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See my journey 2017-2020 in my video youtu.be/VkT3I5h5mOQ
Taking pictures a tool (camera), not a photographer.
The choice of tool limits the possibilities.
Experience allows him (instrument) less and less to limit their capabilities.
The ability to see is given only when the observer allows ...
The moment of observation is the real find ...
Training and mastering it defies. Training leads to poor imitations of the original.
Often the result should ripen, like wine. Although time is the understanding of the mind, therefore it is very speculative.
The meaning of all this is the process!
Find someone who inspires shooting the camera!
Often we are visited by thoughts that may reveal something unknown ... Our mind many times tries to solve a problem with known methods ... This is its main mistake! The path of the heart opens the doors that appear in our path. It is a pity that not everyone has the courage to insert the keys that are always with us ...
(Listenwave- 圣彼得堡)
Lakhta. This small village on the northern shore of the Gulf of Finland, about 15 km north-west of the city, is the birthplace of human settlements on the banks of the Neva. It was in the territory of Lakhta that the remains of a man’s camp of three thousand years ago were found.
In official documents, the settlement named Lakhta has been dating since 1500. The name is derived from the Finnish-language word lahti - "bay". It is one of the few settlements that has not changed its name throughout its 500-year history. It is also known as Lahes, Lahes-by, Lahes and was originally inhabited by Izhora. In the last decades of the 15th century, Lakhta was a village (which indicates a significant number of its population) and was the center of the same name of the Grand-Ducal volost, which was part of the Spassko-Gorodensky pogost of Orekhovsky district of Vodskaya Pyatina. In the village there were 10 yards with 20 people (married men). In Lakhta, on average, there were 2 families each, and the total population of the village probably reached 75 people.
From the marks on the fields of the Swedish scribal book of the Spassky Pogost of 1640, it follows that the lands along the lower reaches of the Neva River and part of the coast of the Gulf of Finland, including Lakhta Karelia, Perekulyu (from the Finnish "back village", probably because of its position relative to Lakhta) and Konduya Lakhtinsky, was granted royal charter on January 15, 1638, to the possession of the Stockholm dignitary, General Rickshulz Bernhard Sten von Stenhausen, of Dutch origin. On October 31, 1648, the Swedish government granted these lands to the city of Nuena (Nyenskansu). With the arrival of the Swedes in the Neva region, Lakhta was settled by the Finns, who until the middle of the 20th century constituted the absolute majority of the villagers.
On December 22, 1766, Catherine 2 granted the Lakhta manor, which at that time belonged to the Office of the Chancellery from the buildings of palaces and gardens, "in which and in her villages with yard people 208 souls" to her favorite, Count Orlov. Not later than 1768 Count J.A. Bruce took possession of the estate. In 1788, the Lakhta manor with its wooden services on dry land (high place) and the villages of Lakhta, Dubki, Lisiy Nos and Konnaya, also on dry land, were listed there, in those villages of male peasants 238 souls. On May 1, 1813, Lakhta was taken over by the landlords of the Yakovlevs. On October 5, 1844, Count A. I. Stenbok-Fermor took possession of the Lakhta estate, in which there were then 255 male souls. This genus was the owner of the estate until 1912, when his last representative got into debt and the nobility was established over the estate. On October 4, 1913, the count, in order to pay off his debts, was forced to go into incorporation, and the Lakhta estate became the property of the Lakht Joint-Stock Company of Stenbock-Fermor and Co.
After the revolution, Lakhta was left to itself for some time; on May 19, 1919, in the former estate of the Stenbock-Fermor estate, the Lakhta sightseeing station was opened, which lasted until 1932. In the early 1920s, sand mining began on the Lakhta beaches, and the abandoned and dilapidated peat-bedding plant of the Lakhta estate in 1922 took the Oblzmotdel department under its jurisdiction and launched it after major repairs. In 1963, the village of Lakhta was included in the Zhdanovsky (Primorsky) district of Leningrad (St. Petersburg).
The Westland Lysander, known as the "Lizzie," is a distinctive high-wing, high-performance observation aircraft with unique capabilities.
It excels in various tasks, from artillery observation to low-level attacks. Its ability to fly very slowly and remain under control is attributed to its peculiar wing design.
The Lysander played a vital role in reconnaissance during the war and contributed significantly to the Dunkirk evacuation.
Post-war, it continued operational work on all fronts and joined the Air-Sea Rescue organisation, providing assistance to downed British airmen.
The hardest things to grasp are my capabilities in here. I almost immediately get to STAR Labs; to my surprise, it seems Ron isn't here. But by the looks of it, not many living people are here.
I jog up the steps, disregarding the card reader and climbing in through the broken window. Orr is on the floor, bloodied, but miraculously dragging himself across the room.
Orr: "Vic-tor."
I get closer to Orr as he mutters out his last words.
Orr: "You-need to kill-- him."
Orr slides a gun towards me; I pick it up with both hands as Orr slumps down slowly.
I throw the gun across the room, that's not me. I hope it will never be me.
I find the stairs and quickly ascend the metal steps. The gem was most commonly in Dad's office space, wouldn't hurt to check the most obvious place first.
I enter the large laboratories, no life, broken machines, chaotic bouts of smoke erupting from piles of scrapped metal.
Blood covers the wall on the way to dad's lab. I need to remind myself that this isn't real, but it looks like people actually suffered. This was my entire fault from the beginning, wasn't it?
I slow down my pace and contemplate. I could've prevented all of this. Maybe Ron living would be better.
I snap out of my pessimistic thoughts and keep my head high, at worst, a lot of things. But with the best case scenario there lays a new chance.
I find myself at dad's desk. I lower my head in defeat, as it's barren. I rub my eyes with my hands.
I remove my hands from my face to notice a sticky note.
I'll keep trying everything until he comes back, I couldn't live with myself just giving up. -S
S? Silas? Dad?
I rip the note off the desk and put it in my pocket. The gem could be anywhere.
I look back towards the windows; a red gem shines in the moonlight as I flash a smile.
I run over, pick up the gem and kiss it.
Victor: "THANK YOU!"
I just need to figure out what I'm supposed to do with this now.
Damn.
My heart skips a beat as a metal footstep echoes throughout the room.
--
Apologies for a short issue.
Project XII didn't achieve the desired affect. What was meant to be a brain-power enhancer turned out to be quite the opposite; reducing the 'subjects' intelligence to that of an infant and greatly damaging cells, particularly the skin cells giving them an 'off' colour, Project XII proved to be a failure, just like its predecessors.
Unfortunately, Project XII never reached the the secure laboratory that was issued to file the chemical away never to be seen again. Instead another smaller laboratory gain possession of Project XII and underestimated its capabilities.
The pandemic costed millions of lives, with small pockets of survivors gradually emerging. The source of Project XII must be destroyed. Man must eliminate Project XII before Project XII eliminates man...
Made for the Zombie Apocalypse Contest over at the LCN. Whether it's prize-winning material I doubt it, but I was pleased with it and it was nice to build something that isn't war-orientated for a change :)
Listen 🙏
Off/ On 📷
Wave
Taking pictures a tool (camera), not a photographer.
The choice of tool limits the possibilities.
Experience allows him (instrument) less and less to limit their capabilities.
The ability to see is given only when the observer allows ...
The moment of observation is the real find ...
Training and mastering it defies. Training leads to poor imitations of the original.
Often the result should ripen, like wine. Although time is the understanding of the mind, therefore it is very speculative.
The meaning of all this is the process!
Find someone who inspires shooting the camera!
www.instagram.com/listenwave_photography/
Often we are visited by thoughts that may reveal something unknown ... Our mind many times tries to solve a problem with known methods ... This is its main mistake! The path of the heart opens the doors that appear in our path. It is a pity that not everyone has the courage to insert the keys that are always with us ...
(Listenwave- 圣彼得堡)
Lakhta. This small village on the northern shore of the Gulf of Finland, about 15 km north-west of the city, is the birthplace of human settlements on the banks of the Neva. It was in the territory of Lakhta that the remains of a man’s camp of three thousand years ago were found.
In official documents, the settlement named Lakhta has been dating since 1500. The name is derived from the Finnish-language word lahti - "bay". It is one of the few settlements that has not changed its name throughout its 500-year history. It is also known as Lahes, Lahes-by, Lahes and was originally inhabited by Izhora. In the last decades of the 15th century, Lakhta was a village (which indicates a significant number of its population) and was the center of the same name of the Grand-Ducal volost, which was part of the Spassko-Gorodensky pogost of Orekhovsky district of Vodskaya Pyatina. In the village there were 10 yards with 20 people (married men). In Lakhta, on average, there were 2 families each, and the total population of the village probably reached 75 people.
From the marks on the fields of the Swedish scribal book of the Spassky Pogost of 1640, it follows that the lands along the lower reaches of the Neva River and part of the coast of the Gulf of Finland, including Lakhta Karelia, Perekulyu (from the Finnish "back village", probably because of its position relative to Lakhta) and Konduya Lakhtinsky, was granted royal charter on January 15, 1638, to the possession of the Stockholm dignitary, General Rickshulz Bernhard Sten von Stenhausen, of Dutch origin. On October 31, 1648, the Swedish government granted these lands to the city of Nuena (Nyenskansu). With the arrival of the Swedes in the Neva region, Lakhta was settled by the Finns, who until the middle of the 20th century constituted the absolute majority of the villagers.
On December 22, 1766, Catherine 2 granted the Lakhta manor, which at that time belonged to the Office of the Chancellery from the buildings of palaces and gardens, "in which and in her villages with yard people 208 souls" to her favorite, Count Orlov. Not later than 1768 Count J.A. Bruce took possession of the estate. In 1788, the Lakhta manor with its wooden services on dry land (high place) and the villages of Lakhta, Dubki, Lisiy Nos and Konnaya, also on dry land, were listed there, in those villages of male peasants 238 souls. On May 1, 1813, Lakhta was taken over by the landlords of the Yakovlevs. On October 5, 1844, Count A. I. Stenbok-Fermor took possession of the Lakhta estate, in which there were then 255 male souls. This genus was the owner of the estate until 1912, when his last representative got into debt and the nobility was established over the estate. On October 4, 1913, the count, in order to pay off his debts, was forced to go into incorporation, and the Lakhta estate became the property of the Lakht Joint-Stock Company of Stenbock-Fermor and Co.
After the revolution, Lakhta was left to itself for some time; on May 19, 1919, in the former estate of the Stenbock-Fermor estate, the Lakhta sightseeing station was opened, which lasted until 1932. In the early 1920s, sand mining began on the Lakhta beaches, and the abandoned and dilapidated peat-bedding plant of the Lakhta estate in 1922 took the Oblzmotdel department under its jurisdiction and launched it after major repairs. In 1963, the village of Lakhta was included in the Zhdanovsky (Primorsky) district of Leningrad (St. Petersburg).
PACIFIC OCEAN (May 8, 2017 The amphibious assault ship USS America (LHA 6) and amphibious transport dock ship USS San Diego (LPD 22) move into position behind the amphibious dock landing ship USS Pearl Harbor (LSD 52), not pictured, to engage notional targets during a live-fire event as part of a Composite Training Unit Exercise. The live-fire event provided an opportunity for Marines and Sailors to engage moving targets while aboard ship and enhanced their marksmanship skills. During COMPTUEX, the 15th Marine Expeditionary Unit and America Amphibious Ready Group will exercise a wide range of capabilities, from disaster response and maritime security operations to sea control and complex warfighting. (U.S. Marine Corps photo by Cpl. F. Cordoba)
A delicate tracery of dust and bright star clusters threads across this image from the NASA/ESA/CSA James Webb Space Telescope. The bright tendrils of gas and stars belong to the barred spiral galaxy NGC 5068, whose bright central bar is visible in the upper left of this image. NGC 5068 lies around 17 million light-years from Earth in the constellation Virgo.
