A entered USAF service in July 1967, then deployed to Vietnam under Project Combat Lancer in 1968.
Combat Lancer was a miserable failure: of six F-111As sent to Vietnam, three were lost in a month. The F-111 was grounded and in danger of cancellation until the USAF discovered the problem: the “box” that contained the wing sweep mechanism was flawed, as were the tailplanes, which could lock downwards without warning. The latter was traced to a glitch in the terrain-following computer, but the wing box problems were known by General Dynamics before delivery—and ignored to meet contract requirements. The troubles of the F-111 led to derisive nicknames from its crews, such as the “Supersonic Edsel,” “McNamara’s Folly,” and “Aardvark,” due to its long nose and propensity to stick it into the ground. The latter nickname stuck and became the informal name for the aircraft, though it would not be until 1995 that the USAF officially named the F-111 Aardvark.
Following personnel changes at General Dynamics and yet more rework to the design, F-111s returned to Vietnam in September 1972, with some trepidation. This time, however, the F-111 finally proved itself: operating without tanker or jamming support, F-111s would attack North Vietnamese targets alone, at night and often in bad weather, moving so quickly and so low that North Vietnamese air defense could not react in time. Though clearly the Aardvark was no fighter, as a strike aircraft it had few peers. Its terrain-following radar was the best in the world, and it combined high speed penetration with a good bombload.
The USAF began subsequent improvement of the design. The F-111D had an even more advanced fire control system, the first USAF aircraft to use a microprocessor computer, and better Triple Plow II intakes, which spared the Aardvark the catastrophic engine failure that plagued the other user of the TF30 engine, the F-14 Tomcat. The F-111D’s computer was plagued with trouble, so the USAF then fielded the F-111E/F variants, which had simpler fire control but better avionics; the F-111F was optimized for precision attack, equipped with the radar of the FB-111 and the AVQ-26 Pave Tack laser designator.
While the early F-111As were converted to EF-111A Raven ECM aircraft and the F-111D ended up being simply retired rather than fixed, the “simple” F-111E/Fs proved to be superb in USAF service. Australia was the only export customer for the Aardvark, flying F-111Cs from 1973; the United Kingdom cancelled its order of F-111Ks in 1968.
In 1986, F-111s spearheaded Operation Eldorado Canyon, which crippled the regime of Moammar Qaddafi in Libya, while during the First Gulf War of 1991, Aardvarks completely destroyed oil facilities at Kirkuk, used laser-guided bombs to destroy over 1500 Iraqi tanks, and completed nearly 80 percent of all precision attack sorties of the war—ahead of the newer and more advanced F-15E Strike Eagle and Tornado IDS.
This impressive effort was to be the Aardvark’s last. Though it remained in service until 1996, when it was retired from the USAF, it did not participate in any further combat operations. Replaced by the F-15E Strike Eagle, the F-111 left its mark on history and the USAF. A few ex-USAF F-111Gs were passed on to Australia, who continued to operate the Aardvark until finally it was retired for good in 2010. 563 were built, and 57 have been preserved in museums.
Delivered as 68-0020, this F-111E was one of the first E models produced and initially served with the 27th Tactical Fighter Wing at Cannon AFB, New Mexico. Following a stint with the 474th TFW at Nellis AFB, Nevada, it joined the rest of the USAF's F-111Es with the 20th TFW at RAF Upper Heyford, UK.
Because 68-0020's tail number ended in "20," it was selected as the wing's "boss bird," and given a special tail flash that incorporated the colors of all of the 20th's squadrons. It also got the name "The Chief" and appropriate nose art. "The Chief" flew combat missions during Operation Desert Storm, and was retired in 1993. Its last flight was from Upper Heyford to the Hill AFB Museum.
Like all Cold War-era F-111s, "The Chief" wears Southeast Asia camouflage with black undersides for night operations, and retains its "boss bird" markings. The glossy finish of 68-0020 is interesting, because F-111s usually lacked that; it may be just for display.
