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Náš první autogram pro FAN BASE, který jsme získali od Kate Mulgrew 22. května na italském Sticconu 2010
The gay governing mayor of Berlin, Klaus Wowereit, distributing autograms at the Christopher Street Day 2006.
Italian postcard by Cloè, no. 29, 1995.
Italian singer-songwriter Gianluca Grignani (1972) was a teen idol during the 1990s. He also starred in the film Branchie (1999).
Gianluca Grignani was born in in Milan, Italy in 1972. His musical career took off after meeting guitarist and producer Massimo Luca. After Grignani performed at the 1994 Festival de San Remo, he released the acoustic ballad La mia storia tra le dita. In 1995, the handsome Grignani had his breakthrough with the album Destinazione Paradiso, which sold two million copies within a year, and for which he was awarded the Telegatto award. La mia storia tra le dita became a hit in several Latin American and European countries. In 1999 he starred in the film Branchie (Francesco Ranieri Martinotti, 1999) with Valentina Cervi and Christoph Buchholz. His debut did not lead to more films, but from then on he focused on his career as a singer-songwriter. In 2003, he married Francesca Dall'Olio. They have four children.
Source: IMDb.
The ball consists signatures of all team members of Serbian women volleyball national team, European champions for 2011.
Ryan Peter: Autogram (U Valley), 2016 - Blackberry Priv - Photographer Russell McNeil PhD (Physics) lives in Nanaimo, British Columbia where he works also as a writer and a personal trainer.
"Imperial Limousine" by Fleetwood
This vehicle was
– ONE OF 75 CARS FORMERLY OWNED BY W. A. C. PETTIT, JR. –
It used to be on display at
PETTIT'S MUSEUM OF MOTORING MEMORIES
NATURAL BRIDGE, VA.
1928 "A MODEL" FORD
One of the first Model A Fords,
it sold for $385.00 F.O.B.
1909 "MODEL T" FORD
One of the first Model T Fords,
it sold for $850.00 F.O.B.
These vehicles were
– TWO OF 75 CARS FORMERLY OWNED BY W. A. C. PETTIT, JR. –
They used to be on display at
PETTIT'S MUSEUM OF MOTORING MEMORIES
NATURAL BRIDGE, VA.
Vintage Hungarian postcard.
Erzsi Péchy (Székelyhíd, 26 April 1888 - Budapest, 19 July 1933) was a Hungarian actress and operetta prima donna.
Born in Székelyhíd in an old noble family, she went to school in Oradea and Cluj, then went to Budapest and studied singing with Vilmos Vilmos Maleczky and later with Teréz V. Krammer. In 1912 she graduated from the acting school of Kálmán Rózsahegyi and was then engaged by László Beöthy to the King's Theatre, where she had her first successes as Mimosa in "The Geisha" on 4 June 1912 and later in "Die Kinokönigin". She then became a member of the Modern Színpad (Modern Stage). On 21 June 1918, she had great success at the Vígszínház in "Médi" and "Three Little Girls", and at the Városi Theatre, where she was a decisive success in the operetta "Baroness Lili". In September 1920 she was back at the King's Theatre, where she made her first appearance in "The Utah Girl". She was also prima donna of the Revue Theatre.
On 13 March 1923, the Royal Hungarian Opera House staged Pechi in the role of Rózsi Friquet in "The Hermit's Bell", and here too she was an excellent member of the ensemble. By this time her reputation had spread abroad and on 14 September this year she was invited to the Johann Strauss Theater in Vienna, where she delighted the Viennese in the operetta "Ein Märchen aus Florenz". She has also performed at the City Theatre, the Scala and the Luiza Blaha Theatre. On 23 May 1925, she performed Offenbach's "La belle Hélène" in French at the soirée of the French Embassy in Budapest. For ers great artistic success he was appointed an officer of the French Academy.
In 1927 Pechy was a guest at the King's Theatre in London, then again a member of the King's Theatre. She was then back in London as a member of the Royal Opera House in 1927. In February 1928 she triumphed with the operetta "Countess Eve" at the King's Theatre. She performed there until 1931. In 1932 she made a guest appearance in Berlin, and retired that year. In the summer of 1930 she was on his way to Fonyód in her new car when she had an accident. Paramedics from Kanizsa took the prima donna to the Székesfehérvár hospital. After her hospital treatment she recovered in her villa in Fonyód. She died at the Verebély Clinic on the evening of Wednesday 19 July 1933.
