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Railcar X73727 enters the station of Saint-Denis-lès-Martel. The railcar is working TER 870160 from Rodez to Brive-la-Gaillarde
The track next to the railcar is used by trains running between Brive and Aurillac. This line is temporarily out of use. The track to the right leads to Souillac but has not been used for a long time.
Saint-Denis-lès-Martel (Lot).
M41186.
BRE 618D - Mercedes Unimog 4x4 water tender ex Keil, Germany. Stoneleigh Military Rally on 30th August 2004
I wanted to switch it up a bit today. I took a ton of dark ride shots and I haven't even shared one from this past trip yet. I only got to ride Splash one time this past trip but I went through it using the 35 1.4 with pretty good results. Thanks for looking everyone.
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Brion Family Grave
San Vito d'Altivole, Italy
1969-1978
Carlo Scarpa, architect
I had the whole place to myself, with the exception of two tour-groups who were in-and-out within roughly 5 minutes. It was a real shock after 5 days in Venice.
French postcard by Editions P.I., Paris, offered by Les Carbones Korès "Carboplane", no. 1089. Photo: Studio Vallois.
French film and stage actress Françoise Brion (1933) has appeared in 75 films since 1957. She worked with Nouvelle Vague directors like her husband Jacques Doniol-Valcroze, Pierre Kast and Alain Robbe-Grillet. She also was an attractive, blue-eyed, blonde eye-catcher in several crime films, in which she played the friend and lover of Eddie Constantine or Lino Ventura, or was a seductive and sometimes dangerous siren.
Françoise Brion was born in 1933 in Paris, France as Françoise Alicia Rose German de Ribon. She took acting lessons from Pierre Dux and Raymond Girard in the early 1950s and then continued to study at the Actors Studio in New York. Back home in Paris, the pale blonde young artist mainley played theatre since 1955 and appeared in numerous stage plays in such metropolitan venues as the Théâtre de l'Œuvre, the Théâtre des Variétés, the Théâtre de Paris, the Théâtre de l'Atelier, de Théâtre national populaire and the Théâtre Sarah-Bernhardt. She worked with the directors Robert Lamoureux, André Barsacq, Michael Cacoyannis and her teacher Pierre Dux. Brion received her most important early stage roles in Oscar Wildes 'An Ideal Husband', in Françoise Sagans 'A Castle in Sweden', in Peter Weiss’ Marat / Sade' as well as in Bertolt Brechts ' Mutter Courage and her children'. She has also been a guest at the Avignon Theater Festival several times. Brion made her film debut with a minor role in Love in the Afternoon (Billy Wilder, 1957), starring Gary Cooper and Audrey Hepburn. Her first bigger part were in the crime film Un témoin dans la ville/Witness in the City (Édouard Molinaro, 1959) with Lino Ventura and the Romance Katia/Adorable Sinner (Robert Siodmak, 1959) with Romy Schneider.
Françoise Brion had her first starring role in the Lemmy Caution crime film Comment qu'elle est?/Women Are Like That (Bernard Borderie, 1960) with Eddie Constantine. That year, she also starred with Jean-Louis Trintignant in the film Le coeur battant/The French Game (1960) directed by Jacques Doniol-Valcroze, who later became her husband. She also starred in Doniol-Valcroze's La dénonciation/The Denunciation (Jacques Doniol-Valcroze, 1962), featuring Maurice Ronet as a traitor considered a hero after WW2. Françoise Brion was, with Catherine Deneuve, Dany Saval and Françoise Arnouil, one of the title figures in the Anthology film Les Parisiennes/Tales of Paris (Marc Allégret, Claude Barma, Michel Boisrond, Jacques Poitrenaud, 1962). She appeared in Et Satan conduit le bal/And Satan Calls the Turns (Grisha Dabat, 1962) starring Catherine Deneuve and Jacques Doniol-Valcroze. The following year, she played the female lead in the French-Romanian crime film Codine (Henri Colpi, 1963), which was entered into the 1963 Cannes Film Festival where it won the award for Best Screenplay. She also played in the French-Italian comedy Dragées au poivre/Sweet and Sour (Jacques Baratier, 1963) starring Guy Bedos and Jean-Paul Belmondo. Then followed the art film L'Immortelle (Alain Robbe-Grillet, 1963), which was entered into the 13th Berlin International Film Festival, and won the Prix Louis Delluc. Alain Robbe-Grillet, who was one of the most successful screenwriters of the French New Wave, longed to direct a feature film, but no offers of backing were forthcoming. At length, a Belgian producer agreed to let him direct a film from his own screenplay, on condition that the film be shot in Turkey, using 'blocked funds' (profits from an earlier film that could not be taken out of the country) owed to Cocinor, the French production company. Robbe-Grillet accepted this, and in his first feature film as a director, created a dreamlike, erotic fantasy. Robbe-Grillet wrote a very detailed plan for the shooting, and wanted it followed in every detail. Both Françoise Brion and co-star Jacques Doniol-Valcroze were friends of the director. Though he had written the scenario with other actors in mind, he decided on them instead. Brion finised the very productive year with the French-Portuguese drama Vacances portugaises/Portuguese Vacation (Pierre Kast, 1963), with Michel Auclair and Jean-Pierre Aumont.
