Automatic wrist watches
View allAll Photos Tagged automatically.
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This is from my new set, "Automatic Photography," so called because like Automatic Writing I utilize many different software programs on my realistic photographs and let Spirit lead the way into these abstractions.
See more here as the set develops:
www.flickr.com/photos/motorpsiclist/albums/72157709703855097
Copyright © by John Russell
Hair: Stealthic - Barbwire
Head: LeLutka - Prim
Skin: tres beau - elodie
Brows: Simple Bloom - Julia Earth Low Tail
Eyes: Tville - Platinum
Eye Liner: Choory
Earrings: e.marie - Marta
Lipstick: Delicata - Liz
Necklace: Rawr - Saint V
Click on the photo to view it larger.
This is from my new set, "Automatic Photography," so called because like Automatic Writing I utilize many different software programs on my realistic photographs and let Spirit lead the way into these abstractions.
See more here as the set develops:
www.flickr.com/photos/motorpsiclist/albums/72157709703855097
Copyright © by John Russell
HAIR: Modulus - Lucky Hair /NEW@C88
EARRINGS: Badwolf - Guss Earrings /NEW@TMD
SHIRT: *AGATA* - Ricky shirt /NEW@EQUAL10
BAG: NOMERCY.Fanny Chest Bag /NEW@MAN CAVE
PANTS: DON'T DUP Wide leg jeans /NEW@MAN CAVE
SHOES: Semller Worn Skater Slips
TATTOO: .:Vegas:. Tattoo Arai /NEW@ACCESS
Una delle più belle sorprese della giornata sulla Hannover-Magdeburgo è stata sicuramente l'essere riuscito ad incontrare ancora una coppia di Br151 dotate del gancio automatico destinato alla trazione dei pesantissimi convogli di minerale ferroso fra Amburgo e Salzgitter.
Nella foto le unità .094 e .112 stanno giungendo alla protezione dei bivi di Braunschweig poco oltre l'abitato di Wechelde. (1/10/15)
Click on the photo to view it large.
This is from my new set, "Automatic Photography," so called because like Automatic Writing I utilize many different software programs on my realistic photographs and let Spirit lead the way into these abstractions.
See more here as the set develops:
www.flickr.com/photos/motorpsiclist/albums/72157709703855097
Copyright © by John Russell
Click on the photo to view large.
This is from my new set, "Automatic Photography," so called because like Automatic Writing I utilize many different software programs on my realistic photographs and let Spirit lead the way into these abstractions.
See more here as the set develops:
www.flickr.com/photos/motorpsiclist/albums/72157709703855097
Copyright © by John Russell
MOVE! Cologne Automatic Dance HUD
Tired of looking for your dances? This hud is easy to use with 2 free dances and you can add all your favorite dances you want, it has an alphabet search. With it you can invite infinite friends to dance with you. See the user manual here.
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Well, the camera (Fuji X-E3) has been switched to fully automatic. However, the scene, its composition and lighting, has been "fully arranged" as well. So, I could to some extent predict what the camera's algorithms would do. And here comes the rub: shooting with fully automatic camera settings requires a lot of preparation if you want to have good results. It takes time, in other words, and therefore the advantage of automatic photography, speed, is minimal. This is my last venturing out into the "automatic mode" of photography. Yes, there are some advantages and some special situations where this mode is useful. But for my kind of photography it is actually not required. I will return to manual, to pre-setting my camera or, in rare cases, to aperture priority.
For Polaroid Week Spring 2023, Day 4, Photo 2.
Camera: Polaroid Automatic 100
Film: Polaroid ID-UV (1999-04)
Happy 'Roid Week!
Mid 1950's Simplex Automatic
Simplex was founded by Paul Treen (father of United States Congressman and Louisiana Governor David Conner Treen) in New Orleans, Louisiana in the late 1920s with an initial investment of $25.00 Treen had been a dealer in Harley-Davidson motorcycles and had pitched them the idea of making a lightweight motorcycle for young riders. When Harley-Davidson rejected the idea, Treen decided to enter the market himself and designed his Servi-Cycle. The Simplex Servi-Cycle was introduced in 1935.
Although Simplex Manufacturing Corporation produced motorcycles for over 20 years, the last Simplex Automatics looked almost the same as the company's original 1935 Simplex Servi-Cycle motorcycle. Paul Treen would often visit the factory's tool shop and work with the engineers on new ideas himself, resulting in continuous improvements to Simplex products instead of annual new model introductions.