The Hungarian Encyclopaedia of Drama writes about her as follows. Her individuality fits Goethe's definition of "ewig weiblich". Her azure blue eyes shine with a wonderful light, her smile radiates serenity to the soul. Her voice is clear, warm and enchanting. She sings with ease, intones with assurance, pronounces the words clearly and is able to live into the soul of her role. She creates a mood and consciously - or unconsciously - avoids, never forcing, contrived stage devices. That is why his art is completely illusory and why his art has a magical effect not only at home but abroad."
Péchy's first husband was Károly Jónás, a Hungarian State Railways officer, whom she met in Székelyhíd. From this marriage she had a daughter, Juci Jónás. After divorcing her first husband, she married Baron Leó Garibaldi in Budatétény on 19 November 1931. The wedding took place in complete secrecy, to the complete exclusion of the public, and was a surprise not only in the theatre world but also in the society of Pest.
Erzsi Pechy only did three films: in 1917 she debuted in a small part in Autogram Lili by Jenõ Gábor, with Sundi Toronyi in the lead. A bigger part she had in the film Tüzpróba (Lajos Lázár, 1918) with Otto Torday and Juci Boyda. Her last part she had in Nevetö Budapest (Budapest Laughs, Gusztáv Mihály Kovács, 1930).
Giesswein Sándor's work inserted in the book. / Giesswein Sándor munkája a könyvbe beillesztve.
Books in my grandfather's cabinet - these are all family-related, written by or dedicated to one of our ancestors. Pictures from our visit to my grandmother in Gyula, in December 2014.
Könyvek nagyapám szekrényében - ezek a könyvek mind a családhoz kapcsolódnak, rokonok írták vagy nekik dedikálta valaki. Képek Nagymamámnál tett látogatásunk során, 2014. decemberében.
"America's Pioneer Economy Car"
75" wheelbase — 1200 pounds — 22 horsepower
"in the $400.00 price class."
This vehicle was
– ONE OF 75 CARS FORMERLY OWNED BY W. A. C. PETTIT, JR. –
It used to be on display at
PETTIT'S MUSEUM OF MOTORING MEMORIES
NATURAL BRIDGE, VA.
Close-up on a sleek headlight sparkling in sunset hues—when automotive design meets colorful bokeh, every detail turns into art.
....
Want your car shots to pop? Email me at rishabheos1d@gmail.com and let’s turbocharge your edits!
German postcard by Franz Josef Rüdel, Filmpostkartenverlag, Hamburg. Photo: H. Schlack.
Dark-haired Peer Schmidt (1926- 2010) was a German actor, on stage from 1946. He was popular on screen during the 1950's, 1960s and 1970s in romantic roles, or as sympathetic innocents and dreamers. He was also the German voice of Gérard Philipe, Marlon Brando and Jean-Paul Belmondo.
Peer Eugen Georg Schmidt was born in Erfurt, Germany, in 1926. Schmidt's father was a painter. Peer grew up in his hometown of Erfurt. In Berlin, he took acting lessons, but he had to stop with lessons due to military service during the Second World War. After 1945, he played in theatres in Berlin, Frankfurt, Munich and other German cities, but also in Zurich. Netween 1946 and 1955 he worked under Gustav Gründgens in Düsseldorf. In 1953, he made his film debut at the side of Johannes Heesters in Liebeskrieg nach Noten/Love War for notes (Karl Hartl, 1953). He also appeared opposite Hardy Krüger and Ruth Leuwerik in Muss man sich gleich scheiden lassen? More supporting roles followed which made him known to a wider audience. In total he appeared in more than 40 films, including Junger Mann, der alles kann (Thomas Engel, 1957) with Georg Thomalla, Bezaubernde Arabella (Axel von Ambesser, 1959) starring Johanna von Koczian and Carlos Thompson, and Lemke's sel. Witwe/Widow Lemkes (Helmut Weiss, 1957) with Grethe Weiser. He often played good-natured, upright, a little naive, partly dreamy and clumsy men and adventurers. In Bekenntnisse des Hochstaplers Felix Krull/Confessions of Felix Krull (Kurt Hoffmann, 1957), based on the novel by Thomas Mann, he played Marquis de Venosta whose identity Krull (Horst Buchholz) assumes. Schmidt had another notable appearance in the international production Monte Carlo or Bust!/ Those Daring Young Men in Their Jaunty Jalopies (Ken Annakin, 1969) about a car rally in the 1920s. This comedy, featuring an all-star cast including Gert Fröbe and Tony Curtis, is a sequel to the hit Those Magnificent Men in their Flying Machines (Ken Annakin, 1965). Monte Carlo or Bust! was a success among audiences and critics alike.