This portrait of NGC 5068 is part of a campaign to create an astronomical treasure trove, a repository of observations of star formation in nearby galaxies. Previous gems from this collection can be seen here and here. These observations are particularly valuable to astronomers for two reasons. The first is because star formation underpins so many fields in astronomy, from the physics of the tenuous plasma that lies between stars to the evolution of entire galaxies. By observing the formation of stars in nearby galaxies, astronomers hope to kick-start major scientific advances with some of the first available data from Webb.
The second reason is that Webb’s observations build on other studies using telescopes including the NASA/ESA Hubble Space Telescope and some of the world’s most capable ground-based observatories. Webb collected images of 19 nearby star-forming galaxies which astronomers could then combine with catalogues from Hubble of 10 000 star clusters, spectroscopic mapping of 20 000 star-forming emission nebulae from the Very Large Telescope (VLT), and observations of 12 000 dark, dense molecular clouds identified by the Atacama Large Millimeter/submillimeter Array (ALMA). These observations span the electromagnetic spectrum and give astronomers an unprecedented opportunity to piece together the minutiae of star formation.
With its ability to peer through the gas and dust enshrouding newborn stars, Webb is the perfect telescope to explore the processes governing star formation. Stars and planetary systems are born amongst swirling clouds of gas and dust that are opaque to observations in visible light, like many from Hubble or the VLT. The keen vision at infrared wavelengths of two of Webb’s instruments — MIRI and NIRCam — allowed astronomers to see right through the gargantuan clouds of dust in NGC 5068 and capture the processes of star formation as they happened. This image combines the capabilities of these two instruments, providing a truly unique look at the composition of NGC 5068.
More: esawebb.org/images/potm2305a/
Credit: ESA/Webb, NASA & CSA, J. Lee and the PHANGS-JWST Team
Image description: Webb’s composite image of barred spiral galaxy NGC 5068, showing its core and part of a spiral arm. Clumps and filaments of dust, represented in a mossy green color, form an almost skeletal structure that follow the twist of the galaxy and its spiral arm. Thousands upon thousands of packed, tiny stars that make it up can be seen, most dense in a whitish bar in the top left quadrant, which is the region that forms its core. Large, glowing bubbles of gas, represented in red, are hidden in the dust. The background is a dark forest green.
PACIFIC OCEAN (Sept. 15, 2019) The Military Sealift Command (MSC) government-owned tanker ship SS Petersburg (T-AOT-9101), sits in a 12-degree list as it successfully deploys a single-anchor leg mooring (SALM) buoy, the first of this type of exercise conducted in Southern California. The ship is participating in Arctic Expeditionary Capabilities Exercise 2019 off the coast of San Diego, Calif. (U.S. Navy photo by Sarah Burford)
Panasonic Lumix DC-FZ80. Mixing long-zoom capabilities with multimedia recording versatility, the Lumix DC-FZ80 from Panasonic pairs an expansive 60x zoom lens with high-resolution stills and 4K video shooting functionality. Revolving around an 18.1MP High-Sensitivity MOS sensor, the FZ80 has a top sensitivity of ISO 6400 for working in low-light conditions as well as a 10 fps shooting rate and UHD 4K/30p video recording at 100 Mbps. The 4K capabilities are extended to stills applications, too, and allow for 30 fps shooting at 8MP as well as the ability to use Post Focus for choosing your specific point of focus after shooting. Complementing these imaging assets is a Lumix DC Vario lens, which provides a 20-1200mm equivalent focal length range, along with POWER O.I.S. to minimize the appearance of camera shake for sharper handheld shooting.
After I got the Sony, I turned this over to my wife Carol. She loves it! It does decent considering the tiny sensor in it (1/2.3") especially if you take a little time in post production. The lens is insane! 3.58-215mm (35 mm equivalent: 20-1200mm)
76079 & 92212 double-head the 15:00 Bury to Ramsbottom at Burrs on the 28th October 2001. Eight Mark 1s are well within the capabilities of a single 9F, so the double heading was purely for show. Nice to see this pair together though.
://Begin Kas's Personal log\\:
The day of the Boonta speeder race was nearly upon us and Braik was constantly working on improving the speeder, which he had christened "the wraith". Now that more skilled racers had decided to participate, we all felt our chances of winning were growing slimmer every day, so it was important that we spent as much time as possible improving the Wraith's capabilities. Marcus and Veto kept him company, as they would be piloting the speeder during the competition and needed to know as much as possible about it's inner workings.
Although both Marcus and Veto are skilled pilots and can manage to control just about anything, it's definitely not their specialty. Me and Vace were tasked to locate and recruit two individuals who could permanently fulfill the function of pilots.
This is much harder than it sounds - most people back away and call the authorities when you say you want them to join an illegal gang of criminals. Thankfully, Vace assured me he knew a way to recruit two exquisite pilots without any problems occurring.
Following his lead, we traveled to Mon Cala. Upon arrival at Bel city, we were greeted by a hooded woman who introduced herself as Quash. What she was doing on Mon Cala, I don't know - my personal guess was she dealt in starship equipment...illegally of course, I'm not sure how Vace could have gotten in touch with her otherwise.
She led as down a couple of alleys and roads that evidently hadn't been used for a longer time. During our trip I attempted to start up a conversation using tried and true methods, such as commenting on the current nerf herding situation and the rising prices of death sticks, without success. Quash led us to a small rock outcrop near the edge of the sea where she approached a circular rock.
"This is the location, as requested," she said. After a quick nod to Vace, she turned away and began the trek back to the city.
I glanced at Vace. "Wow man, you've really got to introduce me to some more of your friends - I don't believe I've met anyone as sociable as her"
"She's more of an acquaintance than a friend," replied Vace. "We worked together in the same platoon when we defected - she, unlike the rest of us, enjoyed working for the Empire. Unfortunately, you can't exactly show up to work like nothing's changed after your whole troop has defected. She fled to Mon Cala in fear of her life."
"Then I'm guessing you two don't get along very well?" I asked.
"She despises me and everyone else from our platoon. I personally have nothing against her - I completely understand wanting to work for the Empire. I suppose it gives a nice sense of safety knowing you work for the largest military force in the galaxy. Still, I believe if she just got over it, she could enjoy her life outside the Empire - I certainly do."
"Then why exactly is she helping us out?"
Vace looked towards the fading figure of Quash in the distance. "She owes me," he said simply, and I could tell that was the only answer I was going to get.
Vace approached the circular rock, which upon closer inspection turned out to be a hatch. Having lifted the hatch he climbed inside and out of view. I followed behind, not understanding where we were going or what we were doing in any way.
We found ourselves in what seemed to be an underground hangar, completely invisible from above. This surprised me for a couple of reasons - first, building an underground hangar is incredibly hard and according to some, impossible. Second, once the Empire had taken control of Mon Cala all hangars had been deemed property of the Empire, yet as I looked around I didn't notice a single trooper in sight.
We were approached by a middle-aged man who, judging by his outfit, was a flight instructor.
"Welcome to the Bel city flight academy," he said. "My name is Serge Danga, I teach the elite class here at the academy. I suppose you're here to meet our students? "
Before I could ask one of my two million questions, Vace replied that we were and that we'd like to meet them as soon as possible.
"Can you please tell me what's going on?" I whispered to Vace. "We're supposed to be looking for skilled pilots, not school-aged rookies looking to impress their friends. Plus, where in the galaxy are we? I thought all flight academies on Mon Cala were closed or taken over due to imperial occupation."
Vace laughed. "You sound like an Imperial recruiter. Trust me, I think you'll be surprised with what some of these students can do to "impress" their friends, especially members of the elite class. As for our location, we are now walking through the hangar of one of the finest piloting schools in the galaxy. Its access is restricted of course, the academy directors don't want the imperials to realize an undercover and operating flight academy exists right under their noses.
Danga led us to the very center of the hangar where a group of young students equipped with flight suits were engaged in a conversation. Upon seeing Serge they halted their discussion and looked our way.
"Good evening cadets," said Danga. "I'd like you to meet sirs Vace and Kas. They're looking for two cadets to assist them in their power converter transportation services, if I remember correctly."
I raised an eyebrow and looked at Vace. He cleared his throat and addressed the group of students:
"About that - the truth is, we don't exactly transport power converters. I mean sure, we transport converters among other things, but it's not really what we specialize in."
"Just what do you specialize in then?" asked Danga.
Vace cleared his throat. Again.
"Well actually, we-,"
"We transport captives," I said, taking charge of the situation. "As well as spice, death sticks, blue milk, and just about anything that will gain us credits. Putting it simply, we're a band of smugglers and bounty hunters. If any of you want to join us and live a life of never-ending adventure and danger, but also full of credits, please speak up now."
If Danga appeared to be shocked at this news, it was nothing compared to the look on his face when after a moments' hesitation two cadets stepped forward; one a young woman, the other a Mon Calamari.
"My name is Charla, this is Frons," said the cadet, nodding towards the Mon Calamari.
"Do you accept the position we're offering?" asked Vace.
Charla glanced at Frons. "I think I speak for both of us when I say we'll take any chance that we come across to get off this lousy planet," she said. "Both of our parents were members of the underworld before they were killed by the Empire. I honestly won't mind following in their footsteps. What about you Frons?"
"As long as I get to take down some Imperials, I'm in," he growled.
"In that case, we'll be off," I said. "Charla, Frons, grab your stuff, our transport leaves at 2000 hours."
"Wha- wait, you can't do this!" sputtered Danga.
"As a matter'a fact I can," I said. "One, because if you cause any problems I'll spill the beans to the Empire about this little operation going on here and two," I smirked.
"We're Bounty Hunters, what you going to do?"
://End Kas's Personal log\\:
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I'm currently working on a very large Fractured Kingdoms project, so I thought I'd take a break from medieval MOC building and construct something for DT. I had a very fun time building this MOC and I'm relatively pleased with the way it came out. Next MOC I publish in here will either be the FK one I'm working on or a cyberpunk vignette. Either way, stay tuned for more MOCs and happy building!
Portrait and bundled flash testing.
Running out of ideas under this strict lockdown I decided to test bundled flash (FL-LM3) in order to know its capabilities (no diffuser and no bouncing).
GN is 12.7 at ISO 200 but increasing 1 stop (flash compensation) looks much better (then it stays around GN 10).
Sorry but no models available so had to use last resort: myself ;-)
Straight Out Of Camera (SOOC)
Santiago, Chile.
A huge difference in capabilities. Both are great workhorses. The riding mower we have used and abused for 15 years on multiple properties. The tractor is new, and will get a lot of use on our farm.
GULF OF ALASKA (Sept. 10, 2019) USS Comstock (LSD 45) pulls into Kodiak, Alaska, for a port visit during the Arctic Expeditionary Capabilities Exercise (AECE) 2019. Approximately 3,000 U.S. Navy and Marine Corps personnel participate in AECE 2019, a joint training exercise that tests expeditionary logistical capabilities in the Arctic region and prepares joint forces to respond to crises across the Indo-Pacific. (Photo by Senior Chief Petty Officer Brandon Raile)
Marines with 2nd Battalion, 7th Marines, assigned to Special Purpose Marine Air-Ground Task Force – Crisis Response – Central Command (SPMAGTF-CR-CC) 19.2, throw non-lethal grenades during a non-lethal weapons training exercise, Jan. 18, 2020. The SPMAGTF-CR-CC is a multiple force provider designed to employ ground, logistics and air capabilities throughout the Central Command area of responsibility. (U.S. Marine Corps photo by Sgt. Branden J. Bourque)
Taking pictures a tool (camera), not a photographer.
The choice of tool limits the possibilities.
Experience allows him (instrument) less and less to limit their capabilities.
The ability to see is given only when the observer allows ...
The moment of observation is the real find ...
Training and mastering it defies. Training leads to poor imitations of the original.
Often the result should ripen, like wine. Although time is the understanding of the mind, therefore it is very speculative.
The meaning of all this is the process!
Find someone who inspires shooting the camera!
Often we are visited by thoughts that may reveal something unknown ... Our mind many times tries to solve a problem with known methods ... This is its main mistake! The path of the heart opens the doors that appear in our path. It is a pity that not everyone has the courage to insert the keys that are always with us ...
