View allAll Photos Tagged benedict
Eggs Benedict are a very difficult recipe to make, at least for a total apprentice like me. So, when I managed them one morning, I had to take this quick iPhone snapshot before I actually ate them. They were delicious!
This is by no means a true "food photograph"...!
Follow me on Instagram:
www.instagram.com/philsharp/?hl=en
Take my portrait tutorial course:
www.domestika.org/en/courses/3579-modern-headshot-photogr...
Eggs Benedict is an American breakfast or brunch dish that consists of two halves of an English muffin topped with a poached egg, bacon or ham, and hollandaise sauce. The dish was first popularized in New York City. Wikipedia
Main ingredients: Eggs, English muffin, Canadian bacon, Hollandaise sauce
At Slug & Lettuce Riverside pub, York
Taken with side natural light.
Canon 7D
1/1250 sec
f/2.8
50mm
ISO 500
--
Complete pictures on my blog post:
Morning Gloriousness --> bit.ly/platgrill
Follow me on Instagram:
www.instagram.com/philsharp/?hl=en
Take my portrait tutorial course:
www.domestika.org/en/courses/3579-modern-headshot-photogr...
It was a coincidence that during our trip to Rome, there was farewell event from the Benedict XVI.
Best viewed in "Lightbox" view. To view, press "L"
Fusion exposure composition created from 3 different photos, which 2 created afterwards by changing the exposures from 1 original photo.
"O God, who made the Abbot Saint Benedict an outstanding master in the school of divine service, grant, we pray, that, putting nothing before love of you, we may hasten with a loving heart in the way of your commands. Through our Lord Jesus Christ, your Son, who lives and reigns with you in the unity of the Holy Spirit, God, for ever and ever." Amen.
– Collect for the feast of St Benedict (11 July).
Statue of St Benedict in the basilica of St Paul outside the Walls, Rome.
Dutch postcard by Fotoarchief Film en Toneel, no. 3137. Photo: RKO Radio Films. Ingrid Bergman in Joan of Arc (Victor Fleming, 1948).
Ingrid Bergman (1915-1982) was ‘Sweden's illustrious gift to Hollywood’. In the 1940s the fresh and naturally beautiful actress won three times the Oscar, twice the Emmy, and once the Tony Award for Best Actress. Little known is that before she went to Hollywood she already had a European film career.
Ingrid Bergman was born in Stockholm, Sweden in 1915 to a Swedish father and a German mother. At age 17, she had a taste of acting when she played an uncredited role of a girl standing in line in the Swedish film Landskamp (Gunnar Skoglund, 1932). The next year she was accepted to the Royal Dramatic Theatre in Stockholm, but she soon decided that stage acting was not for her. During her first summer break, she was hired at a Swedish film studio to work in film full-time. Her first film part was in Munkbrogreven/The Count of the Old Town (Edvin Adolphson, 1935), where she had a speaking part as Elsa Edlund. In the following years, she made a dozen films in Sweden that established her as a class actress. Among them were Bränningar/The Surf (Ivar Johansson, 1935) and Dollar (Gustaf Mollander, 1938). Another film, En kvinnas ansikte (Gustaf Molander, 1938) would later be remade as A Woman's Face with Joan Crawford. Bergman also made a film in Germany, Die Vier Gesellen/The Four Companions (Carl Froelich, 1938).
Ingrid Bergman's breakthrough film was Intermezzo (Gustaf Molander, 1936), in which she played a pianist who has a love affair with a celebrated and married violinist, played by Gösta Ekman. Hollywood producer David O. Selznick saw it and sent a representative from MGM to gain the rights to the story and have the actress sign a contract. Ingrid went to California and starred in MGM's remake Intermezzo: A Love Story (Gregory Ratoff, 1939), reprising her original role. The film was a hit and so was Ingrid. Her beauty was unlike anything the movie industry had seen before and her acting was superb. She was under contract to go back to Sweden to film Juninatten/A Night in June (Per Lindberg, 1940). Back in the US, she appeared in three films, all well-received. In 1942 she played in only one film, but that film, Casablanca (Michael Curtiz, 1942), would make her a huge star. Bergman chose her roles well after Casablanca. In 1943, she was nominated for an Academy Award for her role in Ernest Hemingway's For Whom the Bell Tolls (Sam Wood, 1943), the only film she made that year. The critics and public didn't forget her when she made Gaslight (George Cukor, 1944) the following year - her role as the persecuted wife of Charles Boyer got her the Oscar for Best Actress. In 1945, Ingrid played in Spellbound (Alfred Hitchcock, 1945) with Gregory Peck, Saratoga Trunk (Sam Wood, 1945), and The Bells of St. Mary's (Leo McCarey, 1945), for which she received her third Oscar nomination for her part as Sister Benedict.
