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I have a few favorite things in Green-Wood Cemetery that I revisit from time to time.
“I have a very old and very faithful attachment for dogs. I like them because they always forgive.”
― Albert Camus, The Fall
Gorgeous light this afternoon really picked out these gorgeous birds in all their glory
This beauty had a strange tail attachment.
Red Kite - Milvus Milvus
Harewood Estate - Leeds
Many thanks as always to all those kind enough to comment on and fave my photos. It is very much appreciated and welcome.
DSC_5388
I am a Jew because, knowing the story of my people, I hear their call to write the next chapter. I did not come from nowhere; I have a past, and if any past commands anyone, this past commands me. I am a Jew because only if I remain a Jew will the story of a hundred generations live on in me. I continue their journey because, having come this far, I may not let it and them fail. I cannot be the missing letter in the scroll. I can give no simpler answer, nor do I know of a more powerful one.
-A Letter in the Scroll, Understanding Our Jewish Identity
and Exploring the Legacy
of the World’s Oldest Religion, Rabbi Jonathan Sacks
Etta has a special attachment to her Uncle Kahn; even his feet can make a good pillow for her :)
Daily Dog Challenge: Special
© Leanne Boulton, All Rights Reserved
Street photography from Glasgow, Scotland.
Previously unpublished archive shot from February 2018.
Wishing you all an awesome weekend of photography ahead. Stay safe and keep those shutters clicking my Flickr friends. Enjoy!
TOP: JustBECAUSE~Hazel Shirt
PANTS: :villena:. - (Maitreya) Laced Up Leggings - Black
HAIR: [RA] Marina Hair
CHOKER: .random.Matter. - Taeil Choker [Black/Silver]
RINGS: (Yuimmy) Nightmare Rings Set
HEELS: [MAITREYA] -KC- RACHEL PUMPS
[ENG] The most interesting thing about a postage stamp is the persistence with which it sticks to its job. Napoleon Hill, American self-help writer, author of 'Think and Grow Rich' (1937)
For "Macro Mondays" group, Stamps theme. USAirmail stamp dedicated to Samuel P. Langley, aviation pioneer, 1988
[ESP] Lo más interesante de un sello postal es la persistencia con la que se apega a su trabajo. Napoleón Hill, escritor estadounidense de libros de auto-ayuda, autor de ‘Piense y hágase rico’ (1937)
Para el grupo "Macro Mondays", tema Sellos. Sello de USAirmail dedicado a Samuel P. Langley, pionero de aviación, 1988
22P0089b
100 focus in-camera stack.
Cosmos bipinnatus, commonly called the garden cosmos, Mexican asteror cosmea, is a medium-sized flowering herbaceous plant in the daisy family Asteraceae, native to the Americas. The species and its varieties and cultivars are popular as ornamental plants in temperate climate gardens. Cosmos bipinnatus is an annual that is often considered half-hardy, although plants may reappear via self-sowing for several years. The plant height varies from 0.61–1.83–2.74 m. The cultivated varieties appear in shades of pink and purple as well as white. The branched stem is usually densely to occasionally occupied by fine, split up, rough trichomes, but some specimens are completely hairless. The petiole itself is inconspicuous, winged, 10 (rarely to 15) mm long, and sometimes the leaves are almost sessile. The very conspicuous cup-shaped inflorescences have a diameter of usually 5–7 cm and contain tongue and tubular flowers, which are surrounded by bracts. There are usually 8 outer bracts, and they are ovate to lanceolate-tail-shaped, 7-15 mm long, 3-5 mm wide. The inner bracts are ovate-lanceolate and 8-12 mm long. They are translucent with many black stripes and a clear edge up to 1 mm wide, sometimes with yellowish or pink pigments, the tip is ciliate. The sprout leaves have gold-yellow, thread-like tips and protrude between the tubular flowers. The broadened base of these spreader leaves is translucent, with a yellow line. The mostly eight ray florets are pink to violet or white colored, at the base may show noticeable stains caused by anthocyanin. The tongues are reversely ovate shaped, have a length of usually 20-35 mm and a width of usually 12-20 mm. The tips are almost dull and have three broad, wavy teeth. Below that, they are greatly rejuvenated. In the center of the flower baskets is a large number of tubular flowers (also called disc florets), whose overgrown petals are yellow, turn white in the lower part and reach a length of 5-6 mm. The anthers are brownish-black and about 3 mm long, at the tips are short-triangular, translucent attachments with a length of 0.5-0.8 mm. The branches of the stylus are short and rather dull, with a length of 0.5 mm.
Appropriate uploading of three pictures for the third anniversary of The Mens Dept. It's such a pleasure to participate in this event, it's always so much fun!
This month, the couples pose Attachment, and singles, Stillness, are available at half off, though Trinetty shot the signature all off for Stillness! Enjoy!
Oil on Stonehenge paper, 30 x 22 inches (76.2 x 55.9 cm)
Website: pamelaspeight.com/
Attachment Object One, Two and Three are a group of images based on rusted metal industrial relics found while digging in the garden, rather beautiful in their simplicity of form and function. They are the cast-offs of previous inhabitants, much like artifacts unearthed during an archaeological excavation. These particular objects were large, sharp nails or tools used to join one material to another. The title of this series is also a metaphor for our infatuation with things, our addiction to outcomes, and the detritus we may unwittingly leave behind.
Oil on Stonehenge paper, 30 x 22 inches (76.2 x 55.9 cm)
Website: pamelaspeight.com/
Attachment Object One, Two and Three are a group of images based on rusted metal industrial relics found while digging in the garden, rather beautiful in their simplicity of form and function. They are the cast-offs of previous inhabitants, much like artifacts unearthed during an archaeological excavation. These particular objects were large, sharp nails or tools used to join one material to another. The title of this series is also a metaphor for our infatuation with things, our addiction to outcomes, and the detritus we may unwittingly leave behind.