Interesting that I saw three F-111s in three weeks; all of them were E models, and all of them from the 20th TFW!
DPAC & UK Uncut hold ATOS Closing Ceremony - 31.08.2012
As the Grand Finale to a week-long national campaign of protests against French IT company ATOS Origin and its spinoff ATOS Healthcare which carries out the much-criticised Wirk Capability Assessments on behalf of the DWP, which has seen tens of thousands of severely sick and disabled people declared to be "Fit for Work" and thrown off their disability benefits, several hundred activists from DPAC (Disabled People Against Cuts), WinVisible, Disabled Activists' Network, UK Uncut, Right to Work Campaign, Unite the Union, the GMB Union, Occupy London and the National UNion of Students descended on ATOS' London headquarters to carry out what they had billed as the "ATOS Closing Ceremony" - a reference to ATOS' hugely derided sponsorship of the Paralympic Games which is, say the activists, an act of spectatular cynicism by a corporation which is currently contracted by the Cameron government to the tune of £100 million to conduct the much-feared medical assessments without any reference whatsoever to peoples' medical notes of histories.
For two hours the crowd chanted slogans, listened to oral testimonies from people whose lives have been badly affected by ATOS decisions, heard accounts of people driven into such despair by dealing with ATOS that they have comitted suicide, and also heard many accounts of seriously ill people thrown off their benefits by ATOS who have been forced to look for work - having been declared fit for work - and who have died shortly afterwards. The list of people irreperably harmed by ATOS' computer-driven tick-box assessment which cannot possibly take into account the huge range of physical and mental disabilities seems endless.
Following some dogged Freedom of Information requests by two Daily Mirror journalists earlier this year it is now known that an average of 32 sickness or disability benefit claimnants who have been thrown off their benefits by the DWP following an ATOS zero-point rating and placed in the Work-Related Activity Group or who have been put on Jobseeker's Allowance have died shortly afterwards. In many instances relatives of the deceased have claimed that the stress of being treated in such an inhumane way by ATOS contributed to their deaths.
During the protest at Triton Square the 500-strong crowd were entertained by a street theatre performance which saw a fraudulent "ATOS Miracle Cure" booth set up. The "ATOS Reverend" would lay hands on a disabled person and tell them that "by the power of ATOS you are no longer disabled", and sent them through the ATOS Miracle Cure arch, but sadly once through the arch the disabled people realised they had been tricked and they were still, of course, disabled... but worse was to come, as each disabled person was then confronted by an "ATOS Doctor" who stated that because they were now officially no longer disabled and were fit for work they could now be assigned to do their dream jobs, to which end the phoney doctor handed each person a sheet of paper on which was written "100 meter runner", "Bar Tender", "Mountain Climber" and other completely unsuitable job titles.
At around 2:30pm a section of the crowd took off and headed for Westminster where they picketed outside the Department for Work and Pensions, during which an over-agressive action by the police resulted in a disabled man's shoulder being broken as he was knocked off his wheelchair when police shoved protesters into him.
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So hard that we only got as far as this first corner when both our waterproofs gave out and we decided to squelch our way back to the car.
Both literally soaked to the skin. Can’t describe the pleasure of getting home, into dry clothes and now drinking strong hot coffee with hot cross buns.
Designed by Capability Brown, one of my favourite places to go. Weather permitting 🤔
DPAC and TUC Disabled Workers block Tottenham Court Road - London 22.05.2013
Activists from DPAC and disabled workers attending the TUC Disabled Workers Conference blocked Tottenham Court Road in Central London for an hour and a half as they protested loudly against punitive government cuts to disability benefits and services which is impacting disastrously - and already fatally - on our most vulnerable citizens.
**From the DPAC website **
On the day of the success of the High Court ruling ruling against the Work Capability Assessment, activists from Disabled People Against Cuts (DPAC) and disabled workers attending the Trades Union Congress (TUC) Disabled Workers Conference blocked Tottenham Court Road in an unprecedented act of solidarity.