Ingrid Bergman also worked with Alfred Hitchcock on another classic, Notorious (1946) with Cary Grant, and the less successful Under Capricorn (1949) with Joseph Cotten. Bergman went to Alaska during World War II in order to entertain troops. Soon after the war ended, she also went to Europe for the same purpose, where she was able to see the devastation caused by the war. It was during this time that she began a relationship with the famous photographer Robert Capa. She made no films in 1947 but bounced back with a fourth nomination for Joan of Arc (Victor Fleming, 1948). She played the part of Jeanne d'Arc three times in her career: on stage in 1946 in Maxwell Anderson's Joan of Lorraine for which she won the Tony Award, in the film version in 1948, and in 1954 in the Italian film Giovanna d'Arco al rogo/Joan of Arc at the Stake (Roberto Rossellini, 1954), based on a 1935 dramatic oratorio by Arthur Honegger. But in 1949 Saint Ingrid first would suffer a sudden and disastrous fall from grace. In 1949 Ingrid Bergman went to Italy to film Stromboli (1950), directed by Roberto Rossellini. She fell in love with him and got pregnant. The pregnancy caused a huge scandal in the United States. It even led to Bergman being denounced on the floor of the US Senate by Edwin C. Johnson, a Democratic senator, who referred to her as "a horrible example of womanhood and a powerful influence for evil." In addition, there was a floor vote, which resulted in her being made 'persona non grata'. The scandal forced Bergman to exile herself to Italy, leaving her husband, Dr. Petter Lindström, and daughter, Pia Lindström in the United States. Dr. Lindström eventually sued for desertion and waged a custody battle for their daughter.
In 1950, Ingrid Bergman married Rossellini and the same year their son, Renato Roberto, was born. In 1952 Ingrid had twins, Isotta and Isabella Rossellini. Isabella would later become an outstanding actress in her own right, as did her half-sister Pia.
From 1950 to 1955 Bergman and Rossellini made six films together: Stromboli (1950), Europa '51/No Greater Love (1952), a segment of Siamo donne/We, the Women (1953), Viaggio in Italia/Voyage in Italy (1954), La paura/Fear (1954) and Giovanna d'Arco al rogo/Joan of Arc at the Stake (1954). These films were ahead of their time but were generally not received well, especially in the US, where many conservative political and religious leaders still raised a hue and cry about her past. Bergman also starred in Jean Renoir's Elena et les Hommes/Elena and Her Men (1956), a romantic comedy where she played a Polish princess caught in political intrigue. Although the film wasn't a success, it has since come to be regarded as one of her best performances. Finally, after being exiled from Hollywood for seven years, Bergman returned opposite Yul Brynner in the title role in Anastasia (Anatole Litvak, 1956), which was filmed in England. For this, she won her second Academy Award. She had scarcely missed a beat. The award was accepted for her by her friend Cary Grant. Bergman would not make her first post-scandal public appearance in Hollywood until the 1958 Academy Awards when she was the presenter of the Academy Award for Best Picture. Furthermore, after being introduced by Cary Grant and walking out on stage to present, she was given a standing ovation. In 1957 she divorced Rosselini and in 1958 she married Lars Schmidt, a theatrical entrepreneur from a wealthy Swedish shipping family. After all the years she spent away from Hollywood, she still managed to maintain her status as a major star, as the success of films like Indiscreet (Stanley Donen, 1958) opposite Cary Grant and The Inn of the Sixth Happiness (Mark Robson, 1958) with Curd Jürgens showed.