(Listenwave- 圣彼得堡)
Lakhta. This small village on the northern shore of the Gulf of Finland, about 15 km north-west of the city, is the birthplace of human settlements on the banks of the Neva. It was in the territory of Lakhta that the remains of a man’s camp of three thousand years ago were found.
In official documents, the settlement named Lakhta has been dating since 1500. The name is derived from the Finnish-language word lahti - "bay". It is one of the few settlements that has not changed its name throughout its 500-year history. It is also known as Lahes, Lahes-by, Lahes and was originally inhabited by Izhora. In the last decades of the 15th century, Lakhta was a village (which indicates a significant number of its population) and was the center of the same name of the Grand-Ducal volost, which was part of the Spassko-Gorodensky pogost of Orekhovsky district of Vodskaya Pyatina. In the village there were 10 yards with 20 people (married men). In Lakhta, on average, there were 2 families each, and the total population of the village probably reached 75 people.
From the marks on the fields of the Swedish scribal book of the Spassky Pogost of 1640, it follows that the lands along the lower reaches of the Neva River and part of the coast of the Gulf of Finland, including Lakhta Karelia, Perekulyu (from the Finnish "back village", probably because of its position relative to Lakhta) and Konduya Lakhtinsky, was granted royal charter on January 15, 1638, to the possession of the Stockholm dignitary, General Rickshulz Bernhard Sten von Stenhausen, of Dutch origin. On October 31, 1648, the Swedish government granted these lands to the city of Nuena (Nyenskansu). With the arrival of the Swedes in the Neva region, Lakhta was settled by the Finns, who until the middle of the 20th century constituted the absolute majority of the villagers.
On December 22, 1766, Catherine 2 granted the Lakhta manor, which at that time belonged to the Office of the Chancellery from the buildings of palaces and gardens, "in which and in her villages with yard people 208 souls" to her favorite, Count Orlov. Not later than 1768 Count J.A. Bruce took possession of the estate. In 1788, the Lakhta manor with its wooden services on dry land (high place) and the villages of Lakhta, Dubki, Lisiy Nos and Konnaya, also on dry land, were listed there, in those villages of male peasants 238 souls. On May 1, 1813, Lakhta was taken over by the landlords of the Yakovlevs. On October 5, 1844, Count A. I. Stenbok-Fermor took possession of the Lakhta estate, in which there were then 255 male souls. This genus was the owner of the estate until 1912, when his last representative got into debt and the nobility was established over the estate. On October 4, 1913, the count, in order to pay off his debts, was forced to go into incorporation, and the Lakhta estate became the property of the Lakht Joint-Stock Company of Stenbock-Fermor and Co.
After the revolution, Lakhta was left to itself for some time; on May 19, 1919, in the former estate of the Stenbock-Fermor estate, the Lakhta sightseeing station was opened, which lasted until 1932. In the early 1920s, sand mining began on the Lakhta beaches, and the abandoned and dilapidated peat-bedding plant of the Lakhta estate in 1922 took the Oblzmotdel department under its jurisdiction and launched it after major repairs. In 1963, the village of Lakhta was included in the Zhdanovsky (Primorsky) district of Leningrad (St. Petersburg).
Mehrere Bundesländer, nicht alle, veranstalten in unregelmäigen Abständen Landesgartenschauen. Im Land Brandenburg findet 2022 eine solche Schau, abgekürzt LAGA, in der Stadt Beelitz, gelegen ca. 43 km (Luftlinie) südwestlich von Berlin statt. Beelitz, gegründet vor ca. 1000 Jahren, hat zusammen mit mehreren in den letzten Jahren eingemeindeten Dörfern der Umgebung etwa 13.000 Einwohner und ist das Zentrum eines großen Spargelanbaugebiets. Spargel, vor allem der weiße, wird in Beelitz und Umgebung schon seit über 150 Jahren angebaut. Er spielt auch eine große Rolle auf der LAGA 2022 als dekoratives Element und in einer Ausstellung über den Spargelanbau. Außerdem bietet ein großes Restaurant, betrieben von einem großen Spargelhof, Spargelgerichte. Für die LAGA wurde eine wenig attraktive Festwiese, die sich zwischen der Altstadt und dem Fluss Nieplitz erstreckt, in einen großen Park umgestaltet, der den Einwohnern dauerhaft zur Verfügung stehen wird. Die beliebten und alle zwei Wochen wechselnden Blumenschauen, in denen Gärtnereibetriebe ihr Leistungsvermögen demonstrieren, finden mitten in der Altstadt, in der 800-jährigen Stadtpfarrkirche St. Marien und St. Nikolai statt, die nach der LAGA wieder als Ort für Gottesdienste genutzt werden wird.
Several federal states, not all, organise state garden shows at irregular intervals. In the state of Brandenburg, such a show, abbreviated LAGA, takes place in 2022 in the town of Beelitz, located about 43 km (as the crow flies) southwest of Berlin. Beelitz, founded about 1000 years ago, has about 13,000 inhabitants together with several villages in the surrounding area that have been incorporated in recent years, and is the centre of a large asparagus-growing area. Asparagus, especially the white variety, has been grown in Beelitz and the surrounding area for over 150 years. It also plays a major role at LAGA 2022 as a decorative element and in an exhibition about asparagus cultivation. In addition, a large restaurant, run by a large asparagus farm, offers asparagus dishes. For the LAGA, a less attractive festival meadow stretching between the old town and the Nieplitz River has been transformed into a large park that will be permanently available to residents. The popular flower shows, which change every fortnight and in which gardening companies demonstrate their capabilities, take place in the middle of the old town, in the 800-year-old St. Mary's and St. Nicholas' Town Parish Church, which will once again be used as a place for church services after the LAGA.
The Hawker Siddeley Harrier is a British military aircraft. It was the first of the Harrier series of aircraft and was developed in the 1960s as the first operational ground attack and reconnaissance aircraft with vertical/short takeoff and landing (V/STOL) capabilities and the only truly successful V/STOL design of that era. The Harrier was developed directly from the Hawker Siddeley Kestrel prototype aircraft, following the cancellation of a more advanced supersonic aircraft, the Hawker Siddeley P.1154. In the late 1960s, the Harrier GR.1 and GR.3 variants were ordered by the British government for the Royal Air Force (RAF). It was exported to the United States as the AV-8A, for use by the US Marine Corps (USMC), in the 1970s.
During the Harrier's service the RAF positioned the bulk of the aircraft in West Germany to defend against a potential invasion of Western Europe by the Warsaw Pact forces; the unique abilities of the Harrier allowed the RAF to disperse their forces away from vulnerable airbases. The USMC used their Harriers primarily for close air support, operating from amphibious assault ships, and, if needed, forward operating bases. Harrier squadrons saw several deployments overseas. The Harrier's ability to operate with minimal ground facilities and very short runways allowed it to be used at locations unavailable to other fixed-wing aircraft. The Harrier received criticism for having a high accident rate and for a time-consuming maintenance process.
In the 1970s the British Aerospace Sea Harrier was developed from the Harrier for use by the Royal Navy (RN) on Invincible-class aircraft carriers. The Sea Harrier and the Harrier fought in the 1982 Falklands War, in which the aircraft proved to be crucial and versatile. The RN Sea Harriers provided fixed-wing air defence while the RAF Harriers focused on ground-attack missions in support of the advancing British land force. The Harrier was also extensively redesigned as the AV-8B Harrier II and British Aerospace Harrier II by the team of McDonnell Douglas and British Aerospace.
Today I learned that my father flew on this very airplane when he traveled from Rio de Janeiro, Brazil to Miami, Florida in 1942. He was a journalist working for United Press International in Rio. My mother and my late brother stayed home. It was WWII and space on commercial flights was at a premium.
Can that really have been 80 years ago?
Father never mentioned having flown in this type of airliner. He did like to tell the story of being on board a plane at a South American airport during iffy weather. Imagine his shock and the other passengers' when the pilot emerged from the cockpit, stood at the front of the cabin and asked them whether he should take off!
In this photo taken in late 1937, the flying boat is moored in Miami.
The plane is a Sikorsky S-43B.
-------------------------------------------------------------------------------------------
The S-43 was originally designed for a Pan American requirement for a twin-engined amphibian for secondary Latin American routes.
Essentially a scaled-down version of the S-42, the S-43 employed a single-step hull and a single tail group. The wing rested on a central pylon, supported on either side by N-struts. Wing flaps covering 48% of the span reduced the stall speed to 65 mph.
The S-42 had twin vertical tails. Many of the S-43s had the same arrangement, but some had a single tail. Biggest difference other than size and the S-43's amphibious capabilities (although some S-43s were built as flying boats) were the powerplants, only two 750hp Pratt & Whitney Hornets on the S-43. The smaller airplane had a gross weight of 19,5001b (8,845kg) and could seat 16 to 24, depending on the legroom. Both transports were certificated in 1935.
After the first flight on 5 June 1935 (piloted by Boris Sergievsky), the first of fourteen S-43s delivered to Pan American (ATC 593) entered Latin American service in April 1936, though most were subsequently turned over to Panair do Brasil and other subsidiary operations.
Sikorsky Aircraft built 53 S-43 twin engined amphibians in the mid1930s.
In 1938 Pan American used one of its S-43s on survey flights for planned route extensions to Alaska.
Additionally, four were sold Inter-Islan Airways Airways (later renamed Hawaiian, Airlines) in the Hawaiian Islands, four to Aeromaritime - an Air France affiliate, in West Africa, KLM's Netherlands East Indies associate, and one to DNL-Norwegian Airlines.
Twenty-two amphibians were delivered as S-43s (NC15061-15068, NC16925, NC16928, NC16934, and NC20698), plus one S-43-A and three S-43-Bs (NC16926-16927, and NC16931-16933) with minor detail changes.
Specifications of the S-43B:
S-43-B
Engine: two 750hp P&W Hornet
Wingspan: 86'0"
Length: 51'2"
Useful load: 6750 lb
Max speed: 194 mph
Cruise: 167 mph
Stall: 65 mph
Range: 775 mi
Ceiling: 17,500'
Passengers: 16-25
all-aero.com/index.php/contactus/10133-sikorsky-s-43--jrs...
Acaya is a small and beautiful village, a community frazione of Vernole, in the province of Lecce and region of Apulia, in southern Italy.
The heart of the settlement is a good example of the few fortified villages left in Apulia and its layout was planned to optimize defense and survival capabilities. The street pattern dates back at least to the 16th century and divides the village into rectangular insulae, or islands. The centre consists of six streets laid out in a regular pattern, parallel with each other and running roughly from north to south, all with a width of four meters, all but one some seventeen meters apart, and almost all having the same length. From east to west, three streets run at right-angles to the six north-south streets, one each at their south and north ends and one across the middle, making all of the streets orthogonal. The important buildings, such as the castle and the church, are built outside this grid of streets, the castle standing a little way off to the south-west.
The village lies some five kilometers from the Adriatic Sea and the Cesines public nature reserve.
Listen 🙏
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Wave
Taking pictures a tool (camera), not a photographer.
The choice of tool limits the possibilities.
Experience allows him (instrument) less and less to limit their capabilities.
The ability to see is given only when the observer allows ...
The moment of observation is the real find ...
Training and mastering it defies. Training leads to poor imitations of the original.
Often the result should ripen, like wine. Although time is the understanding of the mind, therefore it is very speculative.
The meaning of all this is the process!
Find someone who inspires shooting the camera!
www.instagram.com/listenwave_photography/
Often we are visited by thoughts that may reveal something unknown ... Our mind many times tries to solve a problem with known methods ... This is its main mistake! The path of the heart opens the doors that appear in our path. It is a pity that not everyone has the courage to insert the keys that are always with us ...
(Listenwave- 圣彼得堡)
Lakhta. This small village on the northern shore of the Gulf of Finland, about 15 km north-west of the city, is the birthplace of human settlements on the banks of the Neva. It was in the territory of Lakhta that the remains of a man’s camp of three thousand years ago were found.
