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64 - Pause Button Song (6:32)
Maidstone October 1986
People: Paul Fallon, Martha, Colin Smith, Paul, Nick Shaddick, Reuben Pinkney, Nick Scullard, Mark Smith, Mark Enright, Mark Orphan, Samantha Sutton, Lorraine Farrow, Neil McLeod, Timothy Davies-Pugh, Ian Elliot, Peter Jones, Adam Cole, Nicola Percy, James Gosling, Otto Smart, Chris Rowland, Carl Foster, Kevin Grey, Keith, Andy, Rebecca, Nicola Medlik, Jaqueline Mouncey, Charlie Adlard, Alice Smith, Nick Collins, Gill Ewington, Rachel Chiddley, Jane Hanley, Nigel Lindley, Martin de Sey, Paul Mercer, Colin Smith, Sue Haseltine, Andy Weatherall, Garreth Roberts, Vincent Hawkins.
Well intentioned exercise at creating something from a media deconstruction, a song of sorts with all music created from the same basic edits of instruments, with a narrative spliced together from words spoken by a great number of other students, the narrative being a description of the process by which the video was made. This was a nice idea, if a little over-ambitious given the technology of the time. Frustratingly I have since seen someone else do exactly this, although they cheated so far as I'm concerned through using a much wider range of sampled instruments.
At last a new mask! I have been working on several designs, but this one I happened to finished first.
This mask is quite different to the others I have in progress - it has a lot of buttons on it. I am not quite sure how much I like it, so any feedback would be interesting.
You can make this button with any kind of yarn. I tried to make them with wool and cotton and they always look perfect!
Such buttons can be used everywhere – on hats, gloves, sweaters and etc. Perfect for children pullovers and jackets because they can be used as real buttons, but they are completely safe and look fantastic!
For more information watch my profile or my blog monpetitviolon.blogspot.com/
Civi War era buckle and button exposed on the surface of a freshly dug pile of dirt at a construction site in Oxon Hill, Maryland and found by me in the mid 1970s. At the time I was not looking for artifacts, but instead was looking for any interesting geology that might have been exposed in the excavations. During the Civil War the nation's capital was surrounded by various army camps and forts and this location must have been one of them. I have often wondered what else I might have found if I had had a metal detector with me at the time.
These are just some of my many handmade button brooches. If you would like to see more, please go to my Etsy or Facebook site or contact me at:
rebeccarees@earthlink.net
www.facebook.com/pages/Beccas-Button-Bracelets/1580036711...
The Button Farm is Maryland's only living history center depicting 19th century plantation life and the heroic story of the Underground Railroad through unique living history experiences.
The Menare Foundation will restore and maintain the historic buildings and preserve the cultural landscape as a resource for education, preservation and heritage.
Photo by Stephen Badger, DNR Staff
64 - Pause Button Song (6:32)
Maidstone October 1986
People: Paul Fallon, Martha, Colin Smith, Paul, Nick Shaddick, Reuben Pinkney, Nick Scullard, Mark Smith, Mark Enright, Mark Orphan, Samantha Sutton, Lorraine Farrow, Neil McLeod, Timothy Davies-Pugh, Ian Elliot, Peter Jones, Adam Cole, Nicola Percy, James Gosling, Otto Smart, Chris Rowland, Carl Foster, Kevin Grey, Keith, Andy, Rebecca, Nicola Medlik, Jaqueline Mouncey, Charlie Adlard, Alice Smith, Nick Collins, Gill Ewington, Rachel Chiddley, Jane Hanley, Nigel Lindley, Martin de Sey, Paul Mercer, Colin Smith, Sue Haseltine, Andy Weatherall, Garreth Roberts, Vincent Hawkins.
Well intentioned exercise at creating something from a media deconstruction, a song of sorts with all music created from the same basic edits of instruments, with a narrative spliced together from words spoken by a great number of other students, the narrative being a description of the process by which the video was made. This was a nice idea, if a little over-ambitious given the technology of the time. Frustratingly I have since seen someone else do exactly this, although they cheated so far as I'm concerned through using a much wider range of sampled instruments.
This one's not so big and it's only for one "cage" worth of servers, which is still a lot of machines.
Robert Scoble wrote about the "big red button right by the door in every data center" he's ever been to. If somebody pushes this little red button, several dozen machines are immediately taken offline.
Levi Strauss & Co • SF • CAL
Happy Weekend and Happy Shopping :)
(Shot of an ad from Levis but in a diffrent angle, again from mobile cam)
More photos available in the new flickr group 'Button Fetish' . Join and contribute to this potentially exciting new group ;-)
$9 ARDUINO lesson 2. I copied the code from the web site but had to add the int definitions. push the button and light the LED!
* Button wreath, made by glueing buttons to a styropor wreath (5.9 inch) that was first covered with felt.
* Knopenkrans, gemaakt door knopen te lijmen op een met vilt beklede piepschuim krans (15 cm).
Heute hat Johanna das Kleid, was meine Frau für sie hat schneidern lassen, geschenkt bekommen. Sie sah, wie ich schon vermutet hatte, alles andere als begeistert aus - besonders schluckte sie, als ihr Blick auf den Kragen fiel: sehr hoch, den kompletten Hals eng umschließend, äußerst steif und mit einer Besonderheit, die sich meine Frau, sehr zur Freude meiner Schwägerin, hat einfallen und von der Schneiderin umsetzen lassen: Damit Johanna auch gezwungen ist, diesen extrem unbequemen Kragen immer streng hochgeschlossen zu tragen, befindet sich am Kragensteg auf der Seite mit dem Knopfloch ein fest angenähtes Stoffband, das hinten unter dem Kragen herläuft und dort an mehreren Stellen mit verdeckten, zusätzlichen Knöpfen gehalten wird. Bei einem geöffneten Kragen würde das Stoffband lang heraushängen, was natürlich unmöglich aussehen würde. Sie war auch ziemlich verzweifelt, als sie im Kleid steckte und ihr klar wurde, als meine Frau ihr den komplizierten Verschluss komplett zugeknöpft hatte, sie keine Chance hat, auch nur ansatzweise ihren Kragen zu öffnen. Hannah stöhnte hörbar, dass sie ihren Kopf, wegen der Höhe, Enge und Steifheit des Kragens, kaum noch bewegen kann. Aber es nutzt ihr nichts : Meine Schwägerin war derart begeistert, dass Johanna dieses Kleid nun sehr oft wird anziehen müssen.