In the 1960s, Ingrid Bergman concentrated on stage work and television appearances, and collaborated with her husband, theatrical producer Lars Schmidt, in such TV plays as The Turn of The Screw (John Frankenheimer, 1960) for which she won an Emmy Award and Twenty-Four Hours in a Woman's Life (Silvio Narrizano, 1961). She didn't appear in as many films as she had before, but she continued to bounce between Europe and the US making films. After a long hiatus, Bergman appeared in Cactus Flower (Gene Saks, 1968), with Walter Matthau and Goldie Hawn. In 1972, Senator Charles H. Percy entered an apology into the Congressional Record for the attack made on Bergman 22 years earlier by Edwin C. Johnson. Bergman won her third Academy Award for her role as Greta Ohlsson in Murder on the Orient Express (Sidney Lumet, 1974). Her performance is contained in a single scene: her interrogation by Poirot, captured in a single continuous take, nearly five minutes long. By 1975 Ingrid Bergman had divorced again. In her final big-screen performance in Höstsonaten/Autumn Sonata (Ingmar Bergman, 1978) she had her seventh Academy Award nomination. Bergman plays in this film a celebrity pianist who returns to Sweden to visit her neglected daughter, played by Liv Ullmann. Though she didn't win the Oscar, many felt it was the best performance of her career. In the late 1970s, Ingrid Bergman first discovered the symptoms of cancer and underwent a mastectomy. Her last role was in the television film A Woman Called Golda (Alan Gibson, 1982), about the late Israeli Prime Minister Golda Meir. Ingrid Bergman died in 1982, in London, the day after having a small party with a few friends for her 67th birthday. At her burial a single violin played the song As Time Goes By, the theme from Casablanca, recalling her most famous role, that of Ilsa Lund. That year her daughter, Pia Lindström accepted the Emmy Award for Best Actress that Ingrid won posthumously for A Woman Called Golda. Seventeen years later, in 1999, she was ranked #4 in the American Film Institute's list of greatest female screen legends. Later she was ranked #5 in Premiere's list of 'The 50 Greatest Movie Stars of All Time'. Ingrid Bergman continues to be a cultural icon - for her films and for her innocent, natural beauty.
Sources: Denny Jackson, Naim81 and Ezio Flavio de Freitas (IMDb), Wikipedia, Hitchcock.tv, and IMDb.
And, please check out our blog European Film Star Postcards.
"O God, who made the Abbot Saint Benedict
an outstanding master in the school of divine service,
grant, we pray,
that, putting nothing before love of you,
we may hasten with a loving heart
in the way of your commands.
Through our Lord Jesus Christ, your Son,
who lives and reigns with you in the unity of the Holy Spirit,
one God, for ever and ever.
Amen."
– Collect for the feast of St Benedict (11 July).
Statue of the Saint, pointing to his Rule (the first words of the Rule are inscribed on the book) is in the church of Saint-Germain-des-Prés in Paris.
Comments with award banners will be deleted
Eggs Benedict - substitute crab cakes for Canadian bacon
Touch L for a better look
POURSUIVRE LA BEAUTÉ...
BrÖk et Dikée.
Travail fini, à cette oeuvre, matériel plié (il est bien lourd), reprendre le chemin, et recevoir je le désire très fort, abondance de la cascade, comme ondoiement en sorte, pour que l'oeuvre commune, entreprise porte du fruit et participe à l'édification dur Royaume ici-bas, dans le domaine artistique, par don divin reçu...
Nous y travaillons de coeur, de foi, d'âme, fervents.
Dieu ! Merci !
Pour rappel :
HORIZONS.SANCY.COM
Benedict Cumberbatch attends an on-stage Q&A following a preview screening of TV series Sherlock (episode 1 - A Scandal In Belgravia). 7 December 2011, BFI Southbank.
"St Benedict of Norcia, with his life and his work, had a fundamental influence on the development of European civilization and culture... Straddling the fifth and sixth centuries, "the world was overturned by a tremendous crisis of values and institutions caused by the collapse of the Roman Empire, the invasion of new peoples and the decay of morals". But in this terrible situation, here, in this very city of Rome, Gregory presented St Benedict as a "luminous star" in order to point the way out of the "black night of history" (cf. John Paul II, 18 May 1979). In fact, the Saint's work and particularly his Rule were to prove heralds of an authentic spiritual leaven which, in the course of the centuries, far beyond the boundaries of his country and time, changed the face of Europe following the fall of the political unity created by the Roman Empire, inspiring a new spiritual and cultural unity, that of the Christian faith shared by the peoples of the Continent. This is how the reality we call "Europe" came into being."
– Pope Benedict XVI.
Today, 11 July, is the feast of St Benedict, patron of Europe. May he pray for us!
Statue of the saint in the basilica of St Paul outside the Walls of Rome.