In official documents, the settlement named Lakhta has been dating since 1500. The name is derived from the Finnish-language word lahti - "bay". It is one of the few settlements that has not changed its name throughout its 500-year history. It is also known as Lahes, Lahes-by, Lahes and was originally inhabited by Izhora. In the last decades of the 15th century, Lakhta was a village (which indicates a significant number of its population) and was the center of the same name of the Grand-Ducal volost, which was part of the Spassko-Gorodensky pogost of Orekhovsky district of Vodskaya Pyatina. In the village there were 10 yards with 20 people (married men). In Lakhta, on average, there were 2 families each, and the total population of the village probably reached 75 people.
From the marks on the fields of the Swedish scribal book of the Spassky Pogost of 1640, it follows that the lands along the lower reaches of the Neva River and part of the coast of the Gulf of Finland, including Lakhta Karelia, Perekulyu (from the Finnish "back village", probably because of its position relative to Lakhta) and Konduya Lakhtinsky, was granted royal charter on January 15, 1638, to the possession of the Stockholm dignitary, General Rickshulz Bernhard Sten von Stenhausen, of Dutch origin. On October 31, 1648, the Swedish government granted these lands to the city of Nuena (Nyenskansu). With the arrival of the Swedes in the Neva region, Lakhta was settled by the Finns, who until the middle of the 20th century constituted the absolute majority of the villagers.
On December 22, 1766, Catherine 2 granted the Lakhta manor, which at that time belonged to the Office of the Chancellery from the buildings of palaces and gardens, "in which and in her villages with yard people 208 souls" to her favorite, Count Orlov. Not later than 1768 Count J.A. Bruce took possession of the estate. In 1788, the Lakhta manor with its wooden services on dry land (high place) and the villages of Lakhta, Dubki, Lisiy Nos and Konnaya, also on dry land, were listed there, in those villages of male peasants 238 souls. On May 1, 1813, Lakhta was taken over by the landlords of the Yakovlevs. On October 5, 1844, Count A. I. Stenbok-Fermor took possession of the Lakhta estate, in which there were then 255 male souls. This genus was the owner of the estate until 1912, when his last representative got into debt and the nobility was established over the estate. On October 4, 1913, the count, in order to pay off his debts, was forced to go into incorporation, and the Lakhta estate became the property of the Lakht Joint-Stock Company of Stenbock-Fermor and Co.
After the revolution, Lakhta was left to itself for some time; on May 19, 1919, in the former estate of the Stenbock-Fermor estate, the Lakhta sightseeing station was opened, which lasted until 1932. In the early 1920s, sand mining began on the Lakhta beaches, and the abandoned and dilapidated peat-bedding plant of the Lakhta estate in 1922 took the Oblzmotdel department under its jurisdiction and launched it after major repairs. In 1963, the village of Lakhta was included in the Zhdanovsky (Primorsky) district of Leningrad (St. Petersburg).
Every once in a while, I like to fool around with the capabilities of my SX cameras. Not Nikons or Canons, but light weight cameras which weight just 22 ounces complete. My left arm has little strength, so all balancing is done with my right with my eye pressed against the electronic viewfinder.
This is as close as I've in this case to a Painter Lady Butterfly which, rather than being held by the legs, just came to sit on my hand and I wasn't about to pass that opportunity by.
Wing Span: 2 - 2 7/8 inches (5.1 - 7.3 cm).
Life History: Males perch and patrol during the afternoon for receptive females. In the West males usually perch on shrubs on hilltops, while in the East males perch on bare ground in open areas. Females lay eggs singly on the tops of host plant leaves. Caterpillars live in silk nests and eat leaves. Adults hibernate only in the South and in mild winters. That's an awful lot of flight time, second only to the Monarch Butterfly. Something you should know about the Momarch: it migrates from Baja California to Canada and Texas also to Canada. However, the butterfly that takes off down south is not the same one that ends up in the north. Rather that's either the third or forth generation. In other words, the Monarch (and probably the Painted Lady) starts it's migration with millions of other Monarchs from trees in Baja, to Cypress Trees in Monarch Grove Sanctuary in Pacific Grove right next to Monterey, California ... also by the millions. And they continue on depending on temperature.
1. Taking pictures a tool (camera), not a photographer.
2. The choice of tool limits the possibilities.
3. Experience allows him (instrument) less and less to limit their capabilities.
4. The ability to see is given only when the observer allows ...
5. The moment of observation is the real find ...
6. Training and mastering it defies. Training leads to poor imitations of the original.
7. Often the result should ripen, like wine. Although time is the understanding of the mind, therefore it is very speculative.
8. The meaning of all this is the process!
9. Let it be!
youtu.be/2pQrWPpUN1U
www.facebook.com/oleg.pivovarchik.1971
listenwave.smugmug.com
#FilmOFone
Taking pictures a tool (camera), not a photographer.
The choice of tool limits the possibilities.
Experience allows him (instrument) less and less to limit their capabilities.
The ability to see is given only when the observer allows ...
The moment of observation is the real find ...
Training and mastering it defies. Training leads to poor imitations of the original.
Often the result should ripen, like wine. Although time is the understanding of the mind, therefore it is very speculative.
The meaning of all this is the process!
Find someone who inspires shooting the camera!
Often we are visited by thoughts that may reveal something unknown ... Our mind many times tries to solve a problem with known methods ... This is its main mistake! The path of the heart opens the doors that appear in our path. It is a pity that not everyone has the courage to insert the keys that are always with us ...
(Listenwave- 圣彼得堡)
Lakhta. This small village on the northern shore of the Gulf of Finland, about 15 km north-west of the city, is the birthplace of human settlements on the banks of the Neva. It was in the territory of Lakhta that the remains of a man’s camp of three thousand years ago were found.
In official documents, the settlement named Lakhta has been dating since 1500. The name is derived from the Finnish-language word lahti - "bay". It is one of the few settlements that has not changed its name throughout its 500-year history. It is also known as Lahes, Lahes-by, Lahes and was originally inhabited by Izhora. In the last decades of the 15th century, Lakhta was a village (which indicates a significant number of its population) and was the center of the same name of the Grand-Ducal volost, which was part of the Spassko-Gorodensky pogost of Orekhovsky district of Vodskaya Pyatina. In the village there were 10 yards with 20 people (married men). In Lakhta, on average, there were 2 families each, and the total population of the village probably reached 75 people.
From the marks on the fields of the Swedish scribal book of the Spassky Pogost of 1640, it follows that the lands along the lower reaches of the Neva River and part of the coast of the Gulf of Finland, including Lakhta Karelia, Perekulyu (from the Finnish "back village", probably because of its position relative to Lakhta) and Konduya Lakhtinsky, was granted royal charter on January 15, 1638, to the possession of the Stockholm dignitary, General Rickshulz Bernhard Sten von Stenhausen, of Dutch origin. On October 31, 1648, the Swedish government granted these lands to the city of Nuena (Nyenskansu). With the arrival of the Swedes in the Neva region, Lakhta was settled by the Finns, who until the middle of the 20th century constituted the absolute majority of the villagers.
On December 22, 1766, Catherine 2 granted the Lakhta manor, which at that time belonged to the Office of the Chancellery from the buildings of palaces and gardens, "in which and in her villages with yard people 208 souls" to her favorite, Count Orlov. Not later than 1768 Count J.A. Bruce took possession of the estate. In 1788, the Lakhta manor with its wooden services on dry land (high place) and the villages of Lakhta, Dubki, Lisiy Nos and Konnaya, also on dry land, were listed there, in those villages of male peasants 238 souls. On May 1, 1813, Lakhta was taken over by the landlords of the Yakovlevs. On October 5, 1844, Count A. I. Stenbok-Fermor took possession of the Lakhta estate, in which there were then 255 male souls. This genus was the owner of the estate until 1912, when his last representative got into debt and the nobility was established over the estate. On October 4, 1913, the count, in order to pay off his debts, was forced to go into incorporation, and the Lakhta estate became the property of the Lakht Joint-Stock Company of Stenbock-Fermor and Co.
After the revolution, Lakhta was left to itself for some time; on May 19, 1919, in the former estate of the Stenbock-Fermor estate, the Lakhta sightseeing station was opened, which lasted until 1932. In the early 1920s, sand mining began on the Lakhta beaches, and the abandoned and dilapidated peat-bedding plant of the Lakhta estate in 1922 took the Oblzmotdel department under its jurisdiction and launched it after major repairs. In 1963, the village of Lakhta was included in the Zhdanovsky (Primorsky) district of Leningrad (St. Petersburg).
The Persuader was one of five outlaws recruited by the Legion of Super-Heroes to help them combat the Sun-Eater in exchange for amnesty for their crimes.
The villains later turned on the Legion and formed the Fatal Five, becoming one of the Legion's most notable threats.
The Persuader wielded an "atomic axe" on a long shaft, resembling a halberd. This axe could reportedly cut through anything, occasionally including purely metaphoric or intangible things, such as a person's air supply, the force of gravity, or the separation between dimensions, and followed the Persuader's mental commands.
The Persuader came from a heavy-gravity planet; as a result, all of his physical capabilities such as strength and endurance are greatly enhanced. Before becoming a supervillain, he was a gangland enforcer who gained his name from his ability to thoroughly intimidate his victims.
⚡ Happy 🎯 Heroclix 💫 Friday! 👽
_____________________________
A year of the shows and performers of the Bijou Planks Theater.
Secret Identity: Nyeun Chun Ti
Publisher: DC
First appearance: Adventure Comics 352 (January 1967)
Created by:
Jim Shooter (writer)
Curt Swan (artist
This is the Police station seen throughout season 1 & 2. The building has modular capabilities so it can easily fit in any Lego town. The roof & interior walls can be removed to allow for more access & play-ability. The build has a : reception , common room/office, detention cell and Hopper's office. I've packed references to both seasons throughout, with even hints to "Hawkins Post" which is teased in the new trailer for season 3
I created the police car to be in the same style & scale as Hoppers jeep from the Lego set
I've also made custom printed pieces + torsos for Florence and Jim (wearing his iconic blue jacket)
Callahan & Powell are included too
Minor Details/references:
Computer on the desk is a Macintosh which came out in 1984
Hoppers Map & News articles - S2 E3&4
Files about both Eleven & Barbara , listings further refs
Letters to both Hawkins Lab & "Barbs" Mother
Chicken wing - Hopper takes and leaves out for Eleven at the end of season 1
There are even more to find!
I hope you enjoy!
ideas.lego.com/content/challenge_application/link/3a49322...
See my first English story about this reboot 2020 youtu.be/jpKsj0Sirus
Taking pictures a tool (camera), not a photographer.
The choice of tool limits the possibilities.
Experience allows him (instrument) less and less to limit their capabilities.
The ability to see is given only when the observer allows ...
The moment of observation is the real find ...
Training and mastering it defies. Training leads to poor imitations of the original.
Often the result should ripen, like wine. Although time is the understanding of the mind, therefore it is very speculative.
The meaning of all this is the process!
Find someone who inspires shooting the camera!
Often we are visited by thoughts that may reveal something unknown ... Our mind many times tries to solve a problem with known methods ... This is its main mistake! The path of the heart opens the doors that appear in our path. It is a pity that not everyone has the courage to insert the keys that are always with us ...
(Listenwave- 圣彼得堡)
Lakhta. This small village on the northern shore of the Gulf of Finland, about 15 km north-west of the city, is the birthplace of human settlements on the banks of the Neva. It was in the territory of Lakhta that the remains of a man’s camp of three thousand years ago were found.
In official documents, the settlement named Lakhta has been dating since 1500. The name is derived from the Finnish-language word lahti - "bay". It is one of the few settlements that has not changed its name throughout its 500-year history. It is also known as Lahes, Lahes-by, Lahes and was originally inhabited by Izhora. In the last decades of the 15th century, Lakhta was a village (which indicates a significant number of its population) and was the center of the same name of the Grand-Ducal volost, which was part of the Spassko-Gorodensky pogost of Orekhovsky district of Vodskaya Pyatina. In the village there were 10 yards with 20 people (married men). In Lakhta, on average, there were 2 families each, and the total population of the village probably reached 75 people.