From the 1960s Peer Schmidt also intensely worked as a voice actor. He lent his distinctive voice to Gérard Philipe in such films as La Chartreuse de Parme/The Charterhouse of Parma (Christian-Jaque, 1948) and to Marlon Brando in A Streetcar Named Desire (Elia Kazan, 1951), and Rod Taylor in The Time Machine (George Pal, 1960). Between 1959 and 1975 he often dubbed Jean-Paul Belmondo, such as in Au bout de soufflé/Breathless (Jean-Luc Godard, 1960) and Cartouche (Philippe de Broca, 1962). In the meantime, he also played in several television productions. A huge success was his title role in Der kleine Doktor/The Nature Doctor (Wolfgang Becker, 1974) based on the stories of Georges Simenon. Other TV series were Cafe Wernicke (Herbert Ballmann, 1978) with Johanna von Koczian, and Die Laurents (Erich Neureuther, 1981) with Mathieu Carrière. However Schmidt felt most at home in the theatre. His favourite stages were the Berlin boulevard theatres, Renaissance Theater, Theater am Kurfürstendamm and Komödie. From 1966 until his death Peer Schmidt was married with the actress Helga Schlack. Peer Schmidt and his wife lived alternately in Berlin and on the North Sea island Amrum. He died in 2010 in a Berlin hospital. He was 84.
Sources: Stephanie D’heil (Steffi—line - German), Wikipedia (German and English), and IMDb.
After working at Continental Electronics, Dad joined another former CE employee, Ernie Ankele at Autogram. I'm pretty sure this is a picture from those days. If you have found this picture and can tell me more, please feel free.
Április 25-én egy Chick Corea - Jack DeJohnette - Bobby McFerrin koncertre mentem be Indianapolisba autóval. Corea és McFerrin egyik albumát ismertem és kedveltem, örültem, hogy alig egyórás vezetésnyire tőlünk felléptek.
A koncert a Butler egyetem hangversenytermében volt, a fényképezőgépem sajnos le kellett adni megőrzésre, de koncert után visszakaptam, így a művészbejárónál távozó zenészekről már tudtam képeket csinálni, miközben autogramot szereztem a belépőjegyemre.
A képek a Clowes Memorial Hall művészbejárata előtt készültek, a zenészekre várva. Érdekes módon hárman három autóval, egymástól néhány perccel eltérő időben távoztak...
Második a nagy mester, kedvenc zongoristám és zeneszerzőm volt, Chick Corea. Feleségével a rájuk váró SUV-hoz mentek, majd az érdeklődőkhöz visszatérve aláírásokat adott és elbeszélgetett velünk - engem például felvilágosított, hogy Miroslav Vitous-szal nem terveznek fellépni a közeljövőben annak öregsége miatt, viszont a Retrurn To Forever hamarosan koncertturnéra indul (azt sajnos nyári kirándulásunk miatt kénytelen voltam kihagyni). Nem az első találkozásom volt vele, de most beszéltem vele a legtöbbet...
German postcard by Ufa/Film-Foto, Berlin-Tempelhof, no. FK 3758. Photo: Gruber/Donau Film/NF. Sale price was 25 Pfg.
Austrian Actor Paul Hörbiger (1894-1981) belongs together with Hans Moser to the ‘primary rock’ of the Austrian film. His popularity was unique and was reflected in over 200 films.
For more postcards, a bio and clips check out our blog European Film Star Postcards.
A snappy rumble seat roadster with
overhead valves and twin exhausts!
This vehicle was
– ONE OF 75 CARS FORMERLY OWNED BY W. A. C. PETTIT, JR. –
It used to be on display at
PETTIT'S MUSEUM OF MOTORING MEMORIES
NATURAL BRIDGE, VA.
Marcus Miller is signing cd's, T-shirts, even guitars at the Downtown Jazz Festival on Nathan Phillips Square in Toronto, June 2006. I took these pictures with my small point-and-shoot camera.
Marcus Miller zenész az HMV hanglemezbolt ideiglenes sátrában dedikál a Downtown Jazz Festival idején Torontóban, 2006. július.