Françoise Brion played a supporting part in the French-Italian drama Un monde nouveau/A Young World (Vittorio De Sica, 1966) with Christine Delaroche and Nino Castelnuovo. Then she filmed in the Netherlands To Grab the Ring (Nikolai van der Heyde, 1968) with Ben Carruthers and Liesbeth List. It was entered into the 18th Berlin International Film Festival. That year, she also appeared in the French comedy Alexandre le bienheureux/Very Happy Alexander (Yves Robert, 1968), also starring Philippe Noiret and Marlène Jobert. In the British-French action film Caravan to Vaccarès (Geoffrey Reeve, 1974) starring David Birney, Charlotte Rampling and Michael Lonsdale, she had a small part. It was loosely based on the novel Caravan to Vaccarès by Alistair MacLean. She also could be seen in Rosebud (Otto Preminger, 1975) with Peter O'Toole and Richard Attenborough, La traque/Gunman in the Streets (Serge Leroy, 1975), starring Mimsy Farmer and Jean-Luc Bideau, and the crime film Adieu poulet/The French Detective (Pierre Granier-Deferre, 1975) with Lino Ventura and Patrick Dewaere.In 1978, she had a role in Attention, les enfants regardent/Careful, the Children Are Watching (Serge Leroy, 1978) with Alain Delon. With the gradual waning of her film career in the late 1970s, television gained importance in Brion's career, and she also intensified her work in the theatre again. In 1981-1982, she guest-starred in the French police television series Julien Fontanes, magistrat (1980-1989) with Jacques Morel. She also appeared in Jacques Doillon's film La tentation d'Isabelle/The Temptation of Isabelle (1985). In her later years, around the mid-1990s, the artist was offered a number of interesting character roles in plays by authors as Thomas Bernhard, Edward Albee, Ingmar Bergman and Harold Pinter. Her later films include the French-Italian comedy Il conte Max/Count Max (Christian De Sica, 1991) and starring De Sica and Ornella Muti, Nelly et Monsieur Arnaud/Nelly and Mr. Arnaud (Claude Sautet, 1995) starring Michel Serrault and Emmanuelle Béart, and the French-American romantic comedy-drama Le Divorce (James Ivory, 2003) with Kate Hudson and Naomi Watts. On TV, she could be seen in the French Mini-series Les Liaisons dangereuses/Dangerous Liaisons (Josée Dayan, 2003) starring Catherine Deneuve, Rupert Everett, Nastassja Kinski and Leelee Sobieski. It was an updated adaptation of the classic eighteenth-century novel Les Liaisons dangereuses by Pierre Choderlos de Laclos. Her most recent film is Le premier jour du reste de ta vie/The First Day of the Rest of Your Life (Rémi Bezançon, 2008), the tale of a close knit family over a period of twelve years. Françoise Brion was married to actor Paul Guers (1958-1963). After their divorce, she married actor-director Jacques Doniol-Valcroze, with whom she had two children, actress Diane Doniol-Valcroze and director-writer Simon Doniol-Valcroze.
Sources: Wikipedia (English and German) and IMDb.
And, please check out our blog European Film Star Postcards.
Die Pfarrkirche Brè sopra Lugano ist den Heiligen Fedele und Simone Märtyrer geweiht und wird erst 1591 in den Aufzeichnungen über den Pastoralbesuch des Bischofs von Como Feliciano Ninguarda erwähnt. Es wird jedoch angenommen, dass es bis ins Mittelalter zurückreicht. Tatsächlich hat der Glockenturm in der südöstlichen Ecke der Basilika romanische Blindbögen an der Basis.
Quelle:Lugano Monte Brè