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The view from Festung Hohensalzburg (Hohensalzburg Fortress) in Altstadt the historic centre of Salzburg, Austria.
Archaeological excavations have shown that a Roman fort existed at the highest point of the site. Construction of the current fortress began in 1077 under Archbishop Gebhard von Helfenstein. The original design was a basic bailey with a wooden wall. In the Holy Roman Empire, the archbishops of Salzburg were already powerful political figures and they expanded the fortress to protect their interests. The fortress was gradually expanded during the following centuries. The ring walls and towers were built in 1462 under Prince-Archbishop Burkhard II von Weißpriach.
The only time that the fortress actually came under siege was during the German Peasants' War in 1525, when a group of miners, farmers and townspeople tried to oust Prince-Archbishop Matthäus Lang, but failed to take the fortress. During the Thirty Years' War, Archbishop Count Paris of Lodron strengthened the town's defences, including Hohensalzburg.
The fortress was surrendered without a fight to French troops under General Jean Victor Marie Moreau during the Napoleonic War in 1800 and the last Prince-Archbishop Count Hieronymus von Colloredo fled to Vienna. In the 19th century, it was used as barracks, storage depot and dungeon before being abandoned as a military outpost in 1861.
Hohensalzburg Fortress was refurbished from the late 19th century onwards and became a major tourist attraction and stands today as one of the best preserved castles in Europe. During the early 20th century it was used as a prison, holding Italian prisoners of war during World War I and Nazi activists before Germany's annexation of Austria in March 1938.
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A fachada barroca da Casa Consistorial de Pamplona, situada na Plaza Consistorial, é sede da administração municipal desde o século XVIII e reflete a importância cívica da cidade. Projetado pelo arquiteto José de Zay y Lorda, o edifício é adornado com esculturas alegóricas que representam virtudes cívicas, como a Justiça e a Prudência, além de uma figura da Fama no topo. As varandas exibem as bandeiras de Navarra, Espanha e da União Europeia, simbolizando os diferentes níveis administrativos. Este local é conhecido pelo "chupinazo", o lançamento do foguete que marca o início das festas de San Fermín a 6 de julho, reunindo milhares de pessoas na plaza. A estrutura atual resultou de reconstruções após a demolição do edifício medieval anterior e destaca-se por elementos simbólicos municipais que funcionam como instrumentos pedagógicos, transmitindo conceitos sobre justiça e gestão pública a uma população anteriormente analfabeta.
The baroque façade of the Casa Consistorial de Pamplona, located in Plaza Consistorial, has been the seat of the municipal administration since the 18th century and reflects the city's civic importance. Designed by architect José de Zay y Lorda, the building is adorned with allegorical sculptures representing civic virtues, such as Justice and Prudence, as well as a figure of Fame at the top. The balconies display the flags of Navarre, Spain, and the European Union, symbolizing the different administrative levels. This place is known for the "chupinazo", the launch of the rocket that marks the beginning of the San Fermín festivities on July 6, bringing together thousands of people in the plaza. The current structure is the result of reconstructions following the demolition of the previous medieval building and is notable for its municipal symbolic elements that function as pedagogical instruments, transmitting concepts about justice and public management to a previously illiterate population.
O Jardim do Palácio Mirabell, em Salzburgo, é um dos locais mais bonitos e históricos da cidade. Foi construído no século XVII pelo príncipe-arcebispo Wolf Dietrich von Raitenau para a sua amante Salomé Alt. O jardim é famoso pelas suas estátuas de anões, fontes e flores.
The Mirabell Palace Garden in Salzburg is one of the city's most beautiful and historic sites. It was built in the 17th century by Prince-Archbishop Wolf Dietrich von Raitenau for his mistress Salome Alt. The garden is famous for its statues of dwarfs, fountains and flowers.
A visit to Palermo took in San Giuseppe dei Teatini a church on Via Vittorio Emanuele, in the historic centre of the city, the interior has a Latin cross plan with a nave and two aisles, divided by marble columns of variable height.
Palermo. Sicily. Italy.