Ein bisschen mehr piano war heute angsagt, was die Sonne anging. Katja hat sich am Oberschenkel eine Sonnenallergie geholt, trotz mehrmaligem eincremen. Aber zu allererst begaben wir uns auf die Suche nach einem Wallgreens. Wir mussten uns mit "Ohrstöpsel" eindecken. Leider war auch hier die Laustärke ohrenbetäubend. Sicher nicht mehr gesund und auch nicht angenehm. Wieso das so ist - keine Ahnung.
Heute morgen stürzten wir uns in die Fan Fair. Das ist eine Ausstellung für die Fans. Viele Fanclubs haben hier ihre Stände, die Sponsoren und alles, was irgendwie mit der Musikbranche zu tun hat. Was das besondere ist - die Stars kommen an die Stände und verteilen Autogramme. Was positiv überrascht hat, ist einmal mehr die gute Organisation. Entweder vergaben sie Tickets oder man musste sich in eine Schlange stellen. Die Ausdauer der Fans war erstaunlich. Die standen locker eine Stunde an um zwei Worte mit ihrem Idol zu wechseln, ein Autogram zu ergattern und ein Foto zu machen.
Da das Ganze ruhig und geordnet ablief, nahmen sich die Stars erstaunlich viel Zeit für die Fans. So angefressen waren wir dann doch nicht, dass wir uns so lange anstellten. Wir begnügten uns mit einem Foto aus der Distanz.
Als wir zum Convention Center rauskamen, erlebten wir eine kleine Überraschung. Es regnete! Die Temperatur war zwar angenehm, aber eben, wer wird schon gerne nass. Die Strassenverkäufer haben schnell reagiert und boten überall Ponchos an. Auch hier spielt Angebot und Nachfrage. Direkt beim Ausgang kosteten sie 5$ einen Häuserblock weiter 2$. Eigentlich hätten wir ja welche, nur waren die natürlich im Auto und dieses nicht in der Nähe. Roger ergatterte welche im zweiten Anlauf und so waren wir gerüstet für weitere knapp zwei Stunden Konzert an der Riverfront. Das war irgendwie witzig, in Regenschutz gehüllt den Musikern zuhören, halt richtiges Open Air Feeling. Froh waren wir ja um die Abkühlung, nach dem Hitzetag gestern.
Vor allem, da es bis zum Abendkonzert wieder trocken war und blieb. Unsere Highlights an diesem Abend waren Sarah Evans, Carrie Underwood und im Speziellen Sugarland, die eine gute Show boten und richtig Gas gaben. Während der ganzen Zeit wurden Fernsehaufnahmen gemacht. Der Sender "abc" strahlt im Juli einen special aus. Dafür musste auch das Publikum herhalten und Begeisterung auf Kommando markieren. Auch heute Abend wurde mit einem Feuerwerk das Konzert zum Abschluss gebracht.
Da wir es mit Parkieren und der kürzesten Variante für den Heimweg nun auch im Griff hatten, waren wir recht schnell im Hotel zurück.
After working at Continental Electronics, Dad joined another former CE employee, Ernie Ankele at Autogram. I'm pretty sure this is a picture from those days. If you have found this picture and can tell me more, please feel free.
Ez is egy emlékképnek készült és szeretném, ha az "1 év 365 kép" sorozatomban szerepelne. Mert ennek története van. Csütörtökön a FEZEN fesztiválon volt Tarja Turunen koncert. (Nightwish zenekarnak volt az énekese, míg ki nem vállt) Koncert előtt volt dedikálás, de sosem érdekelt az ilyen. Nem állok sorba 1-2 órát egy aláírásért. Aztán koncert után arra lettem figyelmes, hogy valakik a kerítés mellett kiabálnak, visítanak. Tarja állt ott és dedikált. És hihetetlen módon csak pár ember volt ott. Odamentem én is, de nem volt más nálam papír mint a személyi igazolványom. Még szerencse, hogy nem plasztik kártyám van Szóval megvan életem első autogramja Koncert hatalmas jó volt. Számomra az egyik legjobb a mostani FEZEN-en.
"The Magic of Football" - the work of art created by Dave in honour of the 2002 FIFA football world cup. Individually hand-signed by all players participating in the 2002 world cup's final.
#auto #autogram #daewoo #matiz #view_thru_glass #rain #naked_steel #crema #faded #авто #дэу #матиз #вид_через_стекло #дождь #голый_металл #крема #фейдед
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hamed_afkhami: Can you flw me tnx 'with love'😘