From the marks on the fields of the Swedish scribal book of the Spassky Pogost of 1640, it follows that the lands along the lower reaches of the Neva River and part of the coast of the Gulf of Finland, including Lakhta Karelia, Perekulyu (from the Finnish "back village", probably because of its position relative to Lakhta) and Konduya Lakhtinsky, was granted royal charter on January 15, 1638, to the possession of the Stockholm dignitary, General Rickshulz Bernhard Sten von Stenhausen, of Dutch origin. On October 31, 1648, the Swedish government granted these lands to the city of Nuena (Nyenskansu). With the arrival of the Swedes in the Neva region, Lakhta was settled by the Finns, who until the middle of the 20th century constituted the absolute majority of the villagers.
On December 22, 1766, Catherine 2 granted the Lakhta manor, which at that time belonged to the Office of the Chancellery from the buildings of palaces and gardens, "in which and in her villages with yard people 208 souls" to her favorite, Count Orlov. Not later than 1768 Count J.A. Bruce took possession of the estate. In 1788, the Lakhta manor with its wooden services on dry land (high place) and the villages of Lakhta, Dubki, Lisiy Nos and Konnaya, also on dry land, were listed there, in those villages of male peasants 238 souls. On May 1, 1813, Lakhta was taken over by the landlords of the Yakovlevs. On October 5, 1844, Count A. I. Stenbok-Fermor took possession of the Lakhta estate, in which there were then 255 male souls. This genus was the owner of the estate until 1912, when his last representative got into debt and the nobility was established over the estate. On October 4, 1913, the count, in order to pay off his debts, was forced to go into incorporation, and the Lakhta estate became the property of the Lakht Joint-Stock Company of Stenbock-Fermor and Co.
After the revolution, Lakhta was left to itself for some time; on May 19, 1919, in the former estate of the Stenbock-Fermor estate, the Lakhta sightseeing station was opened, which lasted until 1932. In the early 1920s, sand mining began on the Lakhta beaches, and the abandoned and dilapidated peat-bedding plant of the Lakhta estate in 1922 took the Oblzmotdel department under its jurisdiction and launched it after major repairs. In 1963, the village of Lakhta was included in the Zhdanovsky (Primorsky) district of Leningrad (St. Petersburg).
Another shot taken with my Pentax Auto 110. For about 2 years, I was fascinated with that camera and its capabilities using tiny 110 film.
Nikon d810a
50mm
ISO 6400
f/2.2
Foreground: 5 x 30 seconds
Sky: 22 x 30 seconds
iOptron SkyTracker
Hoya Red Intensifier filter
This is a 27 shot panorama of the Crux & Carina region of the Milky Way as it rises perpendicular to the horizon above Stirling Range National Park, 4 hours south of Perth in Western Australia.
Centre of the image is the dark CoalSack Nebula, the head of the Emu in local Indigenous culture. Hanging off that, to its immediate left, is Crux aka the Southern Cross. Just above centre is the pink coloured Carina Nebula and above that is the large, deep red Gum Nebula, made prominent thanks to the hydrogen alpha capture capabilities of the Nikon d810a, a dedicated astrophotography camera. Green and orange airglow can also be seen above the horizon.
One of the reasons I took this particular shot was to get an idea of the progress I have made over the last 8 years in astrophotography. Back in my early days in 2015 I took a shot near the same location. A single 30 second shot with a wide angle lens on a crop sensor d5100. A little bit of improvement I guess ;-)
29 Sq. Eurofighter Typhoon showing off its strengths and capabilities at Farnborough International Air Show 2014. You may notice that despite it have 29 on its front fins denoting that it is from 29. Squadron, it has the Roman Numeral for 30 (XXX) on the tail fin. A popular explanation for this is that when asked to paint the tail of an old RAF plane, the painter was asked to put two X's on one side of the roundel, and 1 X on the other side, however the painter interpreted that as a single X, and not IX as was meant. So, tradition dictates that 29 Sq. have XXX on their planes rather than XXIX
Back on my nature reserve bridge and just a shot in the warm light , but without a train in sight and then for some reason I thought about " Trains & Boats & Planes " . Before I realised it , into shot flew a Catalina ( in my minds eye that is ) . A silly indulgence and here comes one round the bend along the line of he railway track .
Maritime aircraft play an understated - yet hugely important - role during World War 2 where their long range capabilities were put to good use. Flying boats came to pass as a peacetime development, the earliest forms appearing prior to World War 1 (1914-1918) and this allowed their use as military platforms during the war proper. Their continued evolution, with appropriate tactics and doctrine soon fleshed out, led to ever-more impressive designs soon taking shape - particularly those designs emerging from Britain and the United States. With the arrival of the Second World War, the role of the flying boat was broadened considerably and now included overwater patrolling, reconnaissance, Search and Rescue (SAR), submarine hunting, and anti-shipping service carrying varied ordnance such as bombs, torpedoes and mines.
The PBY Catalina series became one of the more important of the American flying boats to see service in World War 2. The aircraft was designed, developed, and produced under the Consolidated Aircraft Company brand label in the United States and soon appeared as local, licensed products in other countries. Its reach also benefited through the Lend-Lease initiative which ensured the aircraft was stocked in foreign inventories during the war.
At its core, the PBY Catalina was a high-winged, twin-engined aircraft, classified as a flying boat for its boat-like/aircraft-like qualities allowingit to land on water or a prepared runway. The Catalina was crewed by seven to nine personnel that included pilots, engineers, bombardiers, and machine gunners - the total crew complement varied by variant. In prototype form, the PBY first flew on March 28, 1935 and beat out a competing Douglas Aircraft product in competition. Production models were accepted as "PBY-1" in October of 1936 (with the USN).
The wartime period would see a variety of engines fitted, revision of the defensive and offensive armament, and ever-expanding roles for the aircraft line. Tricycle landing gear tests on late PBY-4s would yield the truly amphibious PBY-5 and PBY-5A series models. Production of the PBY series would be undertaken by Consolidated in the United States, Canadian Vickers and Boeing of Canada in Canada (620 examples), and state factories in the Soviet Union (24 examples) under the Lend-Lease Act. In all, 3,305 PBY Catalina-based systems would be produced with 2,661 coming from American factories alone. The Soviets designated their Catalinas as "GST" (PBY-5) while Britain used the "Catalina Mk" identifier from marks I to VI.
The flying boats would go on to serve a critical role int he war particularly as the war was fought over such varied terrain types including long stretches of ocean and sea. Catalinas were in service until 1979 before being retired by the Brazilian Navy. French Catalinas were in operational service in Indochina for a time. Other operators included Australia, Chile, and Taiwan.
Many went on to have post-war careers in both military and civilian service. Still others soldiered on as fire-fighting platforms.
The PBY-5A featured a crew of ten. Its power came from 2 x Pratt & Whitney R-1830-92 "Twin Wasp" radial piston engines outputting at 1,200 horsepower each. The engines were fitted along the wing leading edges which allowed for clearance against the punishing salty sea air. Performance included a maximum speed of 195 miles per hour, a cruise speed of 125 mph, a range out to 2,520 miles, a service ceiling of 15,800 feet, and a rate-of-climb of 1,000 feet per minute. Standard armament were 3 x 0.30 caliber machine guns (two fitted at the nose and the third at a ventral tail position) and 2 x 0.50 caliber heavy machine guns (one at each beam position). Bomb load was up to 4,000 lb of stores - conventional drop bombs, torpedoes, or depth charges being typical.
with thanks to , militaryfactory.com
Cavendish Mews is a smart set of flats in Mayfair where flapper and modern woman, the Honourable Lettice Chetwynd has set up home after coming of age and gaining her allowance. To supplement her already generous allowance, and to break away from dependence upon her family, Lettice has established herself as a society interior designer, so her flat is decorated with a mixture of elegant antique Georgian pieces and modern Art Deco furnishings, using it as a showroom for what she can offer to her well heeled clients.
Today however we are not in Lettice’s flat, and whilst we have not travelled that far physically across London, the tough streets, laneways and blind alleys of Poplar in London’s East End is a world away from Lettice’s rarefied and privileged world. On Tuesday Mrs. Boothby, Lettice’s charwoman*, discovered that Edith, Lettice’s maid, didn’t have a sewing machine when the Cockney cleaner found the young maid cutting out the pieces for a new frock. Mrs. Boothby made overtures towards Edith, inviting her to her home in Poplar in London’s East End with an air of mystery, saying she might be able to help her with her predicament of a sewing machine.
Friends of Lettice, newlyweds Margot and Dickie Channon, have been gifted a Recency country “cottage residence” called ‘Chi an Treth’ (Cornish for ‘beach house’) in Penzance as a wedding gift by the groom’s father, the Marquess of Taunton. Margot in her desire to turn ‘Chi an Treth’ from a dark Regency house to a more modern country house flooded with light, has commissioned Lettice to help redecorate some of the rooms in a lighter and more modern style, befitting a modern couple like the Channons. Lettice has decamped to Penzance for a week where she is overseeing the painting and papering of ‘Chi an Treth’s’ drawing room, dining room and main reception room, before fitting it out with a lorryload of new and repurposed furnishings, artwork and objets d’arte that she has had sent down weeks prior to her arrival. In her mistress’ absence, Edith has more free time on her hands, and so she was able to agree to Mrs. Boothby’s mysterious invitation. Even though she is happy with her current arrangement to take any items she wants to sew home to her parent’s house in Harlesden, where she can use her mother’s Singer** sewing machine on her days off. The opportunity of gaining access to a sewing machine of her own is too good for Edith to refuse.
Now the two women walk through the narrow streets of Poplar, passing along walkways, some concrete, some made of wooden planks and some just dirt, between tenements of two and three stories high. The streets they traverse are dim with the weakening afternoon light from the autumn sky blocked out by the overhanging upper floors of the buildings and the strings of laundry hanging limply along lines between them. Although Edith is not unfamiliar with the part of Whitechapel around Petticoat Lane*** where she shops for second hand clothes to alter and for haberdashery to do them, she still feels nervous in the unfamiliar maze of streets that Mrs. Boothby is guiding her down, and she sticks closely next to or directly behind the old Cockney char. The air is filled with a mixture of strong odours: paraffin oil, boiled cabbage and fried food intermixed with the pervasive stench of damp and unwashed bodies and clothes. Self-consciously, Edith pulls her three quarter length coat more tightly around her in an effort to protect herself from the stench.
“Below!” comes a Cockney female voice from above as a sash window groans in protest as it is opened.
“Ere! Look out, Edith dearie!” Mrs. Boothby exclaims, grabbing Edith by the arm and roughly pulling the maid out of the way, thrusting her behind her.
A moment later the air is filled with the harsh sound of slops splattering against the concrete path, and a pool of dirty liquid stains the concrete a dark muddy brown as it slowly dribbles down into a shallow drain that runs down the middle of the laneway.
“Wouldn’t want your nice clothes to get spoilt nah, would we dearie.” Mrs. Boothby says as she turns and smiles into Edith’s startled face.
“Was that?” Edith begins but doesn’t finish her question as she peers at the puddle draining away, leaving lumps on the path.
“I shouldn’t look too closely if I were you, dearie.” Mrs. Boothby says kindly in a matter-of-fact way. “If you ‘ave to ask, you’re better off not knowin’. That’s my opinion, anyway. Come on. Not much further nah.”
“You… you will take me home, won’t you Mrs. Boothby?” Edith asks a little nervously as they continue their progress down the lane which she notices is getting narrower and darker as they go.
“Course I will, dearie! You can rely on old Ida Boothby. I know these streets like the back of my ‘and. Youse perfectly safe wiv me.”
The laneway ends suddenly, and Edith is blinded for a moment by bright sunlight as they step out into a rookery**** with two storey Victorian tenements of grey stone and red brick either side of a concrete courtyard with a narrow drain running down its centre. The original builders or owners of the tenements obviously have meant for the sad buildings to be at least a little homely, with shutters painted a Brunswick green hanging to either side of the ground floor windows. Looking up, Edith notices several window boxes of brightly coloured geraniums and other flowers suspended from some of the upper floor windowsills. Women of different ages walk in and out of the open front doors, or sit in them on stools doing mending, knitting or peeling potatoes, all chatting to one another, whilst children skip and play on the concrete of the courtyard.