A Helligaandskirken, ou Igreja do Espírito Santo, é uma das mais antigas igrejas de Copenhaga, com origens que remontam ao século XIII, quando fazia parte de um complexo monástico franciscano e servia como hospital para os pobres. Em 1469, o hospital foi convertido num mosteiro sob a Ordem do Espírito Santo, inspirado na igreja Santo Spirito em Roma. Após a Reforma Protestante no século XVI, foi transformada numa paróquia luterana. A atual estrutura apresenta elementos do renascimento holandês e barroco, destacando-se pela sua entrada ornamentada com um portal elaborado e uma imponente porta de madeira escura. Este portal, datado de 1612, possui decoração escultórica, incluindo um frontão com conchas e volutas, bem como um brasão no topo. A igreja sobreviveu ao grande incêndio de 1728, tendo sido restaurada em 1732, e até hoje mantém funções religiosas, sendo um marco histórico e arquitectónico no coração de Copenhaga, onde o filósofo dinamarquês Søren Kierkegaard foi batizado em 1813.
The Helligaandskirken, or Church of the Holy Spirit, is one of the oldest churches in Copenhagen, with origins dating back to the 13th century, when it was part of a Franciscan monastic complex and served as a hospital for the poor. In 1469, the hospital was converted into a monastery under the Order of the Holy Spirit, inspired by the Santo Spirito church in Rome. After the Protestant Reformation in the 16th century, it was transformed into a Lutheran parish. The current structure features elements of the Dutch Renaissance and Baroque periods, and stands out for its ornate entrance with an elaborate portal and an imposing dark wooden door. This portal, dating from 1612, has sculptural decoration, including a pediment with shells and volutes, as well as a coat of arms at the top. The church survived the great fire of 1728, having been restored in 1732, and to this day maintains religious functions, being a historical and architectural landmark in the heart of Copenhagen, where the Danish philosopher Søren Kierkegaard was baptized in 1813.
A imagem capta a fachada imponente da Catedral Nova de Salamanca, cuja construção, iniciada em 1513 e concluída em 1733, junta estilos gótico tardio, renascentista e barroco. Erguida junto à Catedral Velha românica do século XII, ambas formam um singular complexo catedralício, preservando as duas estruturas. A vista da Plaza de Anaya, um espaço amplo e ajardinado que serve de átrio, oferece uma perspetiva privilegiada da catedral, destacando a verticalidade gótica, a ornamentação escultórica e a cúpula. A pedra de Villamayor confere à estrutura a tonalidade dourada característica da arquitetura salmantina. A praça, ponto de encontro popular, é delimitada por edifícios notáveis, como o Palácio de Anaya. Apesar de o terramoto de 1755 ter danificado a cúpula e o campanário, a Catedral Nova continua a ser um marco na paisagem urbana e um importante elemento do património classificado pela UNESCO.
The image captures the imposing façade of the New Cathedral of Salamanca, whose construction, begun in 1513 and completed in 1733, combines late Gothic, Renaissance, and Baroque styles. Erected next to the 12th-century Romanesque Old Cathedral, both form a unique cathedral complex, preserving the two structures. The view of Plaza de Anaya, a large, landscaped space that serves as an atrium, offers a privileged perspective of the cathedral, highlighting the Gothic verticality, sculptural ornamentation, and dome. The Villamayor stone gives the structure the golden hue characteristic of Salamanca's architecture. The square, a popular meeting point, is bordered by notable buildings, such as the Anaya Palace. Although the 1755 earthquake damaged the dome and bell tower, the New Cathedral remains a landmark in the urban landscape and an important element of UNESCO's classified heritage.
Built between 1752 - 1755 under the direction of Russian Mičurin, the project of the 2nd floor was created by the Italian architect Bartolomeo Rastrelli for Empress Elizabeth.
This palace was the residence of Polish king Stanislaw August Poniatowski.
The dome of the Church of the Sagrario (1705-1722) by the architects Francisco Hurtado Izquierdo and José de Bada y Navajas, in Granada, Spain
A Plaza Mayor de Salamanca, construída entre 1729 e 1756, é um exemplar notável da arquitetura barroca espanhola. Projetada inicialmente por Alberto de Churriguera e concluída por outros arquitetos, a praça apresenta uma forma quadrangular irregular, conferindo-lhe, segundo Miguel de Unamuno, uma harmonia singular. Edificada com a característica pedra dourada de Villamayor, a praça é delimitada por edifícios de três andares com arcadas, que albergam lojas, cafés e restaurantes, tornando-se um ponto de encontro essencial para habitantes e visitantes. As fachadas uniformes são ornamentadas com medalhões que representam figuras históricas espanholas, enquanto o edifício da Câmara Municipal preside a um dos seus lados. Reconhecida como Bem de Interesse Cultural e Património Mundial da UNESCO, a Plaza Mayor não é apenas um testemunho da história, mas também o coração vibrante da vida social de Salamanca, palco de eventos culturais, celebrações festivas e um símbolo do planeamento urbano do século XVIII.
