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Uncharted Drakes Fortune b ackround. If you want to use it, its cool just make sure to give credit. Thank you
Amy Jo Johnson Top Row Splashing Rain Videoclip Picture's.Bottom Row Amy Jo Photo Shoot at Train Track's.The Trans-American Treatment Videoclip Splashing Rain Picture Pose's.
The machines hummed rhythmically in the backround. Every girl was now at a station, entering data furiously. Feeds from all over the world illuminated the room, glinting off of chains, PVC and slick skin. The main screen though looked down at them blankly, its cursor flashing, waiting to be fed. This was it. Sonja now towered above the bound figure of Maximillian. She wanted the codes - and she wanted them now.
GEORGE HARRISON: ALL THINGS MUST PASS 5.1 REMIXES 2 CD
37 tracks made from the 5.1 Blu-Ray disc! Hear things that were buried in the original mixes, from guitars and backround vocals yo
hidden vocals and sounds! Sounds amazing!
DISC ONE:
01 I'd Have You Any Time - After oopsing the front channels with the rear channels the result was subtracted
from the rear channels and features guitars and George's harmony vocal.
02 I'd Have You Any Time - Subtracting the C channel from the front channels removes most of the vocals &
instruments, giving a bass & drums backing track along with vibes, which might be recorded to the bass track
because they are on the LFE also.
03 My Sweet Lord - An oops of the 2 front channels removes most of the lead vocal & rhythm section but keeps
the acoustic guitars & backing vocals.
04 My Sweet Lord - Front channels oopsed with the rears at 8 dbs removes the acoustic guitars.
05 Wah Wah - Fronts-rears oops at 4db removes the guitars and all the mush which interestingly turns out to be
on the guitar tracks.
06 Wah Wah - The above track was then subtracted from the rear channels to hear those guitar tracks.
07 sn't It A Pity - oops of the front & rear channels.
08 Isn't It A Pity - above track subtracted from the rear channels; guitars and harmony vocal.
09 What Is Life - oops of the fronts and rears; no guitars
10 What Is Life - above track subtracted from rear channels; guitars and backing vocals
11 If Not For You - subtracting the C channel from the fronts at -6db removes the lv.
12 If Not For You - Rears subtracted from the fronts at -2db.
13 Behind That Locked Door - Oops of front channels and rear channels.
14 Behind That Locked Door - Above track subtracted from the rear channels; featuring backing vocals.
15 Let It Down - An oops of the fronts and rears that then had the C channel subtracted from it to remove
the lv; orchestra version. I like the little horn peep at 3:00.
16 Let It Down - Rears oopsed with the C channel to remove the lv.
17 Run Of The Mill - Front channels oopsed with C channel to remove the lv. George's "guide" vocal is in the
left channel, maybe leakage onto his guitar mic.
18 Run Of The Mill - Rears subtracted from the fronts, then the result subtracted from the rears again to get
a better "guide" vocal and guitars.
DISC TWO:
01 Beware Of Darkness - Front channels oopsed with C channel removes the lv.
02 Beware Of Darkness - Rear channels with the vocal mostly removed by oopsing with C channel; guitars.
03 Apple Scruffs - Oops of front and rear channels at -1db.
04 Apple Scruffs - This one reverses the above and subtracts the front channels from the rears at -7.5 dbs;
backing vocals and slide solo. Much of this track is silent. I fudged on the slide and raised its volume by 6 dbs.
05 Ballad Of Sir Frankie Crisp [Let It Roll] - Fronts oopsed with C channel at -6db removes the lv.
06 Ballad Of Sir Frankie Crisp [Let It Roll] - This one oopses the fronts and rears.
07 Awaiting On You All - Fronts oopsed with C channel to remove the lead vocal.
08 Awaiting On You All - This one removes the front channel overlap from the rears with an oops, which was then
oopsed with the C channel to get the guitars.
09 All Things Must Pass - Fronts oopsed with C channel removes the lead vocal.
10 All Things Must Pass - Rear channels oopsed with the C channel.
11 I Dig Love - Front channels oopsed with C channel mutes the lead vocal.
12 I Dig Love - Rears oopsed with C channel, removes the lv from the rear channel mix.
13 Art Of Dying - Front channels oopsed with C channel removes the lead vocal but retains the harmony vocal.
14 Art Of Dying - Front channels with the rear channel overlap subtracted. George singing with a power trio.
15 Isn't It A Pity - Front channels oopsed with C channel, removes the lead vocal but keeps the backing vocals.
16 Isn't It A Pity - Oops of the front and rear channels removes the rear channel overlap on the fronts.
17 Hear Me Lord - Front channels oopsed with the C channel, removes the lv.
18 Hear Me Lord - Fronts oopsed with rears to remove the overlap.
19 all Things Must Pass Instrumental - BluRay menu
Title -Blessing of the animals
Goat laying down created by= Pareeerica
Backround Texture= Temple of king, Ta Prohm with Big Tree by permanently scatterbrained CCPool
Ready to Protect the Kingdom by Alaskan Dude CCPool
Standing Goat by storem CC Pool
Blossoms Mom for Goose
Textures by skeletal mess and Ghostbones
Block of wood from Old Tool Shed at Wektuig uit een ver verleden by Miek37 CCPool
Against a backround of green and gold leaves, as autumn takes hold, this angel drops a single flower from heaven over the grave she protects.
She watches over a Victorian grave in the Melbourne General Cemetery, Melbourne.
with the Baroque plague column and the city castle in the backround.