“Welcome to Merrybrook Place,” Mrs. Boothby says with a hint of pride in her voice. “My ‘ome. Though Lawd knows why they called it that. I ain’t never seen no brook, merry or otherwise, runnin’ dahn ‘ere, unless it’s the slops from the privvies dahn the end.” She points to the end of the rookery where, overlooked by some older tenements of brick and wooden shingling most likely from the early Nineteenth Century, a couple of ramshackle privies stand. “So just watch your step, Edith dearie. We don’t want you steppin’ your nice shoes in nuffink nasty.” She gives her a warm smile. “Come on.”
As they start walking up the rookery, one woman wrapped in a paisley shawl stands in her doorway staring at Edith with undisguised curiosity and perhaps a little jealousy as she casts her critical gaze over her simple, yet smart, black coat and dyed straw hat decorated with silk flowers and feathers.
“Wanna paint a picture Mrs. Friedmann?” Mrs. Boothby calls out hotly to her, challenging her open stare with a defensive one of her own. “Might last you longer, your royal ‘ighness!” She makes a mock over exaggerated curtsey towards her, hitching up the hem of her workday skirts.
The woman tilts her head up slightly, sniffs in disgust and looks down her nose with spite at both Edith and the Cockney charwoman before muttering something in a language Edith doesn’t need to speak to understand. Turning on her heel, the woman slams her door sharply behind her, the noise echoing off the hard surfaces of the court.
“Who was that, Mrs. Boothby?” Edith asks nervously.
“Lawd love you dearie,” chortles Mrs. Boothby, the action resulting on one of her fruity hacking coughs that seem remarkably loud from such a diminutive figure. “That’s that nasty local Yid***** matchmaker what I told you ‘bout.” Raising her voice she continues, speaking loudly at the closed door. “Golda Friedmann goes around wiv ‘er nose in the air wrapped up in that fancy paisley shawl actin’ like she was the Queen of Russia ‘erself. But she ain’t! She’s no better than the rest of us.”
As Mrs. Boothby trudges on up the rookery another doorway opens and an old woman with a figure that shows many years of childbirth steps out, dressed in a black skirt and an old fashioned but pretty floral print Edwardian high necked blouse. “Afternoon Ida.”
“Oh! Afternoon Lil!” Mrs. Boothby replies. “Oh Lil! I got somefink in ‘ere for you.” She opens up her capacious blue beaded bag and fossicks around making the beads rattle before withdrawing a couple of thin pieces of soap, one bar a bright buttercup yellow, a second pink and the last white. “’Ere. For the kiddies.”
“Oh fanks ever so, Ida!” the other woman replies, gratefully accepting the pieces of soap in her careworn hands.
“Edith,” Mrs. Boothby calls. “This ‘ere is my neighbour, Mrs. Conway.” A couple of cheeky little faces with sallow cheeks, but bright eyes, poke out from behind Mrs. Conway’s skirts and smile up shyly at Edith with curiosity. “Hullo kiddies.” Mrs. Boothby says to them. “Nah sweeties from me today. Sorry. Mrs. Conway, this ‘ere is Miss Watsford, what works for one of my ladies up in Mayfair.”
“Oh ‘ow do you do?” Mrs. Conway says, wiping her hands down her skirts before reaching out a hand to Edith.
“How do you do, Mrs. Conway.” Edith replies with a gentle smile, taking her hand, and feeling her rough flesh rub against her own as the old woman’s bony fingers entwine hers.
“Well, must be getting on, Lil,” Mrs. Boothby says. “Ta-ta.”
“Ta-ra, Ida. Ta-ra Miss Watsford.” Mrs. Conway replies before turning back and shooing the children inside good naturedly.
“Goodbye Mrs, Conway. It was nice to meet you.” Edith says.
At the next door, one painted Brunswick green like the shutters, Mrs. Boothby stops and takes out a large string of keys from her bag and promptly finds the one for her own front door. As the key engages with the lock the door groans in protest as it slowly opens. The old woman says, “Just stand ‘ere in the doorway, Edith dearie, while I’ll open the curtains.”
She disappears into the gloom, which vanishes a moment later as with a flourish, she flings back some heavy red velvet curtains, flooding the room with light from the front window. It takes a moment for Edith’s eyes to adjust as the old Cockney woman stands for a moment in the pool of light, so brilliant after the gloom, surrounded by a floating army of illuminated dust motes tumbling over one another in the air. As her eyes adjust, Edith discerns things within the tenement front room: a kitchen table not too unlike her own at Cavendish Mews, a couple of sturdy ladderback chairs, an old fashioned black leaded stove and a sink in the corner.
“Close the door behind you and come on in, dearie. The ‘ouse is still warmish from this mornin’.” Mrs. Boothby says kindly as she tosses her beaded handbag carelessly onto the table where it lands with a thud and the jangle of beads. “Take a seat and I’ll get the range goin’ and pop the kettle on for a nice cup of Rosie-Lee******! I dunno ‘bout you, but I’m parched.”
“Yes, thank you, Mrs. Boothby.” Edith replies as she closes the door.
Shutting out the unpleasant mixture of odours outside with the closing of the door, Edith is comforted by the smells of carbolic soap and lavender. Looking about she notices a couple of little muslin bags hanging from the curtains.
“Good. Nah, give me your ‘at ‘n coat and I’ll ‘ang them up.” Mrs. Boothby says. Noticing Edith’s gaze upon the pouches she explains. “Lavender to ‘elp keep the moths and the smells from the privy at bay.”
“Oh.” Edith replies laconically.
As Mrs. Boothby hangs up Edith’s coat and hat as well as her own on a hook behind the door and then bustles about stoking up the embers of the fire left in the stove, Edith says, “Mrs. Conway seems like a nice person to have as your neighbour, Mrs. Boothby.”
“She’s a good un, that one. She takes care of all the little kiddies round ‘n ‘bout while their parents is at work.” Mrs. Boothby throws some coal into the stove and shoves it with a poker. “She’s got an ‘eart of gold she does. I owe ‘er a lot. She does ‘er best by them kiddies. Gives ‘em a meal made outta what she can, which for some might be the only meal they get. And she gives ‘em a good bath too when she can. That’s why I give ‘er the left over soap ends from the ‘ouses I go to.”
“Oh I’m sorry Mrs. Boothby. I always take Miss Lettice’s soap ends to Mum to grate up and make soap flakes from for washing.”
“Ahh, don’t worry dearie. I gets plenty from some of the other ‘ouses I go to. Some of ‘em even throws out bars of soap what’s been barely used cos they get cracked and they don’t like the look of ‘em no more. Some of them ladies up the West End don’t know just ‘ow lucky they is to ‘ave as many bars of soap as they like. Nah, you keep takin’ Miss Lettice’s ends to your mum. So long as they’s bein’ used, I’m ‘appy. Waste not, want not, I always say.”
With nothing to do whilst the older woman goes about filling the large kettle with water from the sink in the corner of the room, Edith has more time to look at her surroundings. The floor is made of wooden boards whilst the walls are covered in a rather dark green wallpaper featuring old fashioned Art Nouveau patterns. The house must one have had owners or tenants with grander pretentions than Mrs. Boothby for the stove is jutting out of a much larger fireplace surround, which although chipped and badly discoloured from years of coal dust, cooking and cigarette smoke, is marble. However, it is the profusion of ornaments around the small room that catches the young girl’s eye. Along the mantle of the original fireplace stand a piece of Staffordshire, a prettily painted cow creamer, a jug in the shape of a duck coming out of an egg and a teapot in the shape of Queen Victoria. Turning around behind her to where Mrs. Boothby gathers a pretty blue and white china teapot, some cups, saucers and a sugar bowl, she sees a large dresser that is cluttered with more decorative plates, teapots, jugs, tins and a cheese dish in the shape of a cottage.
“Not what you was expectin’ I’ll warrant.” Mrs, Boothby remarks with a knowing chuckle that causes her to emit yet another of her throaty coughs.
“Oh no Mrs. Boothby!” Edith replies, blushing with shame at being caught out staring about her so shamelessly. “I wasn’t really sure what to expect. I mean… I had no expectations.”
“Well, it’s nuffink special, but this is my ‘aven of calm and cleanliness away from the dirty world out there.” She points through the window where, when Edith turns her head, she can see several scrawny children playing marbles on the concrete of the courtyard. “And it’s ‘ome to me.”
“Oh yes, it’s lovely and clean and cheerful, Mrs. Boothby.” Edith assures her hostess. “No, I was just admiring all your pretty crockery. It reminds me of my Mum’s kitchen, actually. She is always collecting pretty china and pottery.”
“Well, who was it what told you to go dahn to the Caledonian Markets******* to buy a gift for your mum?” the old woman says with a cheeky wink. “Me that who!” She pokes her chest proudly, before coughing heavily again.
“So did you get all these from the Caledonian Markets then, Mrs. Boothby?” Edith asks, looking around again.
“Well, most, but not all. I got meself an art gallery from the Caledonian Markets, for when I washes the dishes.” She points to two cheap prints of classic paintings in equally cheap wooden frames hanging on the walls above the little sink. “Better than starin’ at a blank wall, even if it’s covered in wallpaper. Course, some a them ladies up the West End is awfully wasteful wiv much more than soap, and just like them soap ends, I get my share. Somethin’ a bit old fashioned or got a tiny chip in it and they’s throwin’ it out like it was a piece of rubbish, so I offer ta take it. Take that nice cow up there,” She points to the cow creamer on the mantle. “The lid got lost somewhere, so the lady from Belgravia what owned it told ‘er maid to throw it out, so I said I’d take it instead. That,” She points to the Staffordshire statue. “Was one of a pair, what the uvver ‘alf got broken, so it was being chucked, so I took it. I don’t care if it don’t ‘ave the uvver ‘alf. I like it as it is. It’s pretty. The Queen Victoria teapot was getting’ chucked out just ‘cos the old Queen died, and King Bertie was takin’ ‘er place. Well, I wasn’t ‘avin’ none of that. Poor old Queen! I said I’d ‘ave it if no-one else wanted it. And this teapot,” She withdraws the pretty blue and white china teapot from atop the stove. “This was just bein’ thrown out ‘cos it’s old and they’s no bits of the set left but this. But there ain’t nuffink wrong wiv it, and it must be at least a ‘undred years old!”
Mrs. Boothby pulls out a gilt edged blue and white cake plate which she puts on the table along with the tea cups, sugar bowl and milk jug. She then goes to the dresser and pulls down a pretty tin decorated with Art Nouveau ladies from which she takes several pieces of shortbread, which she places on the cake plate.
“That’s very lovely, Mrs. Boothby.” Edith points to a teapot in the shape of a rabbit sitting in a watering can. “It looks rather like Peter Rabbit.”
“Ahh… my Ken loves that too.” Edith’s ears prick at the mention of someone named Ken, but she doesn’t have time to ask who he is before Mrs. Boothby continues, “That bunny rabbit teapot is one of the few pieces I got what ‘as a sad story what goes wiv it. Poor lady what I cleaned for up in St. James’, it were ‘er baby’s, from the nursery, you know?” Edith nods in understanding. “Well, ‘e died. ‘E was a weak little mite ‘e were, ever since ‘e was born, and my poor lady was so upset when ‘e died that she got rid of everyfink in the nursery. She didn’t want nuffink to remind her of that little baby. So, I brought it ‘ome wiv me.” She sighs. “Well, the kettle’s boiled now, so ‘ow about a cup of Rosie-Lee, dearie?”
A short while later, Edith and Mrs. Boothby are seated around Mrs. Boothby’s kitchen table with the elegant Regency teapot, some blue and white china cups and the plate of shortbreads before them.