The Plaza Mayor of Salamanca, built between 1729 and 1756, is a remarkable example of Spanish Baroque architecture. Initially designed by Alberto de Churriguera and completed by other architects, the square has an irregular quadrangular shape, giving it, according to Miguel de Unamuno, a singular harmony. Built with the characteristic golden stone of Villamayor, the square is bordered by three-story buildings with arcades, which house shops, cafés and restaurants, making it an essential meeting point for locals and visitors. The uniform facades are adorned with medallions depicting Spanish historical figures, while the City Hall building presides over one of its sides. Recognized as a UNESCO World Heritage Site and an Asset of Cultural Interest, the Plaza Mayor is not only a testament to history but also the vibrant heart of Salamanca’s social life, a stage for cultural events, festive celebrations, and a symbol of 18th-century urban planning.
One of the oldest churches in Kraków. St Florian, the patron of firefighters, a legend tells of oxen that were used to transport the relics of the saint from Rome stopping stubbornly in the place where today’s church can be seen. The church is known as the place of veneration of no fewer than three saints: Florian, quenching a broad array of fires consuming cities to ones inspired by the carnal urges, St John of Kęty (Cantius) patron of Kraków, and (from the 19th century) also St Valentine – the guardian of those in love.
Kleparz. Krakow. Poland.
Counting the steps of one of the cities seven hills or reading the Baroque city walls on the way down is easier said than my journey up.
Lisbon. Street candid. Portugal.
San Miguel de Allende is a city located in central Mexico known for its beautiful colonial Spanish-style churches. The architecture of these churches is impressive, with ornate details and unique designs reflecting Spanish influence in the region. These churches are an important example of the rich history and cultural heritage of San Miguel de Allende. Whenever you visit this city, you can't miss the opportunity to explore these architectural wonders and enjoy their beauty.
Mdina the ancient capital city of Malta. The Silent City with St Paul's Cathedral as its centre of worship. Mdina is a UNESCO World Heritage Site
240 Centre Street, formerly the New York City Police Headquarters building, between Broome and Grand Streets in the Nolita neighborhood of Manhattan, New York City, was built in 1905-1909, and was designed by the firm of Hoppin & Koen. It housed the headquarters of the New York City Police Department from 1909 to 1973, and was converted into luxury condominiums in 1988 by the firm of Ehrenkranz Group & Eckstut. It is now known as the Police Building Apartments.
O teto da Escadaria de Honra do Palácio Real de Caserta, idealizado por Luigi Vanvitelli no século XVIII, culmina a experiência cénica do espaço. O afresco central, "O Palácio de Apolo", da autoria de Gerolamo Starace-Franchis (c. 1789), glorifica Apolo e as Musas, numa alegoria à magnificência e ao patrocínio das artes pelos Bourbons. Complementam a cena central, quatro medalhões com as Estações do Ano, executados por Paolo de Majo e Domenico Mondo, simbolizando a prosperidade contínua do reino. A pintura, com forte inspiração mitológica e técnicas ilusionistas, insere-se num programa iconográfico que exalta a monarquia napolitana, associando-a a valores de ordem, poder e legitimidade. A escadaria barroca tardia, com a sua estrutura de dupla rampa e cúpula elíptica, cria um efeito teatral que culmina na sumptuosidade dos Apartamentos Reais, celebrando a Idade de Ouro de Nápoles sob Fernando IV e Maria Carolina.
