View allAll Photos Tagged bionic
A bionic hand on display at the “WIPO – Supporting Innovation, Improving Lives” exhibition.
This bionic hand, developed by a multidisciplinary team of researchers at the École Polytechnique Fédérale de Lausanne (EPFL) in Switzerland, lets patients feel the shape and texture of objects and perform challenging tasks.
WIPO organized the exhibition for World IP Day, which in 2017 was celebrated under the “Innovation – Improving Lives” theme.
Copyright: WIPO. Photo: Emmanuel Berrod. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License.
ESTRELLA MARTIN & BIONIC GARDEN
www.youtube.com/watch?v=8t83K9bLtPA
Bionic Dance / Danza Biónica
Teatros del Canal - Madrid
Hernestoconhache photo
Bought one of these U.S. made tools to support the company after a Yahoo! news story about it and Sears, which sells a similar tool made overseas.
The wall in our living room. Some days photography really is playing with light....
Unlike the Cybershot, the Bionic has a monochrome mode, so my February 2012 photographs were almost exclusively taken in black and white. This picture's color is the unintentional product of a bug, which I mentioned a couple days back--if I set the phone's camera to b&w, then changed other settings, it lost the monochrome.
Looks like this bug's been fixed, though I've not made extensive tests.
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The 366 Snaps photo--"The Shed at the End of Main Street"--drew interesting (and very different) comments on Flickr and Facebook. WindsorDi pointed out that someone loved the shed, as evidenced by its decorations, while Lane Smith riffed on the picture's title.
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This photograph is an outtake from my 2012 photo-a-day project, 366 Snaps.
Number of project photos taken: 44 (includes 8 low-light experiments from the previous evening)
Title of "roll:" Birds & Mulliken
Other photos taken on 2/9/2012: none.
I'm down in Nashville helping my sister recuperate after knee replacement surgery. Here's an example of how they rebuilt her.
Kenner's Six Million Dollar Man Critical Assignment Arms and The Six Million Dollar Man complete series from Time Life.
The BIONIC program on the campus of Eastern Illinois University in Charleston, Illinois on June 15, 2021. (Jay Grabiec)
The BIONIC program on the campus of Eastern Illinois University in Charleston, Illinois on June 7, 2021. (Jay Grabiec)
The BIONIC program on the campus of Eastern Illinois University in Charleston, Illinois on June 7, 2023. (Jay Grabiec)
Lead Artist Anna Naduda
Kiev, Ukraine
Imagine a world where our refuse comes alive and lives on long after our
presence. New Bionics' otherworldly environment was set in the scene of an abandoned office, full of dilapidated equipment and unkempt supplies. Out of quantities of shredded documents grew stalagmite-like shapes, moss-like textures and grass-like ground cover, reclaiming the office space as their natural habitat.
As visitors explored the space, their presence triggered sounds that mutated from organic (such as birds singing or crickets chirping) to mechanic (such as the sound of a printer). Each sound activated other sounds in the room, creating swells of cascading atmospheric noise.
Lighting was also a key element of this piece. The forms glowed with a luminous pigment, harkening the glow of plankton or the sheen of wet moss on trees. As visitors carefully navigated the space lighting effects are triggered.
The artist was working with businesses to collect shredded paper documents. An
informational booklet, designed for both children and adults, was being produced in
compliment to the exhibit. Children learned about where paper comes from and about
fun paper-craft activities. Adults learned about the environmental impact of the paper
industry, and about creative approaches to reducing paper consumption. The booklet featured photos of felled trees in the Carpathian Mountains.
New Bionics first showed an in-progress incarnation of the piece at the Czech
Cultural Center in Prague, March 1 through April 4, 2012. It then had its first debut at Kiev's first International Biennale, from May 24 through July 31, 2012, at the National Cultural-Art and Museum Complex. Then, from September 7 through 24, 2012 the piece was presented at the annual International event Gogolfest.
After years of suffering with arthritis in the knee.............Chris has at last had a well deserved knee replacement..............( the surgical stockings have been rolled down for photograph purposes only)........
books and boxing
Serie Bellas Glorias
As fotos antigas.
Son máis honestas, creo. A xente posa cun candor descoñecido. Posa para o álbum, para as avoas. Para si mesmo. Non para fotolog, nin para photoshop, nin para Avedon. Posa obediente, pero non espera gran cousa desa fotografía.
A textura das fotos tampouco é perfecta, co cal todo xoga a certo ilusionismo. Os rostros defínense mal. Nas habitacións levántase unha inquietante néboa. Os bordes das imaxes aparecen mordidos. Hai manchas, rasguños, cores alteradas. Cousas que non eran así, nin estaban colocadas así, nin peiteadas así.
Parécense, na súa inexactitude, á enormemente fotosensible memoria humana.
Por exemplo, ti. O que lembro de ti non se parece en nada a ti.
A memoria é un proceso biolóxico, dixestivo, que transforma materias primas en arquivos máis ou menos pesados, máis ou menos inventados, máis ou menos definitivos a través dunha especie de fotosíntese a nivel cranial.
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Na foto, meu irmán Guillermo. De neno saíu en infinidade de fotos. As mellores, aquelas que logo meu avó pegaría nas etiquetas das botellas da súa destilería. Brandy Guillermo I, por exemplo: e aparecía meu irmán cun sombreiro de vaqueiro. Ou de vikingo. O meu avó inventaba nomes para os seus alcoholes, sempre cheos de retranca.
Vodka Brooklyn. Oporto Devesos [el nacera en Devesos, aldea miniatura de Ortigueira].
Alguén da familia estivo en Burgos hai pouco e servíronlle un brandy Guillermo I co careto de meu irmán.
Uns avós destiladores de alcoholes, donos de ultramarinos, emigrantes en Cuba e estraperlistas dan para moito tema de conversa nas sobremesas das xeracións posteriores.