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All Images are copyright Lisa Singh. Please respect my copyright and do not use images without expressed written permission
Broadcasting Center Europe (BCE) chooses RIEDEL MediorNet, Artist, and Bolero for IP-based communications in new production facility.
Dutch Public Broadcasting New Year's Reception.
Officially we're called 'Netherlands Public Broadcasting', but that's just WRONG.
Stephen Farrugia - Broadcast Australia
Joan Warner - Comm. Radio Aust.
Paul Broderick - SBS Technology & Distribution
Peter Warren - United Group Infrastructure
Local television station broadcasting from the cenotaph and the Eternal Flame of Remembrance for ANZAC Day celebrations in the city .
ANZAC Day 2015
Celebrating 100Th Anniversary of the landing on Gallipoli
Brisbane
Diefenbunker: Canada's Cold War Museum
CBC RADIO BROADCASTING STUDIO
Public radio reached millions, broadcasting government instructions during times of crisis. It would have been a lifeline during a nuclear war.
Imagine the worst-nuclear explosions have destroyed cities across the country. Turn on the radio, and hear the familiar, reassuring voice of CBC broadcasters bringing you up-to-date information about the situation.
The CBC is responsible for control of the Emergency Broadcasting System. Control of national emergency messages during a nuclear war would have come from this studio, and connected to all affiliated CBC stations via regional "black box" devices.
Although the government was prepared, this emergency CBC system never had to be tested in the event of a real nuclear attack.
“…maintenance of the CBC radio station...was a fun but scary kind of job. Fun because there was a lot of equipment there for playing records and recording...The scary part was connecting to the national warning centre and sending the signal down the line to warn of an imminent nuclear attack."
Mike Tipman, Communication Technician
(1969-1973)
Saw a truck parked, its equipment illumniated by the sun; tried to catch a hand-held HDR, and got this.
I really, really look forward to a good, solid tripod.
This is heavily processed; hugely oversaturated colors, lots of microcontrast adjustments, etc. In some ways, it's disappointing - I had really hoped to see less of the ball-of-light-that-is-the-sun; with the naked eye, and through the viewfinder, the ball of light wasn't so pronounced - it looked much more like a halo - but the brightness made it clip, so ball-of-light it is.
I'm still fond of it. Shame the truck wasn't more tv-truck-like.
ABU Digital Broadcasting Symposium 2020 - 3.3.2020
Session 2
2-5 March 2020
Hotel Istana Kuala Lumpur
Copyright Asia-Pacific Broadcasting Union. Please credit accordingly.