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Mk2 10X microscope lens camera setup.
Using EOS to M42 adapter £5, set of M42 extension tubes £10. M42 to RMS cone £20 and a cheapish Olympus 10X plan lens £28. All new either from Ebay or Amazon.
The narrow end makes it easier to rest the lens on my hand and get a reasonable angle on a potential subject on a surface
Leica R6.2 50/1.4 The camera is not important. I wanted to use lens. I think FM-10 is much stronger than R6.2.
Anyone know what camera it is in the picture? Looks like it might be a Mamiya RB67 but I'm not sure. Either way, what a weirdly specific camera to use for this sign.
Sunol-Midtown, San Jose, California
Hasselblad 500C/M // 80mmm // Portra 160VC (expired 2005)
The Contour+2 is the next evolution in action video. We took our most coveted features from the ContourROAM and the original Contour+ and created a camera that is not only easier to use, but brings and entirely new perspective to your adventures. Now, for the first time you can share beautiful, 1080p HD video with speed, distance, and elevation across the networks you use most. The Contour+2 features and Instant On-record switch, even better video quality, and a 60-meter waterproof case for those underwater adventures. The Contour+2 will bring your stories to life like never before.
font: danieldefense.com/contour/cameras/contour-2-camera.html
Code: pastebin.com/Kaf4i2e4
Spawn in the middle, ready to resize, all is groupped well for easy recolor.
Credit to Miko for numbers
Hope you enjoy this little tool ;D
p.s tagged you Lucky because I kbow you needed it some time ago.
Matchbox pinhole camera; DM Paradies 200; approx. 3 seconds exposure; Canoscan 9000 F (base settings)
New hairdo:)) No make-up (as always)
I have to trim my eyebrows...;P
BTW, before I changed films, I touched inside the film compartment trying to take off paper scaraps in the camera (but couldn't) , took a photo of myself, and then the outcome was the left pic...
have been really busy and tired to pick up a film camera lately. it's time to take them for a walk and feed them some slides!
happy long weekend!!! :)
This was for a logo I designed. Check out the website of Photographer Leah LaRiccia. She takes some amazing and fun photographs!
nach unendlichen versuchen, eine geile, funktionierende sucherkamera zu ersteigern habe ich es scheinbar geschafft, ein sehr gut erhaltenes modell meines favorites zu ergattern .
sie ist heute gekommen und bis jetzt konnte ich noch keine mängel feststellen. selbst kleine kratzer sind nicht zu finden.
hach, was schön...
yes, i do have a collection of cameras. ten so far. i love them :)
i've used 5 of them and got the others recently. i need to find some cheap 120 film for some of them... anyone giving some away? ;) nahh hahah i'll probably buy some off of ebay.
ten facts (tagged by samcahh, take my breath, ian, and hannah lee baby)
1. see the first person to comment? i love her... and i'm getting her hair cut ;)
2. i love my older siblings and my sibling in law. so much.
3. i do have tumblr (http://graciecannell.tumblr.com/) and i love it. it's probably my favourite website before flickr.
4. while we are talking about websites... i have to say. i dislike facebook. BUT i do like stalking people... so i have this love/hate relationship here
5. i... hm... CANNOT WAIT TILL SCHOOL IS OVER AND THE STARTS AGAIN. i get to go to college heh
6. i'm starting to dislike sweet things.
7. i love my flickr friends. :) yes that is YOU.
8. uploading pictures on flickr is my favorite pass time... how lame am i?
9. i'm pretty happy right now. i just have a weigh on my heart.
10. i can't wait to go to NYC. i really want to go to SVA.
have a nice day!
Explored Ninth: May 15, 2010 #442
MY BABIES.
I've had this idea in my head for a while, but couldn't really do it without two DLSR bodies (one to actually take the picture and one to hold). However since my D5100 broke (it was faulty) Amazon sent me a new one this morning, so now I have have two! I have to send back the broken one soon so didn't have long to get this shoot done.
The camera I'm holding is the broken one (so tragic).
It's pretty much what I pictured in my mind so I'm pleased.
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اضبط إعداداتك بـ (اكتشاف ذاتك) ووجه عدستك بـ (تحديد أهدافك) واقتنص الفرصة بـ (سرعة إنجازك) فالإجازة لا تعوض
باتي وَ توفي
صورة عفاف
All emancipation is from within. That is to say, real emancipation. As a man thinketh so is he.
