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Left-hand camera was a Christmas present. Made from a kit, 35mm film. Other is my Bronica 120mm camera.
Leslie Lazenby and John compare Rolleiflex cameras!
Film Photography Podcast - Episode 110 – October 1, 2014
The internet radio show for people who love to shoot film! Interview with Ferrania Film’s Dave Bias, Impossible Project News, PhotoKina Report, Making Kodak Film, TLR Cameras and More!
Film crew interviewing a young couple in St. Peters Square, Manchester, England. I have no idea what about?
Architect: Weldon J. Fulton (1955)
Location: Santa Monica, CA
The camera obscura is a room that projects a view of the pier and beach into a dark room via a telescope on the roof of the building.
MX Camera
signs and symbols
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"CAMERA MX"
Appic Labs GmbH – a MAGIX AG company
Mit Camera MX kannst du live und in Echtzeit spannende Effekte und Rahmen kombinieren – und alle auch individuell anpassen . Verpass deinen Bildern tolle Looks, z. B. Lomo, Tilt-Shift, HDR, Sepia oder Schwarz/Weiß. Für perfekte Schnappschüsse gibt’s die QuickLaunch-Funktion, so verpasst du nie den richtigen Moment. Oder dreh einfach schnell ein Video. Und mit Zoom, Blitz und Selbstauslöser kommen auch die klassischen Kamerafunktionen nicht zu kurz.
tags
Eagle1Effi_Art_ 2018
MX Camera
Art
Effiart
2018
...
by
smartphone Samsung S5
Flash: Fired
Make: Samsung
ISO: 8000
Shoot the Past
Your picture is shaky or you pushed the button a bit too late? No problem: Simply rewind your Live Shot, save single photos and never miss the right moment again! Perfect for your fast-paced life.
Read more: www.magix.com/int/apps/cameramx/
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Live Effects
Make your photos and videos even more beautiful! Find your style and try out new filters and effects! Switch over live, while you've already started recording, or edit your Live Shots after the fact.
Read more: www.magix.com/int/apps/cameramx/
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OK so the camera name is covered with black tape and its fitted with a "grey" Canon lens, but I am sure this is a Nikon D700.
What do you think ?
Now covering the identification marks on a camera used to be a good Idea if you didn't want to be a target for thieves. However nowadays the expensive "professional" cameras are so big they stand out anyway.
This guy looks like his day was going badly.
This is the first camera I ever used. George Cross was my Grand Father, who died in the early 50's. I would have used this camera in the mid 60's.
the collection as of december '07
not shown: the camera that took the picture - nikon d40
or the digital camera on the macbook or in the cell phone.
brings the tally to something around 56 cameras.
most cameras seen here were thrifted. the majority cost $1 or less.
in cases. and the ones i use are on a shelf.
i don't want to pay for film any more. i don't want to buy $7 batteries to use in cameras that cost $1 a shot.
i know i can get film for all of the cameras [except the polaroid roll film, that's the only one dead. the sx-70 pack can be modified, etc]
if i happen to find polaroid 600 film for a quarter a pack, then hell ya.
in the mean time, i'm goin digital and stockpiling film cameras for fun.
For some reason, I feel compelled to build numerous detail pieces for the TV Back Lot diorama; this camera dolly being one of them.
Now the question is: will I create the movie camera itself or just have the dolly parked in the background?
Hmmmmm.
The model is 3 1/2" x 2 1/2" and I might have over done the details. But it was fun.
The wheels I used were donated from an HO scale truck.
I want to thank my friend Henry who supplied me with the archive photo of the camera dolly, circa 1960.
Ok, now back to creating the second false front building.....
A simple camera for the 126 cartridge , with a single shutter speed , and the choice of 2 apertures . Made in early 1970s? This model without flash contacts .Country of origin not mentioned , but his companion 'Clik-o mat' was made in Hong Kong .
Another camera scanned film shot. The original camera was a Mamiya RZ67 Pro-II. Film used was Kodak Ektar 100. Developed right here at home and photographed on a home brew light table using an RGB LED architectural light for illumination.
The all important color positive conversion was done using Negative Lab Pro. In my first image I pushed the whites so high the most brightly lit yellows would not reproduce in sRGB. So this time I backed off the intensity a bit and saved the file in Display P3. I also paid more attention to white balance and so forth--basically, the treatment one would give for a file to print large vs one to share in IG where none of this can be seen anyway.