Marian columns are religious monuments built in honour of the Virgin Mary, often in thanksgiving for the ending of a plague or for some other help. The purpose of the Holy Trinity columns was usually simply to celebrate the church and the faith. However, the plague motif could sometimes play its role in their erection as well. Erecting religious monuments in the form of a column surmounted by a figure or a Christian symbol was a gesture of public faith that flourished in the Catholic countries of Europe especially in the 17th and 18th centuries. Thus they became one of the most visible features of Baroque architecture.
Kremnica is one of the Middle Age towns in Slovakia, which in its hay day was the centre of attention for many Kings and Queens. They were interested in the gold mines that are very typical of this town. On November 17th 1328, King Karol Robert from Anjou vested “CREMNYCHBANA” with the prestigious award of being a free King's mine and coin town. He also established a coin workshop here which was in use for over 670 years. Coins from Kremnica, called Kremnicke dukaty of floreny, are today one of the most valuable coins in Europe.
Mining and the coin making industry brought much wealth and glory to Kremnica. The town was called “Golden Kremnica” because of its highest gold production in The Hungarian Empire.
BACKROUND:
Jose Clemente Orozco was born on November 23, 1883 in Jalisco, Mexico. Like the other two Mexican muralists, Orozco studied art at the San Carlos Academy for Fine Arts in Mexico City. He was greatly influenced by another famous Mexican artist, Jose Posada. He painted like a camera took pictures, clear and detailed. The major art movement that influenced him was Symbolism. During an experiment in school Orozco lost his right hand and partial sight in one of his eyes. He joined the student strikes initiated my the painting students to over throw the strict Director. Orozco was very active politically throughout the revolution and witnessed its horrors first hand. He became a political cartoonist, publishing most of his work in local newspapers.
MURALS:
Orozco could be considered the most complex of the Mexican muralists. He was dedicated to depicting the truth and had a greater sense of realism that Diego Rivera. This is illustrated by his violent displays of conflict and chaos and misery. He realized the enormous gap between social ideals and social realities. He focused on showing personal suffering in a pessimistic, skeptical, yet sympathetic way. Prometheus was painted at Pomona College in California. This was his first mural in the United States. It illustrates Orozco's belief that all the events of history are in a never ending circular sequence. Catharsis shows the never ending cycle of Humanity's self destruction and moral decay in a frightening manor. It explores the theme of man being obsessed the modern advances in technology and machinery.. In front of a firey background, humans are being "sucked into mechanical quicksand".10 Theft is symbolized my an open safe. Murder and prostitution are also shown. Orozco illustrates the power of his painting in a clear depiction of the death soldiers during the revolution in The Trench. The eerie stillness of the soldiers is implicit of the violent movements of war frozen in time. This piece is a realistic portrayal of the war without overriding emotion. Man of Fire is arguably Orozco's greatest achievement. The image is a metaphor for the theme of socal struggle with a combination of the essence of the ideal. Orozco is successful in depicting an accturate account of man's personal suffering without overpowering it with emotion.
www.wfu.edu/history/StudentWork/fysprojects/kmason/Orozco...
barely noticed something in the backround from the car. turns out it's another one of these!! i actually found the same one just 50 meters far from where this was exactly 1 month earlier! well they probably fell off the same car at the same time too but i didn't notice this one till now. anyway it's like the other one like new as the rings were fitted wrong.
BACKROUND:
Jose Clemente Orozco was born on November 23, 1883 in Jalisco, Mexico. Like the other two Mexican muralists, Orozco studied art at the San Carlos Academy for Fine Arts in Mexico City. He was greatly influenced by another famous Mexican artist, Jose Posada. He painted like a camera took pictures, clear and detailed. The major art movement that influenced him was Symbolism. During an experiment in school Orozco lost his right hand and partial sight in one of his eyes. He joined the student strikes initiated my the painting students to over throw the strict Director. Orozco was very active politically throughout the revolution and witnessed its horrors first hand. He became a political cartoonist, publishing most of his work in local newspapers.
MURALS:
Orozco could be considered the most complex of the Mexican muralists. He was dedicated to depicting the truth and had a greater sense of realism that Diego Rivera. This is illustrated by his violent displays of conflict and chaos and misery. He realized the enormous gap between social ideals and social realities. He focused on showing personal suffering in a pessimistic, skeptical, yet sympathetic way. Prometheus was painted at Pomona College in California. This was his first mural in the United States. It illustrates Orozco's belief that all the events of history are in a never ending circular sequence. Catharsis shows the never ending cycle of Humanity's self destruction and moral decay in a frightening manor. It explores the theme of man being obsessed the modern advances in technology and machinery.. In front of a firey background, humans are being "sucked into mechanical quicksand".10 Theft is symbolized my an open safe. Murder and prostitution are also shown. Orozco illustrates the power of his painting in a clear depiction of the death soldiers during the revolution in The Trench. The eerie stillness of the soldiers is implicit of the violent movements of war frozen in time. This piece is a realistic portrayal of the war without overriding emotion. Man of Fire is arguably Orozco's greatest achievement. The image is a metaphor for the theme of socal struggle with a combination of the essence of the ideal. Orozco is successful in depicting an accturate account of man's personal suffering without overpowering it with emotion.
www.wfu.edu/history/StudentWork/fysprojects/kmason/Orozco...
Entirely created by added images...
from PSE 5
Backround by:
liburnica-stock.deviantart.com/art/Snowy-landscape-78318375
Horse by:
lrg-photography.deviantart.com/art/Charlie-Stock-20-12331...
Sky by me...
Edited and composed by me...
Obsidian Dawn brushes and PSE brushes...
Tuitorials looked at for this:
10steps.sg/tutorials/photoshop/22-fantasy-tutorials-and-1...
It was very fun, although I need Photoshop 7 to do this better or a new version there of...