Marcus Garvey (1887 - 1940)
I get a decent number of questions asking me what I shoot with, do I use X or Y or whatever... so to make it easier I recently just took a photo of what's in my camera case, and then dumped it out so folks could get an idea of what tools I use (admittedly some more than other's).
If you dump out my camera case... this is what falls out. Too see what it looks like packed inside see this photo.
Camera Bodies:
Canon 5DMkII
Canon 5D
Canon 50D
Canon 20D
Canon Elan 7
Lenses:
Canon 15mm f/2.8 fisheye
Canon 35mm f/1.4L
Canon 50mm f/1.4
Canon 85mm f/1.2L MkII
Canon 100mm f/2.8 macro
Canon 135mm f/2L
Canon 16-35mm f/2.8 MkII
Canon 24-70mm f/2.8L
Canon 70-200mm f/2.8L IS
Lensbaby Composer (w/ lens diaphram set)
Flash / Lighting Stuff:
Canon 580EXII x3 (w/ foot stands)
Pocket Wizard Plus II x4
Sekonic L-358 (w/ Pocket Wizard Trigger Module)
Canon Remote Shutter Release Cable (to trigger camera via Pocket Wizards)
Pocket Wizard Mini to PC Sync Cables x4
Canon CP-E4 Camera Battery Pack (filled with Maha Powerex 2700mAh batteries)
Canon ST-E2 Wireless Trasmitter
Film / Memory Cards:
SanDisk Ultra II 2GB x 9
SanDisk Ultra II 4GB x 1
SanDisk Extreme III 8GB x 2
Fuji Pro400H and NeoPan Film
Gepe Cardsafe Extreme Cases x3
Accessories:
Lastolite White/Grey Card
x-rite Colorchecker Passport w/ no case (recieved it as a beta tester for the product)
Canon RS-80N3 Remote Switch
Business cards, Canon CPS Calendar, Pen
Large and Regular Sized PhotoClear Cleaning Cloth
LensPen, Giottos Cleaning Brush
Hot Shoe Level
Extra Battery for Canon 5DMkII and for the ST-E2 Transmitter
Battery Chargers for Canon Camera's
Hoya CP Filter
Case:
Pelican 1614 Hardshell case w/ rollers and adjustable dividers
Pelican 1609 Lid Oranizer for 1600 Case
Pelican Silica Gel Pack (for removing moisture, able to be used over and over)
Tech Details: If your curious how one takes a photograph of all of one's photo gear the answer is you borrow a friends camera from down the street (a Rebel XT/350D with a Canon 24-70mm f/2.8L lens).
Lighting provided by one White Lighting X1600 to camera right difused through a large softbox, with Westcott 42" Silver reflector to camera right to just bring in some fill light. A short roll of White Savage Seamless just hanging off the knuckle arm of an Avenger C-Stand (easier and quicker than getting out a big background stand). Triggered by a good ole-fashioned sync cable connected to a Nikon AS-15 on the hot shoe since the RebelXT/350D lacks a PC Sync connector.
NOTE: This photo made it into Flickr's 'Explore" as one of the top five hundred most interesting photos on a particular day. You can see all of my photo's that have made it into the Flickr Explore pages here.
A tripod is a must, a remote shutter switch is also good, or using the camera's timed shutter release will work, on 2 sec. or 10 sec. delay. This avoids any chance of camera shake ruining the macro shot.
I use a Canon 100mm macro lens, with three extension tubes, 13mm, 21mm and 33mm.
An LED light ring is attached to the end of the lens, with the controller for that light attached to the hot shoe on the camera.
This is a fairly heavy setup, but having the camera pointing straight down helps stability.
This enables me to shoot very small things, positioned within a couple of inches (5-6 cm) of the snowflakes.
I catch snowflakes on a sheet of glass salvaged from an old window, (taped edges) held above a colored shirt by a couple of blocks of wood, on a patio table outdoors.
More expired film. Ohh yeahhh.
My new to me Polaroid One-Step land camera.
It takes SX-70 film but the shop here only carries 600. >.>
how dare they.
Yes, I know you can use it but its too slow/fast (i forget which one) for these cameras and you need a filter.
Too much of my time to waste. haha.
