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While visiting some friends they pulled out this amazing miniture camera complete with leather case...had to get a shot and post it.
This photo was created as part of a multi-photographer Camera Toss Group collaboration.
The pattern primitive image used with permission and under the terms of the Creative Commons; Attribution, Non-Commercial, Share-Alike 2.0 license.
See Shared Source Collaboration #2 and results.See also all results of such themes.
With his collar camera Cooper took this self portrait in the mirror. That's me on the left, asking if he's ready to go outside.
Cooper's official blog: www.PhotographerCat.com | Cooper on Facebook
Buy Cooper's photo book, framed photos and more at Cooper's gallery store.
x52 zoom compact camera.
My husband wrote the review article about the camera (in Japanese). I took the photos of the camera for it.
news.mynavi.jp/articles/2014/09/27/pentax_xg1/
Nikon D610 / Tamron SP AF90mm F2.8 Di Macro
Two different single use cameras with promotion for the Dutch fairy tale theme park "Efteling" . Made in France and Hungary , with expiration dates 2000 and 2002 .
THIS IS AN OLD PHOTO: To see what things look like in this case now Click Here much has changed.
This was my camera case in 2007 that holds my cameras, lenses and other supporting accessories. There is a lot in this case and it's pretty darn heavy... The case is a Pelican 1614 which thankfully has wheels on it.
Items include:
Camera:
Canon 5DMkII w/ Grip
Canon 5D w/ Grip
Canon 50D w/ Grip
Lenses:
Canon 16-35mm f/2.8L MkII
Canon 24-70mm f/2.8L
Canon 70-200mm f/2.8L IS
Canon 15mm f/2.8 Fisheye
Canon 35mm f/1.4L
Canon 50mm f/1.4
Canon 85mm f/1.2 MkII
Canon 100mm f/2.8 Macro
Canon 135mm f/2L
Lensbaby Composer
- All lenses run naked, no filters... I use a Hoya CP filter if I really need to but other than that nothing... no UV filters thank you very much.
Flash/Trigger/Exposure Stuff:
3 x Canon 580EXII (with STO-FEN OmniBounce)
Canon ST-E2 Wireless Transmitter
4 x Pocket Wizard Plus II (w/ elastic clips to mount to light stands, w/ cords)
Sekonic L-358 Lightmeter
Lastolite White/Grey Card
Memory and Film:
San Disk Ultra II and Extreme III CF cards (12x 2GB Ultra's, 1x 4GB Ultra, 3x 8GB Extreme)
3 x Gepe CardSafe Extreme's
Fuji Pro400H and NeoPan Film
Misc:
Cleaning Stuff - Rocket Blower, Sensor Swabs, Eclipse Cleaning Fluid, LensPen, lens cleaning cloths and solution.
Batteries - 24 x Maha/Powerex 2700mAh AA NiMiH recharables, extra camera batteries for the Canon Digital SLR's and Camcorder as well as the ST-E2 Wireless Transmitter.
Canon Remote Shutter Release Cable (use it for macro's and night shots, that's about it).
Pelican Silica Gel recharable pack (remove humidity).
Midland GMRS 25mile radios (w/ weather channel).
OpTech Classic Neoprene Straps with Pro-Loops.
Business cards, pens, pad of paper, etc.
NOTE: This photo made it into Flickr's 'Explore" as one of the top five hundred most interesting photos on a particular day, which makes me somewhat sad as the actual resulting photos didn't make it, ha! You can see all of my photo's that have made it into the Flickr Explore pages here.
My Camera Kit.
Canon EOS 60D,with cover.
Canon 70-200mm L IS f2.8 lens with 1.4 extender+ Hoya Pro1 Digital MC UV filter+ cover.
Canon 24-105mm L IS f 4 lens with UV filter.
Canon Speedlite 430EX II.
I also have a small Canon IXUS 510 HS for times when I cannot have all my gear with me.
Its taken me many years to get kit this good.
Episode 2: mechanical jam
The Mamiya 7 (II) is reputably the most advanced Texas Leica ever made, and it is likely to take its place in camera history as the last of its kind. In many ways (not every) it’s a premium crafted piece of photo equipment. But nothing is made to last and both electronics and mechanics are prone to failure, sooner or later.
One beautiful day I put on the 65 mm (no link with the previous post btw), released the light shield curtain, made my shot and cocked the shutter again. A normal sequence of actions using this camera.
But when I tried removing the lens I wasn’t able to bring the curtain in front of the film anymore, and not entirely unexpected the lens release button couldn’t be pressed either. The camera system was totally jammed. The film advance lever on the other hand could be wound endlessly without releasing the shutter, which never got tensioned in the first place.
I wanted to save the exposures that were already made, so I took the camera to a dark room, put on my white gloves, opened the back cover and removed the roll of film. It crossed my mind the last time I did something in complete darkness must have been well over 10 years ago … with my clothes on that is. Anyway, once the back cover was open I hoped I could get something moving, but alas.
It wasn’t too difficult though to realize that this had nothing to do with electronics. Obviously this was all about some sort of a mechanical obstruction. So I decided to take off the lower cover by simply removing the 6 screws holding it in place. There is no need to remove other parts prior to this, so it’s child’s play getting under the hood. The picture above is what you get to see.