“Oh I tell you Edith dearie, I’m dying for a fag!” Mrs Boothby says. She starts fossicking through her capacious beaded bag before withdrawing her cigarette papers, Swan Vestas and tin of Player’s Navy Cut. Rolling herself a cigarette she lights it with a satisfied sigh and one more of her fruity coughs, dropping the match into a black ashtray that sits on the table full of cigarette butts. Mrs. Boothby settles back happily in her ladderback chair with her cigarette in one hand and reaches out, taking up a shortbread biscuit with the other. Blowing out a plume of blue smoke that tumbles through the air around them, the old woman continues. “Nah, about this sewin’ machine. My Ken’ll be ‘ome soon, I ‘ope. ‘E’s a bit late today.”
“Mrs. Boothby, who is Ken?” Edith asks with a questioning look on her face.
Just as Mrs. Boothby is about to answer her, she gasps as she hears a rather loud and jolly whistle.
“Well, speak of the devil, ‘ere ‘e comes nah!”
The front door of the tenement flies open and the space is instantly filled by the bulk of a big man in a flat cap with a large parcel wrapped in newspaper tied with twine under his right arm.
*A charwoman, chargirl, or char, jokingly charlady, is an old-fashioned occupational term, referring to a paid part-time worker who comes into a house or other building to clean it for a few hours of a day or week, as opposed to a maid, who usually lives as part of the household within the structure of domestic service. In the 1920s, chars usually did all the hard graft work that paid live-in domestics would no longer do as they looked for excuses to leave domestic service for better paying work in offices and factories.
**The Singer Corporation is an American manufacturer of consumer sewing machines, first established as I. M. Singer & Co. in 1851 by Isaac M. Singer with New York lawyer Edward C. Clark. Best known for its sewing machines, it was renamed Singer Manufacturing Company in 1865, then the Singer Company in 1963. In 1867, the Singer Company decided that the demand for their sewing machines in the United Kingdom was sufficiently high to open a local factory in Glasgow on John Street. The Vice President of Singer, George Ross McKenzie selected Glasgow because of its iron making industries, cheap labour, and shipping capabilities. Demand for sewing machines outstripped production at the new plant and by 1873, a new larger factory was completed on James Street, Bridgeton. By that point, Singer employed over two thousand people in Scotland, but they still could not produce enough machines. In 1882 the company purchased forty-six acres of farmland in Clydebank and built an even bigger factory. With nearly a million square feet of space and almost seven thousand employees, it was possible to produce on average 13,000 machines a week, making it the largest sewing machine factory in the world. The Clydebank factory was so productive that in 1905, the U.S. Singer Company set up and registered the Singer Manufacturing Company Ltd. in the United Kingdom.
***Petticoat Lane Market is a fashion and clothing market in Spitalfields, London. It consists of two adjacent street markets. Wentworth Street Market and Middlesex Street Market. Originally populated by Huguenots fleeing persecution in France, Spitalfields became a center for weaving, embroidery and dying. From 1882, a wave of Jewish immigrants fleeing persecution in eastern Europe settled in the area and Spitalfields then became the true heart of the clothing manufacturing district of London. 'The Lane' was always renowned for the 'patter' and showmanship of the market traders. It was also known for being a haven for the unsavoury characters of London’s underworld and was rife with prostitutes during the late Victorian era. Unpopular with the authorities, as it was largely unregulated and in some sense illegal, as recently as the 1930s, police cars and fire engines were driven down ‘The Lane’, with alarm bells ringing, to disrupt the market.
****A rookery is a dense collection of housing, especially in a slum area. The rookeries created in Victorian times in London’s East End were notorious for their cheapness, filth and for being overcrowded.
*****The word Yid is a Jewish ethnonym of Yiddish origin. It is used as an autonym within the Ashkenazi Jewish community, and also used as slang. When pronounced in such a way that it rhymes with did by non-Jews, it is commonly intended as a pejorative term. It is used as a derogatory epithet, and as an alternative to, the English word 'Jew'. It is uncertain when the word began to be used in a pejorative sense by non-Jews, but some believe it started in the late Nineteenth or early Twentieth Century when there was a large population of Jews and Yiddish speakers concentrated in East London, gaining popularity in the 1930s when Oswald Mosley developed a strong following in the East End of London.
******Rosie-Lee is Cockney slang for tea, and it is one of the most well-known of all Cockney rhyming slang.
*******The original Caledonian Market, renown for antiques, buried treasure and junk, was situated in in a wide cobblestoned area just off the Caledonian Road in Islington in 1921 when this story is set. Opened in 1855 by Prince Albert, and originally called the Metropolitan Meat Markets, it was supplementary to the Smithfield Meat Market. Arranged in a rectangle, the market was dominated by a forty six metre central clock tower. By the early Twentieth Century, with the diminishing trade in live animals, a bric-a-brac market developed and flourished there until after the Second World War when it moved to Bermondsey, south of the Thames, where it flourishes today. The Islington site was developed in 1967 into the Market Estate and an open green space called Caledonian Park. All that remains of the original Caledonian Markets is the wonderful Victorian clock tower.
I would just like to point out that I wrote this story some weeks ago, long before The Queen became ill and well before her passing. However it seems apt that this story of all, which I planned weeks ago to upload today as part of the Chetwyn Mews narrative, mentions the passing of The Queen (albeit Queen Victoria). I wish to dedicate this image and chapter to our own Queen of past and glorious times Queen Elizabeth II (1926 – 2022). Long did she reign over us, happy and glorious. God bless The Queen.
This cluttered, yet cheerful domestic scene is not all it seems to be at first glance, for it is made up of part of my 1:12 size dollhouse miniatures collection. Some pieces come from my own childhood. Other items I acquired as an adult through specialist online dealers and artists who specialise in 1:12 miniatures.
Mrs. Boothby’s beloved collection of ornaments come from various different sources. The Staffordshire cow (one of a pair) and the cow creamer that stand on the mantlepiece have been hand made and painted by Welsh miniature ceramist Rachel Williams who has her own studio, V&R Miniatures, in Powys. If you look closely, you will see that the Staffordshire cow actually has a smile on its face! Although you can’t notice it in the photo, the cow creamer has its own removable lid which is minute in size! The duck coming from the egg jug on the mantle, the rooster jug, the cottage ware butter dish, Peter Rabbit in the watering can tea pot and the cottage ware teapot to its right on the dresser were all made by French ceramicist and miniature artisan Valerie Casson. All the pieces are authentic replicas of real pieces made by different china companies. For example, the cottage ware teapot has been decorated authentically and matches in perfect detail its life-size Price Washington ‘Ye Olde Cottage Teapot’ counterparts. The top part of the thatched roof and central chimney form the lid, just like the real thing. Valerie Casson is renown for her meticulously crafted and painted miniature ceramics. The Queen Victoria teapot on the mantlepiece and the teapot on the dresser to the left of the Peter Rabbit teapot come from Mick and Marie’s Miniatures in the United Kingdom. All the other plates on the dresser came from various online miniature stockists through E-Bay, as do the teapot, plate and cups on Mrs. Boothby’s kitchen table.
Mrs. Boothby’s picture gallery in the corner of the room come from Kathleen Knight’s Doll House Shop in the United Kingdom.
Mrs. Boothby’s beaded handbag on the table is also a 1:12 artisan miniature. Hand crocheted, it is interwoven with antique blue glass beads that are two millimetres in diameter. The beads of the handle are three millimetres in length. It came from Karen Ladybug Miniatures in the United Kingdom.
Spilling from her bag are her Player’s Navy Cut cigarette tin and Swan Vesta matches, which are 1:12 miniatures hand made by Jonesy’s Miniatures in England. The black ashtray is also an artisan piece, the bae of which is filled with “ash”. The tray as well as having grey ash in it, also has a 1:12 cigarette which rests on its lip (it is affixed there). Made by Nottingham based tobacconist manufacturer John Player and Sons, Player’s Medium Navy Cut was the most popular by far of the three Navy Cut brands (there was also Mild and Gold Leaf, mild being today’s rich flavour). Two thirds of all the cigarettes sold in Britain were Player’s and two thirds of these were branded as Player’s Medium Navy Cut. In January 1937, Player’s sold nearly 3.5 million cigarettes (which included 1.34 million in London). Production continued to grow until at its peak in the late 1950s, Player’s was employing 11,000 workers (compared to 5,000 in 1926) and producing 15 brands of pipe tobacco and 11 brands of cigarettes. Nowadays the brands “Player” and “John Player Special” are owned and commercialised by Imperial Brands (formerly the Imperial Tobacco Company). Swan Vestas is a brand name for a popular brand of ‘strike-anywhere’ matches. Shorter than normal pocket matches they are particularly popular with smokers and have long used the tagline ‘the smoker’s match’ although this has been replaced by the prefix ‘the original’ on the current packaging. Swan Vestas matches are manufactured under the House of Swan brand, which is also responsible for making other smoking accessories such as cigarette papers, flints and filter tips. The matches are manufactured by Swedish Match in Sweden using local, sustainably grown aspen. The Swan brand began in 1883 when the Collard & Kendall match company in Bootle on Merseyside near Liverpool introduced ‘Swan wax matches’. These were superseded by later versions including ‘Swan White Pine Vestas’ from the Diamond Match Company. These were formed of a wooden splint soaked in wax. They were finally christened ‘Swan Vestas’ in 1906 when Diamond merged with Bryant and May and the company enthusiastically promoted the Swan brand. By the 1930s ‘Swan Vestas’ had become ‘Britain’s best-selling match’.
The meagre foodstuffs on Mrs. Boothby’s shelf represent items not unusually found in poorer households across Britain. Before the Second World War, the British populace consumed far more sugar than we do today, partially for the poor because it was cheap and helped give people energy when their diets were lacking good nutritious foods. Therefore finding a tin of treacle, some preserved fruit or jam, and no fresh fruits or vegetables was not an unusual sight in a lower class home. All the tined foodstuffs, with the exception of the tin of S.P.C. peaches, are 1:12 size artisan miniatures made by Little Things Dollhouse Miniatures in Lancashire, with great attention to detail paid to their labels and the shapes of their jars and cans. The S.P.C. tin of peaches comes from Shepherd’s Miniatures in the United Kingdom. S.P.C. is an Australian brand that still exists to this day. In 1917 a group of fruit growers in Victoria’s Goulburn Valley decided to form a cooperative which they named the Shepperton Fruit Preserving Company. The company began operations in February 1918, canning pears, peaches and nectarines under the brand name of S.P.C. On the 31st of January 1918 the manager of the Shepparton Fruit Preserving Company announced that canning would begin on the following Tuesday and that the operation would require one hundred and fifty girls or women and thirty men. In the wake of the Great War, it was hoped that “the launch of this new industry must revive drooping energies” and improve the economic circumstances of the region. The company began to pay annual bonuses to grower-shareholders by 1929, and the plant was updated and expanded. The success of S.P.C. was inextricably linked with the progress of the town and the wider Goulburn Valley region. In 1936 the company packed twelve million cans and was the largest fruit cannery in the British empire. Through the Second World War the company boomed. The product range was expanded to include additional fruits, jam, baked beans and tinned spaghetti and production reached more than forty-three million cans a year in the 1970s. From financial difficulties caused by the 1980s recession, SPC returned once more to profitability, merging with Ardmona and buying rival company Henry Jones IXL. S.P.C. was acquired by Coca Cola Amatil in 2005 and in 2019 sold to a private equity group known as Shepparton Partners Collective.
The rather worn and beaten looking enamelled bread bin and colander in the typical domestic Art Deco design and kitchen colours of the 1920s, cream and green, which have been aged on purpose, are artisan pieces I acquired from Kathleen Knight’s Dolls’ House Shop in the United Kingdom.
The various bowls, cannisters and dishes, the kettle and the Brown Betty teapot I have acquired from various online miniatures stockists throughout the United Kingdom, America and Australia. A Brown Betty is a type of teapot, round and with a manganese brown glaze known as Rockingham glaze. In the Victorian era, when tea was at its peak of popularity, tea brewed in the Brown Betty was considered excellent. This was attributed to the design of the pot which allowed the tea leaves more freedom to swirl around as the water was poured into the pot, releasing more flavour with less bitterness.