I realllllllly want to use it. >.>
Also! I got Filters! So now I can actually have clouds and such! ( i am using it here.)
Heck yeahh.
GrainyMcGrainGrain.
You likey, No?
Poor crop skills.
You'd think i'd be better at this already. :P
Film
Olympus OM-G
Expired NPS Professional 160
The light on the wall is an attenuated camera obscura created by a tube in the accordion blind.
IMG_7182
En train de prendre des photos dans la Cupola. Une bonne photo, c'est d'abord beaucoup de préparation et ça commence en général par notre logiciel de navigation. Il permet de repérer ses cibles dans un catalogue assez limité (j’ai préparé beaucoup des miennes avant la mission). Il montre aussi les zones jour/nuit, une image de la couverture nuageuse plus ou moins à jour, et surtout la trace au sol des orbites futures... et puis c’est à peu près tout. Contrairement à ce que les gens croient parfois, c'est très compliqué de photographier une zone sur commande. Tout d’abord, la rotation de la terre et la précession du plan de notre orbite font qu’on ne survole qu’épisodiquement et parfois un peu aléatoirement les différentes zones du globe. Ensuite, il se peut que la zone soit survolée certes, mais en pleine nuit… ce qui laisse peu de possibilité de photo (à part les villes très éclairées). La lumière n’est en général pas non plus suffisante en matinée et en soirée (d’où les couleurs plus pastels qu’ont parfois mes photos). Les nuages se mettent aussi souvent en travers de la vue 😤 Dernière complication et pas des moindres : la plupart du temps, les bons passages au-dessus des bonnes cibles ont lieu… pendant notre journée de travail ! Pas question de s’absenter au milieu d’un expérience même pour un passage à la verticale de Paris ou du Mont Saint Michel 🙈 Au final, il y a certains lieux (villes, montagnes, îles, etc.) qui ne m’offriront qu’un seul passage adéquat en 6 mois de mission… Et bien sûr, une fois qu’on se met à la fenêtre au bon endroit et au bon moment avec la bonne météo, reste à identifier sa cible à l’œil nu (à 400km…) et à prendre une photo techniquement correcte. Avant de me reprocher de n’avoir pas pris en photo votre lieu préféré, pensez-y :)
Taking pictures in Cupola. Good planning for a picture is half the job, and for us it starts with our navigation software. It allows us to catalogue our targets (although I prepared many in advance before I left Earth). The software shows us where it is day and night and even cloud cover predictions, but most importantly it shows us the future orbits, and that is about it. Many people think that we can take a picture of a specific place on Earth on command, but it is much harder than that. First of all our orbits mean we only fly over specific areas periodically. Secondly even if we do fly over an area of interest it might be during night-time so there will be nothing to see unless it is a city with bright streetlights. The lighting in the morning or evening is generally not good enough either (this is why some of the pictures have more pastel colours). Then there are clouds that can get in the way 😒. Lastly, and not the least, often we pass over areas… when we are working. We cannot drop everything we are doing at 14:35 for example just because we really want to take a picture of a city or a mountain or other marvel of Earth. Even if the stars align and we have the time, the orbits and the weather is in our favour… we still need to spot the target from 400 km above and setup the camera settings correctly!
Credits: ESA/NASA
541C1631
I am more behind than normal with film developing and scanning as I am doing a lot of training again ahead of various triathlon events. It's not a chore, I really love the cycling (my joint #1 obsession that comes out with the sunshine!) but it means I don't always get chance to edit / post etc.
This photo was me testing a new lens I bought for my 4x5 Intrepid camera. The well regarded Schneider APO-Symmar 120mm f/5.6. A tiny lens considering the size of the film format! (see a photo I shared on my Instagram a few weeks+ ago)(similar size to a Leica lens)
4x5 Intrepid Camera (wooden view camera) + Schneider APO-Symmar 120mm f5.6 lens + Cambo 6x9 roll film back + 120 Fomapan 100 film
(@f5.6 1/4 sec)
I will post a full review on this camera and lens when I get chance + more test examples
Scale model of a 1960's SLR camera with cloth focal-plane shutter, variable and B shutter speeds, instant-return mirror, interlocked wind-on mechanism, focusing "lens" and automatic diaphragm with stop-down preview button. Working shutter speed dial and aperture ring.
No actual optics - demonstrates mechanisms only.