When cocking the shutter, a little pen at the bottom of the camera (indicated here above as ’shutter pen') is pulled in, making room for the light shield curtain system to be closed and the lens release button to be pressed. But in this case the pen got stuck by a lever that is supposed to get behind the pen after the shutter has gone off. As long as the shutter stays released and the pen is out, the curtain can’t be closed and the lens can’t be removed. That’s how it is supposed to work. Only now, the lever got in this inexplicable position preventing the shutter pen to retract, blocking everything but the film advance lever. It only required a little manual help to get the pen back in, et voilà … So it only took a couple of minutes to understand what was happening, and in seconds everything was back in place. It probably saved me a couple of hundred euros otherwise spent on another service intervention.
It still puzzles me how it could come to this, but at least I know now the mechanics of the light shield curtain are pretty easy to get access to - without taking any risk - and they’re even easier to fix,
if you’re lucky.
For 126 cartridge . Made in USA .
X-35 : 1970-1976 .Magicube socket . Automatic exposure by CdS cell .
X-35F : Similar to X-35 , but with flipflash socket .New Kodak logo .
I love big lenses. But they're.. well, heavy. Hahaha!
Was supposed to upload another picture, but I felt like uploading this instead.
Trying on a different watermark again. Hehehe. I wanna have a new watermark. :))
Kodak Brownie 127 - Mk 1, second variant, 1956-1959.
One of the most popular Kodak cameras ever made :
www.brownie-camera.com/6.shtml
I used Gratispool back in the day - the developed film came back complete with a set of prints, free replacement film and paper negatives.....
This is my camera bag and its contents when I'm shooting film.
Yes, the Mamiya fits snugly in the bag if I move the divider.
This is my Bender 4x5 with a Fuji 150mm lens. My wife got me the Bender kit back in 1996, and it's given me great service ever since. It's not the most rigid 4x5 in the world, but with care and attention, it produces really nice pictures. My favorite B&W to date, Cliff Palace at Mesa Verde, was done with this camera on Kodak TMX 100 film.
If you've never looked at a 4x5 negative, it's well worth the time. A typical 35mm negative enlarged to 24x36" will have to be enlarged 24x linearly, so unless you're shooting a remarkably fine-grained film, the film grain will be visible in the final print. To enlarge a 4x5 negative to the same size print is only a 6x enlargement. Even with that print size, you don't see the film grain. With decent optics the negative should hold enough detail for even larger prints without loss of detail.
I'm planning to make a new lens board for my Bender so I can mount a micro servo next to the shutter and operate it remotely. This will allow the camera to be operated remotely, and means it can be used for kite aerial photography. I have yet to choose a subject, or to come up with a safe way to mount a Picavet suspension on it, but that will come next.
Time to get more film!
A few months back, I decided I needed a challenge. I had found a PDF of plans online for a cardboard pinhole camera, so I set about making one. It involved a lot of modification, fine tuning etc., but it's now at the stage where it's ready to test.
Being a packaging designer has it's advantages. Also having access to this little programme helped no end.
This (obviously) is the internal view. I have also made a mask and brackets to support 35mm film.
Will post photos when I've figure this sucker out. :) (By the way, it uses medium format film.)
Edit: More info in my Blog.
Product shots of my latest acquisition: Minolta Maxxum 100-200mm f/4.5. For an old lens, it looks practically brand new. Original owner had never used it on her Maxxum 7000. It probably just sat in the camera bag.
DIY lightbox using three flourscent lights.
My favorite manual camera... Has aperature and shutter priority exposure along with full auto.... Has TTL flash exposure... Manual focus... I'm looking for a motor drive for it...
It's probably time to get an F3 or F4...
they all have timeshares for my bag.
nikon d40 +24mm nikkor-n auto ai'd something or other
I'll need to compose a better shot of all these cameras together.
Quick shot of the bag 'fully loaded'...everything shown here easily fits inside the bag and there is still tons of room for all the other camera bits and pieces that are currently scattered around my house.
It may have been easier to tag had I lined things up :)
Sharing high honors among American 35mm cameras with the Argus C44, the Kodak Signet 80 is the last 35mm camera to be made in the USA with interchangeable lenses. The body of the camera is made of Bakelite plastic (like many earlier Kodak and Argus models), but workmanship and finish are first rate. Shutter speeds run from 1/4 to 1/250, the view/rangefinder is exceptionally good, it features rapid spool-less loading and a two-stroke rapid wind, plus a built in uncoupled EV system light meter. Lenses available were a 35mm wide, 50/2.8 triplet normal, and 90mm telephoto in a slick bayonet mount reminiscent of some Bell & Howell movie cameras.
I own this all for $25.
Someone clearly didn't know what they were giving away.
I felt like I was in a time warp when I opened the case.
Untouched since the 50's.
With the world's last supply of Polaroids in jeopardy. Photographers around the world have turned into brutal savages, dividing into tribes to pillage ebay listings. It is utter madness. In this polaroid wasteland only one man can unite them all. The Roid Warrior; from the land of the Impossible.
Concord, California
Polaroid 600se
Expired 669 Film (Bleached)