The two-stroke engine had a rotary valve and an "overhung" crankshaft with only one main bearing. A kick-starter was added by 1953.
Western Auto sold Simplex motorcycles under the Wizard brand in the mid-1950s.
Simplex's minimalist philosophy was maintained throughout the company's history, whose designs changed little after 1935. By the 1950s Simplex's designs were primitive, leading to the end of Servi-Cycle and Automatic production in 1960. Simplex continued to make minibikes and karts using proprietary small engines until 1975, when Simplex went out of business. Treen had sold the company three years earlier, in 1972
Macro Monday: #Closed
Size of the Frame: 2 cm / 0,78 inches
First official image leaked of the brand new Rainbow Engine™ in celebration of its start of production. Its prototype is currently fuelling the Starrider Bulli T2 "Woodstock" special edition model (see first comment, please) that is cruising the galaxy on an emission-(and mud)-free mission of Peace and Love. What you see here is the core of the Rainbow Engine™, an intricate, yet super simple (do I sense a contradiction here?), and incredibly elegant mechanism entirely driven by light particles, and operated by the magic phrase...
...Screeeech!!!! Which is the very unpleasant sound I hear every time I turn my little Lumix LX100 on and the flaps of the automatic lens cap (which are pushed open by the extending lens) scrrrratch along the UV filter attached to the precious Leica lens. Actually, the automatic lens cap is a very convenient thing (much nicer than the regular lens cap which you'll either lose, eventually, or will have it dangling around on a titchy ribbon). Actually. But if you want to use the original Panasonic automatic lens cap, which you want to, because, hey, you've paid for it, right?... it's original accessory, right?... you can't use a UV (or other) filter at the same time to protect the lens, because it has not been designed high enough for filters. So I had to buy a third-party automatic lens cap which is high enough for filters, but just not so for regular(ly high) filters, but a regular UV filter is what I'd bought together with the camera. Sigh. After one and a half years of torturing myself (and my camera) with that gruesome opening sound and process it's about time to finally buy an ultra slim filter, I guess... Oh, and what was it I wanted to say in the first place? It's a detail of the automatic lens cap that you see here. Which you'll probably have guessed by now.
Technicalities: I'm happy to say that this is one of the shots that actually turned out the way I had imagined them before I started shooting. And it's also the very first time I managed to use the glass prism in (almost) the exact way I had imagined it before the photo shoot as well. To capture the automatic lens cap was my first idea for the theme, but I thought that it would look a little boring just by itself. What is photography all about? Light. So I thought I'd add a little light to this. Preferably light with a special "shape", or colourful light. Because my idea was that light itself would do the magic trick of opening the lens cap, as if the camera itself was addicted to light - which in a way it is: light as an "Open Sesame!" phrase. I played around with the prism's triangular shape, and got a few nice captures of a triangular light shape that pointed right at the centre part of the opening of those three mechanical flaps of the lens cap, and the light shape almost looked like a sharp tool which could pry open the firmly closed flaps. Nice. But in the end I settled for the rainbow colours, because that's what I was aiming for in the first place. To create the rainbow I had to hold the prism really close to the lens cap which is the reason why the cap itself, which is actually silver-coloured, looks black on the photos. Black = space = space-themed capture ;-)
Processed in Luminar 3, preset "Detailed Warmth", with extra filters Detail Enhancement (only "small" at 100), Foliage, and HSL; and in Nik's Analog Efex, Preset 7, Film Preset No 2 / 1 (second from above), and vignette; back to PS where I added the four-colour frame and my name.
A Happy Macro Monday, Everyone, and have a pleasant week ahead, dear Flickr friends and macro nerds!
Deutscher Text folgt...
Going through old photos since musical venues are closed until the heat death of the universe. Why didn't I post this one?
a7rii + Enna München Braun Color Ennit SLK 1:2.8/50 (1961; Braun Paxette Super III Automatic; Paxette Prontor mount)
For my video; youtu.be/EHusKOSwqL4,
The Sunbeam Minx was available in North American markets only. It was really a rebadged Series V Hillman Minx.
All-British Field Meet,
VanDusen Botanical Garden,
Vancouver British Columbia, Canada.,