This Government has repeatedly used the language of division, trying to divide workers and claimants, public and private sectors workers, non-disabled and disabled people. Today we strike back as one, united voice.
The Cuts imposed by the ConDem Government under the cloak of ‘Austerity’ impact on disabled people in every area of life. The scrapping of Disability Living Allowance (DLA) and the Independent Living Fund (ILF) will tens of thousands of disabled workers, and will force many of them out of their jobs. Hundreds of thousands of disabled people both receive and deliver public services as workers in Public Service Departments, Local Authorities and the Voluntary Sector. ILF and DLA play critical roles in maintaining people in these jobs. The 1% uplift limit on Benefits, Universal Credit and the Bedroom Tax will impact on many disabled people both in and out of work.
The removal of many of our basic rights affect not just disabled people, but all of us. For example, the removal of Legal Aid for medical negligence claims comes at the same time as every single contract within the Health Service is open to tender by private companies. This has serious and significant implications for each and every one of us who make up the 99%.
But not everyone is being hit by austerity. While multi-nationals like Atos and Capita make fortunes, tax avoidance and evasion to the tune of tens of billions goes uncollected. The wealthiest 1000 UK residents increased their wealth by some 35 billion last year while disabled people and the poorest members of society were pushed into poverty and despair as the targets of brutal cuts.
Disabled activists have led the fightback against this Government since the beginning, and today disabled activists and workers lead the way again in the first joint, co-ordinated direct action by campaigners and unions on the streets of the U.K.
Shabnam O Saughnessy from DPAC said: "We are delighted to be joined on the streets today by our union comrades. This represents the first steps towards uniting resistance from communities and workplaces. It dispels the myth of disabled people as scroungers and workshy. We are not some separate group of others, we are your friends and neighbours, we work alongside you. Many millions of disabled people are being affected by cuts, and today is about getting our voices heard."
Mandy Hudson, co-chair of the TUC disabled workers committee said: "Trade unionists would like to send a clear message to this government that trade unions, workers and grass roots disabled groups stand together against the onslaught of vicious cuts rained down upon us by the Condems."
--------------------------------------------------------
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A visit to Charlecote Park for an afternoon visit to this National Trust property in Warwickshire. Near Stratford-upon-Avon. A deer park with a country house in the middle of it.
Charlecote Park (grid reference SP263564) is a grand 16th-century country house, surrounded by its own deer park, on the banks of the River Avon near Wellesbourne, about 4 miles (6 km) east of Stratford-upon-Avon and 5.5 miles (9 km) south of Warwick, Warwickshire, England. It has been administered by the National Trust since 1946 and is open to the public. It is a Grade I listed building.
The Lucy family owned the land since 1247. Charlecote Park was built in 1558 by Sir Thomas Lucy, and Queen Elizabeth I stayed in the room that is now the drawing room. Although the general outline of the Elizabethan house remains, nowadays it is in fact mostly Victorian. Successive generations of the Lucy family had modified Charlecote Park over the centuries, but in 1823, George Hammond Lucy (High Sheriff of Warwickshire in 1831) inherited the house and set about recreating the house in its original style.
Charlecote Park covers 185 acres (75 ha), backing on to the River Avon. William Shakespeare has been alleged to have poached rabbits and deer in the park as a young man and been brought before magistrates as a result.
From 1605 to 1640 the house was organised by Sir Thomas Lucy. He had twelve children with Lady Alice Lucy who ran the house after he died. She was known for her piety and distributing alms to the poor each Christmas. Her eldest three sons inherited the house in turn and it then fell to her grandchild Sir Davenport Lucy.
In the Tudor great hall, the 1680 painting Charlecote Park by Sir Godfrey Kneller, is said to be one of the earliest depictions of a black presence in the West Midlands (excluding Roman legionnaires). The painting, of Captain Thomas Lucy, shows a black boy in the background dressed in a blue livery coat and red stockings and wearing a gleaming, metal collar around his neck. The National Trust's Charlecote brochure describes the boy as a "black page boy". In 1735 a black child called Philip Lucy was baptised at Charlecote.
