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No. 2A Brownie Model C. Lentille Minisque 3 ouvertures. Obturateur Rotary. Film 116. Vitesses B, Instant. Année 1924-25.
No. 2 Brownie Model F. Lentille Minisque 3 ouvertures. Obturateur Rotary. Film 120. Vitesses B, Instant. Année 1929.
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Introduced in 1965, an interesting Ricoh camera with a spring motor drive and auto exposure, and a novel focusing system they called Dia-Focus, which used a diamond-shaped yellow spot in the middle of the finder that changed its size depending on the distance focused at, and was intended to approximate the visible size of a person's head in the finder.
I haven't tested this system yet, but it does seem to have its merits, unless of course you want to photograph a cat or a pet snake or an iguana.
The finder shows distance icons and a moving needle coupled to the focusing mechanism to indicate where the lens is focused at. You also see a nice projected frame. And the finder magnification is approximately 0.6x.
The broken glass you see is just a cover glass, and should be easy to replace. But it looks awful, and because of this, and because the seller wasn't able to test the spring motor or the shutter or the auto exposure system, none of which are easy to test on this camera, I got this for only US$10 plus shipping. The shipping cost twice as much as the camera actually.
The auto exposure system uses a Cadmium Sulfide cell above the lens, and seems to work well. I've just tested it. It seems to be reasonably accurate too, compared with an SLR with TTL metering.
The spring motor works well, and I've already had familiarity with Ricoh's spring motor system in their Auto Shot model that I owned in the 1970s. It was a more compact model introduced in 1964, with a prismatic finder above the lens, an auto exposure system using a ring-shaped selenium cell around the lens barrel, and a more compact 35mm f/2.8 lens, and a shutter release on the front that was considered better because it did not protrude from the top deck, but was awkward to use as it limited the space available for holding the camera by that much more.
The background here is a Hungarian Matyo style embroidered cushion cover.
This weekend (I know, it's Tuesday...!) has been amazing, such an amazing celebration for our Queen - speechless really!
Needless to say it has kept me busy - I'll be uploading the my 365 shots from the past few days, tomorrow, so keep watching for those!
In the mean time, here is a photograph of Sasha from a few days ago (Processed in Lightroom 4 with Whipped Cream Lightroom Preset / King Pack) - how amazing is that sun flare? LOVE sun flares!
HOBBIES: LA FOTOGRAFÍA “Si tus fotografías no son lo suficientemente buenas es porque no estás lo suficientemente cerca.” Robert Capa
Kingfisher refusing to stop and say "Cheese"
Please don't use this or any of my images on websites, blogs or other media without my explicit permission. © All rights reserved
Credit - check out my blog for all -https://fashionstyleslcrasy.blogspot.com/2022/09/latex-1302.html
Outfit -
NEW: [FLS]Latex Bride Dress
Hair -
VCO ~ GAYEON Hair / Rigged / (WEAR)
Access -
Nail - RAWR! Diabolical Set
Neck Gems - [TOXIC BISH]
Neklace Silver - .::Supernatural::. Onyx Set
Concerned about a lack of birdy subjects murph le took to bringing her own Chickadee along with her on photography jaunts.
Alguns querem guardar pedaços do tempo; alguns querem guardar lugares; muitos querem guardar pessoas. Tentamos gravar momentos: tantas vidas que se vão entre poucas as que ficam. Alguns querem fazer coisas bonitas, outros desejam as feias. Há o objetivo de encantar, o de chocar, o de lembrar. Há quem queira ser visto, há quem queira apenas ver. Tem gente que compartilha, tem gente que guarda, tem gente que revela. Tem gente que quer criar desejo, tem gente que quer criar memória. Tem gente que nem quer criar nada. Milhares ficam para sempre guardadas em pastas perdidas, e as que agitam nossas almas frequentemente vão parar nas paredes. Nos outdoors. Nas capas de livros. Ou só no álbum do Facebook, já está bom.
Não importa o sentido: fotografamos.
E ninguém precisa ser fotógrafo de verdade (mesmo todo mundo sendo) e nem ter pretensão alguma para entender o quanto isso faz bem.
© Leanne Boulton, All Rights Reserved
Candid street portrait of a smoker in Glasgow, Scotland, and timed just as she tries to hide herself from view in a cloud of smoke.