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Las Molas en el Tiempo.
Molas over time.
c. 1950 c. 2010
Molas.
Layers of Wisdom is the result of a link built and maintained for more than four years between the researchers Clemencia Plazas and Meyby Ríos, the team from the Gold Museum of the Bank of the Republic and the gunadul authorities of Colombia, who expressed their authorization and interest in carry out this project and appointed the Gunadule leader Amelicia Santacruz as their representative in the creation of the exhibition. Her presence not only guaranteed the relevance of the content, but also fostered dialogue between cultures, stories and diverse experiences.
This exhibition joins other exhibitions organized by the Gold Museum in recent years on the indigenous societies that currently live in Colombia and that are an essential component of the nation's identity. Among them Pütchipü'ü. The trade of the word among the Wayuu, which rescued an ancestral figure for the resolution of conflicts in this community of Colombian La Guajira, and the new curatorial script of the Ethnographic Museum of the Banco de la República in Leticia, Amazonas, which was carried out in collaboration with the indigenous ethnic groups that live in the Colombian Amazon, for the investigation and dissemination of their traditional knowledge.
In this black-and-white portrait, a charismatic Colombian policewoman looks straight into the camera, her poise a testament to her confidence. Her fluorescent lemon-yellow jacket, embellished with an embroidered police badge on the right chest, vividly announces her profession. The initials of her department, located under the badge, echo this dedication. She wears a distinctive hat, and a neat bun secures her hair, ensuring that nothing obscures her focus on maintaining peace and public safety. A subtle earring lends a touch of femininity, reminding us that she easily navigates the balance of strength and grace. Her hand rests naturally behind her, her posture embodying the readiness and resilience that her role demands. Her presence is a powerful representation of strong and feminine women in uniform.
Colombia, en los andes a 3.100 metros de altura.
El cerro de Monserrate es el más conocido de los cerros orientales de Bogotá. Junto a Guadalupe es uno de los cerros tutelares de la ciudad. Monserrate tiene una altitud de 3152 metros y se ubica sobre la cordillera oriental. Los cerros de Bogotá, de origen metamórfico, tienen mas de 10.000 años de antigüedad, en lo que se refiere al aspecto geológico.
El cerro de Monserrate ha sido lugar de peregrinación religiosa desde la época colonial y se constituye en un atractivo natural, religioso, gastronómico y mirador de la ciudad. El acceso podía realizarse a pie pero por las constantes lluvias fue cerrado por seguridad aun asi se puede acceder por teleférico o funicular.
Contains the art collection donated by the Colombian master Fernando Botero. There are 120 works by him and more than 60 pieces by world-renowned 19th and 20th century artists.
Proud symbol of Bogotá and landmark, the peak of Monserrate - with its white church at the top, at 3,150 meters. At the top, there are beautiful views of the capital spread over 1,700 km2.
Here, the Last Supper is designated as the First Station, the Denial by Peter is omitted, the Condemnation by Pilate is folded into the Acceptance of the Cross, and the Resurrection is counted as the Fourteenth Station.
The Last Supper
The Agony in Gethsemane
Jesus is Condemned to Death
Jesus is Scourged and Crowned with Thorns
Jesus Carries the Cross
Jesus Falls – unites all three instances of the traditional list
Simon of Cyrene Helps Jesus Carry the Cross
Jesus Meets the Women of Jerusalem
Jesus Is Stripped of His Garments
The Good Thief
Mary and The Beloved Disciple at the Foot of the Cross
The Death of Jesus
Jesus is Laid in the Tomb
The Resurrection of Jesus Christ
Critics have argued that this list adulterates the entire picture of the Passion (and suffering) of Christ, attributed to its first and last station, both of which having nothing to do with the Passion of Christ.
Pablo Emilio Escobar Gaviria (Rionegro, 1 de dezembro de 1949 – Medellín, 2 de dezembro de 1993) foi um narcotraficante colombiano que conquistou fama mundial como "o senhor da droga colombiano", tornando-se um dos homens mais ricos do mundo graças ao tráfico de cocaína nos Estados Unidos e outros países.
Membros dos governos norte-americano e colombiano, repórteres de jornais e o público em geral o consideram o mais brutal, impiedoso, ambicioso e poderoso traficante da história.
Fotografía realizada por Peter Lievano © Todos los derechos reservados - No utilizar sin autorización // www.peterlievano.com