The ceiling of the Royal Palace of Caserta's Staircase of Honor, designed by Luigi Vanvitelli in the 18th century, culminates the scenic experience of the space. The central fresco, "The Palace of Apollo", by Gerolamo Starace-Franchis (c. 1789), glorifies Apollo and the Muses, in an allegory to the magnificence and patronage of the arts by the Bourbons. Complementing the central scene are four medallions with the Seasons of the Year, executed by Paolo de Majo and Domenico Mondo, symbolizing the continued prosperity of the kingdom. The painting, with strong mythological inspiration and illusionist techniques, is part of an iconographic program that exalts the Neapolitan monarchy, associating it with values of order, power and legitimacy. The late Baroque staircase, with its double ramp structure and elliptical dome, creates a theatrical effect that culminates in the sumptuousness of the Royal Apartments, celebrating the Golden Age of Naples under Ferdinand IV and Maria Carolina.
Baroque architecture in Portugal enjoys a very special situation and a different timeline from the rest of Europe. It is conditioned by several political, artistic and economic factors, that originate several phases, and different kinds of outside influences, resulting in a unique blend, often misunderstood by those looking for Italian art, but with specific forms and character. It starts in a complicated moment, with the financial effort of the kingdom channelled to the Portuguese Restoration War, after 60 years of Iberian Union. Another key factor is the existence of the Jesuitical architecture, also called "plane style". The buildings are single-room basilicas, deep main chapel, lateral chapels (with small doors for communication), without interior and exterior decoration, very simple portal and windows. It is a very practical building, allowing it to be built throughout the empire with minor adjustments, and prepared to be decorated later or when economic resources are available. Actually the first Portuguese Baroque does not lack in building because “plain style” is easy to be transformed, by means of decoration turning empty areas in pompous baroque scenarios. The same could be applied to the exterior. Subsequently, it’s easy to adapt the building to the taste of the time and place.
Portugal Spring 2015
St. Nicholas Church in the Lesser Town Square towers above Prague's Lesser Old Town. Prague's lesser old town is more quiet and refined than the Main Square and is often compared to areas of Paris.
Jon & Tina Reid | Travel Portfolio | Photography Blog | Travel Flickr Group
Salzburg, Austria
May 2023
A breathtaking aerial view from the top of the north terrrace of the Hohensalzburg Fortress, after sunset, and into the early part of the blue hour. Beautiful baroque and medieval architecture on display in old town Salzburg, featuring steeples, bell towers, clock towers, domes, and cupolas.
Copyright Rebecca Ang 2023. All Rights Reserved.
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The difficulty with sharing these photos is that they are part of a series, with a theme - the idea of ‘reading’ a region through its signs, its architecture, its culture and aesthetic. Posting photos sequentially doesn’t really translate the same way - the casual viewer who stumbles across this image, for instance, probably sees simply another travel photo of an interesting church or building - which it is, of course, but in the context of the series it has other meanings too, which too easily are overlooked or lost.
Still, in the spirit of signs and themes, here is a frontal view of the Benedictine Arch-Abbey of Kloster Beuron, in the upper Danube Valley in Baden Wurttemberg. I hope you enjoy it.
Yesterday morning, we left early from our Quito hotel, heading to the Galápagos Islands. We’re curious to see what this next chapter brings—swapping the comfort of a hotel for a cabin on a yacht shared with four other couples we don’t know. Let’s cross our fingers!
Since today was another travel-heavy day, there wasn’t much time for photography. But since we started our day in Quito, it felt like the right moment to share a photo from the very beginning of our trip two weeks ago.
This shot was taken on our first evening in Quito from the rooftop terrace of Casa Gangotena, overlooking Plaza San Francisco. The San Francisco Church, built in 1535, is the oldest in Quito and a significant part of the city’s colonial heritage. Its twin bell towers, Baroque-style façade, and Moorish-style domes make it one of the standout landmarks in the historic center.
The church is also surrounded by Quito legend—the story of Cantuña, an Indigenous builder who supposedly made a deal with the devil to finish the church’s atrium. In the end, he outsmarted him and kept his soul.
Whether you believe the legend or not, this place has a unique presence—especially on a rainy night, when the lights reflect off the wet cobblestones, adding to the mystery.
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St Paul's Cathedral London. A beautiful cathedral and well worth a visit. London remains very quiet due to Covid 19
The Old Royal Naval College at Greenwich London. Built between 1696 & 1712 as the Royal Hospital for Seamen, and is now the University of Greenwich. Designed Christopher Wren and is a UNESCO World Heritage Site
Passage hotel was built in just two years at the end of XIX-th century, by Russian architect Lev Vlodek