The lands immediately adjoining the house were further landscaped by Capability Brown in about 1760. This resulted in Charlecote becoming a hostelry destination for notable tourists to Stratford from the late 17th to mid-18th century, including Washington Irving (1818), Sir Walter Scott (1828) and Nathaniel Hawthorn (c 1850).
Charlecote was inherited in 1823 by George Hammond Lucy (d 1845), who married Mary Elizabeth Williams of Bodelwyddan Castle, from who's extensive diaries the current "behind the scenes of Victorian Charlecote" are based upon. GH Lucy's second son Henry inherited the estate from his elder brother in 1847. After the deaths of both Mary Elizabeth and Henry in 1890, the house was rented out by Henry's eldest daughter and heiress, Ada Christina (d 1943). She had married Sir Henry Ramsay-Fairfax, (d 1944), a line of the Fairfax Baronets, who on marriage assumed the name Fairfax-Lucy.
From this point onwards, the family began selling off parts of the outlying estate to fund their extensive lifestyle, and post-World War II in 1946, Sir Montgomerie Fairfax-Lucy, who had inherited the residual estate from his mother Ada, presented Charlecote to the National Trust in-lieu of death duties. Sir Montgomerie was succeeded in 1965 by his brother, Sir Brian, whose wife, Lady Alice, researched the history of Charlecote, and assisted the National Trust with the restoration of the house.
Parterre - the garden at the back of the house near the River Avon.
There has not been a lot of discussion of this that I am aware of.
You can't just fire the engines of the Starship in the event of a main booster malfunction. Those engines require some time to reach full thrust and in an emergency you have a very small window of opportunity to get away from a potential disaster. We are talking about Super Super Dracos here.
A dozen or more of evolved Draco thrusters built into the hull of the Starship to enable a quick and controlled departure from the booster. By then your safety software will have started bringing the main engines online to either fly back to the launch site or to an ocean based landing barge designed for this scenario.
In all probability there are going to be situations that will require downrange landings of the Super Boosters anyway.
We need to start working on these now to prevent any unexpected problems. How large the barges will have to be and whether it would be better to refuel the stages and fly them back to the launch site.
A visit to Charlecote Park for an afternoon visit to this National Trust property in Warwickshire. Near Stratford-upon-Avon. A deer park with a country house in the middle of it.
Charlecote Park (grid reference SP263564) is a grand 16th-century country house, surrounded by its own deer park, on the banks of the River Avon near Wellesbourne, about 4 miles (6 km) east of Stratford-upon-Avon and 5.5 miles (9 km) south of Warwick, Warwickshire, England. It has been administered by the National Trust since 1946 and is open to the public. It is a Grade I listed building.
The Lucy family owned the land since 1247. Charlecote Park was built in 1558 by Sir Thomas Lucy, and Queen Elizabeth I stayed in the room that is now the drawing room. Although the general outline of the Elizabethan house remains, nowadays it is in fact mostly Victorian. Successive generations of the Lucy family had modified Charlecote Park over the centuries, but in 1823, George Hammond Lucy (High Sheriff of Warwickshire in 1831) inherited the house and set about recreating the house in its original style.
Charlecote Park covers 185 acres (75 ha), backing on to the River Avon. William Shakespeare has been alleged to have poached rabbits and deer in the park as a young man and been brought before magistrates as a result.
From 1605 to 1640 the house was organised by Sir Thomas Lucy. He had twelve children with Lady Alice Lucy who ran the house after he died. She was known for her piety and distributing alms to the poor each Christmas. Her eldest three sons inherited the house in turn and it then fell to her grandchild Sir Davenport Lucy.