The black Victorian era stove and the ladderback chair on the left of the table and the small table directly behind it are all miniature pieces I have had since I was a child. The ladderback chair on the right came from a deceased estate of a miniatures collector in Sydney. The Welsh dresser came from Babette’s Miniatures, who have been making miniature dolls’ furnishings since the late Eighteenth Century. The dresser has plate grooves in it to hold plates in place, just like a real dresser would.
The grey marbleised fireplace behind the stove and the trough sink in the corner of the kitchen come from Kathleen Knight’s Doll House Miniatures in the United Kingdom.
The green wallpaper is an authentic replica of real Art Nouveau wallpaper from the first decade of the Twentieth Century which I have printed onto paper. The floorboards are a print of a photo taken of some floorboards that I scaled to 1:12 size to try and maintain a realistic look.
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Wave
See my landscape story about this youtu.be/kgMDmHWxWTE
Taking pictures a tool (camera), not a photographer.
The choice of tool limits the possibilities.
Experience allows him (instrument) less and less to limit their capabilities.
The ability to see is given only when the observer allows ...
The moment of observation is the real find ...
Training and mastering it defies. Training leads to poor imitations of the original.
Often the result should ripen, like wine. Although time is the understanding of the mind, therefore it is very speculative.
The meaning of all this is the process!
Find someone who inspires shooting the camera!
www.instagram.com/listenwave_photography/
Often we are visited by thoughts that may reveal something unknown ... Our mind many times tries to solve a problem with known methods ... This is its main mistake! The path of the heart opens the doors that appear in our path. It is a pity that not everyone has the courage to insert the keys that are always with us ...
(Listenwave- 圣彼得堡)
Lakhta. This small village on the northern shore of the Gulf of Finland, about 15 km north-west of the city, is the birthplace of human settlements on the banks of the Neva. It was in the territory of Lakhta that the remains of a man’s camp of three thousand years ago were found.
In official documents, the settlement named Lakhta has been dating since 1500. The name is derived from the Finnish-language word lahti - "bay". It is one of the few settlements that has not changed its name throughout its 500-year history. It is also known as Lahes, Lahes-by, Lahes and was originally inhabited by Izhora. In the last decades of the 15th century, Lakhta was a village (which indicates a significant number of its population) and was the center of the same name of the Grand-Ducal volost, which was part of the Spassko-Gorodensky pogost of Orekhovsky district of Vodskaya Pyatina. In the village there were 10 yards with 20 people (married men). In Lakhta, on average, there were 2 families each, and the total population of the village probably reached 75 people.
From the marks on the fields of the Swedish scribal book of the Spassky Pogost of 1640, it follows that the lands along the lower reaches of the Neva River and part of the coast of the Gulf of Finland, including Lakhta Karelia, Perekulyu (from the Finnish "back village", probably because of its position relative to Lakhta) and Konduya Lakhtinsky, was granted royal charter on January 15, 1638, to the possession of the Stockholm dignitary, General Rickshulz Bernhard Sten von Stenhausen, of Dutch origin. On October 31, 1648, the Swedish government granted these lands to the city of Nuena (Nyenskansu). With the arrival of the Swedes in the Neva region, Lakhta was settled by the Finns, who until the middle of the 20th century constituted the absolute majority of the villagers.
On December 22, 1766, Catherine 2 granted the Lakhta manor, which at that time belonged to the Office of the Chancellery from the buildings of palaces and gardens, "in which and in her villages with yard people 208 souls" to her favorite, Count Orlov. Not later than 1768 Count J.A. Bruce took possession of the estate. In 1788, the Lakhta manor with its wooden services on dry land (high place) and the villages of Lakhta, Dubki, Lisiy Nos and Konnaya, also on dry land, were listed there, in those villages of male peasants 238 souls. On May 1, 1813, Lakhta was taken over by the landlords of the Yakovlevs. On October 5, 1844, Count A. I. Stenbok-Fermor took possession of the Lakhta estate, in which there were then 255 male souls. This genus was the owner of the estate until 1912, when his last representative got into debt and the nobility was established over the estate. On October 4, 1913, the count, in order to pay off his debts, was forced to go into incorporation, and the Lakhta estate became the property of the Lakht Joint-Stock Company of Stenbock-Fermor and Co.
After the revolution, Lakhta was left to itself for some time; on May 19, 1919, in the former estate of the Stenbock-Fermor estate, the Lakhta sightseeing station was opened, which lasted until 1932. In the early 1920s, sand mining began on the Lakhta beaches, and the abandoned and dilapidated peat-bedding plant of the Lakhta estate in 1922 took the Oblzmotdel department under its jurisdiction and launched it after major repairs. In 1963, the village of Lakhta was included in the Zhdanovsky (Primorsky) district of Leningrad (St. Petersburg).
SEWARD, Alaska (Sept. 16, 2019) The dock landing ship USS Comstock (LSD 45) pulls into Seward during the Arctic Expeditionary Capabilities Exercise (AECE) 2019. Approximately 3,000 U.S. Navy and Marine Corps personnel participate in AECE 2019, a joint training exercise that tests expeditionary logistical capabilities in the Arctic region and prepares joint forces to respond to crises across the Indo-Pacific. (U.S. Navy photo by Senior Chief Mass Communication Specialist Brandon Raile)
I've been thinking about a b/w version of this image from my 2010 - 365 project, a long time now. And as I'm testing the capabilities of Silver Efex Pro 2, I decided, that now is the time.
This program is really amazing.
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Background image used with permission from helle-belle
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Press "L" to get a much better look.
Hawker Siddeley Harrier T.2 G-VTOL with Navy embellishment (!) in a typical climb demonstrating its capabilities to an always appreciative crowd. Taken at BAe Woodford air display in 1975. Shame the airfield is no more - I enjoyed those airshows.
(ref slide S030-18D7 copied on DSLR and 40mm macro lens)
1. Taking pictures a tool (camera), not a photographer.
2. The choice of tool limits the possibilities.
3. Experience allows him (instrument) less and less to limit their capabilities.
4. The ability to see is given only when the observer allows ...
5. The moment of observation is the real find ...
6. Training and mastering it defies. Training leads to poor imitations of the original.
7. Often the result should ripen, like wine. Although time is the understanding of the mind, therefore it is very speculative.
8. The meaning of all this is the process!
9. Let it be!
youtu.be/2pQrWPpUN1U
www.facebook.com/oleg.pivovarchik.1971
listenwave.smugmug.com
#FilmOFone
2022 Fort Lauderdale Air Show - 'Slow' Impressive 'Final' Fly-By
U.S. Air Force Thunderbirds - Side by Side Wingtip Maneuver
2022 Fort Lauderdale Air Show - Fort Lauderdale, Florida U.S.A.
Spring 2022 - On the Beach - Broward County - South Florida
*[left-double-click for a closer-look - Air-Show Flight-Squadron]
*[Thunderbirds Last Look - In Perfect Unison - May 1st, 2022]
The U.S. Air Force Air Demonstration Squadron, known to all the world as the “Thunderbirds”, are the Air Force’s Ambassadors in Blue. They represent the 500,000 men and women of the United States Air Force. The Thunderbirds plan and present precision aerial maneuvers to exhibit the capabilities of modern, high-performance aircraft and the high degree of professional skill required to operate those aircraft. The Thunderbirds squadron is composed of eight pilots (including six demonstration pilots), four support officers, four civilians and more than 100 enlisted personnel.
The Thunderbirds air demonstration is a mix of formation flying and solo routines. The four-jet diamond formation demonstrates the training and precision of Air Force pilots, while the two solo aircraft highlight some of the extreme capabilities of the F-16. In all, the pilots perform approximately 40 maneuvers in a single demonstration. An aerial demonstration lasts 60 minutes with an additional 15 minutes for the ground show before takeoff.
During a typical season the Thunderbirds perform no more than 70 air demonstrations in 35 cities throughout the nation. More than 280 million people in all 50 states and 57 foreign countries have seen the red, white and blue Thunderbirds jets.
Thunderbirds were officially activated June 1, 1953, as the 3600th Air Demonstration Unit at Luke AFB, Arizona. The unit was nicknamed the “Stardusters.” Their first aircraft was the straight-winged F-84G Thunderjet. The team transitioned to the swept-winged F-84F Thunderstreak in 1955. In June 1956, the team moved to its current home at Nellis AFB in Nevada and traded the veteran F-84 for the world’s first supersonic fighter, the F-100 Super Sabre. In early 1964, the team changed briefly to the F-105B Thunderchief, but after only six shows returned to the F-100. In 1969 the team transitioned to the F-4E Phantom and then in 1974 to the T-38 Talon, a more fuel efficient jet. In 1983 the Thunderbirds began flying the
F-16 and continue to do so. - Was a huge thrill on a magnificent day!
www.facebook.com/fortlauderdaleairshow
en.wikipedia.org/wiki/United_States_Air_Force_Thunderbirds
Watch the Show! - www.youtube.com/watch?v=LkCocHrfPbc
Norway´s Ship of the Year 2017, NKT Victoria, passed by this morning. The 140 m advanced cable laying vessel is on its way to Landskrona for maintenance.
"NKT Victoria was proclaimed Ship of the Year 2017 in Norway in recognition of her innovative, technological and sustainability capabilities." --
"NKT Victoria was christened 4 May 2017 and directly went to sea for her maiden project laying the 113 km HVDC cable connecting the Scottish regions Caithness and Moray. Afterwards she has laid cables for projects such as the 600 MW wind farm Kriegers Flak in Denmark and the export cable connecting the Rentel windfarm to shore in Belgium. She also proved her capabilities in service operations completing the repair of the high-voltage link Skagerrak 2 between Denmark and Norway in the harsh November conditions of the North Sea." (NKT home page)
Tulips close-up
Testing XF 70-300mm macro capabilities. This wasn't the closest it can focus, though I cropped this photo a bit. Photos like these are easy with this lens.
XF 70-300 is a very good for flower and other closeup photography. Stabilization is excellent, several stops better than in XC 50-230mm. XF focuses close, it's sharp and bokeh looks soft and pleasing.
So it's time to sell my XC50-230 then. XC is also sharp, but closeup capabilities and highly efficient stabilization makes XF a clear winner.
By the way, this XF lens is extremely hard to get, had to wait 11 months to get it via official Fuji dealer. It's price kept rising as the orders piled up, so didn't want to cancel the order. Luckily the store didn't either so in the end got it with its original price.
President of Ukraine Volodymyr Zelenskyy had a meeting with National Security Advisor to the President of the United States Jake Sullivan who is on a visit to Ukraine.
The Head of State thanked the Advisor to the U.S. President Joseph Biden for the support to our country at a difficult time, when Russia carried out a full-scale invasion of Ukraine.
The parties discussed the issues of further support for Ukraine from the U.S. for the defense and liberation of its territory from the occupiers, increasing the capabilities of our state to protect critical infrastructure, financial and humanitarian support, strengthening sanctions against the aggressor state of the Russian Federation, and consolidating international support for Ukraine.
Volodymyr Zelenskyy also presented Jake Sullivan with the Order of Prince Yaroslav the Wise of the II degree, which he was awarded for significant personal merits in strengthening interstate cooperation, and support for the state sovereignty and territorial integrity of Ukraine.
The President noted that he was very pleased to present this order to Jake Sullivan.
The Advisor to the U.S. President thanked for the high award and said that it was an honor for him to receive it.
The Head of State also awarded Senior Director for Europe at the U.S. National Security Council Amanda Sloat with the Order of Merit of the III degree.
www.instagram.com/stevenrobinsonpictures
I love the double exposure capabilities on phones now. It takes one fast exposure for highlights...then it takes a several seconds exposure for the shadows and blends them...often quite well too. Yes this is not pixel level sharp, but the car was bumping around at 70MPH and it was basically pitch black in the car. You miss the point of an image like this if you only care about sharpness. Sometimes, it is about the artistry.