In the Tudor great hall, the 1680 painting Charlecote Park by Sir Godfrey Kneller, is said to be one of the earliest depictions of a black presence in the West Midlands (excluding Roman legionnaires). The painting, of Captain Thomas Lucy, shows a black boy in the background dressed in a blue livery coat and red stockings and wearing a gleaming, metal collar around his neck. The National Trust's Charlecote brochure describes the boy as a "black page boy". In 1735 a black child called Philip Lucy was baptised at Charlecote.
The lands immediately adjoining the house were further landscaped by Capability Brown in about 1760. This resulted in Charlecote becoming a hostelry destination for notable tourists to Stratford from the late 17th to mid-18th century, including Washington Irving (1818), Sir Walter Scott (1828) and Nathaniel Hawthorn (c 1850).
Charlecote was inherited in 1823 by George Hammond Lucy (d 1845), who married Mary Elizabeth Williams of Bodelwyddan Castle, from who's extensive diaries the current "behind the scenes of Victorian Charlecote" are based upon. GH Lucy's second son Henry inherited the estate from his elder brother in 1847. After the deaths of both Mary Elizabeth and Henry in 1890, the house was rented out by Henry's eldest daughter and heiress, Ada Christina (d 1943). She had married Sir Henry Ramsay-Fairfax, (d 1944), a line of the Fairfax Baronets, who on marriage assumed the name Fairfax-Lucy.
From this point onwards, the family began selling off parts of the outlying estate to fund their extensive lifestyle, and post-World War II in 1946, Sir Montgomerie Fairfax-Lucy, who had inherited the residual estate from his mother Ada, presented Charlecote to the National Trust in-lieu of death duties. Sir Montgomerie was succeeded in 1965 by his brother, Sir Brian, whose wife, Lady Alice, researched the history of Charlecote, and assisted the National Trust with the restoration of the house.
Gatehouse
Grade I Listed Building
Listing Text
CHARLECOTE
SP2556 CHARLECOTE PARK
1901-1/10/23 Gatehouse to Charlecote Park
05/04/67
(Formerly Listed as:
Gatehouse at Charlecote Park House)
GV I
Gatehouse, now museum. c1560. Brick laid to English bond with
limestone ashlar dressings.
EXTERIOR: east facade of 2 storeys; symmetrical 3-window range
plus 3-storey octagonal angle turret to each angle. Drip
courses and parapet with pierced rosette pattern. Round-headed
moulded archway has imposts, keystone with jewelled soffit;
paired wrought-iron gates with overthrow, 1722 by T Parris.
Ground floor has ovolo-mullioned cross-mullioned windows, with
similar windows above flanking bracketed canted oriel with
1:3:1-light transomed window over painted relief arms of Lucy
impaling Spencer in wreath and strapwork frame; each turret
has 2-light windows, top entablature and ogival cupola with
ball finial and weather-vane; that to left with 1824 clock
faces. All windows with leaded glazing, most with crown glass.
Rear similar, but drip course raised over arch with fluted
key; 3-light mullioned and transomed windows flanking entrance
and similar windows above, flanking 2 cross-mullion windows
and central bracketed stone panel.
North and south ends have cross-mullioned windows; 2-light
stair window to south.
INTERIOR: passage has 2 bays of rib vaulting with large
pendant bosses; each side has impost course and cornice over
elliptical-headed entrance with studded door and flanking
shell-head alcoves. To north a timber-framed partition and
dogleg stair; south side has room with moulded Tudor-arched
corner fireplace with cornice and Tudor-arched corner doorway.
Museum to first floor has similar fireplace and doorway and
doorways to turret rooms, panelled and battened doors;
north-west room has round-headed timber doorway with C17
panelled door and fireplace with traces of paint.
The gatehouse is a well preserved item. Property of the
National Trust.
(The Buildings of England: Pevsner N & Wedgwood A:
Warwickshire: Harmondsworth: 1966-: 227; The National Trust:
Charlecote Park: guidebook: 1991-: 6-8).
Listing NGR: SP2599256412
This text is from the original listing, and may not necessarily reflect the current setting of the building.
Exhibition Rooms in the gatehouse.
fireplace